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  • L.A. Woman L.A. Woman Quick View

    $24.99
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    L.A. Woman

    Ranked 362/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Released shortly before Jim Morrison's death in Paris, 1971's L.A. Woman was the first Doors album too not feature production from long time collaborater Paul Rothchild. The rawer, more live feel marks a return to the blues roots from which the band originally emerged and it delivered the signature songs Love Her Madly, Riders On The Storm and the title track.

    1. The Changeling
    2. Love Her Madly
    3. Been Down So Long
    4. Cars Hiss By My Window
    5. L.A. Woman
    6. L'America
    7. Hyacinth House
    8. Crawling King Snake
    9. The Wasp (Texas Radio And The Big Beat)
    10. Riders On The Storm
    The Doors
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Doors The Doors Quick View

    $54.99
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    The Doors

    Ranked 42/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.

    Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings


    Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!



    The Doors self-titled 1967 release famously contains some incorrect speed and pitch issues. While there have been "corrected" versions made, in the interests of being historically accurate, this Analogue Productions reissue was cut without speed or pitch correction.


    Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings as well as The Doors, Strange Days, Waiting For The Sun and L.A. Woman on Hybrid multi-channel SACD, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.


    Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.


    The Doors exploded onto the music scene in 1967 with their epic debut, introducing the world to their unique blend of rock, blues, jazz and flamenco styles arranged around Jim Morrison's deep resonate voice and poetic lyrics. The is widely considered the band's masterwork and it contains some of their most beloved songs, including Break On Through (To The Other Side), Light My Fire, Back Door Man and The End. Here on 200g 45RPM 2LP.



    This title is not eligible for discount.

    1. Break On Through (To The Other Side)
    2. Soul Kitchen
    3. The Crystal Ship
    4. Twentieth Century Fox
    5. Alabama Song (Whisky Bar)
    6. Light My Fire
    7. Back Door Man
    8. I Looked At You
    9. End Of The Night
    10. Take It As It Comes
    11. The End
    The Doors
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Other Voices Other Voices Quick View

    $24.99
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    Other Voices

    After The Doors finished recording L.A. Woman in 1971, Morrison moved to Paris, France. In the meantime, the three other members stayed behind in Los Angeles where they worked on music for what would be The Doors' seventh studio album. When the legendary singer passed away on July 3, 1971, the trio agreed to continue on, using those songs as the basis for OTHER VOICES, with Krieger and Manzarek now sharing vocal duties. Released in 1971, the album featured the two singles Tightrope Ride and Ships w/ Sails.
    1. In The Eye Of The Sun (2015 Remastered Version)
    2. Variety Is The Spice Of Life (2015 Remastered Version)
    3. Ships W/Sails (2015 Remastered Version)
    4. Tightrope Ride (2015 Remastered Version)
    5. Down On The Farm (2015 Remastered Version)
    6. I'm Horny, I'm Stoned (2015 Remastered Version)
    7. Wandering Musician (2015 Remastered Version)
    8. Hang On To Your Life (2015 Remastered Version)
    The Doors
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Strange Days Strange Days Quick View

    $54.99
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    Strange Days

    Ranked 407/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.

    Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings



    Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!


    Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings as well as The Doors, Strange Days, Waiting For The Sun and L.A. Woman on Hybrid multi-channel SACD, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.


    Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.


    Although most of the material for their 1967 sophomore album was written around the same time as their debut which was released earlier in the same year, the songs on the genre-bending Strange Days still manage to possess their own distinct and foreboding character. The equally as impressive follow-up yielded the touchstone hits "Love Me Two Times" and "People Are Strange" as well as the the fan favorites "Moonlight Drive," "Strange Days" and "When The Music's Over." Here on 200g 45RPM 2LP.



    This title is not eligible for discount.

    1. Strange Days
    2. You're Lost Little Girl
    3. Love Me Two Times
    4. Unhappy Girl
    5. Horse Latitudes
    6. Moonlight Drive
    7. People Are Strange
    8. My Eyes Have Seen You
    9. I Can't See Your Face in My Mind
    10. When the Music's Over
    The Doors
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • I'm Not The Devil I'm Not The Devil Quick View

    $24.99
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    I'm Not The Devil

    Cody Jinks was raised on country music but he cut his teeth on metal. "Metallica was king. They set the tone for me and I spent a good part of my youth wanting to be James Hetfield." After a dedicated stint as a frontman in a thrash metal band, Jinks willingly found himself back to where it all began. "My dad loved the outlaw country icons, Johnny Cash, Waylon Jennings and Merle Haggard. That never ending consistency of incredible music growing up laid some very deep seeds. I'm mean, come on nothing better than mentally diving into 'The Hag' and metal when it comes time for me to write songs."


    Always avoiding trends and ferociously choosing his direction was the only option from day one, even though that very path could have prevented success. "What is success if you can't wake up everyday being who you really are. In the end, that will catch up with you." Jinks has been tested countless times by his career choices. The better part of the last 15 years have included numerous empty bar rooms and a never ending financial loss. "Yeah, I've been pretty good at losing money. Not the greatest feeling in the world to be gone from home for long stretches of time, only to walk in the door broke. Luckily I've got a damn good woman in my life. She has stood by me with unmeasurable strength to say the least and it is an absolute fact that I seriously overplayed my hand when landing her."


    His long, dark beard and endless array of tattoos are no fad. They unquestionably define Cody Jinks. His prototypical metal/hard rock band frontman look is not a well orchestrated image, but again, define Cody Jinks. Diving into to his album, I'm Not the Devil is the perpetual truth of who he is and where he has found himself at this point in his career. "I'm just glad that I ended up where I am now," Jinks said. "It makes complete sense that I'm at this place in my life. Country music found me when I was young and chased me down as I grew older"


    Jinks' latest project is his deepest, darkest and most provocative album to date, with a metal common denominator, the apocalypse, running throughout the record. "It's a pretty scary time," Jinks said. "There are some evil people running things in the world. It hits me since I have a six and three-year old."
    There's not a weightier song than the aptly titled "Heavy Load." It's the most apocalyptic song on the album but the dense cut, with a pretty violin break, is a gorgeous tune. The vocal hook grabs ears when Jinks croons "Train Jumps Tracks Some Time Ago/You Can't Root That Heavy Load." "That was the last song I wrote on the record," Jinks said. "I couldn't be happier how that one turned out."


    "All You Can" features a pretty piano line and sobering wordplay. When Jinks belts out 'What Are You Living For," you can't help but think about the serious question posed in what is becoming an increasingly shallow existence. "I was really tired when I wrote that song," Jinks said. "We had been on the road for awhile. The bottom line is that if you're not helping people, you're not doing your job as a human being. It's time to quit feeling sorry for yourself and do something."
    One of Jinks' favorite songs on the album is "The Way I Am," a cover of a Merle Haggard classic. "I love that song," Jinks says. "I wrapped it up just before Merle died. The song always resonated with me. I relate to that one since there are times I would rather be out fishing."


    "No Words" is a stunner of a gritty, autobiographical love song, which is a throwback to how songs used to be written. It is a tuneful gem, inspired by reality. Jinks starts out dark as night. "My Whole View of the World has Changed/ I Guess that Comes with Age/I Don't Believe there is Good in Every Man Like I Did Back Then/I May Drink More Than I Should/You've Seen Me on the Floor/I Spent my Lifetime in this Cage I Built Around Me." But the song is actually a tip of the hat to his beloved wife of 19 years. "There Aint' No Words/ To Say How Much I Need You/With You Here/ You Make This Life I Lead Worth Living." "It's about my wife," Jinks says. "But the funny thing is that she doesn't like it. She thinks it sounds too sad."


    With the title track "I'm Not the Devil," Jinks wakes us all up to the realities of mistakes and the heartfelt desire to be forgiven. "We are all guilty of mistakes and very guilty of pointing out the mistakes of others. Forgiveness feels so much better or so I think."


    It's impressive how Jinks is getting his message across. Jinks utilizes space well in his songs. Notes aren't crammed in. Jinks lets his songs breathe. "After all I've experienced, I think I've matured," Jinks says. "I think you can hear it in the music. I've grown up."


    Even though he still looks the part of the headbanger he was back in the day, he has moved on. "It's all for the best, Jinks says. "I'm where I was meant to be."


    It's all about the music and the fans, who are the fuel that drives Jinks. "They come out night after night giving up hard earned money and precious time to see me play," Jinks says. " It's truly is amazing when you really think about it. The best way I can say thanks is by giving back with effort and gratitude."

    1. The Same
    2. I'm Not the Devil
    3. No Guarantees
    4. No Words
    5. Give All You Can
    6. She's All Mine
    7. The Way I Am
    8. Chase That Song
    9. Heavy Load
    10. Grey
    11. Church at Gaylor Creek
    12. Vampires
    13. Hand Me Down
    Cody Jinks
    $24.99
    Vinyl LP - Sealed Buy Now
  • One From The Heart One From The Heart Quick View

    $34.99
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    One From The Heart

    Numbered, Limited Edition


    Tom Waits and Crystal Gale Create Magic Together on Waits' Most Accessible Outing


    Small Combo Band Provides Jazzy and Bluesy Support


    Stupendous Sonics: Music Largely Recorded Live on Studio Floor


    One From the Heart ranks among the best soundtracks in history. Essential for any Tom Waits or Crystal Gayle devotee, it sets an example of what's not only possible, but should be expected and demanded, when two likeminded artists collaborate. Heartstrings are tugged, passions kindled and lost, sentiments exchanged, skeletons dragged out of closets, seasons changed, romantic truisms cited. And its wide-open sound is supreme, the result of most tracks being recorded live in the studio, free of after-effects and interference.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g LP presents the Academy Award-nominated One From the Heart in stunning sonic relief. You'll be able to gauge the signature tones of the guitars and hear inside the cavity of Waits' piano. Perhaps most importantly, Gayle and Waits' voices now sound just feet away, with your room converted into the world's coolest late-night lounge. Spatial cues, background accents, and studio dimensions emerge with striking realism.


    Inspired by a track Waits cut with Bette Midler on his Foreign Affairs effort, One From the Heart overflows with simpatico chemistry, poignant contrast, elegant atmospherics, and awestruck intimacy. On their four vocal duets, Gayle and Waits inhabit the personas of a man and woman breaking apart yet sharing common bonds. Their singing plumbs emotional depths that traverse melancholy, sensuality, and understanding. Made before Waits' baritone turned into a deep, gravel-laden instrument, the songs are more smoke than whiskey, more piano-man empathy than hipster growler.


    Written by Waits, the music occupies a common ground between laidback small-combo jazz, lounge pop, and downbeat blues. Classy string orchestrations abet a crack ensemble comprised of saxophonist Terry Edwards, drummer Shelly Manne, pianist Pete Jolly, bassist Greg Cohen, and others. The arrangements seamlessly melt into both vocalists' leads, allowing every note-every piano clink, acoustic bass ripple, brushed snare drum-to register with utmost magnitude.


    Experienced on stunning soliloquy pieces such as Gayle's mournful ballad "Is There Any Way Out of This Dream?" and back-and-forth collaborative efforts like the breakup take "Picking Up After You," beautiful instrumentation, spacious production, and flawless vocal phrasing take hold. You can picture the broken dreams exiting out the side doors of the dim bars and abandoned houses that pepper the narratives. Renowned for his sad songs, Waits has never been in better form, the goodbye fare clicking with unflinching honesty and personality.


    This title is not eligible for discount.

    1. Opening Montage: Tom's Piano Intro/Once Upon a Town
    2. Is There Any Way Out of This Dream?
    3. Picking Up After You
    4. Old Boyfriends
    5. Broken Bicycles
    6. I Beg Your Pardon
    7. Little Boy Blue
    8. Instrumental Montage: The Tango/Circus Girl
    9. You Can't Unring a Bell
    10. This One's From the Heart
    11. Take Me Home
    12. Presents
    Tom Waits
    $34.99
    Vinyl LP - Sealed Buy Now
  • The Edge of Seventeen Soundtrack The Edge of Seventeen Soundtrack Quick View

    $40.99
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    The Edge of Seventeen Soundtrack

    Pressed On 180-Gram Audiophile Vinyl


    First Pressing Of 750 Numbered Copies On Orange Vinyl, Black Vinyl Thereafter


    Housed In A Gatefold Sleeve


    Includes Exclusive Poster


    PVC Protective Sleeve


    OST Of The Brand New 2016 Movie, Featuring Hailee Steinfeld & Woody Harrelson


    Great Tracks By Santigold, Anderson Paak, Two Door Cinema Club, Aimee Mann, Miike Snow, Handsome Poets, Phantogram, Angus & Julia Stone, Birdy A.O.


    The Edge of Seventeen is a new coming-of-age movie in the vein of Sixteen Candles and The Breakfast Club - an honest, candid, often hilarious look at what it's like to grow up as a young woman in today's modern world.


    Everyone knows that growing up is hard, and life is no easier for high school junior Nadine (Hailee Steinfeld), who is already at peak awkwardness when her all-star older brother Darian starts dating her best friend Krista. All at once, Nadine feels more alone than ever, until the unexpected friendship of a thoughtful boy gives her a glimmer of hope that things just might not be so terrible after all.


    The Edge of Seventeen marks the feature directorial debut of writer-director Kelly Fremon Craig, and is produced by Academy Award® winner James L. Brooks - the filmmaker behind big-screen, character-driven classics such as Terms of Endearment, Broadcast News, Big, Say Anything, The Simpsons, Jerry Maguire and As Good as It Gets.


    The film is getting plenty of comparisons to the John Hughes' The Breakfast Club, but it's mostly modern soundtrack helps set it apart from those 80s classics: Santigold's new rollicking Who I Thought You Were, a standout off this year's 99¢, opens the movie and a pivotal party scene is filled with tracks by festival favorites like Two Door Cinema Club and Anderson .Paak.


    Furthermore the soundtrack of the film features a hearty and exciting mix of talents as diverse as Aimee Mann, Phantogram, Birdy, Handsome Poets, Miike Snow and others.

    LP 1
    1. Who I Thought You Were - Santigold
    2. Ballroom Blitz - The Struts
    3. Am I Wrong - Anderson.Paak Ft. Schoolboy Q
    4. Bad Decisions - Two Door Cinema Club
    5. Psycho - A$ap Ferg Save Me - Aimee Mann
    6. Genghis Khan - Miike Snow
    7. Don't You Wait - Cloves
    8. The D*head Song - Miles Betterman


    LP 2
    1. Somebody Else - The 1975
    2. When They Fight, They Fight - Generationals
    3. Hard Luck - Black Pistol Fire
    4. When I'm Small - Phantogram
    5. Big Jet Plane - Angus & Julia Stone
    6. To Build A Home - The Cinematic Orchestra
    7. Sky On Fire (Eo17 Remix) - Handsome Poets
    8. Ghost In The Wind - Birdy
    9. Nadine's Theme - Atli Örvarsson
    10. The Hug - Atli Örvarsson

    Various Artists
    $40.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • In The Wilderness In The Wilderness Quick View

    $22.99
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    In The Wilderness

    Stranger Cat is the new project from Cat Martino, Sufjan Stevens' right hand woman for
    the Age of Adz tour and record, as well as All Delighted People. Cat was also a recording
    and touring member of Sharon Van Etten's band circa Epic. She appeared with The Shins
    on SNL and Williamsburg Park, played in Passion Pit at Governor's Ball, and sings on the
    Son Lux record Lanterns. She has had the pleasure to support Indians, Night Beds, Rufus
    Wainwright, Marissa Nadler, Black Rebel Motorcycle Club, and Patrick Watson.


    Cat retreated from Brooklyn, NY to winter in the Sierra Foothills to write and record
    songs emerging from loops using her voice, synths, and percussion. With her pedal chain
    and gear in a small cottage she explored the gamut from ethereal to turbulence. Simple
    melodies or beats became powerful walls of sound melting through snowstorms, howling
    winds and stark silence nestled inside gargantuan oaks and the infinite starry dome.
    Joined by Sven Britt for a week, each of them traded making beats, or melodic parts on
    casios, synths, guitars, branches and spoons, while the other recorded. Often a cat would
    come to the door to listen, meowing to be let in. When it appeared daily they called it
    Stranger Cat, and observed its alien supernatural powers, as she'd heard tell of the
    Foothills' long history of UFO sightings and ghost haunts. One day they let Stranger Cat
    in. The plump feline ate all the kitty food and left.


    Out of this adventure was born In The Wilderness, the duo's debut full-length out on Joyful Noise Recordings

    1. Empty Little Word
    2. Sirens
    3. I Lost It
    4. Fig Tree
    5. In The Wilderness
    6. Remember Me
    7. Unzip Your Skin
    8. Ecstatic Energy
    9. R.E.D.
    10. I Promise
    Stranger Cat
    $22.99
    Vinyl LP - Sealed Buy Now
  • Pearl (Awaiting Repress) Pearl (Awaiting Repress) Quick View

    $49.99
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    Pearl (Awaiting Repress)


    1971's Pearl Showcases Janis Joplin at Her Peak: Chart-Topping Record Includes Hits Me and Bobby McGee, Mercedes Benz, and Get It While You Can


    Mastered From the Original Master Tapes: Mobile Fidelity 45RPM Pressing is Definitive-Sounding Analog Version of Masterpiece Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time


    Joplin Displays Balance of Impeccable Timing, Devastating Vulnerability, and Raw Emotion: Full Tilt Boogie Band, Producer Paul Rothchild Complete Album Steeped in Soul and Loaded With Spirit


    Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer that knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work. Mobile Fidelity's 180g 45RPM 2LP presents the lasting artwork like never before.


    Mastered from the original master tapes, cut at 45RPM, and pressed on dead-quiet vinyl at RTI, the iconic audiophile label's analog reissue takes Joplin and Co.'s stupendous performances to newly transcendent levels. Boasting a fidelity that further magnifies the singer's passion and producer Paul A. Rothchild's clear production, this pressing benefits from increased spaciousness, dynamics, and openness afforded by the wider grooves. Joplin's husky, strong, and penetrating singing has never sounded so vibrant or made deeper connections. Warm, organic, and free of any artificial ceilings, this version lets you step into Sunset Sound Recorders with the performers, such is the degree of realism and authenticity. Indeed, few, if any words, describe Joplin better than authentic, and her spirit comes to life on this 2LP set in positively transcendent fashion. Like its headliner, this pressing leaves it all on the floor.


    While Joplin's electrifying vocal prowess is universally lauded - she's recognized as the greatest white female blues singer the world has ever seen - her mix of compassion, confidence, and charm play as large a role in attracting listeners and keeping them ensnared more than four decades after her tragic death. And on Pearl, she burrows into deeper stylistic veins, teasing out sides of her persona and craft she'd never previously displayed. Her signature desperation, sadness, and vulnerability remain - the harrowing, lonely wail that begins her soul-ravishing take on Jerry Ragovoy's Cry Baby, underlined with a Wall of Sound-like piano accompaniment, could only come from a person severely scarred by loss and disappointment - yet Joplin also reveals a sense of humor and beatnik innocence that helped propel the album to the top of the charts for nine straight weeks.


    Playfully introduced as a song of great social and political import, the acapella Mercedes Benz reflects Joplin's throaty timbre as well as her enhanced, sunnier mood. Similarly, her definitive read of Kris Kristofferson's Me and Bobby McGee signals a laidback demeanor and a move into country strains, with the delivery as natural, carefree, and loving as any in the rock canon. As she does throughout the record, Joplin invests her all in the narrative so that there's no line between the performer and the song. She makes everything on Pearl feel autobiographical, and by extension, gut-wrenchingly honest, and devastatingly intimate. Joplin achieved these feats often during her brief career, yet there are differences on Pearl, chiefly among them her balance of impeccable timing and raw emotion. Heart-aching anthems such as A Woman Left Lonely offer both grit and control, subtlety and attack, resulting in cathartic releases distinguished with originality, personality, and instinctual passion.


    Pearl remains Joplin's finest hour, with credit also owed to the Full Tilt Boogie Band - the only group she ever considered to be her own - as well as the Doors alum that sat behind the boards. Joplin and Rothchild both admitted to sharing a common bond and understanding, with the latter inheriting the role of teacher and Joplin, a willing student ready to discover how she could use her voice in new, more expressive ways. The fruits of the pair's labors fill Pearl, be it the guardedly optimistic Get It While You Can or assertive, fleet-footed Move Over.


    Experienced in the new light brought to fore by this definitive Mobile Fidelity analog edition, Joplin's swan song is no longer about a masterpiece that its creator never lived to see finished. Rather, it's about a once-in-a-lifetime vocalist realizing mammoth potential and wringing passion out of every note. It's not a tragedy, but a triumph. Get it while you can.


    This title is not eligible for discount.

    1. Move Over
    2. Cry Baby
    3. A Woman Left Lonely
    4. Half Moon
    5. Buried Alive In The Blues
    6. My Baby
    7. Me And Bobby McGee
    8. Mercedes Benz
    9. Trust Me
    10. Get It While You Can
    Janis Joplin
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Holding All The Roses Holding All The Roses Quick View

    $25.99
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    Holding All The Roses

    I think that this record does a really good job of conveying what we do and what we're about, Blackberry Smoke singer-guitarist-songwriter Charlie Starr says of Holding All the Roses, the band's fourth studio album and its first Rounder release. Indeed, Holding All the Roses compellingly captures the energy, attitude and honesty that have already helped to make Blackberry Smoke one of America's hottest live rock 'n' roll outfits, as well as a grass-roots phenomenon with a large and fiercely loyal fan base that reflects the band's tireless touring regimen and staunch blue-collar work ethic.


    The 12-song set-produced by Brendan O'Brien, whose previous production clients have included AC/DC, Aerosmith, Pearl Jam, Bruce Springsteen and Neil Young-showcases the Atlanta-based quintet's emotion-charged mix of bluesy rock, gospel soul, and country, with Starr's raspy twang matched by his and Paul Jackson's snarling guitars, Brandon Still's hauntingly expressive organ and piano, and the propulsive sibling rhythm section of Richard and Brit Turner. The songs' musical and emotional appeal is further elevated by the band's three-part vocal harmonies and expanded arrangements that make judicious use of fiddle and added percussion.


    The five musicians' instinctive musical rapport manifests itself equally strongly on such surging rockers as Let Me Help You (Find the Door), Living in the Song and Wish In One Hand, and on such intimate, introspective tunes as Woman in the Moon, Too High and the stirring, acoustic-textured No Way Back to Eden. The album's musical and emotional depth demonstrates how Blackberry Smoke continues to extend and expand the Southern rock tradition.

    1. Let Me Help You (Find the Door)
    2. Holding All the Roses
    3. Living in the Song
    4. Rock and Roll Again
    5. Woman in the Moon
    6. Too High
    7. Wish in One Hand
    8. Randolph County Farewell
    9. Payback's a Bitch
    10. Lay It All on Me
    11. No Way Back to Eden
    12. Fire in the Hole
    Blackberry Smoke
    $25.99
    Vinyl LP - Sealed Buy Now
  • Shakara Shakara Quick View

    $19.99
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    Shakara

    Shakara is one of a clutch of early 1970s albums - also among them this box's Fela's London Scene and Afrodisiac - on which Fela's Afrobeat transitioned from foetal stage to something approaching full-grown form. Shakara (1971) includes three of mature Afrobeat's signature ingredients. There are two guitarists, rhythm guitarist Tutu Shoronmu and tenor guitarist Segun Edo. The pair's repetitive, interlocking riffs - part melody, part rhythm - play a similar role to the rhythm and mi-solo guitars used in contemporary Congolese rumba. Fela's Broken English lyrics extend his music's audience beyond Yoruba speakers and make his words understandable across Anglophone Africa. And female backing vocalists echo Fela's lead vocals in what was to become Afrobeat's trademark call-and-response pattern. On release, Shakara's B-side, "Lady," was jumped on by the Nigerian press as Fela's contribution to a "war between the sexes." "I want tell you about lady-o," Fela sang. "She go want take cigar before anybody, she go want make you open the door for am, she go want the man wash plate for her for kitchen, she want sit down for table before anybody." By contrast: "Africa woman, she know the man na master, she go cook for him, she go do anything for him .But lady no be so, lady na master." "Lady," like 1975's "Mattress," has been interpreted by some as "anti-women." It was certainly in conflict with European feminist thought. However the lyric is interpreted, Fela was arguing from the particular in order to highlight the general: the adoption of European social habits to the detriment of African culture. Fela would address African men in similar fashion in "Gentleman" in 1973, lampooning their adoption of European suits, shoes and ties - which caused them to "smell like shit" in the African heat - before returning to the women in 1976 in "Yellow Fever," a song about the fashion for skin whitening creams. "Shakara" is a mainly instrumental track, with a brief lyric, sung in Yoruba, warning against boasters and braggarts. Up-tempo, with a suitably turbulent horn arrangement, it includes strong solos from Fela on keyboards and the fearsome Igo Chico on tenor saxophone.
    1. Lady
    2. Shakara (Oloje)
    Fela Kuti
    $19.99
    Vinyl LP - Sealed Buy Now
  • Stonedhenge Stonedhenge Quick View

    $24.99
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    Stonedhenge

    A Premium RTI Pressing, From The Original U.K. Mono Masters

    Ten Years After's eponymous debut hit the door with a loud thud. Undead cracked it. And with 1969's Stonedhenge, they knocked it down with authority, stormed the palace and showed the world that they were indeed a major act. Stonedhenge was where Ten Years After really came into their own with originals. "Hear Me Calling" is brilliant modern blues on par with the best of early Fleetwood Mac, rising from a restrained beginning to all-out rocking before repeating the cycle one last time. "Going to Try" explores similar territory, even venturing into a Middle-Eastern inspired section underscored by randomized percussion overdubs and Chick Churchill's psychedelic organ. "Woman Trouble" is stirring jazzy blues, and on "No Title," the band really cuts loose - kicking off with a standard blues lament before unleashing a series of solos that are almost songs unto themselves: Alvin Lee's power-chord solo making way for Churchill's spooky organ making way for a badass jam between drummer Ric Lee and bassist Leo Lyons. The band was running like a freight train - and in fact, train noises grace the beginning of album finale "Speed Kills," a bluesy boogie that pushes the meter straight into the red before the thrill-ride literally comes to a screeching halt. But not before the album fully displays the band's world-class musicianship and songwriting, which made Stonedhenge a hit in the UK and gave Ten Years After their first-ever Billboard Top 100 entry, at a respectable #61 in April 1969. In turn, it paved the way for the band's acclaimed performance at Woodstock, which ensured regular placement on the album charts for years to come.

    For now, dig the first vinyl reissue of the ultra-rare mono mix of Stonedhenge, housed in its original gatefold cover artwork and meticulously mastered for the most discerning listener.

    Now Sundazed proudly presents the searing guitar of Alvin Lee & Chick Churchill's haunting organ textures as they were meant to be heard, from the original U.K. MONO masters and pressed on premium RTI vinyl!

    1. Going To Try
    2. I Can't Live Without Lydia
    3. Woman Trouble
    4. Skoobly-Oobly-Doobob
    5. Hear Me Calling
    6. A Sad Song
    7. Three Blind Mice
    8. No Title
    9. Faro
    10. Speed Kills
    Ten Years After
    $24.99
    Vinyl LP Mono - Sealed Buy Now
  • Parts Of Speech (Awaiting Repress) Parts Of Speech (Awaiting Repress) Quick View

    $17.99
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    Parts Of Speech (Awaiting Repress)

    From its first track, Dessa's new full-length Parts of Speech announces itself as something different. The Doomtree veteran and inveterate wordsmith - having proved her mettle in the fields of creative non-fiction, spoken-word and hip-hop - jettisons all genre expectations on "The Man I Knew" and croons a heartbreaking lament to a disintegrating relationship at an explosively-building clip.


    From this moment on Dessa - oft-described as "Mos Def plus Dorothy Parker" for the wit and flow shown off on previous solo albums A Badly Broken Code and Castor, The Twin - proves she has truly coalesced as an artist, transcending the restrictions of genre to reveal an astonishing multi-platform voice.


    "I wanted to investigate the idea that a cohesive record isn't always made cohesive by having twelve songs that sound the same. I figured when you make a mixtape for a friend, you can get away with a range of genres and a lot of dynamic change. Why can't I approach an album like that? The sequence has to be just right, and we worked hard to nail it, but the thing that holds this record together is the sensibility of the lyrics, rather than a uniform theme."


    Track two kicks off a stunning hat-trick of the record's standout numbers. "Call Off Your Ghost" is an admittedly haunting dirge on the "struggle for grace in the wake of a long relationship." An arena-sized chorus tucked into a melancholy lullaby, "Ghost" has that unique ability to perfectly soundtrack new love or bitter breakup at the same time.


    Dessa then puts her fists up for "Warsaw." The track boasts a beat like Azealia Banks playing Pacman, which provides a background for our emcee's confident, hypnotic flow. Narrative takes a backseat to mood here, as Dessa spits impressionistic one-ups like "I sleep with both eyes open, standing up," daring you to blink first.


    "Skeleton Key" contains Parts of Speech's mission statement: "I haven't met a locked door yet." An ode to female self-reliance that doesn't waste ambiance for message, the track plays like a great, lost M. Night Shyamalan movie, calling forth an era out of time in the story of a woman, a key and a bottomless reserve of courage.


    "This record involves multiple narratives. It explores the same themes of love, loss, connection and communion as a lot of my work, but the angle and lens through which they're explored sets this album apart from my previous ones. The production techniques were new for me too - we spent a lot of time crafting a record that could include live players, Doomtree production, and sometimes a blend of the two."


    While the album is born of Dessa's artistic vision, it benefits from the collaboration of her varied friends. Parts of Speech owes much of its impact to its diverse production. Dessa got her start as a member of Minneapolis hip-hop collective Doomtree - eventually going on to help manage the group's business affairs as they launched their own label - and members Lazerbeak and Paper Tiger lend their production to several tracks.


    The players in Dessa's live ensemble all contributed to the record, as did several top-flight Minneapolis musicians working in rock, folk, and opera. She even enlisted a cellist she found on Pandora to make the gorgeously-layered foundation of penultimate track "It's Only Me."

    1. The Man I Knew
    2. Call Off Your Ghost
    3. Warsaw
    4. Skeleton Key
    5. Dear Marie
    6. I'm Going Down
    7. Fighting Fish
    8. The Lamb
    9. Beekeeper
    10. Annabelle
    11. It's Only Me
    12. Sound the Bells
    Dessa
    $17.99
    Vinyl LP - LP Sealed AWAITING REPRESS Buy Now
  • Goin' Platinum Goin' Platinum Quick View

    $19.99
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    Goin' Platinum

    And now we have Goin' Platinum!, the newest effort from the soon-to-be legendary soul singer Robert Finley and his crack band of geniuses. From the lovelorn bombast of If You Forget My Love to the soul-stirring Medicine Woman, and the home-on-the-road ripper Empty Arms to the yearning Honey Let Me Stay the Night, all capped by the epic closer Holy Wine, featuring Finley's ethereal falsetto, Finley's performance left Dan Auerbach speechless-as it will anyone who lays ears to it.


    As for the album title, Dan Auerbach gives all credit to Finley and his huge but wholly considerate personality. He was just beaming from the second he walked in the door, Auerbach says. Every time he'd listen to playback, he'd say, 'It's goin' platinum.' That was his catch phrase.

    1. Get It While You Can
    2. Medicine Woman
    3. If You Forget My Love
    4. Three Jumpers
    5. Honey, Let Me Stay the Night
    6. You Don't Have to Do Right
    7. Complications
    8. Real Love Is Like Hard Time
    9. Empty Arms
    10. Holy Wine
    Robert Finley
    $19.99
    Vinyl LP -Sealed Buy Now
  • The Soft Parade (Out Of Stock) The Soft Parade (Out Of Stock) Quick View

    $54.99
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    The Soft Parade (Out Of Stock)

    Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.

    Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings



    Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!


    Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings as well as The Doors, Strange Days, Waiting For The Sun and L.A. Woman on Hybrid multi-channel SACD, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.


    Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.


    The Doors mined new territory with their 1969 release, The Soft Parade incorporating brass, strings and even a full orchestra into the mix, albeit with the same results as it became their fourth Top 10 album in a row. The album climbed all the way to #6 on the strength of the huge hit Touch Me. Here on 200g 45RPM 2LP.



    This title is not eligible for discount.

    1. Tell All the People
    2. Touch Me
    3. Shaman's Blues
    4. Do It
    5. Easy Ride
    6. Wild Child
    7. Runnin' Blue
    8. Wishful Sinful
    9. The Soft Parade
    The Doors
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Temporarily out of stock
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