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  • Dvorak: Cello Concerto; Bruch: Kol Nidrei Dvorak: Cello Concerto; Bruch: Kol Nidrei Quick View

    $18.99
    Buy Now
    x

    Dvorak: Cello Concerto; Bruch: Kol Nidrei

    Newly presented on 180g heavyweight vinyl, Decca are proud to present an iconic Mercury Living Presence album
    from the analogue era back on vinyl. Presented with original artwork and pressed at Optimal GmbH, each release
    has been carefully mastered from the original Decca analogue tapes at Abbey Road Studios.


    This LP includes Dvorak's Cello Concerto and Bruch's Kol Nidrei performed by Janos Starker with the London Symphony Orchestra conducted by Antal Doráti.

    1. Allegro
    2. Adagio ma non troppo
    3. Finale (Allegro moderato)
    4. Kol Nidrei, Op.47
    Janos Starker / London Symphony Orchestra / Antal Dorati
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Copland - Appalachian Spring / Billy The Kid (Speakers Corner) Copland - Appalachian Spring / Billy The Kid (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Copland - Appalachian Spring / Billy The Kid (Speakers Corner)

    Aaron Copland is among those Americans whose compositions have found worldwide recognition. Measured against his long lifespan (1900-1990), his creative phase was relatively short, and indeed he hardly composed at all from the Sixties onwards. His most important works were his answer to the musical crisis of the Thirties, and he has gone down in history as having greatly influenced the development of New Music in the USA.



    The ballets Appalachian Spring (1944) and Billy the Kid (1938) are considered to be key works of their day. Both have folkloric traits, which brought Copland the reputation of having a penchant for borrowed melodies. In reality, the well-known tunes are very subtly treated and modified, and are incorporated into large-scale, defined forms. Now and again, melodic echoes of Mahler's music or highly rhythmic exposed passages reminiscent of Stravinsky flash through. The ballet Billy the Kid is thoroughly American. Arranged in orchestral 'wide-screen sound', as it were, cowboy melodies glow with the very best Wild West tradition, and are bedded in a dramaturgy which is almost ripe for a film soundtrack. The signal to Hollywood is virtually unmistakable. That is America.




    Recording: June 1961 by C.R. Fine and Robert Eberenz

    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    Copland: Appalachian Spring, Billy the Kid - The London Symphony Orchestra conducted by Antal Dorati
    Antal Dorati with the London Symphony Orchestra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stravinsky: The Firebird Stravinsky: The Firebird Quick View

    $21.99
    Buy Now
    x

    Stravinsky: The Firebird

    Antal Dorati was a veteran ballet conductor and a personal friend of Stravinsky. His recording of The Firebird was a legend in its own time... All of Stravinsky's complete ballets--as opposed to the suites-- have dead spots, moments when the music sort of stops and lurches about, illustrating something happening onstage. That's why the composer made the suites in the first place. However, many of his most fascinating orchestral ideas occur precisely in these dead spots, which is why many conductors and audiences prefer the works complete. Trust Dorati: he's the most reliable guide to this music, and his orchestra gives him a virtuoso response. --David Hurwitz
    1. Igor Stravinsky - The Firebird Suite
    Antal Dorati & The London Symphony Orchestra
    $21.99
    Vinyl LP - Sealed Buy Now
  • Stravinsky - Petruchka (Speakers Corner) Stravinsky - Petruchka (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Stravinsky - Petruchka (Speakers Corner)

    Petrushka was born of Stravinsky's vision of a long-haired musician hammering indiscriminately at the piano keys and engaging in a furious contest with the orchestra which »answers with vehement protests and acoustic fisticuffs«. As was the case with The Rite of Spring and The Firebird, Sergei Diaghilev and his Russian ballet had their share in ensuring that the 'burlesque' in four scenes would be suitable for the stage.
    The clown-doll Petrushka revels in his spiteful teasing and pranks at the Shrovetide fair.


    The orchestra contributes swirling dance figures, blaring brass and scurrying strings to his high-spirited clownery - but then the Moor enters and dances with the Ballerina, arousing jealousy in Petrushka. Although the clown-doll does not survive this bitter-sweet story, he triumphs at the end, his ghost mocking the crowd at the fair.
    This highly inventive music combines folksong, popular music and the waltz, all bound together by exhilating rhythms which are often taken to thunderous extremes. With its outstanding sound, this recording is a must-have in any Stravinsky collection.


    Recording: May 1959 at the Northrop Memorial Auditorium, Minnesota, USA, by C.R. Fine
    Production: Wilma Cozart-Fine and Clair Van Ausdall


    Musicians:



    • Antal Dorati (conductor)

    • Igor Stravinsky (composer)

    • The Minneapolis Symphony Orchestra



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Petrouchka - Burlesque Scenes In Four Tableaux - The Shrovetide Fair; Russian Dance
    2. Petrouchka - Burlesque Scenes In Four Tableaux - In Petrouchka's Room
    3. Petrouchka - Burlesque Scenes In Four Tableaux - In The Moor's Room; Dance Of The Ballerina And The Moor
    4. Petrouchka - Burlesque Scenes In Four Tableaux - Grand Carnival - Dance Of Gypsies, Coachmen And Grooms; The Maskers; Death Of Petrouchka
    Stravinsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dada - Surrealism Dada - Surrealism Quick View

    $18.99
    Buy Now
    x

    Dada - Surrealism

    Backed by The London Symphony Orchestra, Antal Dorati conducts the orchestral music of French composers from 1917-1938 on this classic reissue, originally released in 1967.
    1. Le Boeuf Sur Le Toit - Darius Milhaud
    2. Presto Legggiero - Jean Françaix
    3. Lent - Jean Françaix
    4. Allegro; Rondeau - Jean Françaix
    5. Ouverture - Georges Auric
    6. Parade - Eric Satie
    Antal Dorati & The London Symphony Orchestra
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rachmaninov: Piano Concerto No.3 in D Minor Rachmaninov: Piano Concerto No.3 in D Minor Quick View

    $21.99
    Buy Now
    x

    Rachmaninov: Piano Concerto No.3 in D Minor

    Byron Janis, London Symphony Orchestra, Antal Doráti

    Rachmaninov: Piano Concerto No.3 in D Minor
    1. I Allegro Ma Non Troppo
    2. II Intermezzo: Adagio
    3. III Finale: Alla Breve
    Byron Janis, London Symphony Orchestra, Antal Doráti
    $21.99
    Vinyl LP - Sealed Buy Now
  • Vienna 1908-1914 Vienna 1908-1914 Quick View

    $21.99
    Buy Now
    x

    Vienna 1908-1914

    Backed by The London Symphony Orchestra, Antal Dorati conducts the orchestral music of Austrian composers from 1908-1914 on this classic reissue, recorded in 1962.
    Five Pieces For Orchestra, Opus 16 - Composed By Arnold Schoenberg
    1. VorgefÜhle (Premonitions)
    2. Vergangenes (Yesteryears)
    3. Sommermorgen An Einem See (Summer Morning By A Lake)
    4. Peripetie (Peripetia)
    5. Das Obligate Rezitativ (The Obligatory Recitative)
    Five Pieces For Orchestra, Opus 10 - Composed By Anton Webern
    6. Sehr Ruhig Und Zart
    7. Lebhaft Und Zart Bewegt
    8. Sehr Langsam Und Äusserst Ruhig
    9. Fliessend Äusserst Zart
    10. Sehr Fliessend
    Three Pieces For Orchestra, Opus 6 - Composed By Alban Berg
    11. PrÄeludium (Preludio)
    12. Reigen (Round Dance)
    13. Marsch (March)
    Antal Dorati & The London Symphony Orchestra
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Prokofiev: Love For Three Oranges Suite Prokofiev: Love For Three Oranges Suite Quick View

    $54.99
    Buy Now
    x

    Prokofiev: Love For Three Oranges Suite

    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!

    Antal Dorati conducts the London Symphony Orchestra for this unsurpassed performance of the Scythian Suite and Love For Three Oranges Suite by Prokofiev.

    Features:

    • Numbered Deluxe Laminated Double Gatefold Jackets

    • Only 2500 Numbered Limited Edition Copies Worldwide!

    • Audiophile 180 gram, 45rpm Vinyl • Double LP

    • Pressed at RTI

    • Mastered by Bernie Grundman from the Original Analog Master Tapes!

    Musicians:

    London Symphony Orchestra

    Antal Dorati, conductor



    This title is not eligible for discount.

    Sergie Prokofiev (1891-1953)
    1. Love For Three Oranges Suite
    2. Scythian Suite
    Antal Dorati
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Stravinsky: The Firebird (Pre-Order) Stravinsky: The Firebird (Pre-Order) Quick View

    $54.99
    Buy Now
    x

    Stravinsky: The Firebird (Pre-Order)


    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Antal Dorati conducts the London Symphony Orchestra for this 1960 recording of Stravinsky's Firebird Suite.


    Features:

    • Numbered Deluxe Laminated Double Gatefold Jackets

    • Only 2500 Numbered Limited Edition Copies Worldwide!

    • Audiophile 180g, 45rpm Vinyl

    • Double LP

    • Pressed at RTI

    • Mastered by Bernie Grundman from the Original Analog Master Tapes!


    Musicians:

    London Symphony Orchestra

    Antal Dorati, conductor


    Recorded 1960


    This title is not eligible for discount.

    1. Igor Stravinsky - The Firebird Suite
    Antal Dorati & The London Symphony Orchestra
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Brahms Violin Concerto In D Major (Pre-Order) Brahms Violin Concerto In D Major (Pre-Order) Quick View

    $54.99
    Buy Now
    x

    Brahms Violin Concerto In D Major (Pre-Order)


    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Violinist Henryk Szeryng is joined by The London Symphony Orchestra conducted by Antal Dorati for this recording of Brahms' Violin Concerto in D Major.


    Features:

    • Numbered Deluxe Laminated Double Gatefold Jackets

    • Only 2500 Numbered Limited Edition Copies Worldwide!

    • Audiophile 180g, 45rpm Vinyl

    • Double LP

    • Pressed at RTI

    • Mastered by Bernie Grundman from the Original Analog Master Tapes!


    Musicians:

    Henryk Szeryng, violin

    The London Symphony Orchestra

    Antal Dorati, conductor


    This title is not eligible for discount.

    Brahms
    1.Violin Concerto in D Major
    Antal Dorati & The London Symphony Orchestra
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Respighi Ancient Dances And Airs For Lute (Pre-Order) Respighi Ancient Dances And Airs For Lute (Pre-Order) Quick View

    $54.99
    Buy Now
    x

    Respighi Ancient Dances And Airs For Lute (Pre-Order)


    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    The Philharmonia Hungarica conducted by Antal Dorati conducts the Philharmonia Hungarica in performing Ancient Dances and Airs for Lute by Respighi.


    Legendary Mercury Living Presence classical music album pressed on Audiophile Quality 45rpm 180g vinyl.


    Features:

    • Numbered Deluxe Laminated Double Gatefold Jackets

    • Only 2500 Numbered Limited Edition Copies Worldwide!

    • Audiophile 180g, 45rpm Vinyl

    • Double LP

    • Pressed at RTI

    • Mastered by Bernie Grundman from the Original Analog Master Tapes!


    Musicians:

    Philharmonia Hungarica

    Antal Dorati, conductor


    This title is not eligible for discount.

    Ottorino Respighi (1879-1936) - Ancient Dances and Airs for Lute
    1. Suite No. 1 (for Orchestra)
    2. Suite No.2 (for Orchestra)
    3. Suite No. 3 (for Strings)
    Antal Dorati & The Philharmonia Hungarica
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Rachmaninov: Piano Concerto No.2; 2 Preludes Rachmaninov: Piano Concerto No.2; 2 Preludes Quick View

    $18.99
    Buy Now
    x

    Rachmaninov: Piano Concerto No.2; 2 Preludes

    Newly presented on 180g heavyweight vinyl, Decca are proud to present an iconic Mercury Living Presence album
    from the analogue era back on vinyl. Presented with original artwork and pressed at Optimal GmbH, each release
    has been carefully mastered from the original Decca analogue tapes at Abbey Road Studios.


    This LP includes Rachmaninov's Second Piano Concerto with soloist Byron Janis and the Minneapolis Symphony Orchestra
    conducted by Antal Doráti.

    1. Moderato
    2. Adagio sostenuto
    3. Allegro scherzando
    4. Prelude in E Flat Major, Op. 23, No.6
    5. PrÉlude in C sharp minor, Op.3, No.2
    Byron Janis / Minneapolis Symphony / Antal Dorati
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Janos Starker Dvorak Cello Concerto (Pre-Order) Janos Starker Dvorak Cello Concerto (Pre-Order) Quick View

    $54.99
    Buy Now
    x

    Janos Starker Dvorak Cello Concerto (Pre-Order)


    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Renowned cellist Janos Starker is joined by The London Symphony Orchestra conducted by Antal Dorati for this 1962 recording of Dvorak's Cello Concerto alongside Bruch's Kol Nidrei.


    Features:

    • Numbered Deluxe Laminated Double Gatefold Jackets

    • Only 2500 Numbered Limited Edition Copies Worldwide!

    • Audiophile 180g, 45rpm Vinyl

    • Double LP

    • Pressed at RTI

    • Mastered by Bernie Grundman from the Original Analog Master Tapes!


    Musicians:

    Janos Starker, cello

    The London Symphony Orchestra

    Antal Dorati, conductor


    Recorded July 1962 at Wembley Town Hall, London.


    This title is not eligible for discount.

    Antonin Dvorak - Violoncello Concerto
    1. Allegro
    2. Adagio Ma Non troppo
    3. Final (Alelgro Moderato)
    Max Bruch
    4.Kol Nidrei, Op. 47
    Antal Dorati & The London Symphony Orchestra
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Respighi - Ancient Dances (Speakers Corner) Respighi - Ancient Dances (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Respighi - Ancient Dances (Speakers Corner)

    The common practice in concert houses today of performing early music on modern orchestral instruments is owed largely to the endeavors of Ottorino Respighi. His free transcription of Renaissance works for the lute (1932) opened the way to the rediscovery of forgotten rhythms and timbres. Although Respighi altered the structure of the music by dissecting phrases right down to their basic elements, re-ordering them and redefining their sonority by the use of heavy brass and timpani, the art of the ancient maestri remained unscathed. Cadences and harmonic idioms are given a modern coloring at the most, but are never destroyed. Antal Dorati and his famous Philharmonia Hungarica have all that is needed to bring the score to life. Even in opulent passages the individual instruments can be heard distinctly. This works particularly well in the first two suites in which each movement is treated to a process of refinement by means of differing orchestration. That the third suite, written purely for stringed instruments, soars away, just like the proverbial Aeolian harp is only to be expected from this orchestra.




    Recording: June 1958 at the large hall of the Konzerthaus, Vienna, Austria, by C.R. Fine

    Production: Wilma Cozart-Fine




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    Suite 1 for Orchestra
    Suite 2 for Orchestra
    Suite 3 for Strings
    Antal Dorati with Hungary Philharmonic
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beethoven: Symphony No.7 in A, Op.92 Beethoven: Symphony No.7 in A, Op.92 Quick View

    $18.99
    Buy Now
    x

    Beethoven: Symphony No.7 in A, Op.92

    The London Symphony Orchestra, conducted by Antal Doráti, performing Beethoven's Symphony No. 7.
    1. First Movement: Poco Sostenuto; Vivace
    2. Second Movement: Allegretto
    3. Third Movement: Presto; Presto Meno Assai; Presto
    4. Fourth Movement Allegro Con Brio
    5. Fidelio Overture, 72b
    Antal Dorati & The London Symphony Orchestra
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms: Violin Concerto in D Brahms: Violin Concerto in D Quick View

    $18.99
    Buy Now
    x

    Brahms: Violin Concerto in D

    Newly presented on 180g heavyweight vinyl, Decca are proud to present an iconic Mercury Living Presence album
    from the analogue era back on vinyl. Presented with original artwork and pressed at Optimal GmbH, each release
    has been carefully mastered from the original Decca analogue tapes at Abbey Road Studios.

    This LP includes the Brahms Violin Concerto in D with violinist Henryk Szeryng and the London Symphony Orchestra conducted by Antal
    Doráti.


    This title is not eligible for discount.

    1. Allegro non troppo
    2. Adagio
    3. Allegro giocoso, ma non troppo vivace - Poco più presto
    Henryk Szeryng / London Symphony Orchestra / Antal Dorati
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Respighi - Birds - Brazilian Impressions (Speakers Corner) Respighi - Birds - Brazilian Impressions (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Respighi - Birds - Brazilian Impressions (Speakers Corner)

    It was Respighis fascination with ancient dances and songs that inspired him to write his bird suite. His great love for such music makes itself felt in every single movement of this work. While Respighi imbued each of the bird portraits with his very own sound colouring typical of his time, there is an original masterpiece by a Renaissance or Baroque composer lurking in the background.



    The marchlike 'Intrada', based on a piece by Bernardo Pasquini (1637-1710), is further refined by a gradual building-up of the instrumental apparatus and comes to a final climax full of pomp and glory in which the brass are given prominence.



    Ornithological elements are easily identified in the movements which follow: the doves cooing and billing is are underlined by a sighing, rhythmic base; the hen is heard clucking with a characteristic motif, and the song of the nightingale is brought to us by the flute over a mysterious murmuring on the low strings. The cuckoo is then heard, followed by a repeat of the initial theme, thus bringing to perfect completion 'Gli Ucelli' ('The Birds'), a colourful bird show which knows no rival in modern music.



    The 'Impressioni brasiliano' ('Brazilian Impressions') is also a seldom heard jewel in both the concert hall and on record. Although the three-movement work has a subtle rhythm which runs throughout the work, it is far removed from the well-known 'Europeanised' samba adaptations which are so often heard. The suite is remarkable for its tender, impressionistic colouring which demands to be heard time and time again.




    Recording: July 1957 in Watford Town Hall, London, by C.R. Fine

    Production: Wilma Cozart and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    Antal Dorati with London Symphony Orchestra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stravinsky - Firebird (Speakers Corner) Stravinsky - Firebird (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Stravinsky - Firebird (Speakers Corner)

    The Firebird can almost be described as a work of fate, since it is not only the first of several ballets that Stravinsky wrote for Sergei Diaghilev and his Ballets Russes but also marks his international breakthrough as a composer. In comparison with his other earlier stage works, the ecstatic, sharply contoured Rite of Spring for example, The Firebird, with its melodic character, is a far gentler work altogether.


    There are unmistakable reminiscences of the musical language of Rimsky-Korsakov and Tchaikovsky as well as snatches of late-Romantic harmonies; all this lends the music the charm of Russian tradition.
    In his performance, Dorati chooses the golden mean in that he has his ensemble produce a highly colourful but by no means glaring sound. Thus the listener is given the opportunity to follow the development of the finely chiselled motifs which are so characteristic of this early composition. Happily, the chamber-music-like transparency is preserved even in the loud, more exposed passages - the sound leaves the loudspeakers with a sprightly, athletic tread, as it were.


    Musicians:



    • Antal Dorati (conductor)

    • Igor Stravinsky (composer)

    • The London Symphony Orchestra



    Recording: June 1959 at Watford Town Hall, London, by C. R. Fine and Robert Eberenz
    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    Stravinsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stravinsky - The Rite Of Spring Stravinsky - The Rite Of Spring Quick View

    $34.99
    Buy Now
    x

    Stravinsky - The Rite Of Spring

    While he was finishing the score of The Firebird, the idea came to Stravinsky for a pagan, ritual scenario. The background history of Le Sacre du printemps is well known: while the modernists praised the work, the conservative public thought they were being hoaxed. The reason for their irritation and the scandalous fiasco of the premiere is still audible to this day. Stravinsky carries the aggressive, hammering rhythms to the extreme, casting them in atonal harmonies which feed on the alternation between a »red-hot and a mild mixture«, as Stravinsky put it.


    Dorati urges on his ensemble with robust tempi, and the orchestra is quick to respond to all the refinements of the tightly knit movement. It appears to cope effortlessly with the extremes of contrast and manages to amalgamate the rhythmic excesses with the tenderness of the numerous tiny motifs and figures which seem to sprout like flowers out of hard rock. The excellent recording technique captures both the extreme loudness and the finely pulsating tones, resulting in a sound in which no detail goes unheard. The listener can be sure that this Stravinsky deserves the rating 'excellent' - both for the interpretation and for the sound.

    Musicians:



    • Antal Dorati (conductor)

    • Igor Stravinsky (composer)

    • The Minneapolis Symphony Orchestra




    Recording: November 1959 at the NorthropMemorial Auditorium, Minnesota, USA, by C.R. Fine
    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. The Rite Of Spring Part I
    2. The Rite Of Spring Part II
    Stravinsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Liszt - Hungarian Rhapsodies / Enesco - Romanian Rhapsodies (Speakers Corner) Liszt - Hungarian Rhapsodies / Enesco - Romanian Rhapsodies (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Liszt - Hungarian Rhapsodies / Enesco - Romanian Rhapsodies (Speakers Corner)

    Born in 1881, George Enescu led the life of a globetrotter. Although he became acquainted with all manner of schools and styles during his thorough studies in Vienna and Paris, it was invariably folk music that provided him with the most important source of inspiration. Thanks to their freshness and impressive thematic invention, the two Roumanian Rhapsodies have remained firm favourites to this day. Nothing in the music appears to demand great effort or mental struggle. The colourful mixture of lyrical and spirited passages seems completely natural and homogeneous, offering sheer delight for the ears right up to the final chord.



    Enescus carefree hits serve as an ideal introduction to two orchestral heavyweights by Franz Liszt, which undoubtedly are to be counted as 'state of the art' works in this particular genre. Antal Dorati conducts the London Symphony Orchestra with a firm hand and complete concentration as is demanded by this tightly knit score , always managing to find the perfect balance between timbral force and transparency. Of course one can find elsewhere these compositions being performed faster, louder and with questionable sensational effects. But if you are looking for a faithful interpretation of the score, musicality and natural sound, then this is the recording for you.




    Recording: June 1960 at Wembley Town Hall, London, by C.R. Fine and Robert Eberenz

    Production: Wilma Cozart




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    1. George Enesco: Two Roumanian Rhapsodies, Opus II (No.1 in A Major/ No. 2 in D Major)

    2. Franz Liszt: Hungarian Rhapsody No. 2 / Hungarian Rhapsody No. 3

    Franz Liszt
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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