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Dr Dre The Chronic'
The ChronicRanked 137/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Digitally Remastered/EXPLICIT VERSION
The Chronic is the solo debut album of American hip hop artist Dr. Dre, released December 15, 1992, on his own record label Death Row Records, and distributed by Priority Records. Recording sessions for the album took place in June 1992 at Death Row Studios in Los Angeles and at Bernie Grundman Mastering in Hollywood. The album is named after a slang term for high-grade marijuana, and its cover is an homage to Zig-Zag rolling papers. It was recorded by Dr. Dre following his departure from hip hop group N.W.A and its label Ruthless Records over a financial dispute, and consequently features both subtle and direct insults at Ruthless and its owner, former N.W.A-member Eazy-E. Although a solo album, it features many appearances by Snoop Dogg, who used the album as a launch pad for his own solo career.
Upon its release, The Chronic received positive reviews from most music critics and earned considerable sales success. The album peaked at number three on the Billboard 200 and has sold over three million copies, which led to Dr. Dre becoming one of the top ten best-selling American performing artists of 1993. Dr. Dre's production has been noted for founding and popularizing the G-funk sub-genre within gangsta rap. The Chronic has been widely regarded as one of the most important and influential albums of the 1990s and regarded by many fans and peers to be one of the most well-produced hip hop albums of all time.1. The Chronic (Intro)
2. Fuck Wit Dre Day (And Everybody's Celebratin')
3. Let Me Ride
4. The Day The Niggaz Took Over
5. Nothin' But A 'G' Thang
6. Deeez Nuuuts
7. Lil' Ghetto Boy
8. A Nigga Witta Gun
10. The $20 Sack Pyramid
11. Lyrical Gangbang
12. High Powered
13. The Doctor's Office (Skit)
14. Stranded On Death Row
15. The Roach (The Chronic Outro)
16. Bitches Ain't Shit!$22.99Vinyl LP Reissue - 2 LPs Sealed Buy Now
Eazy Duz It (25th Anniversary Edition)Remastered 25th Anniversary Edition
Released only a month after Straight Outta Compton (1988), Eazy-Duz-It was the first N.W.A spin-off album. Years before Ice Cube went solo with Amerikkka's Most Wanted (1990), before Dr. Dre changed the rap game with The Chronic (1992), before MC Ren struggled to establish himself with Shock of the Hour (1993), and before Yella simply fell into obscurity, Eazy-E rose to immediate superstar status with this solo debut. It's no wonder why, for the album plays like a humorous, self-centered twist on Straight Outta Compton with Eazy-E, the most charismatic member of N.W.A, front and center while his associates are busy behind the scenes, producing the beats and writing the songs.
In terms of production, Dr. Dre and Yella meld together P-Funk, Def Jam-style hip-hop, and the leftover electro sounds of mid-'80s Los Angeles, creating a dense, funky, and thoroughly unique style of their own. In terms of songwriting, the D.O.C., Ice Cube, and MC Ren are each credited; plus, Ren performs raps of his own on five of the 12 songs.
The collaborative nature of the music -- with Dre and Yella producing; the D.O.C., Ice Cube, and MC Ren writing the songs; MC Ren featured as a guest on half of them; and Eazy-E performing -- fortunately makes Eazy-Duz-It more of an N.W.A effort than a true solo album. This is fortunate because as charismatic as he may be, Eazy-E isn't an especially gifted MC. He's at his best here when he's cracking wise and also when he's overshadowed by Dr. Dre's productions, particularly on the four-song sequence of Eazy Duz It, We Want Eazy, Eazy-er Said Than Dunn, and Radio -- all heavily produced songs with layers upon layers of samples and beats competing with Eazy-E's rhymes for attention.
Straight Outta Compton is no doubt the more revolutionary album, yet Eazy-Duz-It is a great companion, showcasing N.W.A's sense of humor and, despite the often violent subject matter, casting them in a lighter, more humorous mood. When Eazy-E would return with a second solo release, 5150 Home 4 tha Sick, his N.W.A associates would be M.I.A. and the difference would be stark.
- Jason Birchmeier (All Music Guide)1. Still Talkin'
2. Nobody Move
3. Ruthless Villain
4. 2 Hard Mutha's
5. Boyz-N-The-Hood (remix)
7. We Want Eazy
8. Eazy-er Said Than Dunn
10. No More ?'s
11. I'mma Break It Down
12. Eazy - Chapter 8 Verse 10$24.99Vinyl LP Reissue - Sealed Buy Now
Sittin' On Chrome (Pre-Order)Originally released in 1995, Sittin' on Chrome is the second and final album from Hip Hop group Masta Ace Incorporated. Ace followed the success of his 1994 hits Jeep Ass Niguh and Crooklyn (released with the Crooklyn Dodgers) with his most commercially successful album, which concentrated more on the West Coast/gangsta Hip-Hop sound that particularly became a popular trend among many artists nationwide since the mega-success of Dr. Dre's The Chronic.LP 1
2. The I.N.C. Ride
4. What's Going On!
5. The B-Side
6. Sittin' On Chrome
7. People In My Hood
8. Turn It Up
1. U Can't Find Me
2. Ain't No Game
3. Freestyle ?
5. Da Answer
6. 4 Da Mind
7. Born To Roll
8. The Phat Kat Ride$29.99Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
Regulate...G Funk Era (20th Anniversary)Grammy®-nominated hip-hop pioneer Warren G is a Long Beach rapper who formed the legendary group 213 (named after the city's area code) with Nate Dogg and Snoop Dogg, who went on to collaborate with step-brother Dr. Dre on The Chronic (providing the samples for "Nuthin' But a G-Thang")
and contribute the track "Indo Smoke" with Mista Grimm and Nate Dogg on the Poetic Justice soundtrack. After a lively bidding war, Warren signed to Def Jam, which released his debut album, Regulate G Funk Era in 1994, with the title track climbing to No. 2 on the Billboard Hot 100. In celebration of Def Jam's 30th Anniversary UMe will be releasing a "20th Anniversary Extended Edition" - The double-vinyl version features the album along with a bonus 12" (with the Destructo/Wax Motif and Photek remixes).LP1
1. Regulate (featuring Nate Dogg)
2. Do You See
3. Gangsta Sermon (featuring B-Tip and Ricky Harris)
4. Recognize (featuring The Twinz)
5. Super Soul Sis (featuring Jah Skills)
6. 94 Ho Draft (featuring B-Tip and Ricky Harris)
7. So Many Ways (featuring Wayniac and Lady Levi)
8. This D.J. (featuring O.G.L.B.)
9. This is the Shack (featuring The Dove Shack)
10. What's Next (featuring Mr. Malik)
11. And Ya Don't Stop
12. Runnin' wit No Breaks (featuring Jah Skills, Bo Roc, G Child and The Twinz)
1. Regulate (Destructo & Wax Motif Remix)
2. Regulate (Photek Remix)$29.99Vinyl LP - 2 LPs Sealed Buy Now
Enter The Wu-Tang Clan (36 Chambers)Ranked 386/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Along with Dr. Dre's The Chronic, the Wu-Tang Clan's debut, Enter the Wu-Tang (36 Chambers), was one of the most influential rap albums of the '90s. Its spare yet atmospheric production -- courtesy of RZA -- mapped out the sonic blueprint that countless other hardcore rappers would follow for years to come. It laid the groundwork for the rebirth of New York hip-hop in the hardcore age, paving the way for everybody from Biggie and Jay-Z to Nas and Mobb Deep. Moreover, it introduced a colorful cast of hugely talented MCs, some of whom ranked among the best and most unique individual rappers of the decade. Some were outsized, theatrical personalities, others were cerebral storytellers and lyrical technicians, but each had his own distinctive style, which made for an album of tremendous variety and consistency. Every track on Enter the Wu-Tang is packed with fresh, inventive rhymes, which are filled with martial arts metaphors, pop culture references (everything from Voltron to Lucky Charms cereal commercials to Barbra Streisand's The Way We Were), bizarre threats of violence, and a truly twisted sense of humor. Their off-kilter menace is really brought to life, however, by the eerie, lo-fi production, which helped bring the raw sound of the underground into mainstream hip-hop. Starting with a foundation of hard, gritty beats and dialogue samples from kung fu movies, RZA kept things minimalistic, but added just enough minor-key piano, strings, or muted horns to create a background ambience that works like the soundtrack to a surreal nightmare. There was nothing like it in the hip-hop world at the time, and even after years of imitation, Enter the Wu-Tang still sounds fresh and original. Subsequent group and solo projects would refine and deepen this template, but collectively, the Wu have never been quite this tight again. ~ Steve Huey, All Music Guide1. Bring Da Ruckus
2. Shame On A Nigga
3. Clan In Da Front
4. Wu-Tang: 7th Chamber
5. Can It Be All So Simple/Intermission
6. Mystery Of Chessboxin'
7. Wu-Tang Clan Ain't Nuthing Ta F' Wit
9. Method Man
10. Protect Ya Neck
12. Wu-Tang: 7th Chamber, Pt. 2
13. Conclusion$19.99Vinyl LP - Sealed Buy Now
FencesNew Album Produced By John Vanderslice (Spoon, The Mountain Goats, Samantha Crain)
Mastered By Bernie Grundman (Michael Jackson's Thriller, Dr. Dre's The Chronic, Carole King's Tapestry)
180-Gram Vinyl Pressed By Quality Record Pressing
Vinyl Lacquers Were Cut Directly From Analog Tape
Fences is something new for our band Bombadil. It is more than just an album; it is a new path, a reset after several challenging years. The path began in January 2015, when a longtime member of Bombadil unexpectedly left our band. Daniel Michalak and I sat down to discuss our next steps. It was a time for soul searching. A duo of a bassist and drummer did not feel like a band. Moving forward seemed daunting, but we both felt like there was more to say with the band. We wanted to make music. So we began simply by making some. Writing and recording the Still Bombadil EP was fun. A fast and dirty exploration of a creative idea, no room for fiddling, deadline looming. Our last album, Hold On, had not been like that. It had been an ordeal.
Daniel suggested composing songs using guitar instrumentals our old bandmate Bryan Rahija had written, and of limiting ourselves to a small palette for the next album: guitar, piano, upright bass, harmony vocals. The goal was to make a folk record, something easy to understand, something beautiful. He shared a demo for "Binoculars" and I loved it. It was simple, elegant. We added it to the live set almost immediately. Daniel continued writing, focusing on guitar, harmony, and emotion. The songs inconveniently had no drums (what was I going to play?!). He instead wrote parts for me to sing and we began collaborating on composing tunes with a similar approach. "Fence" was written together at a friends house in Crozet, Virginia to kill time on tour. An old song of mine, "Long Life," was revived and extended. Percussion parts started to show up. Daniel's commitment to songwriting continued to inspire, a new demo was in my inbox almost weekly. Daniel enlisted the help of an old friend and data scientist, Nasir Bhanpuri, to analyze the success of our old catalog of songs and make suggestions to guide our writing and arranging. It was an experiment that pushed us to take the songs further than we might have in the past. In part, we were throwing ideas at the wall to see what would stick, but we were also searching for something new, actively trying to push ourselves to new creative heights.
We kept the Bombadil ship moving by accepting all shows, searching for more opportunities to play. We found wonderful people to tour in our band. There were good shows. There were bad ones, too. I learned to be a lead singer on the fly and on stage (with the help of an encouraging septuagenarian opera singer). And we kept writing, practicing, and recording. In July 2015, Stacy Harden sent me an email inquiring if we needed a musician. In his audition, he played through songs like he had been in the band all along. He even knew the harmonies. He had grown up a fan of the band, singing along in the car. In October, Stacy and I drove our equipment across the country for a West Coast tour in a four-day sprint and listened to every song the Beatles recorded. His easy-going spirit was infectious, his presence made the band more fun and more inspiring. We had found our man. "What's So Great About You" was the first collaboration between this new trio, and we started to discover what a new version of our band sounded like.
In January 2016, the three of us left North Carolina for Littleton, Massachusetts to spend several weeks at a friend's farmhouse. We recorded all day long, cooked together, spent our breaks around a roaring wood stove carefully tended to by Daniel. The resulting demo recordings gave us a roadmap to follow. Our label, Ramseur Records, suggested a producer, a departure after self-recording our last three records. John Vanderslice was given the demos and was enthusiastic about the material. He insisted that we listen closely to Paul Simon's first record. He told us the songs needed a sense of danger, that our demos felt like we were being too careful, and that the songs needed more percussion. John is opinionated, talented, and inspirational. And most of all, making the record with him over 12 days in September 2016 at Tiny Telephone in San Francisco was easy. And fun. And fast. We used only analog equipment, recording to tape through high-end vintage equipment. Bryan came to play his guitar parts (which by this point Stacy had learned for live performances of the material). The recordings were all first takes, new ideas were quickly embraced, mistakes were left alone as intention, very little artificial reverb was used but John's concrete echo chamber was used extensively. We hoped to catch lightning in a bottle and I think that we did.
To me, Fences represents the journey of the last two years. It is the discovery of a group voice, the willingness to explore collaboration between old friends, and an openness to let new voices into the fold. It is something I am proud to have been a part of and am excited to share with the world. To me, it is an example of the power and positivity of collaboration, of a group of human beings working diligently on a shared vision. If nothing else, I can say that we tried as hard as we possibly could. I can't wait to do it again.
Thank you for listening,
James Phillips/Bombadil1. What's So Great About You
2. Not Those Kind of People
4. Math and Love
7. Good News Sadie
8. I Could Make You So Happy
9. Long Life
10. Is This Danger
11. No Snow in the Valley$20.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Murder Was The Case Soundtrack (Explicit)he soundtrack to an 18-minute film inspired by Snoop Doggy Dogg's Murder Was the Case provides more thrills than the average hip-hop release. Again, Dre relies on his standard production tricks and crew, introducing a couple of new members to the mix. But the result sounds anything but stale -- it ranks alongside The Chronic, Doggystyle and Above the Rim in terms of quality. In fact, various-artist compilations like Murder Was the Case are the ideal vehicle for Dr. Dre -- they show his versatility. Murder has the harrowing title track from Snoop Dogg, as well as the smooth funk of Warren G and the chilling hardcore of Natural Born Killaz, the first track from Dre's collaboration with Ice Cube. At some point, Dre will need to find some new tricks, but Murder Was the Case finds him at the top of his game.
- Stephen Thomas Erlewine (All Music Guide)1. Murder Was The Case (Remix) - Snoop Doggy Dogg
2. Natural Born Killaz - Dr. Dre & Ice Cube
3. What Would You Do? - The Dogg Pound
4. 21 Jumpstreet - Snoop Doggy Dogg & Tray Deee
5. One More Day - Nate Dogg
6. Harvest For The World - Jewell
7. Who Got Some Gangsta Shit? - Snoop Doggy Dogg Featuring Tha Dogg Pound, Lil' Style & Young Swoop
8. Come When I Call - Danny Boy
9. You Better Recognize - Sam Sneed
10. Come Up To My Room - Jodeci
11. Woman To Woman - Jewell
12. Dollars & Sense - DJ Quik
13. The Eulogy - Slip Capone & CPO
14. Horny - B-Rezell
15. Eastside-Westside - Young Soldierz$19.99Vinyl LP - Sealed Buy Now
No One Can Do It BetterImport
180 Gram Audiophile Vinyl
Includes It's Funky Enough, The D.O.C. And The Doctor Featuring Dr. Dre, No One Can Do It Better And Portrait Of A Master Piece
The D.O.C., short for Department of Correction, is a highly skilled battle rhymer from Dallas, USA. In addition to his solo career, he was a member of the hip hop group Fila Fresh Crew and later collaborated with gangsta rap group N.W.A where he co-wrote many of their releases. After Fila Fresh Crew split up in 1988, The D.O.C. went on to pursue a successful solo career.
No One Can Do It Better is the debut album by The D.O.C. from 1989 and is produced by the then upcoming Dr. Dre who contributed on most of the fast hard hitting rap tracks with his heavy funk laden beats. The album reached number one on the US Top R&B/Hip-Hop Albums chart for two weeks and spawned two number one hits on the Hot Rap Songs chart: It's Funky Enough and The D.O.C. & The Doctor. The album went platinum five years after its release.
Tragically The D.O.C. severed his vocal chords in an almost fatal car accident in November 1989 but No One Can Do It Better still stands the test of time as one of the early pre-Chronic albums.1. It's Funky Enough
2. Mind Blowin'
3. Lend Me An Ear
4. Comm. Blues
5. Let The Bass Go
6. Beautiful But Deadly
7. The D.O.C. & The Doctor
8. No One Can Do It Better
9. Whirlwind Pyramid
10. Comm. 2
11. The Formula
12. Portrait Of A Master Piece
13. The Grand Finale$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now