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Drake And Future'
What A Time To Be AliveWhat a Time to Be Alive is a collaborative mixtape by hip hop recording artists Drake, and Future. It was originally released on September 20, 2015.1. Digital Dash
2. Big Rings
3. Live From The Gutter
4. Diamonds Dancing
6. Plastic Bag
7. I'm The Plug
8. Change Locations
11. 30 for 30 Freestyle$19.99Vinyl LP - Sealed Buy Now
The Documentary 2.0 (Limited Edition)180 Gram Limited Edition Red Colored Vinyl
Features Kanye West, Drake, Lil Wayne and Kendrick Lamar!
The Documentary 2 sounds effortless and winds up awesome because of it, with singles like 100 featuring Drake and Summertime with its Mike WiLL Made It beat both coming off as cool-headed classics. Dre and Ice Cube show up for the key cut Don't Trip, while appearances from Ab-Soul, Future, and DeJ Loaf prove the Game is up on current events. Somewhere in between are appearances from Kanye West, Kendrick Lamar, and Q-Tip, all assisting the MC on this worthy and downright exciting sequel.
Ten years after what's widely considered to be GAME'S best album, the Compton rapper is now on his 6th album, and he thinks the DOCUMENTATRY 2 will be his best yet, saying, "The Old Me Was Wack! I'm better than that now." - HOTNEWHIPHOP1. Intro
2. On Me Featuring Kendrick Lamar
3. Step Up Featuring Dej Loaf & Sha Sha
4. Don't Trip Featuring Ice Cube, Dr. Dre & will.i.am
5. Standing on Ferraris Featuring Diddy
6. Dollar and a Dream Featuring Ab-Soul
7. Made in America Featuring Mvrcus Blvck
8. Hashtag Featuring Jelly Roll
9. Circles Featuring Q-Tip, Eric Bellinger & Sha Sha
10. Uncle Skit
11. Dedicated Featuring Future & Sonyae
12. Bitch You Ain't S-
13. Summertime Featuring Jelly Roll
14. Mula Featuring Kanye West
15. The Documentary 2
16. New York, New York
17. 100 Featuring Drake
18. Just Another Day
19. LA Featuring Snoop Dogg, will.i.am & Fergie$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Evening Visits...And Stays For YearsBorn of the small but vibrant Brisbane punk/new wave scene of the late Seventies, Peter
Milton Walsh began to cultivate the mysterious, moody myth that would follow him through
out his career that has taken him around the world. But before setting out abraod, Walsh
certainly made his mark on the Brisbaine scene. His band, The Apartments, formed in 1978
and spent the next year playing ample amounts of shows around Brisbaine. With a reputation
that preceeded him, Walsh was saught out by Robert Forster and Grant McLennan,
members of one of Brisbaine's most noteworthy bands, The Go-Betweens. Having been
offered an 8 album deal by Beserkly Records, Forster and McLennon asked Walsh to join
The Go-Betweens as their fourth member in late 1978. The union was, however, short lived.
There were personality differences, which led McLennon to famously say "Walsh is night, we
are day. We're sun, he's rain.".
After the deal with Beserkly fell through, Walsh returned to The Apartments, leaving The
Go-Betweens as a three piece. They went on to affectionately write a song for Walsh,
entitled "Don't Let Him Come Back", which included the line "Here he comes, with his twelve
o'clock junk...who's that dressed in black? Who's that in his apartment?". Things weren't sour
between the two bands and The Apartments recorded their first EP, "Return of the Hypnotist"
on The Go-Between's Able Label. But before the EP was even released, The Apartments
broke up and Walsh left for New York City. During his time in NYC, Walsh played
mustic with a number of bands and recorded many songs that would serve as demos for
future releases for the still defunct Apartments.
Returning to Australia in 1984, Walsh got the band back together and recorded a few
singles, including "All You Wanted". All the while the band were also recording demos, which
led to a record deal with London's legendary Rough Trade Records, prompting Walsh to
move to London. It was there that he recorded his first proper LP, "The Evening Visits... And
Stays for Years". The album received strong praise and drew comparisons to a wide range of
acts such as Cocteau Twins, Nick Drake and Bob Dylan. The NME said of the record ""after
whetting our appetites with last year's classic import single 'All You Wanted' The Apartments
have stunned us to a reverential silence. This album is a pure heart-wrencher, and should
only be listened to after dark.".
Although The Apartments and Walsh continued to tour and record with a variety of line ups,
it is these early works that provide a definitive look at their sound. Available all together
for the first time, Captured Tracks are pleased to present "The Evening Visits... And Stays for
Years" along with "The Return of the Hypnotist", the "All You Wanted" single and a collection
of demos from "The Evening Visits...". Complete with liner notes by Robert Forster and Walsh
himself, this increadible collection of Walsh's first seven years of recordings is not to be missed.LP1: The Evening Visits... And Stays for Years:
1. Sunset Hotel
2. Mr. Somewhere
3. What's the Morning For?
4. All the Birthdays
5. Great Fool
6. Speechless with Tuesday
7. Cannot Tell the Days Apart
8. Lazarus, Lazarus
9. The Black Road Shines (On Rainy Nights)
LP2: The Last Look is a Stare:
2. Nobody Like You
4. All You Wanted
5. Fever Elsewhere
6. Sunset Hotel
7. What's the Morning For?
8. All the Birthdays (Demo)
9. Great Fool (Demo)
10. The Black Road Shines (On Rainy Nights) (Demo)$32.99Vinyl LP - 2 LPs Sealed Buy Now
Souled OutJhenÉ Aiko's full-length is a testament to the power of patience. Though she's only 26, the Los Angeles native has been at it for more than a decade - first, inauspiciously, as a satellite artist hovering in the orbit of prefab new-jack teens B2K. When pretending to be Lil' Fizz's cousin didn't bring her R&B domination, she took time off to finish school, start a family, and develop her songwriting chops, which led to increasingly high-profile collaborations with the likes of Drake, Miguel, and Kendrick Lamar.
Much of Souled Out is far more pop-friendly than last year's Sail Out EP (which yielded ''The Worst,'' her first Billboard Hot 100 moment), but Aiko's lush, glowing compositions do take time to reveal themselves. Take ''W.A.Y.S.,'' which opens with a lazily strummed guitar, then welcomes in a distant, ominous drum march. Slowly, everything widens and deepens as Aiko croons like a millennial shaman, ''You have got to lose your mind/Just to find your peace of mind.''
That process repeats itself throughout Souled; the more you give in to tracks like the hypnotic, undulating ''To Love & Die'' and the gently lapping ''Eternal Sunshine,'' the more they take hold. Had Aiko followed the muse she was chasing as a teen, ''The Pressure'' would probably have been turned into a disposable piece of Hot 100 radio bait. Instead, like much of Souled Out, it's an otherworldly neck-snapper - the coolest party soundtrack for a parallel dimension where the future of R&B arrived a long time ago.
- Kyle Anderson (Entertainment Weekly)1. Brave
2. To Love & Die (Feat. Cocaine 80s)
3. Beautiful Ruin
4. It's Cool
5. Lyin King
7. The Pressure
8. Eternal Sunshine
9. Limbo Limbo Limbo
12. Pretty Bird$24.99Vinyl LP - 2 LPs Sealed Buy Now
GratefulGrateful is the tenth studio album by American music producer DJ Khaled, set for release via Epic Records. The album features guest appearances from a wide array of artists, including Future, Travis Scott, Rick Ross, Migos, Chance the Rapper, Nicki Minaj, Kodak Black, Alicia Keys, BeyoncÉ, Jay-Z, Justin Bieber, Lil Wayne, Drake, Rihanna, Sizzla, Mavado, Nas, Calvin Harris and Betty Wright, among others.LP 1
1. (Intro) I'm so Grateful (feat. Sizzla)
2. Shining (feat. BeyoncÉ & JAY Z)
3. To the Max (feat. Drake)
4. Wild Thoughts (feat. Rihanna & Bryson Tiller)
5. I'm the One (feat. Justin Bieber, Quavo, Chance the Rapper & Lil Wayne)
6. On Everything (feat. Travis Scott, Rick Ross & Big Sean)
7. It's Secured (feat. Nas & Travis Scott)
8. Interlude (Hallelujah) (Betty Wright)
9. Nobody (feat. Alicia Keys & Nicki Minaj)
10. I Love You so Much (feat. Chance the Rapper)
11. Don't Quit (with Calvin Harris feat. Travis Scott & Jeremih)
1. I Can't Even Lie (feat. Future & Nicki Minaj)
2. Down for Life (feat. PARTYNEXTDOOR, Future, Travis Scott, Rick Ross & Kodak Black)
3. Major Bag Alert (feat. Migos)
4. Good Man (feat. Pusha T & Jadakiss)
5. Billy Ocean (feat. Fat Joe & Raekwon)
6. Pull a Caper (feat. Kodak Black, Gucci Mane & Rick Ross)
7. That Range Rover Came With Steps (feat. Future & Yo Gotti)
8. Iced Out My Arms ( feat. Future, Migos, 21 Savage & T.I.)
9. Whatever (feat. Future, Young Thug, Rick Ross & 2 Chainz)
10. Interlude (Belly)
11. Unchanging Love (Mavado)
12. Asahd Talk (Thank You Asahd) (Asahd Khaled)$29.99Vinyl LP - 2 LPs Sealed Buy Now
We MoveWritten in constant transition - and recorded between Toronto, Dublin and London - 'We Move' is James Vincent McMorrow's most expansive, generous and ambitious record to date. There is, on the other hand, something more stripped-back - vulnerable, even - surfacing for the first time: far from the dense, protective imagery at the heart of 'Post Tropical', 'We Move' is ultimately a record open in its portrait of anxiety and social unease. For McMorrow, it's about celebrating mental fragility - and how we move forward in life - rather than "people listening to my songs and believing that I'm out in the forest all day long, thinking about trees. Because I'm actually at home, trying to convince myself to go out and get milk."
The first steps to 'We Move' took place in 2014, when James - having been asked to write for different artists' projects - started sketching out ideas for others on tour (and subsequently stopped over-analysing his own work). Intent on doing the opposite of everything he'd done thus far, McMorrow then came off the road, but kept exploring: first through Barcelona, then Canada, and stopping in Los Angeles for six particularly fish-out-of-water months, where the songs for the album crystallised. He returned to Dublin determined not to just produce another album himself, but to work with people who could articulate the unique world he heard in his head ("I grew up wanting to write songs like Neil Young but produce them like The Neptunes"). And so James reached out to a few key co-producers he'd met whilst travelling, who formed the backbone of 'We Move': namely, Nineteen85 (Drake, DVSN), Two Inch Punch (Sam Smith, Years & Years), and Frank Dukes (Kanye West, Rihanna). Mixing took place largely in Miami with one of McMorrow's all-time heroes, Jimmy Douglass - known for his work from Donny Hathaway through to Timbaland - who finessed the record's warm, vintage yet forward-thinking feel.
The result is an album about movement - geographically, mentally, emotionally - which remains focused on finding your place in that future. First track 'Rising Water' is starkly-produced and skyscraper-sized in its sense of catharsis ("I never once was sad for what I've done"): 'Evil', meanwhile, questions whether you might in fact be a bad person, because you don't see life the way other people do (its tone is celebratory rather than ominous, however). Heavier still is 'I Lie Awake Every Night', which sees James address for the first time the eating disorder he has battled since he was a child ("it's about lying in hospital when I was a kid, thinking I shouldn't be there, and trying to reconcile those two things"). 'We Move' reacts against McMorrow's instincts to obscure ideas such as this, and ultimately embraces a shared, collective awkwardness, and the idea that maybe we're all putting on a brave face in some way.
Beginning with Rising Water, 'We Move' continues a remarkable journey for the Dublin-born singer and songwriter, whose early work offered little clue as to the sounds and situations that would follow. It's a remarkably assured collection, informed by this idea that you might not have to listen to others when they tell you how they think life is supposed to go; and that as you grow up, you lose things along the way. Rather, 'We Move' suggests it's possible to keep what you want to keep, and lose what you want to lose.1. Rising Water
2. I Lie Awake Every Night
3. Last Story
4. One Thousand Times
6. Get Low
7. Killer Whales
8. Seek Another
10. Lost Angles$19.99Vinyl LP - Sealed Buy Now
Come On Die Young (Deluxe Edition) (Out Of Stock)
Includes Previously Unreleased Takes From Early Chem19 Sessions Of 'Waltz For Aidan', 'Christmas Steps', 'Rollerball' & '7-25' Which Featured On 'Zidane: A 21st Century Portrait'
Includes 7 Remixed/Remastered Tracks From CAVA, Pre-Dating The Final Tarbox Sessions As Well As Two Previously Unreleased Tracks 'Satchel Panzer' & 'Spoon Test'
Includes Rarities 'Nick Drake', 'Hugh Dallas' & The 3 track 'Travels In Constants EP' As Well As The Original, Previously Unreleased Version Of 'Helps Both Ways'
Includes A1 'San Siro' Poster For Mogwai's Barrowland Ballroom Show From October '99
Two Chem19 Demos Are Exclusive To The Boxset: 'Christmas Steps' & '7-25'
Boxset Includes A DVD With 320kbps MP3s & Lossless WAV Audio Files
Arriving in March 1999 with an album cover that referenced The Exorcist and a title scalped from a well-known Glasgow gang slogan, you'd have expected Mogwai's 'Come On Die Young' to be an apocalypse-harbouring, pre-millennial assault on the senses. Instead, we were treated to a darkly elegiac - surprisingly restrained - response to the aural fireworks of their 'Young Team' debut from two years earlier.
Recorded and mixed at Dave Fridmann's Tarbox Road Studios in Upstate New York, 'Come On Die Young' begins with a sample of Iggy Pop eulogizing the genius of punk rock and ends with a track entitled 'Punk Rock/Puff Daddy/Antichrist'. This thoughtful and irreverent diptych enclosed an hour of music that was as beautiful as it was blistering and as poignant as it was unpredictable: preconceptions of what to expect from a Mogwai album, disassembled at a stroke.
'Come On Die Young' was - and remains - a hugely accomplished, elegant and important album, setting a benchmark for the fierce intelligence that would characterize Mogwai's future body of work. The reissue of 'Come On Die Young' - fifteen years after it originally hit the shelves - recognizes the vital role this album played in Chemikal Underground's development as the label approaches its 20th anniversary in 2015. This deluxe edition of 'Come On Die Young' has been painstakingly put together by the band and label, unearthing more than an hour of bonus material.LP 1
1. Punk Rock
3. Helps Both Ways
4. Year 2000 Non-Compliant Cardia
6. Waltz For Aidan
7. May Nothing But Happiness Come Through Your Door
1. Oh! How The Dogs Stack Up
4. Christmas Steps
5. Punk Rock/Puff Daddy/Antichrist
LP 3 (Bonus Material)
1. Nick Drake
2. Waltz For Aidan (Chem19 Demo)
3. Christmas Steps (Chem19 Demo) - *exclusive to boxset
4. Rollerball (Chem19 Demo)
5. 7-25 (Chem19 Demo) - *exclusive to boxset
6. Untitled (Travel In Constants EP)
7. Quiet Stereo Dee (Travel In Constants EP)
8. Arundel (Travel In Constants EP)
LP 4 (Bonus Material)
1. Cody (Cava Sessions)
2. Ex Cowboy (Cava Sessions)
3. Spoon Test (Cava Sessions)
4. Punk Rock: (Cava Sessions)
5. Helicon 2 (Cava Church Live)
6. Satchel Panzer (Cava Sessions)
7. Kappa (Cava Church Live)
8. Helps Both Ways (Original Version)
9. Hugh Dallas$99.99180 Gram Audiophile Virgin Vinyl LPs - 4 LPs Sealed Temporarily out of stock