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  • Dejah Voodoo Dejah Voodoo Quick View

    $32.99
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    Dejah Voodoo

    Import


    Robert Plant once called them his "favorite band", and it is easy to see why. Led by a 300lb. Elvis impersonator and a guy in tight black underwear and a cape, Dread Zeppelin, by means of unholy divination, have managed to climb through that small tear in the universe where the stars of Bob Marley, Elvis Presley and Led Zeppelin have aligned. For the first time on vinyl, Dejah Voodoo, recorded in 2000 and featuring one bonus track, is an album full of mind-boggling Zep covers from the other side of the sun.

    1. Whole Lotta Love
    2. Hey, Hey What Can I Do (Version-1)
    3. Kashmir
    4. The Lemon Song
    5. Rock And Roll
    6. Kingston Celebration
    7. Jah People
    8. Heartbreaker
    9. Going To California
    10. D'yer Mak'er
    11. Immigrant Song
    12. 10 Years Gone
    13. Stairway To Heaven
    14. Hey, Hey What Can I Do (Version-2) (BONUS)
    Dread Zeppelin
    $32.99
    180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Buy Now
  • Assault on Precinct 13 / The Fog Assault on Precinct 13 / The Fog Quick View

    $16.99
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    Assault on Precinct 13 / The Fog


    12 Housed In Deluxe Mylar Mirrorboard Sleeve


    Much of the power of the best films by the cult director John Carpenter can
    be attributed to their use of music - music that, more often than not, was
    composed and performed by Carpenter himself. What began as a necessity for
    the low-budget productions by Carpenter became a major part of his aesthetic,
    and established him as a pioneering figure in genre-film score work as well as
    electronic music in general. Now, flanked by his son Cody Carpenter and godson
    Daniel Davies, and with two albums (Lost Themes and Lost Themes II) of nonsoundtrack
    material under his belt, Carpenter has decided to revisit some of his
    most beloved themes.


    Assault on Precinct 13 was the first feature film Carpenter made after film school,
    and he made it partially as an urban reimagining of Rio Bravo, a film by his idol,
    Howard Hawks. In Carpenter's movie, a soon-to-be-closed police precinct is
    placed under siege by a gang who have taken a blood oath to kill someone inside.
    Assault is a classic, not least of all because it has perhaps Carpenter's best-loved
    theme. The theme's main synthesizer line, partly inspired by the score to Dirty
    Harry and Led Zeppelin's "Immigrant Song," is catchy and dread-inducing in
    equal measure.


    Carpenter's theme for The Fog is one of his finest, and creepiest. In the film, a
    weather-beaten old fisherman tells an ancient tale of betrayal and death to fascinated
    children as they huddle together by their campfire. As a piece of driftwood
    in a child's hands glows with spectral light, an eerie fog envelops the bay, and
    from its midst emerge dripping demonic victims of a century old shipwreck,
    seeking revenge. The spooky synthesizer tone in Carpenter's composition evokes
    the advance of the fog itself, helping to make this a quintessential horror score for
    a classic horror movie.


    This 12 release includes the themes to Assault on Precinct 13 and The Fog, newly
    rerecorded by Carpenter and his Lost Themes bandmates. May it serve as a bridge
    between the Horror Master's legendary, still relevant past and his remarkable
    present.

    1. Assault on Precinct 13
    2. The Fog
    John Carpenter
    $16.99
    12 Vinyl Single - Sealed Buy Now
  • Bones Bones Quick View

    $18.99
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    Bones

    On The Delta Saints' new album, Bones, their first for Loud & Proud Records, the Nashville-based band have stripped their roots/blues sound down to its essence, having rearranged the elements into something uniquely their own. Steeped in rock 'n' roll's building blocks - country, R&B, soul and gospel - The Delta Saints' second full-length effort explores influences like Jack White, The Black Keys, My Morning Jacket, Band of Horses and Led Zeppelin. Producer/engineer/mixer and Third Man Records alum, Eddie Spear [Jack White, Arctic Monkeys, Neil Young] provided a ghostly, psychedelic atmosphere at Nashville's Sputnik Sound studios, yielding a sound unlike anything they have created before.


    "We got to the point where what we were recording and playing had veered from what we were listening to and loving on our turntables, which can lead to discontent," said Louisiana-born singer/lyricist Ben Ringel, who co-founded the band almost eight years ago with fellow Belmont University student, Kansas native bassist David Supica. Soon after, they were joined by Tennessee-bred guitarist Dylan Fitch and later, after a health scare with the band's former harmonica player, enlisted Louisville resident and keyboardist, Nate Kremer, who was added to the lineup only two weeks before a two month long European tour.


    Taking a novel approach of writing songs spontaneously in the studio, The Delta Saints were challenged to create in the moment and as a result, Bones is their most adventurous effort yet. The album is a collection of eclectic songs, beginning with The White Stripes-meets-Led Zeppelin fuzz-toned garage-rock blast of "Sometimes I Worry." The spare, spooky strains of "Butte la Rose" tell the band's tale of a Louisiana town purposely flooded and displaced five years ago to save New Orleans. The Grapes of Wrath drama of "Dust," based on Ringel's grandfather, an East Kansas farmer, builds to a primal wail at nature with a stunning coda in which Dylan Fitch's guitar drops out and Kremer's B3 organ provides the climax. The title track, "Bones" features hoodoo organ riffs and African-influenced trance music, which came from listening to the Sahara desert African groove of Niger's Tuareg guitarist Omara "Bombino" Moctar and Mali's Tinariwen. The grindhouse honky-tonk chain gang chants of "Heavy Hammer" celebrates the work ethic in no uncertain terms, a call for unity in the wake of Ringel's frustration about getting stuck in the rat race and feeling trapped by some of life's mundane tasks. "Berlin," the first song they recorded after adding Nate on keys, started out as an instrumental penned in the title city while on tour. It eventually metamorphosed into a country twang intro and a prog-rock jam. Bones is a complete work veering between despair and apocalyptic dread.


    "We're trying to push ourselves forward to do something more modern, but at the same time incorporating where we come from," explained Ringel.


    "It was incredible to be able to write a song on the spot and immediately hear what it sounded like," added Supica. "It was a great way to capture the magic right when you come up with an idea, preserving that raw element. We were used to playing a song for months on the road before we recorded it. Still, on the flip side, it was absolutely terrifying to sit in the studio watching the clock tick and waiting for a song to come out. That's where (producer) Ed Spear came into play; he was so good at keeping us pointed in the right direction."


    "This record was made out of both necessity and desire. We needed to be fulfilled and surprised by music again, and we also needed to fulfill that love of writing and recording again."


    The Delta Saints have independently released two EPs (2010's Pray On and A Bird Called Angola), a full-length album (2012's Death Letter Jubilee) and a live disc (2014's Live at Exit/In). They have spent the last eight years touring the US averaging almost 200 shows per year, organically growing their audience, fan by fan, city by city. Major appearances include several festivals including Wakarusa, Summer Camp, Harvest, The Ride, Summerfest and The Simple Man Cruise. A testament to their mixed appeal, they have opened for such diverse acts as Blackberry Smoke, Robert Randolph & The Family Band, Taj Mahal, Dickey Betts and Michael Franti & Spearhead.


    The Delta Saints have also have a large international fan base having toured Europe a total of six times, selling out countless venues and playing more than 200 shows in Spain, Sweden, France, Switzerland and Germany, as well as several festivals in Holland (Moulin Blues, Ribs and Blues), Belgium (Gevarenwinkel) and Germany (Grolsch Blues Fest).


    With all that they've accomplished as a hard-working group on their own, The Delta Saints have earned their graduation to industry veteran Tom Lipsky's Loud & Proud Records (which has been the home of Rush, Lynyrd Skynyrd, KISS, Robert Plant, Rob Zombie, Lenny Kravitz and The String Cheese Incident, among others).


    "Don't look so tired, my dear," sings Ringel in Bones' closing track, "Berlin," echoing the band's progress. "We may be bruised, but the day is almost here."


    "It's hard to see progress when you're in the middle of things," said Supica about The Delta Saints' ambitions. "We try to take stock every six months or so and look back from where we've come, from eating at McDonald's and sleeping on people's floors to staying at a Motel 6 and graduating to La Quinta. We mark our success by the hotel chain where we're staying. When we get to Marriott, we know we've made it."


    Bones proves The Delta Saints are well on their way to making that reservation.

    The Delta Saints
    $18.99
    Vinyl LP - Sealed Buy Now
  • Re-Led-Ed - The Best Of (Out Of Stock) Re-Led-Ed - The Best Of (Out Of Stock) Quick View

    $25.99
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    Re-Led-Ed - The Best Of (Out Of Stock)

    Limited edition vinyl reissue of the rollicking, rastafarian retrospective from the most brilliant Dread Zeppelin featuring recently recorded versions of Zep's all-time favorites "Stairway To Heaven," "Whole Lotta Love," "Immigrant Song," "Kashmir" as well as some Dread originals!

    1. Whole Lotta Love
    2. Hey, Hey What Can I Do
    3. Kashmir
    4. Lemon Song
    5. Rock And Roll
    6. Kingston Celebration
    7. Going To California
    8. D'yer Mak'er
    9. Immigrant Song
    10. 10 Years Gone
    11. 4 Jah People
    12. Stairway To Heaven
    Dread Zeppelin
    $25.99
    Vinyl LP - Sealed Temporarily out of stock
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