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Duke Ellington Indigos

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  • Indigos Indigos Quick View

    $34.99
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    Indigos

    Import

    Indigos is a seminal Jazz album by big band superstar Duke Ellington, originally released in 1958. Ellington chose a set of easy listening ballads to be performed by his ace Big Band, putting less emphasis on the uptempo and danceable Swing the group was revered for.


    Behind Ellington on piano, you'll hear a marvelous band including Paul Gonsalves on tenor sax, Shorty Baker on trumpet, Ray Nance on violin, Johnny Hodges on alto sax and Harry Carney on baritone sax, all being put in the solo spotlight on every song of this record.


    This stereo reissue features the mono version of The Sky Fell Down, thus featuring the original 1958 track listing, exactly as it was intended more than half a century ago. A timeless classic!

    1. Solitude
    2. Where Or When
    3. Mood Indigo
    4. Autumn Leaves
    5. The Sky Fell Down
    6. Prelude To A Kiss
    7. Willow Weep For Me
    8. Tenderly
    9. Dancing In The Dark
    Duke Ellington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ellington Indigos (Bonus Track) Ellington Indigos (Bonus Track) Quick View

    $27.99
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    Ellington Indigos (Bonus Track)

    Import


    Heavyweight 180gm direct metal mastered vinyl LP pressing with deluxe inner sleeve. Includes one bonus track. Wax Time.


    Recorded in 1957 with a line-up that included Johnny Hodges and Paul Gonsalves among the saxophones and a trumpet section of Clark Terry, Willie Cook, Cat Anderson and Harold Baker. An exceptional record with arrangements full of new twists, innovative voices and improvisations.

    1. Solitude
    2. Where Or When
    3. Mood Indigo
    4. Autumn Leaves
    5. Night And Day *
    6. The Sky Fell Down
    7. Prelude To A Kiss
    8. Willow Weep For Me
    9. Tenderly
    10. Dancing In The Dark


    *Bonus Track. Not On The Original Lp Configuration

    Duke Ellington
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Duke Ellington Meets Coleman Hawkins Duke Ellington Meets Coleman Hawkins Quick View

    $49.99
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    Duke Ellington Meets Coleman Hawkins

    For years Duke Ellington and tenor saxophonist Coleman Hawkins promised each other that they would one day find a way to collaborate on an album. Finally, in 1962, they recorded at the famed Rudy Van Gelder Studios in New Jersey, with a small personnel from the Ellington band. The event was marked by the combination of the guest tenor's distinctive and expansive tones, the rich ensemble sound, and of course, the extraordinary Ellington compositions. Duke Ellington covered the piano and brought with him Aaron Bell, brass; Lawrence Brown, trombone; Sam Woodyard, drums; and Ray Nance, cornet and violin. What became obvious almost immediately was the interplay of Hawkin's tenor and Harry Carney on alto saxophone and the alto voicing of Johnny Hodges. Highlights include the infectious calypso-like opening of Limbo Jazz that moves from solos by Hodges, Ray Nance and Lawrence Brown to a solo by Coleman Hawkins. Ellington's classic Mood Indigo is the perfect vehicle for Hawkins with his rich, resonant phrasing. Wanderlust, which was first recorded in 1938, is revived here with Lawrence Brown and Ray Nance contributing to the blues mood of the piece. Duke Ellington Meets Coleman Hawkins features two legendary masters of jazz in a meeting that remains as masterful and thrilling as it did when it first took place in 1962.


    This title is not eligible for discount.

    1. Limbo Jazz
    2. Mood Indigo
    3. Ray Charles' Place
    4. Wanderlust
    5. You Dirty Dog
    6. Self Portrait (Of the Bean)
    7. The Jeep Is Jumpin'
    8. The Ricitic
    Duke Ellington & Coleman Hawkins
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Summer In The City: Live In New York Summer In The City: Live In New York Quick View

    $59.99
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    Summer In The City: Live In New York

    First Time Ever On Vinyl!

    Remastered From New High-Res Master Files By Kevin Gray At Cohearent Audio

    Double LP Set, Ultra-Quiet 180-Gram Vinyl Pressed At RTI

    Beautiful ''Old-Style'' Gatefold Printed By Stoughton

    Intervention Records is thrilled to bring Joe Jackson's Summer in the City Live in New York to vinyl for the very first time! Previously available only on CD, Summer in the City joins IR's wildly successful vinyl reissues of Jackson's early New Wave classics Look Sharp!, I'm the Man and Night and Day.

    Summer in the City's repertoire is an amazing bridge that spans the greatest hits of Jackson's early canon with stunning new arrangements and covers from other great songwriters. Jackson classics like ''Fools in Love,'' ''You Can't Get What You Want'' and ''It's Different for Girls'' meet with covers as diverse as Duke Ellington's ''Mood Indigo,'' The Beatles' ''Eleanor Rigby'' and Steely Dan's ''King of the World.''

    Summer in the City was mastered to vinyl by Kevin Gray at Cohearent Audio from brand-new high-res master files. Summer in the City was recorded live in New York City in August of 1999 by Steve Remote and Co-Producer Sheldon Steiger. Sony's archivists and Battery Studios' Mike Piacentini compiled new high-res digital master files from the original DATs with the final mixes, and IR consulted with Remote and Steiger on key aspects of the recording to ensure the best possible source files were used. The result is an absolute sonic stunner, brought to new life on this double LP set!

    Summer in the City's original album art has been rebuilt into a beautiful gatefold jacket by IR's art director Tom Vadakan.


    This title is not eligible for discount.

    LP 1
    1. Summer in the City
    2. Obvious Song
    3. Another World
    4. Fools in Love / For Your Love
    5. Mood Indigo
    6. The In Crowd / Down to London


    LP 2
    MEDLEY:
    1. Eleanor Rigby
    2. Be My Number Two
    3. Home Town
    4. It's Different For Girls
    MEDLEY:
    5. King of the World
    6. You Can't Get What You Want
    7. One More Time

    Joe Jackson
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Little Girl Blue (Pure Pleasure) Little Girl Blue (Pure Pleasure) Quick View

    $34.99
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    Little Girl Blue (Pure Pleasure)

    Little Girl Blue, released in 1957, was Nina Simone's first recording, originally issued on the Bethlehem label. Backed by bassist Jimmy Bond and Albert 'Tootie' Heath, it showcases her ballad voice as one of mystery and sensuality and showcases her up-tempo jazz style with authority and an enigmatic down-home feel that is nonetheless elegant. The album also introduced a fine jazz pianist. Simone was a solid improviser who never strayed far from the blues. Check the opener, her reading of Duke Ellington's Mood Indigo, which finger-pops and swings while keeping the phrasing deep-blue. It is contrasted immediately with one of the -- if not the -- definitive reads of Willard Robison's steamy leave-your-lover ballad Don't Smoke in Bed. The title track, written by Rodgers & Hart, features Good King Wenceslas as a classical prelude to one of the most beautiful pop ballads ever written. It is followed immediately by the funky swing in Love Me or Leave Me with a smoking little piano solo in the bridge where Bach meets Horace Silver and Bobby Timmons.


    It's also interesting to note that while this was her first recording, the record's grooves evidence an artist who arrives fully formed; many of the traits Simone displayed throughout her career as not only a vocalist and pianist but as an arranger are put on first notice here. My Baby Just Cares for Me has a stride shuffle that is extrapolated on in the piano break. Her instrumental and improvising skills are put to good use on Tadd Dameron's Good Bait, which is transformed into something classical from its original bebop intent. You'll Never Walk Alone feels more like some regal gospel song than the Rodgers & Hammerstein show tune it was. Of course, one of Simone's signature tunes was her version of I Loves You, Porgy, which appears here for the first time and was released as a single. Her own Central Park Blues is one of the finest jazz tunes here.



    Musicians:



    • Nina Simone (piano, vocal)

    • Jimmy Bond (bass)

    • Albert "Tootie" Heath (drums)



    Recording: 1957



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Mood Indigo
    2. Don't Smoke In Bed
    3. He Needs Me
    4. Little Girl Blue
    5. Love Me Or Leave Me
    6. My baby Just Cares For Me
    7. Good Bait
    8. Plain Gold Ring
    9. You'll Never Walk Alone
    10. I Loves You Porgy
    11. Central Park Blues
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Masterpieces (45 RPM) Masterpieces (45 RPM) Quick View

    $54.99
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    Masterpieces (45 RPM)


    A Historic Record - Recorded Just Four Years Removed From The Dawn Of The Analog Tape Era!


    Remastered By Ryan Smith At Sterling Sound From The Original Analog Tapes


    Recorded On An Ampex 200, Using 3M-111 Magnetic Tape Running At 15 Inches Per Second


    Gatefold Old-School Tip-on On Jacket By Stoughton Printing Plated And Pressed At Quality Record Pressings!


    Named A 2015 Record To Die For By Stereophile Magazine.


    Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps. - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.


    I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. - Fred Kaplan, for Stereophile - Records To Die For - February 2015.


    This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, Mood Indigo amigos, after a long instrumental build-up...she'll take you there! ... The pressing itself was impeccable: flat, and free of noise, tics and pops...a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close! Kissing cousins close! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!). - David W. Robinson, editor-in-chief, Positive Feedback Online.


    Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. A true classic both musically and sonically and a historical work of art you can now own. - Music = 11/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com.


    This title is not eligible for discount.

    LP 1
    1. Mood Indigo
    2. Sophisticated Lady


    LP 2
    1. The Tattooed Bride
    2. Solitude

    Duke Ellington
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Masterpieces (Pure Pleasure) Masterpieces (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Masterpieces (Pure Pleasure)

    When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between its late-1940's configuration (the 5-man trumpet section) and its mid-1950's personnel. The sax section had settled into the form it would have for most of the ensuing two decades (old-timers Hodges and Carney and newcomers Procope, Hamilton and Gonsalves); the trombone section had long-timer Lawrence Brown as well as Tyree Glenn and newcomer Quentin Jackson; and the drummer was still Sonny Greer, who had anchored the rhythm section since the beginning.


    The arrangements and orchestrations all bear the hallmarks of Ellington's collaboration with Billy Strayhorn in the late 1940's: they are lush, symphonic, impressionistic, and densely (and adventurously) harmonic. Mood Indigo, in particular, is a 15-minute tone-poem with shifting colors and key relationships as Ellington and Strayhorn bring the melody through a wide variety of guises, from Glenn's wah-wah trombone solo to Shorty Baker's lyrical waltz to orchestral and piano passages which do homage to the influence which Ravel and Stravinsky had on both of them.


    The Tattooed Bride is the only new piece from the original Masterpieces by Ellington LP, and it is a beauty. The others of the original tracks -- Sophistocated Lady and Solitude -- are not laid out as inventively in their harmonics or structure. Of the group, Solitude is perhaps the weakest, but this is a relative term. Ellington would go on to pen many more extended, symphonic works, but none would have quite the multicolored, impressionistic tone-pallate that these do. And Strayhorn's presence would not be as pronounced in those future works as it is here: the orchestration and harmonies in particular bear his mark. These are masterpieces indeed: great works of art by two of our greatest composers/orchestrators, and played by one of the greatest orchestras in Afro-American music. - Andrew R. Weiss

    Musicians:



    • Duke Ellington, Billy Strayhorn (piano)
    • Cat Anderson, Clark Terry, Ray Nance (trumpet)
    • Quentin Jackson (trombone)
    • Johnny Hodges (reeds)
    • Mercer Ellington (french horn)
    • Russell Procope (clarinet, reeds)
    • Wendell Marshall (bass)
    • Louie Bellson (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Mood Indigo
    2. Sophisticated Lady
    3. The Tattooed Bride
    4. Solitude
    Duke Ellington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nostalgia (Awaiting Repress) Nostalgia (Awaiting Repress) Quick View

    $21.99
    Buy Now
    x

    Nostalgia (Awaiting Repress)

    Annie Lennox describes Nostalgia as the album she has been waiting her whole life to record. Produced by Lennox and frequent collaborator Mike
    Stevens, the collection features hauntingly beautiful takes on iconic American songs such as "Summertime," "Mood Indigo" and "Strange Fruit." While the
    album pays tribute to some of the greatest artists of the 20th century (Duke Ellington, George Gershwin, Billie Holiday), the songs were also chosen for
    their continuing ability to resonate in the 21st century. The Scottish artist has sold 80 million records and won four GRAMMYs, two MTV VMAs, an Oscar
    and a Golden Globe. VH1 named her "The Greatest White Soul Singer Alive" and Rolling Stone counted her as one of "The 100 Greatest Singers of All
    Time."
    1. Memphis In June
    2. Georgia On My Mind
    3. I Put A Spell On You
    4. Summertime
    5. I Cover The Waterfront
    6. Strange Fruit
    7. God Bless The Child
    8. You Belong To Me
    9. September In The Rain
    10. I Can Dream, Can't I?
    11. The Nearness Of You
    12. Mood Indigo
    Annie Lennox
    $21.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
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