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  • Bob Dylan (MONO) Bob Dylan (MONO) Quick View

    $28.99
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    Bob Dylan (MONO)

    The baby-faced Bob Dylan staring out from the cover of his self-titled 1962 debut album would soon become the musical spokesman of a generation. Instant Dylan landmarks like Man Of Constant Sorrow and Highway 51and gutwrenching versions of folk/blues classics like Baby, Let Me Follow You Down and See That My Grave Is Kept Cleanmade the abundant talents of this legend-to-be obvious. Forty years later, the albumnow available in its ultra-rare, original mono mix on High-Definition Vinylstands as a revered monument to the timeless genius of Bob Dylan.

    1. You're No Good
    2. Talkin' New York
    3. In My Time Of Dyin'
    4. Man Of Constant Sorrow
    5. Fixin' To Die
    6. Pretty Peggy-O
    7. Highway 51
    8. Gospel Plow
    9. Baby, Let Me Follow You Down
    10. House Of The Risin' Sun
    11. Freight Train Blues
    12. Song To Woody
    13. See That My Grave Is Kept Clean
    Bob Dylan
    $28.99
    Vinyl MONO LP -Sealed Buy Now
  • 30th Anniversary Celebration Concert 30th Anniversary Celebration Concert Quick View

    $129.99
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    30th Anniversary Celebration Concert

    Import

    On October 16, 1992, New York City's hottest concert ticket was the live gathering of musical giants who'd come to Madison Square Garden to celebrate the 30th anniversary of Bob Dylan's first Columbia Records album.


    The four hour show, performed for a sold-out audience of more than 18,000 fans and live-cast around the world, brought together an unprecedented roster of artists and icons including Johnny Cash and June Carter Cash, Lou Reed, The Clancy Brothers, Richie Havens, Johnny Winter, Roger McGuinn, Tom Petty & the Heartbreakers, Stevie Wonder, Willie Nelson, Kris Kristofferson, Neil Young, Eric Clapton, Ron Wood, Chrissie Hynde, The O'Jays, Eddie Vedder, SinÉad O'Connor, Tracy Chapman,
    George Harrison (then making his first US concert appearance in 18 years) and more.

    Like A Rolling Stone - John Mellencamp
    Blowin' In The Wind - Stevie Wonder
    Foot Of Pride - Lou Reed
    Masters Of War - Eddie Vedder/Mike McCready
    The Times They Are A-Changin' - Tracy Chapman
    It Ain't Me Babe - June Carter Cash/Johnny Cash
    What Was It You Wanted - Willie Nelson
    I'll Be Your Baby Tonight - Kris Kristofferson
    Highway 61 Revisited - Johnny Winter
    Seven Days - Ron Wood
    Just Like A Woman - Richie Havens
    When The Ship Comes in - The Clancy Brothers and Robbie O'Connell with special guest Tommy Makem
    War - Sinead O'Connor
    Just Like Tom Thumb's Blues - Neil Young
    All Along The Watchtower - Neil Young
    I Shall Be Released - Chrissie Hynde
    Don't Think Twice, It's Alright - Eric Clapton
    Emotionally Yours - The O'Jays
    When I Paint My Masterpiece - The Band
    You Ain't Goin' Nowhere - Mary Chapin Carpenter/Rosanne Cash/Shawn Colvin
    Absolutely Sweet Marie - George Harrison
    License To Kill - Tom Petty & The Heartbreakers
    Rainy Day Women #12 & 35 - Tom Petty & The Heartbreakers
    Mr Tambourine Man - Roger McGuinn
    It's Alright, Ma - Bob Dylan
    My Back Pages - Bob Dylan/Roger McGuinn/Tom Petty/Neil Young/Eric Clapton/George Harrison
    Knockin' On Heaven's Door - Everyone
    Girl Of The North Country - Bob Dylan
    Bob Dylan
    $129.99
    180 Gram Audiophile Virgin Vinyl LP - 4 LPs Sealed Buy Now
  • Slow Train Coming Slow Train Coming Quick View

    $19.99
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    Slow Train Coming

    Remastered


    Slow Train Coming is the nineteenth studio album by American singer-songwriter Bob Dylan, originally released on August 20, 1979, by Columbia Records. It was Dylan's first effort since converting to Christianity, and all of the songs either express his strong personal faith or stress the importance of Christian teachings and philosophy. The evangelical nature of the record alienated many of Dylan's existing fans; at the same time, many Christians were drawn into his fan base. Slow Train Coming was listed at #16 in the 2001 book CCM Presents: The 100 Greatest Albums in Christian Music.


    The album was generally well-reviewed in the secular press, and the single Gotta Serve Somebody became his first hit in three years, winning Dylan the Grammy for best rock vocal performance by a male in 1980. The album peaked at #2 on the charts in the UK and went platinum in the US, where it reached #3.

    1. Gotta Serve Somebody (Album Version)
    2. Precious Angel (Album Version)
    3. I Believe in You
    4. Slow Train (Album Version)
    5. Gonna Change My Way of Thinking
    6. Do Right to Me Baby (Do Unto Others)
    7. When You Gonna Wake Up (Album Version)
    8. Man Gave Names to All the Animals
    9. When He Returns (Album Version)
    Bob Dylan
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Basement Tapes The Basement Tapes Quick View

    $49.99
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    The Basement Tapes

    Ranked 291/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Recorded in Basement of Big Pink with The Band: Modern Americana Starts Here


    Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue


    Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material


    Includes This Wheels on Fire, You Aint Goin Nowhere, Tears of Rage, Million Dollar Bash, Yazoo Street Scandal


    The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and Blood on the Tracks Also Available from Mobile Fidelity


    Basements have long been associated with raw, off-the-cuff rock n roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbed Big Pink the location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of The Basement Tapes ever produced and the first-ever analog reissue. Inimitable, the particulars of The Basement Tapes especially, the gather-round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordings come to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.


    Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.


    In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does. Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freenessa liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.


    The Basement Tapes capacity to remain so gloriously honest and timeless performances that genuinely could've been made today, ten years from now, or back in the 1930's helps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.


    Mobile Fidelity's reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Odds and Ends
    2. Orange Juice Blues (Blues for Breakfast)
    3. Million Dollar Bash
    4. Yazoo Street Scandal
    5. Goin to Acapulco
    6. Katies Been Gone
    7. Lo and Behold
    8. Bessie Smith
    9. Clothes Line Saga
    10. Apple Suckling Tree
    11. Please Mrs. Henry
    12. Tears of Rage
    13. Too Much of Nothing
    14. Yea! Heavy and a Bottle of Bread
    15. Aint No More Cane
    16. Crash on the Levee (Down in the Flood)
    17. Ruben Remus
    18. Tiny Montgomery
    19. You Aint Goin Nowhere
    20. Dont Ya Tell Henry
    21. Nothing Was Delivered
    22. Open the Door, Homer
    23. Long Distance Operator
    24. This Wheels on Fire
    Bob Dylan and the Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Triplicate Triplicate Quick View

    $49.99
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    Triplicate

    Triplicate, is the new three-disc studio album from Bob Dylan. The collection features 30 brand-new recordings of classic American tunes and marking the first triple-length set of the artist's illustrious career. With each disc individually titled and presented in a thematically-arranged 10-song sequence, Triplicate showcases Dylan's unique and much-lauded talents as a vocalist, arranger and bandleader on 30 compositions by some of music's most lauded and influential songwriters. The Jack Frost-produced album is the 38th studio set from Bob Dylan and marks the first new music from the artist since Fallen Angels, which was released in early 2016.


    For Triplicate, Dylan assembled his touring band in Hollywood's Capitol studios to record hand-chosen songs from an array of American songwriters such as Charles Strouse and Lee Adams (Once Upon A Time), Harold Arlen and Ted Koehler (Stormy Weather), Harold Hupfield (As Time Goes By) and Cy Coleman and Carolyn Leigh (The Best Is Yet To Come). The titles of the individual discs are 'Til The Sun Goes Down, Devil Dolls and Comin' Home Late. According to Bob Dylan, I am finding these great songs to be a tremendous source of inspiration that has led me to one of my most satisfying periods in the studio. I've hit upon new ways to uncover and interpret these songs that are right in line with the best recordings of my own songs, and my band and I really seemed to hit our stride on every level with Triplicate.


    Dylan's two previous album of classic American songs, 2016's Fallen Angels and 2015's Shadows in the Night, were both worldwide hits and garnered Grammy Award nominations in the category of Best Traditional Pop Vocal Album. Both albums received worldwide critical acclaim, with Randy Lewis writing of Fallen Angels in The Los Angeles Times, [Dylan] immediately liberates songs from the big band/big orchestra world from which they emerged, and in which they are most frequently revisited . [He] reaches to the blues at the core of many of these songs. Thus, they elicit the ache of romantic yearning and loss that often gets subsumed by swelling orchestral forces, background choirs or by singers who are more focused on crafting elegant vocals than finding emotional resonance. The Telegraph's Neil McCormick awarded Shadows in the Night five out of five stars and described the work as spooky, bittersweet, mesmerizingly moving [with] the best singing from Dylan in 25 years. Jon Pareles wrote of that album in the New York Times, Mr. Dylan presents yet another changed voice a subdued, sustained tone .Shadows in the Night maintains its singular mood: lovesick, haunted, suspended between an inconsolable present and all the regrets of the past.


    Bob Dylan has sold more than 125 million records around the world.

    LP 1: 'Til The Sun Goes Down
    1. I Guess I'll Have to Change My Plans
    2. September Of My Years
    3. I Could Have Told You
    4. Once Upon A Time
    5. Stormy Weather
    6. This Nearly Was Mine
    7. That Old Feeling
    8. It Gets Lonely Early
    9. My One and Only Love
    10. Trade Winds


    LP 2: Devil Dolls
    1. Braggin'
    2. As Time Goes By
    3. Imagination
    4. How Deep Is The Ocean
    5. P. S. I Love You
    6. The Best Is Yet To Come
    7. But Beautiful
    8. Here's That Rainy Day
    9. Where Is The One
    10. There's A Flaw In My Flue


    LP 3: Comin' Home Late
    1. Day In, Day Out
    2. I Couldn't Sleep A Wink Last Night
    3. Sentimental Journey
    4. Somewhere Along The Way
    5. When The World Was Young
    6. These Foolish Things
    7. You Go To My Head
    8. Stardust
    9. It's Funny To Everyone But Me
    10. Why Was I Born

    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Performs Trouble No More Live At Town Hall Performs Trouble No More Live At Town Hall Quick View

    $24.99
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    Performs Trouble No More Live At Town Hall


    Newly Mixed And Mastered Concert Recording


    Highlights 10 Performances From The Concert


    Include A New Essay By Bob Merlis


    John Mellencamp's Trouble No More was released in June 2003, received with universal critical acclaim and a No. 1 debut on Billboard's Blues chart.
    Featuring Mellencamp and his band's spirited take on American folk and blues classics, including Robert Johnson's "Stones In My Passway," Son
    House's "Death Letter," Woody Guthrie's "Johnny Hart," Willie Dixon's "Down In The Bottom," Lucinda Williams' "Lafayette," and several others, the album
    was recorded and mixed in just 17 days, capturing the sessions' bounding energy. A month after the release, Mellencamp performed this acclaimed
    studio album, Trouble No More, plus additional songs, including stripped-down versions of Mellencamp's "Small Town," "Paper In Fire" and Pink Houses,"
    as well as Bob Dylan's "Highway 61 Revisited" for a sold-out audience at New York's Town Hall.

    1. Stones In My Passway (Robert Johnson)
    2. Death Letter (Son House)
    3. Joliet Bound (Kansas Joe McCoy)
    4. Highway 61 Revisited (Bob Dylan)
    5. Baltimore Oriole (Hoagy Carmichael/Paul Francis Webster)
    6. Diamond Joe (John Mellencamp/Traditional)
    7. Down In The Bottom (Willie Dixon)
    8. Small Town (John Mellencamp)
    9. Paper In Fire (John Mellencamp)
    10. Pink Houses (John Mellencamp)
    John Mellencamp
    $24.99
    Vinyl LP - Sealed Buy Now
  • The Essential Bob Dylan (Awaiting Repress) The Essential Bob Dylan (Awaiting Repress) Quick View

    $27.99
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    The Essential Bob Dylan (Awaiting Repress)

    Best of compilation. Definitive, career-spanning and comprehensive, The ESSENTIAL series features the biggest hits and best-loved songs from the most famous names in music history!


    Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives.

    LP 1
    1. Blowin' In the Wind
    2. Don't Think Twice, It's All Right
    3. The Times They Are A-Changin'
    4. It Ain't Me Babe (Album Version)
    5. Maggie's Farm
    6. Mr. Tambourine Man
    7. Subterranean Homesick Blues
    8. Like a Rolling Stone
    9. Positively 4th Street
    10. Just Like a Woman
    11. Rainy Day Women #12 & 35
    12. Lay, Lady, Lay (Album Version)
    13. Knockin' On Heaven's Door (Remastered)


    LP 2
    1. Forever Young (Album Version)
    2. Tangled up in Blue
    3. Gotta Serve Somebody (Album Version)
    4. Jokerman (Album Version)
    5. Make You Feel My Love
    6. Things Have Changed
    7. Mississippi (Album Version)
    8. When the Deal Goes Down
    9. Beyond Here Lies Nothin'
    10. Long and Wasted Years (Album Version)

    Bob Dylan
    $27.99
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Blonde On Blonde (Box Set) (Awaiting Repress) Blonde On Blonde (Box Set) (Awaiting Repress) Quick View

    $84.99
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    Blonde On Blonde (Box Set) (Awaiting Repress)

    Ranked 9/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    That Thin, That Wild Mercury Sound: Dylans Ground-Shaking 1966 Double LP Sent Tremors Throughout the World


    Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity


    Recorded With One of The Most Ear-Awakening Lineups Ever Assembled: Al Kooper, Pig Robbins, Joe South, Kenny Buttrey, and The Bands Rick Danko and Robbie Robertson Among Musicians


    Vaudeville, Contemporary Pop, Fiery Rock and Roll, Memphis Blues, Folk-Derived Sagas Among Enriched Palette of Styles


    Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didnt know. Professor Sean Wilentz, historian-in-residence for Bob Dylans Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any whove tried: The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beautyin short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld. No lie.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed that thin, that wild mercury sound, the albums famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.


    Forever prized for a unique sound that cultural critic Greil Marcus tagged the most glamorous record imaginable; listening you [can] see the checkered jesters suit Dylan had worn on stage for the nine previous, furious months, Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylans request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelitys reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres youll ever hear in plain sight.


    The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashvilles top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.


    As for the tunes? Chapters of books and lengthy theses are dedicated to the sheer conscious-altering power, mythical weight, character cast, and convention-obscuring magnetism of the lyricsto say nothing of the sophisticated albeit pure playing within, as arrangements touch upon gospel, R&B, pop, traditional and contemporary blues, vaudeville, folk, and more. Then theres Dylans inventive phrasing, his manipulation of pitch and locution, helping the narratives to take on epic, inchoate, and cryptic meanings that continue to be deciphered to this day. Punch lines occur as frequently as romantic declarations, all delivered with salient references, traditional parallels, and elusive interpretations on par with those of Shakespeare.


    Visions of Johanna. I Want You. Rainy Day Women #12 & 35. Sad Eyed Lady of the Lowlands. Absolutely Sweet Marie. We could go on. Essential doesnt even begin to cover the genius of this record that, now, sounds better than Dylan himself can imagine.


    Given the sonic and artistic merit of this album, we anticipate huge demand.



    This title is not eligible for discount.

    1. Rainy Day Women #12 & 35
    2. Pledging My Time
    3. Visions of Johanna
    4. One of Must Know (Sooner or Later)
    5. I Want You
    6. Stuck Inside of Mobile With the Memphis Blues Again
    7. Leopard-Skin Pill-Box Hat
    8. Just Like a Woman
    9. Most Likely You Go Your Way (And Ill Go Mine)
    10. Temporary Like Achilles
    11. Absolutely Sweet Marie
    12. 4th Time Around
    13. Obviously 5 Believers
    14. Sad Eyed Lady of the Lowlands
    Bob Dylan
    $84.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 3 LPs Sealed AWAITING REPRESS Buy Now
  • Bound For Glory Bound For Glory Quick View

    $37.99
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    Bound For Glory

    Previously unreleased early broadcast featuring rare versions of many early Springsteen hits!


    April 1973 from The Main Point, Bryn Mawr, Philadelphia


    By mid 1972 the rock landscape was looking decidedly dull. The search for a new Beatles or a new Dylan to re-unite the Woodstock generation and their younger siblings had come to nothing and the natives were getting restless. So when word began to filter through of new-kid-on-the-block Bruce Springsteen breaking out of home city Asbury Park, New Jersey, and playing shows nationwide that reconfirmed audiences faith in the redemptive power of rock n roll, hope began to restore. Bruce had signed a recording deal with Columbia in mid-72 and had been working on his debut record since. Greetings From Asbury Park saw the light of day in early 73, and within the week Springsteen, with a little help from three of the soon to be named East Street Band, were performing their first ever radio broadcast, aired on Boston's WBCN FM. A quite remarkable performance ensued with Bruce and the boys in excellent humour and fine form as they played a terrific set, although remarkably including just one cut from Greetings. The show was an intimate affair without an audience but gave listeners their first glimpse into Springsteen's infectious personality, enormous enthusiasm and unique sense of humour. It also drove home the message that here was an artist who could prove to be the new messiah, with songs that quite beggared belief. The second show featured on this LP is Bruce's very first broadcast from the Main Point venue in Bryn Mawr, just outside Philadelphia - the venue at which Bruce's most prestigious and highly regarded broadcast was made, the astonishing 1975 gig that has also recently been released. This April 1973 set differs widely from the January 73 show as the full band (drummer Vini Lopez joins proceedings) rock out, and comparisons with the largely acoustic Boston broadcast remain fascinating. That was pretty good, Bruce is heard to mutter as the final track of this broadcast draws to a close - providing the perfect understatement for the burgeoning talent heard maturing in these two broadcasts, and equally for the shows themselves, as just one listen to this remarkable LP will testify.


    LP1 - Live broadcast on WBCN-FM BOSTON 9th Jan 1973
    1. Satin Doll
    2. Bishop Danced
    3. Circus Story
    4. Song For Orphans
    5. Does This Bus Stop At 82nd Street?


    LP2 - Live broadcast on WMMR-FM PHILADELPHIA 24th
    6. New York Song
    7. Circus Story
    8. Spirit In The Sky
    9. Does This Bus Stop At 82nd Street?
    10. Santa Ana
    11. Tokyo
    12. Thundercrack

    Bruce Springsteen
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Bob Dylan (Mono) (Pre-Order) Bob Dylan (Mono) (Pre-Order) Quick View

    $49.99
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    Bob Dylan (Mono) (Pre-Order)

    Bob Dylan On Numbered Limited Edition 180 Gram Mono 45RPM 2LP From Mobile Fidelity


    Understated 1962 Debut Launched Immeasurably Influential Career


    Album Stands as Clearest Connection to Dylan's Purist Folk Roots


    Ghosts of Woody Guthrie and Blues Legends Appear Throughout Recording of Originals and Covers


    Mastered From The Original Master Tapes And Strictly Limited To 3,000 Copies


    Mobile Fidelity Mono 45RPM 2LP Features Unparalleled Directness And Sound Dylan, Producers Originally Intended


    Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's restored 180g mono 45RPM 2LP analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness-the husk and bark to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album-making the mono mix all the more historically valuable and truthful.


    Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.


    By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's See That My Grave Is Kept Clean, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.


    As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin. It all starts here.


    This title is not eligible for discount.

    1. You're No Good
    2. Talkin' New York
    3. In My Time of Dyin'
    4. Man of Constant Sorrow
    5. Fixin' to Die
    6. Pretty Peggy-O
    7. Highway 51
    8. Gospel Plow
    9. Baby, Let Me Follow You Down
    10. House of the Risin' Sun
    11. Freight Train Blues
    12. Song to Woody
    13. See That My Grave Is Kept Clean
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Blood On The Tracks (Awaiting Repress) Blood On The Tracks (Awaiting Repress) Quick View

    $34.99
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    Blood On The Tracks (Awaiting Repress)

    Ranked 16/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Dylans Masterpiece Break-Up Album: Sentimental Redemption Arises Amidst Sorrow, Turmoil, Sadness, and Pain


    Presence, Immediacy, Naturalness, Realism in Spades: Mobile Fidelity Reissue Makes Blood on the Tracks Among Most Lifelike-Sounding Albums You'll Ever Hear



    Songs Flow Like Rivers, Acoustic and Electric Elements Merge Like Bezels on a Diamond


    Includes Tangled Up In Blue, Simple Twist of Fate, Idiot Wind, Buckets of Rain


    The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and The Basement Tapes Also Available from Mobile Fidelity


    Bob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime. Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decades unprecedented run of transformational brilliance finished. Then came Blood on the Tracks.


    A start-to-finish cycle that documents a lovers pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made and ranks as the most personal statement of the Bards career. To hear it is to experience the agony, frustration, trauma, highs, lows, confusion, sadness, and, ultimately, requisite redemption associated with intimate relationships gone astray. Dylan maintains its a work of fiction, but its evident close-vested autobiographical premise is what helps make it universal: Its the icon singing through tears, going out of his mind, battling hallowing emptiness, firing shots across the bow, and accepting culpability. It is, in short, a consummate expression of loves darker sides and the consequences of what happens when dreams unravel.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of Blood on the Tracks ever producedand the first-ever proper analog reissue. Fantastically presenting both the solo acoustic and band-supported songs with the utmost clarity, dynamics, presence, immediacy, spaciousness, imaging, and balance, this version shines a high-powered light on the fluid vocal phrasing, timbral shifts, functional rhythms, and inward-looking strumming that contribute to every song here serving as a wound-exposing confessional.


    For all the melancholic pain, unresolved questions, shattered memories, wasted times, unrequited dialogs, and weary regret within, Blood on the Tracks remains as daring as it is reflective. Rather than follow for a monotone caustic vibe, Dylans songs burrow into the subconscious for the manners in which they are even-keeled, mellow, and occasionally, even peaceful. Dignity, honor, poignancy, and fairnessall traits uncommon in any situation in which partners dissolve histories, change hearts, and attribute blameinstill the record with equilibrium on par with the consistency of the flowing melodies.


    Throughout, tunes come on and proceed as if they could continue forever, Dylan spinning poetic verses and conversations amidst finely tied knots of acoustic notes, chords, and fills, the deceivingly simple architecture conjuring the intertwined refractions of a bezeled jewel, various angles, colors, and textures conjoining into a gorgeously inseparable whole. Backed by Tony Browns flexible albeit subtle bass, Buddy Cages country-streaked pedal-steel guitar, and Paul Griffins soul-baring organan instrument used to shadow, tuckpoint, and illuminate here as effectively as any time in rock historyDylan pours soulful emotion, open his veins, and bleeds.


    Ranked 16 on Rolling Stones list of the 500 Greatest Albums of All Time, and replete with existential thought, piercing directness, raw singing, and majestic arrangements,


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Tangled Up in Blue
    2. Simple Twist of Fate
    3. Youre A Big Girl Now
    4. Idiot Wind
    5. Youre Gonna Make Me Lonesome When You Go
    6. Meet Me in the Morning
    7. Lily, Rosemary and the Jack of Hearts
    8. If You See Her, Say Hello
    9. Shelter From the Storm
    10. Buckets of Rain
    Bob Dylan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Blame It On Rio Blame It On Rio Quick View

    $37.99
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    Blame It On Rio

    Live At Hollywood Rocks Festival - Rio de Janeiro, Brazil - On January 25th, 1990


    During the recording of Under The Red Sky 1990, Dylan traveled to Brazil for two live dates in January, during a week-long stay in the country. He performed in Sao Paulo on 15th and in Rio on the 25th - both as co-headliner for the 1990 Hollywood Rocks festival (alongside Bon Jovi!). The Rio show was undertaken with a typical festival set made up of a fine array of oldies and classics, with a single cut from Oh Mercy thrown into the mix for good measure. But, as this release reveals, nevertheless Bob and band showered the enormous gathering with a delightful, relaxed performance with Dylan in fine voice and the entire 80+ minute performance is featured here on vinyl for the first time

    LP 1
    1. Subterranean Homesick Blues
    2. Lay Lady Lay
    3. All Along The Watchtower
    4. Stuck Inside Of Mobile With The Memphis Blues Again
    5. Highway 61 Revisited
    6. You're A Big Girl Now
    7. Seeing The Real You At Last

    8. It Takes A Lot To Laugh, It Takes A Train To Cry
    9. Ballad Of Hollis Brown


    LP 2
    1. Maggie's Farm
    2. Mr. Tambourine Man

    3. One Too Many Mornings
    4. The Lonesome Death Of Hattie Carroll
    5. Blowin' In The Wind
    6. Everything Is Broken
    7. Tight Connection To My Heart
    8. Political World

    Bob Dylan
    $37.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Freewheelin' Bob Dylan (Mono) The Freewheelin' Bob Dylan (Mono) Quick View

    $49.99
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    The Freewheelin' Bob Dylan (Mono)

    Ranked 97/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time


    The Freewheelin' Bob Dylan Marks the Beginning of a Cultural Sea Change: 1963 Set Transformed Songwriting, Folk, and Pop


    Numbered Limited Edition 180 Gram Mono 45 RPM Vinyl 2LP


    Wider Grooves for The Ultimate Sonic Quality: Strictly Limited to 3,000 Copies, Mobile Fidelity's Mono 45RPM Vinyl Pressing Teems With Directness and Sound Dylan Originally Intended


    Records Ambitious Poetry, Melodies, and Moral Conviction Transformed Songwriting, Folk, and Pop


    Includes Masters of War, Blowin' in the Wind, and A Hard Rains A-Gonna Fall


    Originally experienced by everyone in direct, attention-getting mono sound, The Freewheelin' Bob Dylan is the album the ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. It's the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. It's the sound of change, the feeling of ground shifting beneath one's feet, and the entrance of an entirely new way of thinking. It's the effective beginning of what's arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation.


    Mobile Fidelity is humbled to have the privilege of mastering the iconic LP from the original master tapes, presenting it in its original take-notice mono sound, and pressing it on 45RPM LPs at RTI. Strictly limited to 3,000 copies, the end result is the finest, most transparent mono analog edition of The Freewheelin' Bob Dylan ever produced. Never before has the resonance of his nylon guitar strings, fingerpicked notes, shivering harmonica fills, or plainspoken timbre possessed such directness, clarity, openness, body, or realism.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. More intimate, focused, and direct than its stereo counterpart, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. With the advantage of wider and deeper grooves, the 45RPM pressing affords the opportunity to detect more information and lavish in extra richness. Whether it's the exaggerated nasal accents employed on Down the Highway or the decay of each strummed line on the entirely acoustic album, previously concealed details, microdynamics, and ambient cues surface - enhancing the listeners' experience and taking them inside Columbia's Studio A.


    Exponentially surpassing the potential he demonstrated on his debut, Dylan became a mirror of the concerns, issues, and feelings confronting the nation. Writing and singing with penetrating honesty, observational wit, moral conviction, and scathing emotion, he digs into the madness of war (Masters of War, A Hard Rain's A-Gonna Fall), hypocrisy of segregation (Oxford Town), urgency of civil rights and freedom (Blowin' in the Wind), and multiple angles of unrequited love (Girl From the North Country, Don't Think Twice It's All Right) with a literate astuteness and depth that, nearly 50 years later, still leave audiences slack-jawed. Satire, absurdist humor, and traditional blues also pepper the album, which rests upon graceful melodies and sparse, poignant patterns.


    Viewed as protest songs, love songs, folk songs, or talking blues songs, the material on The Freewheelin' Bob Dylan remains amongst the most astonishing and imaginative ever committed to tape. It deserves - as much as you deserve - a fidelity that makes as closely intimate as possible the music's connection with you. You deserve this mono edition.


    This title is not eligible for discount.

    1. Blowin in the Wind
    2. Girl From the North Country
    3. Masters of War
    4. Down the Highway
    5. Bob Dylans Blues
    6. A Hard Rains A-Gonna Fall
    7. Dont Think Twice, Its All Right
    8. Bob Dylans Dream
    9. Oxford Town
    10. Talking World War III Blues
    11. Corrina, Corrina
    12. Honey, Just Allow Me One More Chance
    13. I Shall Be Free
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
  • Planet Waves Planet Waves Quick View

    $34.99
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    Planet Waves


    Chart-Topping 1974 Record Reunites Dylan With the Band: Interplay Alone Worth Experiencing Set in Highest-Possible Fidelity


    Mastered from the Original Master Tapes: Mobile Fidelity Version Brings Underrated Gem to Fullest Light With Warm, Revealing Sound


    Edgy Personal Album Captures Legendary Artist Straddling Line Between Romance and Suspicion: Includes Beloved Favorites "Forever Young" and "You Angel You"


    Bob Dylan's Planet Waves became an event even before the album was released and revealed itself as an understated masterwork. His first studio recording in nearly four years, the homespun 1974 effort finds him reuniting with the Band, by then firmly established as virtuosos. The chemistry is obvious on every song. And the modest and spare production only magnifies the honesty and purity of the collaboration. Mobile Fidelity's 180g LP deepens the music's emotional connection and rustic warmth to the fullest possible extent.


    Mastered from the original master tapes, this collectable audiophile edition brings to the surface the communal interplay and warm, relaxed vibe established by Dylan and the Band. Listeners will finally sense the sensitive tones made possible by the ensemble's laidback nature and watertight playing. The deep body of Richard Manuel's piano, pinpoint decay of Garth Hudson's organ, and clarity of Dylan's vocals emerge with new perspective. As a result, Planet Waves leaps from the background of Dylan's catalog into the fore, the revelatory sonics helping earn the record serious consideration as one of the Bard's finest.


    Recorded in just three days time, Planet Waves is at its core an exhibition of the inimitable folk-rock honed by Dylan and the Band. Recalling the Americana spirit of The Basement Tapes while adding a domesticated edginess and subtracting a degree of wildness, the set personifies simple charm and scraggly sweetness. Couched in the context of Dylan grappling with the chasm between family life and the road, Planet Waves fittingly encompasses myriad moods and contradictions, with tunes ranging from unquestionably devotional to overtly dark. In between, the singer attempts to navigate peace, catharsis, and resolve.


    Per Dylan's hallmark, many tunes on Planet Waves involve twists and subterfuge. Not, however, the best-known offerings-the often-covered wish "Forever Young," celebratory roll-and-tumble "On a Night Like This," devotional "You Angel You," which spark with love, romance, and prayer-like tenderness. Yet the seeds that blossomed into 1975's traumatic break-up album Blood on the Tracks are also planted here. Complex feelings and deep-seated personal confusion surface on "Wedding Song," the hardscrabble "Tough Mama," piano-centered "Dirge," and knocking-on-heaven's-door darkness of "Going, Going, Gone."


    Throughout, Dylan's voice supplies subtle hints about his mindset and intent as the Band shadows him step for step, adding to the thematic ambivalence and contributing to a debate over meaning that continues today. Indeed, such relevance confirms the significance of Planet Waves 40 years after its original release. Mobile Fidelity's analog version digs beneath the surface and helps expose the record's buried strains.


    This title is not eligible for discount.

    1. On a Night Like This
    2. Going, Going, Gone
    3. Tough Mama
    4. Hazel
    5. Something There Is About You
    6. Forever Young
    7. Forever Young (Continued)
    8. Dirge
    9. You Angel You
    10. Never Say Goodbye
    11. Wedding Song
    Bob Dylan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Trouble No More: The Bootleg Series Vol. 13 / 1979-1981 Trouble No More: The Bootleg Series Vol. 13 / 1979-1981 Quick View

    $99.99
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    Trouble No More: The Bootleg Series Vol. 13 / 1979-1981

    Pressed On 3x 180-Gram Vinyl & 2x CD


    Packaged In A Slipcase With Separate Booklet


    Includes 30 Highlights From The Legendary 1979, 1980 And 1981 Tours


    The next installment in the award-winning Bootleg Series, 'Trouble No More - The Bootleg Series Vol. 13 / 1979-1981', focuses on the albums 'Slow Train Coming' (1979), 'Saved' (1980) and 'Shot of Love' (1981) and the legendary live shows from that period. Featuring 30 highlights from the legendary 1979, 1980 and 1981 tours pressed on 180-gram vinyl and 2 CDs, the set comes packaged in a slipcase with separate booklet.

    LP 1
    1. Slow Train (Live Nov. 16, 1979)
    2. Gotta Serve Somebody (Live Nov. 15, 1979)
    3. I Believe In You (Live May 16, 1980)
    4. When You Gonna Wake Up? (Live July 9, 1981)
    5. When He Returns (Live Dec. 5, 1979)
    6. Man Gave Names to All the Animals (Live Jan. 16, 1980)
    7. Precious Angel (Live Nov. 16, 1979)


    LP 2
    1. Covenant Woman (Live Nov. 20, 1979)
    2. Gonna Change My Way of Thinking (Live Jan. 31, 1980)
    3. Do Right to Me Baby (Do Unto Others) (Live Jan. 28, 1980)
    4. Solid Rock (Live Nov. 27, 1979)
    5. What Can I Do for You? (Live Nov. 27, 1979)
    6. Saved (Live Jan. 12, 1980)
    7. In the Garden (Live Jan. 27, 1980)


    LP 3
    1. Slow Train (Live June 29, 1981)
    2. Ain't Gonna Go to Hell for Anybody (Live Apr. 24, 1980)
    3. Gotta Serve Somebody (Live June 27, 1981)
    4. Ain't No Man Righteous, No Not One (Live Nov. 16, 1979)
    5. Saving Grace (Live Nov. 6, 1979)
    6. Blessed Is the Name (Live Nov. 20, 1979)
    7. Solid Rock (Live Oct. 23, 1981)
    8. Are You Ready? (Live Apr. 30, 1980)


    LP 4
    1. Pressing On (Live Nov. 6, 1979)
    2. Shot of Love (Live July 25, 1981)
    3. Dead Man, Dead Man (Live June 21, 1981)
    4. Watered-Down Love (Live June 12, 1981)
    5. In the Summertime (Live Oct. 21, 1981)
    6. The Groom's Still Waiting at the Altar (Live Nov. 13, 1980)
    7. Caribbean Wind (Live Nov. 12, 1980)
    8. Every Grain of Sand (Live Nov. 21, 1981)


    CD 1
    1. Slow Train (Live Nov. 16, 1979)
    2. Gotta Serve Somebody (Live Nov. 15, 1979)
    3. I Believe In You (Live May 16, 1980)
    4. When You Gonna Wake Up? (Live July 9, 1981)
    5. When He Returns (Live Dec. 5, 1979)
    6. Man Gave Names to All the Animals (Live Jan. 16, 1980)
    7. Precious Angel (Live Nov. 16, 1979)
    8. Covenant Woman (Live Nov. 20, 1979)
    9. Gonna Change My Way of Thinking (Live Jan. 31, 1980)
    10. Do Right to Me Baby (Do Unto Others) (Live Jan. 28, 1980)
    11. Solid Rock (Live Nov. 27, 1979)
    12. What Can I Do for You? (Live Nov. 27, 1979)
    13. Saved (Live Jan. 12, 1980)
    14. In the Garden (Live Jan. 27, 1980)


    CD 2
    1. Slow Train (Live June 29, 1981)
    2. Ain't Gonna Go to Hell for Anybody (Live Apr. 24, 1980)
    3. Gotta Serve Somebody (Live June 27, 1981)
    4. Ain't No Man Righteous, No Not One (Live Nov. 16, 1979)
    5. Saving Grace (Live Nov. 6, 1979)
    6. Blessed Is the Name (Live Nov. 20, 1979)
    7. Solid Rock (Live Oct. 23, 1981)
    8. Are You Ready? (Live Apr. 30, 1980)
    9. Pressing On (Live Nov. 6, 1979)
    10. Shot of Love (Live July 25, 1981)
    11. Dead Man, Dead Man (Live June 21, 1981)
    12. Watered-Down Love (Live June 12, 1981)
    13. In the Summertime (Live Oct. 21, 1981)
    14. The Groom's Still Waiting at the Altar (Live Nov. 13, 1980)
    15. Caribbean Wind (Live Nov. 12, 1980)
    16. Every Grain of Sand (Live Nov. 21, 1981)

    Bob Dylan
    $99.99
    180 Gram Audiophile Virgin Vinyl LP Box Set + 2 CDs - 4 LPs Sealed Buy Now
  • The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 Quick View

    $99.99
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    The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12


    Limited Edition 3 LP-Set On 180-gram Vinyl


    Mixed from the Original Tapes, The Best of the Cutting Edge 1965-1966: The Bootleg Series Vol. 12 Includes Unheard Songs and Rehearsals!


    Also Includes All The Tracks On 2 CDs


    Between 1965 and 1966 Bob Dylan recorded three albums that many believe changed the course of modern music: Bringing It All back Home, Highway 61 Revisited and Blonde on Blonde.


    The Cutting Edge 1965-1966: The Bootleg Series Volume 12 takes you inside the studio during the recording of those three albums. With a staggering wealth of unreleased songs, outtakes, rehearsals and alternate versions - The Cutting Edge provides a unique insight into a legendary icon's creative process.


    3-LP 180-gram vinyl featuring the best of Bob Dylan's unreleased studio recordings from 1965 and 1966
    includes alternate versions of songs such as 'Like A Rolling Stone', 'Desolation Row', 'Visions Of Johanna' and 'Highway 61 Revisited'
    packaged in a slipcase with separate booklet with exclusive photography and liner notes
    also includes the entire album on 2 CDs

    LPs


    1. Love Minus Zero/No Limit - Take 2 (1/13/1965) acoustic
    2. I'll Keep It with Mine - Take 1 (1/13/1965) piano demo
    3. Bob Dylan's 115th Dream - Take 2 (1/13/1965) solo acoustic
    4. She Belongs to Me - Take 1 (1/13/1965) solo acoustic
    5. Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take
    6. Outlaw Blues - Take 2 (1/13/1965) alternate take
    7. On the Road Again - Take 4 (1/14/1965) alternate take
    8. Farewell, Angelina - Take 1 (1/13/1965) solo acoustic
    9. If You Gotta Go, Go Now - Take 2 (1/15/1965) alternate take
    10. You Don't Have to Do That - Take 1 (1/13/1965) solo acoustic
    11. California - Take 1 (1/13/1965) solo acoustic
    12. Mr. Tambourine Man - Take 3 (1/15/1965) with band, incomplete
    13. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take
    14. Like a Rolling Stone - Take 5 (6/15/1965) rehearsal
    15. Like a Rolling Stone - Take 11 (6/16/1965) alternate take
    16. Sitting on a Barbed Wire Fence - Take 2 (6/15/1965) unreleased take
    17. Medicine Sunday - Take 1 (10/5/1965) early version of Temporary Like Achilles
    18. Desolation Row - Take 2 (8/4/1965) piano demo
    19. Desolation Row - Take 1 (8/4/1965) alternate take
    20. Tombstone Blues - Take 1 (7/29/1965) alternate take
    21. Positively 4th Street - Take 5 (7/29/1965) alternate take
    22. Can You Please Crawl Out Your Window - Take 1 (7/30/1965) alternate take
    23. Just Like Tom Thumb's Blues - Take 3 (8/2/1965) rehearsal
    24. Highway 61 Revisited - Take 3 (8/2/1965) alternate take
    25. Queen Jane Approximately - Take 5 (8/2/1965) alternate take
    26. Visions of Johanna - Take 5 (11/30/1965) rehearsal
    27. She's Your Lover Now - Take 6 (1/21/1966) rehearsal
    28. Lunatic Princess - Take 1 (1/27/1966)
    29. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take
    30. One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966) alternate take
    31. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take
    32. Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take
    33. Just Like a Woman - Take 4 (3/8/1966) alternate take
    34. Pledging My Time - Take 1 (3/8/1966) alternate take
    35. I Want You - Take 4 (3/10/1966) alternate take
    36. Highway 61 Revisited - Take 7 (8/2/1965) false start


    CDs


    1. Love Minus Zero/No Limit - Take 2 (1/13/1965) acoustic
    2. I'll Keep It with Mine - Take 1 (1/13/1965) piano demo
    3. Bob Dylan's 115th Dream - Take 2 (1/13/1965) solo acoustic
    4. She Belongs to Me - Take 1 (1/13/1965) solo acoustic
    5. Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take
    6. Outlaw Blues - Take 2 (1/13/1965) alternate take
    7. On the Road Again - Take 4 (1/14/1965) alternate take
    8. Farewell, Angelina - Take 1 (1/13/1965) solo acoustic
    9. If You Gotta Go, Go Now - Take 2 (1/15/1965) alternate take
    10. You Don't Have to Do That - Take 1 (1/13/1965) solo acoustic
    11. California - Take 1 (1/13/1965) solo acoustic
    12. Mr. Tambourine Man - Take 3 (1/15/1965) with band, incomplete
    13. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take
    14. Like a Rolling Stone - Take 5 (6/15/1965) rehearsal
    15. Like a Rolling Stone - Take 11 (6/16/1965) alternate take
    16. Sitting on a Barbed Wire Fence - Take 2 (6/15/1965) unreleased take
    17. Medicine Sunday - Take 1 (10/5/1965) early version of Temporary Like Achilles
    18. Desolation Row - Take 2 (8/4/1965) piano demo
    19. Desolation Row - Take 1 (8/4/1965) alternate take
    20. Tombstone Blues - Take 1 (7/29/1965) alternate take
    21. Positively 4th Street - Take 5 (7/29/1965) alternate take
    22. Can You Please Crawl Out Your Window - Take 1 (7/30/1965) alternate take
    23. Just Like Tom Thumb's Blues - Take 3 (8/2/1965) rehearsal
    24. Highway 61 Revisited - Take 3 (8/2/1965) alternate take
    25. Queen Jane Approximately - Take 5 (8/2/1965) alternate take
    26. Visions of Johanna - Take 5 (11/30/1965) rehearsal
    27. She's Your Lover Now - Take 6 (1/21/1966) rehearsal
    28. Lunatic Princess - Take 1 (1/27/1966)
    29. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take
    30. One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966) alternate take
    31. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take
    32. Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take
    33. Just Like a Woman - Take 4 (3/8/1966) alternate take
    34. Pledging My Time - Take 1 (3/8/1966) alternate take
    35. I Want You - Take 4 (3/10/1966) alternate take
    36. Highway 61 Revisited - Take 7 (8/2/1965) false start

    Bob Dylan
    $99.99
    180 Gram Audiophile Virgin Vinyl LP + 2 CD - 3 LPs Sealed Buy Now
  • The Freewheelin' Bob Dylan The Freewheelin' Bob Dylan Quick View

    $39.99
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    x

    The Freewheelin' Bob Dylan

    Import

    Ranked 97/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    An exact reproduction of Bob Dylan's 1963 breakthrough LP in accurate, vintage mono sound, with all-analog mastering from the original master tapes. The Freewheelin' Bob Dylan, his second album, is filled top to bottom with classics, including Blowin' In The Wind, Don't Think Twice, It's All Right, Masters Of War and A Hard Rain's A-Gonna Fall.

    1. Blowin' in the Wind
    2. Girl of the North Country
    3. Masters of War
    4. Down the Highway
    5. Bob Dylan's Blues
    6. A Hard Rain's A-Gonna Fall
    7. Don't Think Twice, It's All Right
    8. Bob Dylan's Dream
    9. Oxford Town
    10. Talkin' World War III Blues

    11. Corrina, Corrina
    12. Honey, Just Allow Me One More Chance
    13. I Shall Be Free
    Bob Dylan
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Before The Flood Before The Flood Quick View

    $49.99
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    Before The Flood

    Before the Flood on Numbered Limited Edition 180 Gram 2LP from Mobile Fidelity


    Live 1974 Set Documents Acclaimed Reunion of Bob Dylan and The Band


    Mobile Fidelity's Reissue Gives You a Prime Seat for the Historic Performances


    Record Features Solo Dylan, Solo The Band, and Plenty of Collaboration


    Dylan's Radical Rearrangements of Classics Give Songs Renewed Meaning and Relevance


    The live reunion of Bob Dylan and The Band during 1973-74 yielded one of the decade's most celebrated, dynamic, and astonishing tours. Captured on Before the Flood, the results portray the two artists' shared chemistry as well as Dylan's instinctive ability to challenge audiences, his group, and himself via inventive rearrangements of classics that simultaneously ward off nostalgia and renew with meaning. Said by noted critic Robert Christgau to be at its best, [the] craziest and strongest rock and roll ever recorded, Before the Flood crackles with intensity, relevance, and unhinged performances.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored analog version cracks wide open the ceiling previously obscuring many of the tonal details, revealing microdynamics, and vocal nuances on the recording. Distinguished with an immediately recognizable sound, The Band comes across in three-dimensional form, while Dylan takes center stage, feet from your listening chair. The two artists play like two souls in communion, a facet displayed here courtesy of the increased airiness, enhanced soundstage depth, and lifelike imaging.


    There's so much new information here, this already-iconic album only gains in stature. As experienced on Mobile Fidelity, Before the Flood unquestionably takes its place as one of the ten-best concert releases ever made. Notes are rounded, Garth Hudson's organ claims a tube-like glow, Levon Helm's drumming possesses its own space, voices are perceptible all the way down the singers' throats, and Dylan's awe-inspiring phrasing resonates with palpable urgency. Audiophiles and Dylan fans, prepare to be astonished.


    Arriving at a crucial time for both Dylan and The Band, Before the Flood is the furthest thing possible from a nostalgia trip. It's where Dylan begins his now-trademark feat of turning songs upside-down, taking risks, surprising and challenging expectations, leaving audiences riveted to the edge of their seats in anticipation of what might come next. He sings with unabated passion, the moods spanning bitterness to jubilation, his willingness to play fast and loose with the music giving way to compelling shifts, under-the-surface textures, complementary intricacies, and a sense of newness and discovery on par with that of an adventurer embracing total freedom.


    Before the Flood buries any notion of limits, safeguards, or borders. It is an open map, each song a route begging for exploration without need or concern for exactness or an appointed leader. Collaborative in every sense, it's a portrait of six inimitable musicians feeding off one another, trusting in their past history as they hurdle towards uncharted territory, using soulfulness as a compass and opportunity as their vehicle.


    Wholly different than the live episodes heard on Bob Dylan Live 1966, The "Royal Albert Hall" Concert, Before the Flood is equally seminal and, from the perspective of witnessing an artist dare not only his audience but himself to break through to a new plane, even better. Utterly astounding.


    This title is not eligible for discount.

    1. Most Likely You'll Go Your Way (And I'll Go Mine)
    2. Lay Lady Lay
    3. Rainy Day Women #12 & #35
    4. Knockin' on Heaven's Door
    5. It Ain't Me Babe
    6. Ballad of a Thin Man
    7. Up on Cripple Creek
    8. I Shall Be Released
    9. Endless Highway
    10. The Night They Drove Old Dixie Down
    11. Stage Fright
    12. Don't Think Twice, It's All Right
    13. Just Like a Woman
    14. It's Alright, Ma (I'm Only Bleeding)
    15. The Shape I'm In
    16. When You Awake
    17. The Weight
    18. All Along the Watchtower
    19. Highway 61 Revisited
    20. Like a Rolling Stone
    21. Blowin' in the Wind
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Dire Straits (45 RPM) (Pre-Order) Dire Straits (45 RPM) (Pre-Order) Quick View

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    Dire Straits (45 RPM) (Pre-Order)


    Dire Straits' Self-Titled 1978 Debut Distinguished By Jazz-Inflected Mix Of Folk, Blues, Country, And Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, And Texture


    Mastered From The Original Master Tapes And Pressed At RTI For Optimal Sound: Mobile Fidelity 45RPM 2LP Set Engages With Natural Tones, Superb Balances, Reference Imaging, Sterling Clarity


    Breakout Dire Straits Album Includes Sultans Of Swing And Down To The Waterline: Band's Shuffles, Boogies, And Ballads Spark With Crispness, Soulfulness, Coolness


    Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over - and which has never been better than on this meticulous analog pressing.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.


    Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.


    Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings - an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads - mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.


    Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. Down to the Waterline, Wild West End, and Lions all feature colloquial touches that add to their reach. By extension, In the Gallery functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, Sultans of Swing, pays homage to struggling bar bands.


    Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.


    This title is not eligible for discount.

    1. Down to the Waterline
    2. Water of Love
    3. Setting Me Up
    4. Six Blade Knife
    5. Southbound Again
    6. Sultans of Swing
    7. In the Gallery
    8. Wild West End
    9. Lions
    Dire Straits
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Another Side Of Bob Dylan (Mono) (Pre-Order) Another Side Of Bob Dylan (Mono) (Pre-Order) Quick View

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    Another Side Of Bob Dylan (Mono) (Pre-Order)

    Dylan's Second 1964 Album Expands Songwriting Themes and Adds Levity


    Mono 2LP Mastered from the Original Master Tapes: Strictly Limited to 3,000 Copies, Vinyl Delivers Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness in Sound Dylan Intended


    Includes I Shall Be Free No. 10, It Ain't Me Babe, My Back Pages, Chimes of Freedom


    The ever-evasive Bob Dylan never explicitly stated exactly what represented the another side of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's 180g 45RPM 2LP set illuminates Dylan's emotional condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album - making the mono mix all the more historically valuable and truthful.


    The uninhibited joie de vive is discernible in the rattling piano lines on Black Crow Blues, seemingly subconscious ramble of the hysterical folk rhyming of Motorpsycho Nightmare, bluesy dream sequencing throughout I Don't Believe You, and intentionally out-of-tune yodeling during All I Really Want to Do. On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.


    And so the apparently autobiographical and self-aware My Back Pages, one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release - an essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions.


    As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal Chimes of Freedom, the standard that journalist Paul Williams dubbed Dylan's Sermon on the Mount. Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.


    This title is not eligible for discount.

    1. All I Really Want to Do
    2. Black Crow Blues
    3. Spanish Harlem Incident
    4. Chimes of Freedom
    5. I Shall Be Free, No. 10
    6. To Ramona
    7. Motorpsycho Nightmare
    8. My Back Pages
    9. I Dont Believe You
    10. Ballad in Plain D
    11. It Aint Me Babe
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Bob Dylan Greatest Hits Bob Dylan Greatest Hits Quick View

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    Bob Dylan Greatest Hits

    Bob Dylan - Greatest Hits - LP Vinyl Album
    1. Rainy Day Women #12 & 35
    2. Blowin' In The Wind
    3. The Times They Are A-Changin'
    4. It Ain't Me Babe
    5. Like A Rolling Stone
    6. Mr. Tambourine Man
    7. Subterranean Homesick Blues
    8. I Want You
    9. Positively 4th Street
    10. Just Like A Woman
    Bob Dylan
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Times They Are A-Changin' (Mono) The Times They Are A-Changin' (Mono) Quick View

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    The Times They Are A-Changin' (Mono)

    The Times They Are A-Changin' on Numbered Limited Edition 180 Gram 45RPM Mono Vinyl 2LP from Mobile Fidelity


    Stark, Austere, Acoustic Record Dylan's First With All-Original Material


    Title Track, The Lonesome Death of Hattie Carroll, With God on Our Side Establish Dylan as Voice of Social Consciousness


    The Bard Addresses Issues Such as Equality, Racism, and Poverty and Helps Ignite 1960s Political Movements


    Strictly Limited to 3,000 Copies and Mastered from the Original Master Tapes, Mobile Fidelity's 45RPM Mono Vinyl Set Presents Dylan's Voice, Guitar, and Harmonica in Superlative Sound


    Immediately distinguished by the direct mono sound and you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner like few albums before or since.


    Mastered from the original master tapes and pressed on 180g LP at RTI, Mobile Fidelity's restored 45RPM analog version delivers the landscape-shifting music in reference-quality mono sound that transports you to Columbia's Studio A. Reflecting the austerity of the topics and Dylan's mood, the sonics are direct and unadorned-each word hitting with weight, each phrase lingering until it pulls you under, each storyline echoing as fact. The hollow body of Dylan's guitar, internal mechanisms of his harmonica, and graininess of his throat come across in full-on detail. Wider grooves mean more information reaches your ears.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album-making the mono mix all the more historically valuable and truthful.


    Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin' Bob Dylan, The Times They Are A-Changin' skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy's assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.


    In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A-Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction The Lonesome Death of Hattie Carroll, assertive Restless Farewell, and semi-autobiographical North Country Blues, Dylan casts hardships, greed, and victimization in such relatable terms it's impossible to turn away and ignore their implications.


    As correctly relayed by Dylan expert and cultural critic Greil Marcus, [The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man 'able to see through metal' (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break.


    This title is not eligible for discount.

    1. The Times They Are A-Changin'
    2. Ballad of Hollis Brown
    3. With God on Our Side
    4. One Too Many Mornings
    5. North Country Blues
    6. Only a Pawn in Their Game
    7. Boots of Spanish Leather
    8. When the Ship Comes In
    9. The Lonesome Death of Hattie Carroll
    10. Restless Farewell
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
  • Saved Saved Quick View

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    Saved

    Saved is the twentieth studio album by American singer-songwriter Bob Dylan, originally released on June 23, 1980, by Columbia Records. Saved was the second album of Dylan's Christian trilogy, following his conversion to Evangelical Christianity. It expanded on themes explored on its predecessor Slow Train Coming, with gospel arrangements and lyrics extolling the importance of a strong personal faith.
    1. A Satisfied Mind
    2. Saved
    3. Covenant Woman
    4. What Can I Do for You?
    5. Solid Rock
    6. Pressing On
    7. In the Garden
    8. Saving Grace
    9. Are You Ready
    Bob Dylan
    $19.99
    Vinyl LP - Sealed Buy Now
  • Shot Of Love Shot Of Love Quick View

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    Shot Of Love

    Remastered


    Shot of Love is the twenty-first studio album by American singer-songwriter Bob Dylan, originally released on August 10, 1981, by Columbia Records. It is considered to be Dylan's last of a trilogy of Christian albums. Arrangements are rooted more in rock'n'roll, and less in gospel than Dylan's two previous albums.

    1. Shot of Love
    2. Heart of Mine
    3. Property of Jesus
    4. Lenny Bruce (Album Version)
    5. Watered-Down Love (Album Version)
    6. The Groom's Still Waiting at the Altar
    7. Dead Man, Dead Man (Album Version)
    8. In the Summertime
    9. Trouble (Album Version)
    10. Every Grain of Sand
    Bob Dylan
    $19.99
    Vinyl LP - Sealed Buy Now
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