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  • File Under: Easy Listening (Deluxe Edition) File Under: Easy Listening (Deluxe Edition) Quick View

    $19.99
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    File Under: Easy Listening (Deluxe Edition)

    This vinyl reissue of Sugar's classic 1994 album File Under: Easy Listening from Merge includes a remastered version of the album plus downloads of the full record, B-sides and a complete 1994 live show.


    Gatefold vinyl with printed Euro sleeve.


    Through both his solo work and as a frontman for the legendary HÜsker DÜ, Bob Mould pioneered a signature wall of guitar sound and unmistakable vocal style that has imprinted a defining influence on more than one generation. In the three decades encompassing his career thus far, however, Mould saw his greatest success during his stint as lead singer, guitarist and songwriter for iconic early '90s trio Sugar.


    File Under: Easy Listening a.k.a F.U.E.L., the third and final album by this short-lived but brilliant trio, was originally released in September of 1994. Songs like "Your Favorite Thing" have endured as mainstays of Mould's solo performances to this day!


    "When word went around that Bob Mould had a new band, not only a 'band' band (as opposed to hired band to play his solo albums on tour) but also a trio, of course anyone raised from teenhood on punk rock and HÜsker DÜ in particular (like myself) went into high expectation mode. Copper Blue turned out to be a distillation of Bob's pop mode and roaring guitar mode into one tightly wound explosion of sound. There was space enough for the songs to breathe, but a driving urgency & energy in the rhythm section of Barbe & Travis that gives the whole album a barely-harnessed feel. Sonically, on songs like "The Act We Act" (Copper Blue), "JC Auto" (Beaster) & "Gee Angel" (F.U.E.L.) Sugar took HÜsker DÜ's aesthetic widescreen, the center held steady by Bob's focused songwriting. It's kind of incredible what Sugar did within such a small discography; there's no wasted space and the flow of great songs is a surprising, exciting listen 20 years later."- Mac McCaughan of Superchunk & Merge

    1. Gift
    2. Company Book
    3. Your Favorite Thing
    4. What You Want It to Be
    5. Gee Angel
    6. Panama City Motel
    7. Can't Help You Anymore
    8. Granny Cool
    9. Believe What You're Saying
    10. Explode and Make Up
    Sugar
    $19.99
    Vinyl LP - Sealed Buy Now
  • Ballad Of Easy Rider Ballad Of Easy Rider Quick View

    $29.99
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    Ballad Of Easy Rider

    Mastered by Joe Reagoso at Friday Music Studios with Kevin Gray & Pressed at RTI!




    After a huge number of hit singles, top charting albums, concert tours and international television appearances, The Byrds developed into a very influential band along the lines of The Beatles, The Beach Boys and The Rolling Stones. Spearheaded by their founder Roger McGuinn, The Byrds continued to be a major recording entity and delivered over a dozen of the finest classic rock albums in their decade together of making legendary music.



    With the close of the turbulent '60s dawning, The Byrds reunited once again with their original producer Terry Melcher (Mr. Tambourine Man/Turn, Turn, Turn) and delivered the classic Ballad Of Easy Rider. With a whole new audience developing from their college concert tours and the beginning of the powerful FM radio coverage, this masterwork hit the top thirty album charts and brought the band continued acclaim.



    The LP consisted of some of their most memorable songs like the aforementioned hippie anthem Ballad of Easy Rider, which also received tons of exposure thanks to being featured as the title song to the Jack Nicholson/Peter Fonda motion picture Easy Rider. The album also treated the listener to some Byrds favorites like Jesus Is Just Alright, Oil In My Lamp, Fido and a revisit to the Bob Dylan catalog with their hit interpretation of It's All Over Now, Baby Blue.



    Featuring the legendary twelve string guitar and lead vocals of Roger McGuinn, the sorely missed lead guitar and vocals of the late great Clarence White, the powerful drum and vocals of Gene Parsons, and the solid bass and vocals of John York, The Byrds' Ballad Of Easy Rider was an all around hit with underground radio, college campuses and traditional radio and retail audiences. This album is consistently recognized as one of the finest efforts in their deep catalog of hit recordings.



    In an effort to continually offer consummate music lovers with the greatest rock recordings of all time, Friday Music proudly presents for the first time ever on 180g audiophile vinyl, the anniversary edition of The Byrds classic Ballad Of Easy Rider. Impeccably mastered from the original Columbia Records tapes by Joe Reagoso (The Byrds, Elvis Presley, Deep Purple) at Friday Music Studios with Kevin Gray, Ballad Of Easy Rider also continues the second release in the extensive The Byrds/Friday Music 180 Gram Audiophile Vinyl Series.



    In addition to the brilliant rock and roll classics contained on this stunning release, to celebrate this limited edition album, Friday is also including a first time gatefold cover which features the original artwork from the 1969 release as well as some very rare photos from The Byrds archives at Columbia Records. Also included is a poly lined sleeve to protect your vinyl and a poly bag to keep your album cover in mint condition.

    1. Ballad Of Easy Rider
    2. Fido
    3. Oil In My Lamp
    4. Tulsa County
    5. Jack Tarr The Sailor
    6. Jesus Is Just Alright
    7. It's All Over Now, Baby Blue
    8. There Must Be Someone (I Can Turn To)
    9. Gunga Din
    10. Deportee (Plane Wreck At Los Gatos)
    11. Armstrong, Aldrin And Collins
    The Byrds
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Alfred Hitchcock Presents Music To Be Murdered By Alfred Hitchcock Presents Music To Be Murdered By Quick View

    $19.99
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    Alfred Hitchcock Presents Music To Be Murdered By

    When Alfred Hitchcock was at the peak of his popularity, thanks to his TV series, Alfred Hitchcock Presents,
    someone came up with the wonderful idea of Hitch narrating an easy-listening album filled with black humor. Hitch
    provides his usual droll commentary while his musical director, Hollywood veteran Jeff Alexander, conducts creepy
    arrangements.
    1. Music To Be Murdered By
    2. I'll Never Smile Again
    3. I Don't Stand A Ghost Of A Chance With You
    4. After You've Gone
    5. Alfred Hitchcock Television Theme
    6. Suspicion
    7. Body And Soul
    8. Lover Come Back To Me
    9. I'll Walk Alone
    10. The Hour Of Parting
    Various Artists
    $19.99
    Vinyl LP - Sealed Buy Now
  • Please Please Me Please Please Me Quick View

    $22.99
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    Please Please Me

    Ranked 39/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Sourced From the Original Master Tapes!


    Cut at Abbey Road Studios


    Pressed on 180 gram vinyl


    Once Please Please Me rocketed to number one, The Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins.


    Please Please Me hit the top of the UK album charts in May 1963 and remained there for thirty weeks before being replaced by With The Beatles. This was surprising because the UK album charts at the time tended to be dominated by film soundtracks and easy listening vocalists.


    In 2012, Please Please Me was voted 39th on Rolling Stone magazine's list of the 500 Greatest Albums of All Time. It was ranked first among The Beatles' early albums, and sixth of all of The Beatles' albums, with Sgt. Pepper's Lonely Hearts Club Band, Revolver, Rubber Soul, The Beatles (The White Album) and Abbey Road ranked higher.


    Rolling Stone also placed two songs from the album on its list of The 500 Greatest Songs of All Time: No. 139, I Saw Her Standing There, and No. 184, Please Please Me. According to Stephen Thomas Erlewine of Allmusic, Decades after its release, the album still sounds fresh, the covers are impressive and the originals astonishing.


    A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. Treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs themselves, just polishing them up a bit.

    1. I Saw Her Standing There
    2. Misery
    3. Anna (Go To Him)
    4. Chains
    5. Boys
    6. Ask Me Why
    7. Please Please Me
    8. Love Me Do
    9. P.S. I Love You
    10. Baby It's You
    11. Do You Want To Know A Secret
    12. A Taste Of Honey
    13. There's A Place
    14. Twist And Shout
    The Beatles
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ortofon 2M Bronze Phono Cartridge Ortofon 2M Bronze Phono Cartridge Quick View

    $440.00
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    Ortofon 2M Bronze Phono Cartridge

    Product Ortofon


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    2M are designed for precise and accurate retrieval of the information in the record groove. Our philosophy is to play the record sound as accurate as possible, without coloring the sound. We have optimized the design for ease of mounting the cartridge, weight and size to fit the most common turntables at the market today.


    The name 2M was selected among several ideas. We wanted a modern name that would be easy to pronounce and to remember, and therefore an alpha numerical name was chosen. 2M means MM, which is the abbreviation for moving magnet.


    The 2M Bronze features a nude Fine Line diamond stylus, which is particularly suited for demanding applications. The slim profile of the Fine Line stylus will track even the highest frequency information, making it a must for discerning listeners. Additionally, its larger footprint ensures reduced distortion and record wear.


    The cartridge body used for the 2M Bronze is manufactured from a newly-developed Lexan DMX Piano Black, a revolutionary material which ensures high rigidity while eliminating unwanted resonances. The 2M Bronze uses a special upgraded engine, featuring split pole pins with a silver plated copper wire.

    Ortofon Cartridges
    $440.00
    Cartridge Buy Now
  • Thanks For Listening (Pre-Order) Thanks For Listening (Pre-Order) Quick View

    $20.99
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    Thanks For Listening (Pre-Order)

    Thanks for Listening is a collection of new studio recordings, produced by Thomas Bartlett, of ten songs originally written as Songs of the Week on A Prairie Home Companion. Thile manned almost all of the stringed instruments on the album and is joined by guest singers Sarah Jarosz, Gaby Moreno, and Aoife O'Donovan. Right now, with how easy it is to be the talker on social media, how hard it is to maintain focus or give something enough attention to appreciate it, we're in a place where listening is a precious commodity, says Thile. Thanks for Listening is a celebration of people who haven't switched off, despite being given every reason to do so.
    1. I Made This for You
    2. Feedback Loop
    3. Elephant in the Room
    4. Douglas Fir
    5. Thank You, New York
    6. Stanley Ann
    7. Modern Friendship
    8. Falsetto
    9. Balboa
    10. Thanks for Listening
    Chris Thile
    $20.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Chambers Chambers Quick View

    $19.99
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    Chambers

    An album for piano and string quartet, CHAMBERS re-imagines Romantic-era chamber music as today's addictive pop. Gestures from rap, ambient, easy listening and the avant-garde co-exist as always in Chilly Gonzales' musical universe - this time with strings attached!
    1. Prelude To A Feud
    2. Advantage Points
    3. Sweet Burden
    4. Green's Leaves
    5. Freudian Slippers
    6. Solitaire
    7. Odessa
    8. Sample This
    9. The Difference
    10. Cello Gonzales
    11. Switchcraft
    12. Myth Me
    Chilly Gonzales
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Indigos Indigos Quick View

    $34.99
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    Indigos

    Indigos is a seminal Jazz album by big band superstar Duke Ellington, originally released in 1958. Ellington chose a set of easy listening ballads to be performed by his ace Big Band, putting less emphasis on the uptempo and danceable Swing the group was revered for.


    Behind Ellington on piano, you'll hear a marvelous band including Paul Gonsalves on tenor sax, Shorty Baker on trumpet, Ray Nance on violin, Johnny Hodges on alto sax and Harry Carney on baritone sax, all being put in the solo spotlight on every song of this record.


    This stereo reissue features the mono version of The Sky Fell Down, thus featuring the original 1958 track listing, exactly as it was intended more than half a century ago. A timeless classic!

    1. Solitude
    2. Where Or When
    3. Mood Indigo
    4. Autumn Leaves
    5. The Sky Fell Down
    6. Prelude To A Kiss
    7. Willow Weep For Me
    8. Tenderly
    9. Dancing In The Dark
    Duke Ellington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • After Midnight After Midnight Quick View

    $27.99
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    After Midnight

    Once Nat King Cole gave up playing piano on a regular basis and instead focused on a series of easy listening vocal albums, jazz fans longed for him to return to his first love. These 1956 studio sessions made up Cole's last jazz-oriented disc, where he played piano and sang on every number, joined by several guest soloists. Cole's vocals are impeccable and swinging, while his piano alternates between providing subdued backgrounds and light solos that don't reveal his true potential on the instrument. Willie Smith's smooth alto sax buoys the singer in the brisk take of Just You, Just Me. Harry Sweets Edison's muted trumpet complements the leader in his interpretation of Sweet Lorraine. Composer Juan Tizol's valve trombone and former Cole sideman Jack Costanzo's bongos add just the right touch to the brisk take of Caravan. Stuff Smith's humorous, unusually understated violin is a nice touch in When I Grow Too Old to Dream. It's hard for any Nat King Cole fan to ignore these important sessions. [The original version of this release featured a dozen tracks, later expanded to 17 in the '80s with the discovery of some unreleased material. Yet another track, the alternate take of You're Looking at Me, was also found and added to reissues beginning in the late '90s.]

    -All Music Guide
    1. Just You, Just Me
    2. Sweet Lorraine
    3. Sometimes I'm Happy
    4. Caravan
    5. It's Only a Paper Moon
    6. You're Looking at Me
    7. I Was A Little Too Loney (And You Were A Little Too Late)
    8. Lonely One
    9. Don't Let It Go to Your Head
    10. I Know That You Know
    11. Blame It on My Youth
    12. When I Grow Too Old to Dream
    13. (Get Your Kicks on) Route 66
    14. Candy*


    *Bonus Track

    Nat King Cole
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pictures Of Saint Paul Street Pictures Of Saint Paul Street Quick View

    $18.99
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    Pictures Of Saint Paul Street

    The songs on "Pictures of Saint Paul Street" are lush & beautiful autopsies of society's underbelly, with stark and brutally honest ruminations on humanity. Songs like "A Sea of Suckers" & "Pursue The Nightlife" pull no punches, while "Jailbirds & Vagabonds" and "Blues For A Pecan Tree" carouse on a more abstract, human (almost romantic) level. By the time you've hit the album's centerpiece; "Bullshit Society", Ashley's songs move from ballads of hopeless misery to rallying anthems for the dispossessed. The people & artists who move further to the fringe as power and greed overtake our planet, a situation all too familiar to Ashley as he was forced to relocate his long-running Creamery Studio from it's long time home due to the rampant gentrification of the Bay Area (the former studio building now houses luxury lofts).

    "Pictures of Saint Paul Street" isn't always an easy listen, but that's the point; the journey to salvation isn't easy or pretty. The protagonist in many of Ashley's songs may be Ashley himself - a true artist willing to admit he's nowhere near perfect, and honest enough to document his sunrises & sunsets no matter if they occur in his own backyard, or on a barroom floor.

    1. A Sea of Suckers
    2. Goodbye Saint Paul Street
    3. Blues For A Pecan Tree
    4. Two Person One Man Band
    5. Bullshit Society
    6. Jailbirds and Vagabonds
    7. Self-Destruction Derby
    8. Medication #9
    9. Pursue the Night Life
    10. Six A.M. at the Black and White
    Greg Ashley
    $18.99
    Vinyl LP - Sealed Buy Now
  • Darkness On The Edge Of Town Darkness On The Edge Of Town Quick View

    $24.99
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    Darkness On The Edge Of Town

    Ranked 150/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time


    Mastered By Bob Ludwig Working Under The Supervision Of Springsteen & Engineer Toby Scott


    Coming three years and one extended court battle after Born to Run, Darkness on the Edge of Town was highly anticipated. Some attributed the album's embattled tone to Bruce Springsteen's legal troubles, but it carried on from Born to Run, in which Springsteen had first begun to view his colorful cast of characters as losers. On Darkness, he began to see them as the working class: his characters, some of whom he inhabited and sang for in the first person, had little and were in danger of losing even that. Their only hope for redemption lay in working harder, and their only escape lay in driving. Springsteen presented these hard truths in hard rock settings, the tracks paced by powerful drumming and searing guitar solos. Though not as heavily produced as Born to Run, Darkness was given a full-bodied sound; Springsteen's stories were becoming less heroic, but his musical style remained grand; the sound, and the conviction in his singing, added weight to songs like Racing in the Street and the title track, transforming the pathetic into the tragic. But despite the rock & roll fervor, Darkness was no easy listen, and it served notice that Springsteen was already willing to risk his popularity for his principles.


    -William Ruhlmann (All Music)

    1. Badlands
    2. Adam Raised A Cain
    3. Something In The Night
    4. Candy's Room
    5. Racing In The Street
    6. The Promised Land
    7. Factory
    8. Streets Of Fire
    9. Prove It All Night
    10. Darkness On The Edge Of Town
    Bruce Springsteen
    $24.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Manassas Manassas Quick View

    $39.99
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    Manassas

    Between 1970 and 1972, Stephen Stills was busy playing with Crosby, Stills, Nash, and Young and working on a series of solo albums. In addition to all this activity he led the super group that appears on this stunning release. Manassas finds Stills and company (Chris Hillman, Dallas Taylor and Al Perkins among others) at the intersection of rock, folk, country and blues. Distinctive styles are noticeable song by song, yet it is the strength and credibility of the mixture that makes Manassas such a great overall experience. The first fourth of the album focuses on '60s rock with Afro-Cuban overtones, followed by a batch of country and bluegrass-oriented material. The folk-rock track It Doesn't Matter kicks off the third section and the final section wraps the set up with the rootsy groove of Blues Man, a tribute to Jimi Hendrix. Manassas is a rich and varied collection that is as sophisticated and complex as it is earthy and easy to listen to.
    1. Song Of Love
    2. Crazies
    3. Cuban Bluegrass
    4. Jet Set
    5. Anyway
    6. Both Of Us (Bound To Lose)
    7. Fallen Eagle
    8. Jesus Gave Love Away For Free
    9. Colorado
    10. So Begins The Task
    11. Hide It So Deep
    12. Don't Look At My Shadow
    13. It Doesn't Matter
    14. Johnny's Garden
    15. Bound To Fall
    16. How Far
    17. Move Around
    18. Love Gangster
    19. What To Do
    20. Right Now
    21. Treasure
    22. Blues Man
    Stephen Stills
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Merry Christmas Merry Christmas Quick View

    $29.99
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    Merry Christmas


    The Johnny Mathis/Friday Music 180 Gram Audiophile Vinyl Series Begins!


    The Classic Top Charting 1959 Christmas Album


    First Time Audiophile Red Vinyl & Gatefold Cover Presentation


    Mastered Impeccably By Joe Reagoso And Manufactured At R.T.I.


    Johnny Mathis is a musical phenomenon with a legendary musical career breaking
    wide open in the mid-fifties. Recording a plethora of hit recordings in pop, soul, adult,
    jazz and even country genres, he shared his vocal talents for millions of fans with his
    records, concerts and top rated television shows for over five decades.


    With 1959's Merry Christmas LP, Johnny created one of the most successful holiday
    top charting hit albums of all time, with this stunning masterpiece. The LP features his
    stellar interpretations of both popular and inspirational favorites like definitive hit versions of Winter Wonderland and Sleigh Ride, plus impressive readings of The First Noel,
    Silver Bells and O Holy Night.


    The 1959 holiday masterpiece finds the artist at the top of his game. Arranged
    and orchestrated by easy listening giant Percy Faith, Merry Christmas is filled with beautifully arranged classics like Johnny's hit versions of I'll Be Home for Christmas, Blue
    Christmas and the wonderful Silent Night, Holy Night.


    This fine album has been out of print for decades on vinyl, and it is our honor to
    announce the first time 180 Gram Audiophile Vinyl presentation of Merry Christmas by
    the legendary Johnny Mathis on Friday Music. This limited edition audiophile masterpiece is now impeccably mastered by Joe Reagoso and also for a very limited time is
    pressed by R.T.I. on translucent Red Vinyl for the holidays and features the original LP
    artwork not seen in years, in a first time gatefold presentation.


    Walking In A Winter Wonderland

    1. Winter Wonderland
    2. The Christmas Song
    3. Sleigh Ride
    4. Blue Christmas
    5. I'll Be Home for Christmas
    6. White Christmas
    7. O Holy Night
    8. What Child Is This? (Greensleeves)
    9. The First Noel
    10. Silver Bells
    11. It Came Upon the Midnight Clear
    12. Silent Night, Holy Night
    Johnny Mathis
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Deep Time Deep Time Quick View

    $13.99
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    Deep Time

    Deep Time (YellowFever) are from Austin TX, a bewitching pop duo, comprised of Jennifer Moore on organ, electric guitar and vocal microphone, and Adam Jones on drums; who are as infectious and delightful as this time demands.


    Moore, once the torchbearer for girl-group legends The Carrots is something altogether unusual in the modern age; a singer with those endangered qualities: personality, style, and an arresting delivery. Jones is the jazzy 'batterista,' as musical and dynamic a drummer as you will see on the scene today. Once upon a time, creatures such as these roamed the earth in the dozens; now they are as rare as the barely glimpsed yeti.


    But it's not just their personality that recommends them, it's the tunes. Just listen to the new-wave polka-soul-serenading madness of Gold Rush, the toe-tapping Italo-mutation of Sgt Sierra, the easy-listening doom-incantation of Gilligan, every song on the record is a bon-a-fide catastrophe for the forces of predictability and boredom.

    1. Bermuda Triangle
    2. Sgt. Sierra
    3. Coleman
    4. Clouds
    5. Homebody
    6. Gilligan
    7. Gold Rush
    8. Marathon
    9. Horse
    Deep Time
    $13.99
    Vinyl LP - Sealed Buy Now
  • Our Version Of Events (2016 Reissue) Our Version Of Events (2016 Reissue) Quick View

    $34.99
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    Our Version Of Events (2016 Reissue)

    Debut studio album by Emeli Sande. By the time Our Version of Events hit shelves, SandÉ had already been a
    number one-selling singer and songwriter, and had her work covered by names such as Tinchy Stryder, Alesha
    Dixon, and Susan Boyle. Many call the 24-year old starlet a jack-of-all-trades, and after listening to her first full-length
    debut, it's easy to understand why. Reissued 2 LP 180g vinyl.
    LP 1
    1. Heaven
    2. My Kind Of Love
    3. Where I Sleep
    4. Mountains
    5. Clown
    6. Daddy
    7. Maybe
    8. Suitcase
    9. Breaking The Law
    10. Next To Me


    LP 2
    1. River
    2. Lifetime
    3. Hope
    4. Read All About It, Pt. III
    5. Wonder
    6. Breaking The Law
    7. Easier In Bed
    8. Beneath Your Beautiful
    9. Imagine

    Emeli Sande
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Beauty & Ruin Beauty & Ruin Quick View

    $19.99
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    Beauty & Ruin

    "It's a song cycle. A narrative. It's nobody's story but my own I ran so
    fast from my past that I caught up with myself. This album is
    acknowledging that and dealing with every year getting a little tougher."


    Bob Mould's new album Beauty & Ruin is a twelve-track journey of loss,
    reflection, conciliation, and coming through the other side. It may very well
    be the most epic emotional roller coaster ever pressed into 36 minutes.


    Well into his fourth decade as a singer-songwriter, Mould is as relevant,
    ferocious, and poignant as he has ever been. Much of Beauty & Ruin deals
    with the passing of Mould's father in October 2012, Bob's struggle to come
    to terms with it, himself, and his own identity and legacy, and repercussions
    of all of the above on his ongoing relationships in the land of the living.
    Beauty & Ruin is a challenging work of raw beauty-and may well be Bob
    Mould's finest work since his 1989 solo debut, Workbook.


    Bob Mould's journey as singer-songwriter, guitarist, author, DJ, and all-around
    MVP began in 1979 with the formation of HÜsker DÜ. In 1988, Mould began
    the first part of a solo career producing the aforementioned Workbook and the
    heavy Black Sheets of Rain. In 1992, Bob gave the world Sugar, a reimagined
    power trio that toured the globe and produced two albums and an EP: Copper
    Blue, Beaster, and File Under: Easy Listening. From these releases came a cache
    of songs-"Helpless," "Hoover Dam," "If I Can't Change Your Mind,"
    "Your Favorite Thing"-that remain staples of Bob's live shows to this day.


    In fall 2012, Bob gave the world Silver Age, his debut album for Merge
    Records and the first to feature current bandmates Jason Narducy and Jon
    Wurster. The subsequent touring covered four continents, ending in October
    2013 in South America. Beauty & Ruin is in large part the sound of this band,
    on the road relentlessly, congealing into the tightest unit to surround Bob
    in his storied career. Two days after returning from South America, the trio
    reconvened in Chicago to begin the recording of Beauty & Ruin. The
    October 2013 session at Steve Albini's famed studio complex Electrical Audio
    consisted of nine days of band tracking and five days of layering guitars. The
    following month, Bob returned to Different Fur Studios in his hometown of
    San Francisco to finish lyrics for six songs, add vocals, and mix the album.


    Beauty & Ruin is a product of a survivor who refuses to give up, thrives
    through his work, and subsequently embraces the many changes around and
    within himself. Bob smartly declares the album as "yet another bonus round,
    and I am very grateful."

    1. Low Season
    2. Little Glass Pill
    3. I Don't Know You Anymore
    4. Kid With Crooked Face
    5. Nemeses Are Laughing
    6. The War
    7. Forgiveness
    8. Hey Mr. Grey
    9. Fire in the City
    10. Tomorrow Morning
    11. Let the Beauty Be
    12. Fix It
    Bob Mould
    $19.99
    Vinyl LP - Sealed Buy Now
  • Giant Steps (Mono Remaster) Giant Steps (Mono Remaster) Quick View

    $21.99
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    Giant Steps (Mono Remaster)

    Mono Remaster


    History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience.


    Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.


    Coltrane (tenor sax) is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers -- who was the only band member other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated -- replicating the lineup featured on Kind of Blue, sans Miles Davis of course.


    At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos -- the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed sheets of sound. Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre -- turning it into the equivalent of easy listening.


    He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of Countdown does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral Naima was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty.


    - Lindsay Planer (AllMusic.com)

    1. Giant Steps (Mono Version)
    2. Cousin Mary (Mono Version)
    3. Countdown (Mono Version)
    4. Spiral (Mono Version)
    5. Syeeda's Song Flute (Mono Version)
    6. Naima (Mono Version)
    7. Mr. P.C. (Mono Version)
    John Coltrane
    $21.99
    Vinyl LP Mono - Sealed Buy Now
  • Klipsch Amplifier KA-1000-THX Klipsch Amplifier KA-1000-THX Quick View

    $1,499.00
    Buy Now
    x

    Klipsch Amplifier KA-1000-THX



    1,000-Watt THX Ultra2 Certified Subwoofer Amplifier

    The KA-1000-THX subwoofer amplifier is the powerful driving force behind the new Klipsch THX® Ultra2 system. This model offers rock-solid dependability under the most demanding conditions and makes it easy for listeners to experience all the power, detail and emotion of their favorite music and films.


    This full-featured Class D amplifier, which can be conveniently located near the rest of the installation's electronics, has a built-in, defeatable, low-pass crossover and level control, boundary-gain compensation switch, completely variable phase control, and an auto power function. This high-performance amplifier has a massive toroidal power supply that can easily deliver 1000-watts into a 4-ohm load. It is also able to support two high-performance subwoofers and has a left and right RCA pass-through.


    Finished in black with a machined aluminum front panel and knobs, the KA-1000-THX uses professional style NL2 Speakon® outputs for the high current transfer of power to the subwoofer.


    The KA-1000-THX delivers a combination of versatility, reliability and sound quality that is unrivaled.


    rockrollkeepers


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Klipsch
    $1,499.00
    Amplifier KA-1000-THX Buy Now
  • New Jazz Conceptions New Jazz Conceptions Quick View

    $39.99
    Buy Now
    x

    New Jazz Conceptions

    In 1956, Bill Evans was virtually unknown (it would be more than a year before he first gained notice as part of the celebrated Miles Davis Sextet). His initial album attracted little attention back then, but listening with hindsight it is easy to hear in these highly individual trio and solo treatments a clear prophecy of the rich inventiveness that so deeply influenced Herbie Hancock, Chick Corea, Keith Jarrett and an entire generation of jazz pianists.


    Originally released in 1956.


    This title is not eligible for discount.

    1. I Love You
    2. Five
    3. I Got It Bad and That Ain't Good
    4. Conception
    5. Easy Living
    6. Displacement
    7. Speak Low
    8. Waltz for Debby
    9. Our Delight
    10. My Romance
    11. No Cover, No Minimum
    Bill Evans Trio
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • New Moon Daughter (Pure Pleasure) New Moon Daughter (Pure Pleasure) Quick View

    $49.99
    Buy Now
    x

    New Moon Daughter (Pure Pleasure)

    This is no easy listen ... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But ... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously 'distant' musical backings to weave real magic.


    Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. Last Train To Clarksville is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. Harvest Moon slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' I'm So Lonesome I Could Cry & U2's Love Is Blindness are transformed into three in the morning jazz club classics.
    The vocals and backing to Robert Johnson's 32-20 are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's Strange Fruit becomes as desolate and challenging as it's horrific lyrics.


    Clever, very effective and worth the required effort!

    Musicians:



    • Cassandra Wilson (vocal)

    • Graham Haynes (cornet)

    • Chris Whitley, Brandon Ross, Kevin Breit (guitar)

    • Charlie Burnham (violin)

    • Tony Cedras (accordion)

    • Gary Breit (organ)

    • Lonnie Plaxico (bass)

    • Dougie Bowne (drums, percussion)

    • Cyro Baptista (percussion)



    Recording: 1995 at the Turtle Creek Barn, Bearsville, NY / Sound on Sound, New York City / Beartracks, Suffern, NY / Bearsville Studio B , Bearsville, NY.

    Production: Craig Street




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    LP 1

    1. Strange Fruit

    2. Love Is Blindness

    3. Solomon Sang

    4. Death Letter

    5. Skylark

    6. Find Him
    7. I'm So Lonesome I Could Cry


    LP 2

    1. Last Train to Clarksville
    2. Until
    3. A Little Warm Death
    4. Memphis
    5. Harvest Moon
    6. 32-20

    Cassandra Wilson
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Afro Classic (Speakers Corner) Afro Classic (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Afro Classic (Speakers Corner)

    In the Seventies, fusion was a popular pigeonhole for music somewhere between jazz and pop. At the same time it was also an often used, belittling term employed by critics and representatives of 'pure' jazz, who never wanted to listen to it, let alone include any of the numerous LPs in their collection.



    Forty years later, the dust has settled. Flautist Hubert Laws' recordings not only for the Atlantic but also the CTI labels are treasured - especially the present LP, which was produced by the 'Master of Sound' Creed Taylor. Now these crossover numbers from the worlds of classic, jazz, pop and easy listening are available once more. Discover, for example, Al Kooper's composition Fire And Rain (more familiar are the versions from Blood, Sweat & Tears and James Taylor), the famous theme music from the film Love Story, and three classical compositions by J. S. Bach and Mozart. All have been given a facelift and with such super sidemen ranging from Ron Carter to Bob James and a superb Freddie Waits on the drums, they are a real treat.
    So cast aside any preconceptions and enjoy this meticulous production and the clear reproduction on vinyl.



    Musicians:



    • Hubert Laws (flute)

    • Don Sebesky (arranger)

    • Fred Alston, Jr. (bassoon)

    • Bob James (electric piano)

    • Gene Bertoncini (guitar)

    • David Friedman (vibraphone)

    • Ron Carter (bass)

    • Airto, Richie 'Pablo' Landrum (percussion)

    • Fred Waits (drums)




    Recording: December 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA

    Production: Creed Taylor





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Fire and Rain
    2. Allegro from Concerto No. 3 in D
    3. Theme from Love Story
    4. Passacaglia in C Minor
    5. Flute Sonata in F
    Hubert Laws
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Sound Of Wilson Pickett (Speakers Corner) The Sound Of Wilson Pickett (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    The Sound Of Wilson Pickett (Speakers Corner)

    Wilson Pickett's best years were those when he recorded for Atlantic Records, and he remained convinced of this even after changing to other labels in his later career. Atlantic boss Jerry Wexler took the promising young Gospel singer under his wing and launched him on his rapidly developing career as an unruly soul man. Pickett's aggressiveness, which in his mature years occasionally resulted in him having backstage fights with musicians and managers, are expressed here in strong words and are given further bite by his antagonistic band. Although he lashed out to the full in his emotional, crackling vocal attacks, he never lost control and even his strongest outbursts remained highly musical. His unique, breathless sound and his ferocious efforts to express himself succinctly do not make for easy listening on this superb hit record and for white people, who according to Pickett would never understand soul music anyway, could well present a real challenge. Is this such fascinating music that you become dumbstruck? Very possibly, as critic Joachim von Mengershausen writes: »His voice is hard, aggressive and strained; it hardly binds the tones together, chops up the phrases, blurts out the essentials - Pickett has eliminated all the Uncle-Tom warmth in soul and has virtually rocked it away.«

    Musicians:



    • Wilson Pickett (vocal)

    • Spooner Oldham (piano, organ)

    • Andrew Love (tenor saxophone)

    • Floyd Newman (bassoon)

    • Gene Miller, Wayne Jackson (trumpet)

    • Jimmy R. Johnson, Chips Moman (guitar)

    • Junior Lowe (bass)

    • Roger Hawkins (drums)





    Recording: 1967 at Fame Recording Studios, Muscle Shoals (Alabama, USA), by Rick Hall & Tom Dowd

    Production: Jerry Wexler





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Soul Dance Number Three

    2. Funky Broadway
    3. I Need A Lot Of Loving Every Day
    4. I Found A Love, Part 1
    5. I Found A Love, Part 2
    6. You Can't Stand Alone
    7. Mojo Mamma
    8. I Found The One
    9. Something Within Me
    10. I'm Sorry About That
    11. Love Is A Beautiful Thing
    Wilson Pickett
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Natural Elements (Speakers Corner) Natural Elements (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Natural Elements (Speakers Corner)

    In the western world, the word shakti is taken to mean creative intelligence, beauty and strength. Guitar marvel John McLaughlin, who collaborated with the unique Mahavishnu Orchestra to tell the world of his conversion to Hinduism, created music past comparison with Shakti. Despite the frenzy of mass oriental pilgrimages, it was still unusual that McLaughlin's ensemble was made up totally of musicians from India.


    As the title of the third and last album - Natural Elements - suggests, all the participants work with body and soul and make no use of electronic equipment that was so popular in the Seventies. The very real natural energy, which emanates from the flow of melodies and rhythms from both western and eastern musical sources, fires all the musicians. And it is completely intentional that a cheerful fiddle tune, which might well be heard in the Emerald Isle, is joined by plopping volleys of sound on the tabla, inviting one to dance, or that dampened mariachi jubilation appears to be enveloped in the meditative atmosphere of a temple.


    The short, light and cheerful pieces on this LP provide easy listening and offer an ideal insight into the world of Shakti. These natural sounds, far from time and space, are still enjoyed today - as is proved by the presence of a large audience at the concert Remember Shakti, in which John McLaughlin and Zakir Hussain celebrated their 40-year spiritual ties.



    Musicians:



    • John McLaughlin (guitar, vocals)

    • L. Shankar (violin, viola, vocals)

    • Zakir Hussain (percussion, vocals)

    • T.H. Vinayakram (percussion, harp, vocals)





    Recording: July 1977 at Aquarius Studios, Geneva (Switzerland), by Jean Ristori

    Production: John McLaughlin





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Mind Ecology
    2. Face To Face
    3. Come On Baby Dance With Me
    4. The Daffodil And The Eagle
    5. Happiness Is Being Together
    6. Bridge Of Sighs
    7. Get Down And Sruti
    8. Peace Of Mind
    Shakti / John McLaughlin
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Holy Ground (Pure Pleasure) The Holy Ground (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    The Holy Ground (Pure Pleasure)

    Irish singer Mary Black is well known for deftly combining her Celtic roots with contemporary folk. On this release, she offers another strong set of songs, as she interprets songs from American folk favorite John Gorka (Treasure Island) and connects with Anglo-folk tradition on the lovely One Way Donkey Ride (written by Sandy Denny of Fairport Convention fame). The acoustic instrumentation feature a rich blend of guitars, fiddles, saxophones, and accordions that add a timeless feel to most of her songs. The highlight of the album is Loving Time, an emotional story of star-crossed lovers told with a bittersweet aching that few artists could deliver so poignantly. While a few songs towards the end of the album suffer from middle-of-the-road, adult easy listening arrangements, Mary Black's voice remains an incredibly expressive instrument that makes this another solid effort.



    Musicians:



    • Mary Black (vocal)

    • Dave Early (drums, conga, percussion)

    • Garvan Gallagher (bass)

    • Frank (vocals, violin, whistle)

    • Declan Sinnott (guitar, mandolin)

    • Pat Crowley (keyboards, accordian)

    • Carl Geraghty (tenor saxophone, soprano saxophone)

    • Mel Mercier (percussion)

    • Mairead Ni Mhaonaigh (additional vocals)



    Production: Declan Sinnott




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Summer Sent You
    2. Flesh and Blood
    3. The Loving Time
    4. Golden Thread
    5. The Holy Ground (Trad)
    6. Treasure Island
    7. The Holy Ground
    8. One Way Donkey Ride
    9. Dockland
    10. Lay Down Your Burden
    11. Paper Friends
    12. Poison Words
    Mary Black
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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