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  • Ego Death (Awaiting Repress) Ego Death (Awaiting Repress) Quick View

    $23.99
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    Ego Death (Awaiting Repress)

    Ego Death is the third studio album by American hip hop soul band, The Internet. The album was recorded primarily in Syd tha Kyd's basement in a three week period.


    The band says Ego Death is about being vulnerable and honest. It's about us growing up as a band and as individuals, and the challenges we're facing and learning from. It's about us acknowledging our egos and the egos around us, and using them the best way we know how. Ego Death features guest appearances from the likes of Janelle Monae, Tyler, the Creator, and Vic Mensa.

    LP1
    1. Get Away
    2. Gabby
    3. Under Control
    4. Go With It
    5. Just Sayin/I Tried
    6. For Wood
    7. Girl


    LP2
    1. Special Affair
    2. Something's Missing
    3. Partners in Crome Part Three
    4. Penthouse Cloud
    5. Palace/Curse
    6. Famous
    7. Missing You

    The Internet
    $23.99
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Fin Fin Quick View

    $21.99
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    Fin

    Fin is the first solo album from THE INTERNET's frontwoman and producer Syd. Fin was written and produced by Syd, and also features production from Melo X (Lemonade), Hit Boy, Haze, and Rahki. Fin is the bold next step in Syd's musical evolution, a brilliant album packed full of dark R&B bravado, and anchored by Syd's smooth-as-silk voice. The album and its songs are already receiving love from Rolling Stone, Entertainment Weekly, The Fader, the Los Angeles Times, Stereogum, The Ringer, Pigeons and Planes, Okayplayer, and many more.


    Fin is the first new music written and produced by Syd since the release of her band THE INTERNET's Grammy-nominated album, Ego Death, in 2015. The record was hailed as one of the year's favorites by the likes of Rolling Stone, The Fader, Complex, NPR, USA Today, Los Angeles Times, Pigeons & Planes, Nerdist, Noisey, and many more, with the New York Times Magazine saying, THE INTERNET has carved out an entirely new corner of R&B, thanks to [Syd]: an androgyne who sings seductive incantations about falling in and out of love...

    1. Shake Em Off
    2. Know
    3. No Complaints
    4. Nothin to Somethin
    5. All About Me
    6. Smile More
    7. Got Her Own
    8. Drown in It
    9. Body
    10. Dollar Bills
    11. Over (feat. 6LACK)
    12. Insecurities
    Syd
    $21.99
    Vinyl LP - Sealed Buy Now
  • The House The House Quick View

    $21.99
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    The House

    Porches' third record The House is a conscious effort in minimalism and honesty. "Making
    Pool"-the band's 2016 breakthrough record, and Domino debut-"I learned how valuable
    the spirit of the demos are," says singer Aaron Maine, "so this time I made a point of
    capturing a song the day it was conceived." Because of this desire to document immediate
    sensations, the record's fourteen tracks offer a series of diaristic vignettes. There are
    moments of emerging from fear of ego death ("Leave the House," "By My Side," "Now
    The Water"), escaping the corporeal ("Now The Water," "Swimmer"), the terrifying thrill of
    young love ("Country," "W Longing"), and parting with the past ("Wobble," "Goodbye").
    While these themes possibly paint The House in a dark light, the record is marked by an
    excitement at the prospect of self-discovery, and commitment to the process of getting
    there.


    Though Aaron largely composes on his own, The House features contributions by Alexander
    Giannascoli ((Sandy) Alex G), Dev Hynes (Blood Orange), Maya Laner (True Blue, Porches),
    Kaya Wilkins (Okay Kaya), Bryndon Cook (Starchild & the New Romantic), Cameron Wisch
    (Cende, Porches), Jason Arce, Bea1991, and his own father, Peter Maine. As with Pool, Aaron
    brought his recorded work to Chris Coady (Beach House, Slowdive, TV on the Radio), who
    then mixed The House at his Sunset Sound studio.

    1. Leave The House
    2. Find Me
    3. Understanding
    4. Now The Water
    5. Country
    6. By My Side
    7. Åkeren
    8. Anymore
    9. Wobble
    10. Goodbye
    11. Swimmer
    12. W Longing
    13. Ono
    14. Anything U Want
    Porches
    $21.99
    Vinyl LP - Sealed Buy Now
  • Hive Mind (Pre-Order) Hive Mind (Pre-Order) Quick View

    $23.99
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    Hive Mind (Pre-Order)

    HIVE MIND is the new album from THE INTERNET, and is the follow up to 2015's critically acclaimed and Grammy-nominated album Ego Death.


    With this new album, THE INTERNET present enormous growth in their creative chemistry and prove they are a five-person force whose singular talents created one phenomenal whole. The album is written and produced entirely by THE INTERNET - Syd (vocalist/songwriter), Matt Martians (producer), Steve Lacy (guitarist/vocalist/songwriter), Patrick Paige II (songwriter/bassist), and Christopher Smith (songwriter/drummer). And it is with a sense of togetherness - not just for them, but for everyone - that the band chose to highlight as a major theme for Hive Mind.


    After making a few songs we realized that we really want to use this album to live by example and promote camaraderie amongst young black people, Syd reveals. We realized that we're the only band of our kind. And we want to really solidify ourselves as that, as the best.


    With the chaos of the current world considered, all of THE INTERNET wanted to champion good feelings and the joy of following your heart and passions, in addition to using their own positive relationships and experiences to inspire their community. The band unearthed an even deeper purpose as they collaborated on HIVE MIND. The result is not just one of the greatest records in the band s already phenomenal catalog, but is easily one of the best albums of 2018, from five amazing people already leaving an indelible mark on pop music.

    LP1
    1. Come Together
    2. Roll (Burbank Funk)
    3. Come Over
    4. La Di Da
    5. Stay the Night
    6. Bravo
    7. Mood


    LP 2
    1. Next Time / Humble Pie
    2. It Gets Better (With Time)
    3. Look What U Started
    4. Wanna Be
    5. Beat Goes On
    6. Hold On

    The Internet
    $23.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Peste Peste Quick View

    $19.99
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    Peste

    Peste was recorded in Italy (where Hierophant is headquartered) at MV Multimedia Studio. This 10-song album is the follow-up to 2013's acclaimed Great Mother : Holy Monster, which was called ...a searing brand of no-holds-barred dark hardcore that's characterized by bleak, unrelenting guitars and harsh, incomprehensible vocals by Big Cheese Magazine.


    It was hard to fathom Hierophant harnessing the potential to create a record heavier and more malicious than Great Mother : Holy Monster, an already pummeling whiplash of American D-beat-inflected metallic hardcore. Lo and behold: Peste manages just that as a superior, succinctly crushing assault, its tendencies largely erring on the side of European death metal. Hierophant spell out the desolation and desperation leveled by a war amid the id, ego and super-ego, all torturous, violent imagery and morbid, damning assertions that make it a pleasantly grim nightmare to suffer through.

    1. Inganno
    2. Masochismo
    3. Nostalgia
    4. Sadismo
    5. Apatia
    6. Paranoia
    7. Sottomissione
    8. Alienazione
    9. Egoismo
    10. Inferno
    Hierophant
    $19.99
    Vinyl LP - Sealed Buy Now
  • Eonian (Bone & Black Swirl Vinyl) Eonian (Bone & Black Swirl Vinyl) Quick View

    $34.99
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    Eonian (Bone & Black Swirl Vinyl)

    Eerie shadows are lurking in the dark corners of spring 2018; the spirit that denies, a force able to distort our conception of space and time. Over seven years, deathlike silence has filled the halls of the world's biggest black metal forge, DIMMU BORGIR, whilst powers have been gathering to resurrect the band right in time for their 25th anniversary. Now they finally mark their return with a vicious work of art that can be defined as timeless in the truest sense of the word: »Eonian«.


    Conceived in the heart of the Norwegian black metal scene in 1993, DIMMU BORGIR quickly broke free from the boundaries of the genre, daring to combine a traditional raven black sound with opulent symphonic orchestration. Soon they turned into pioneers of their field, forging groundbreaking albums such as »Enthrone Darkness Triumphant« (1997), »Spiritual Black Dimensions« (1999), or »Death Cult Armageddon« (2003), invading the entire world with headline tours and eventually turning into the most influential act of their genre after nine full-length studio releases. Seven years have passed since their latest manifesto »Abrahadabra«, they are now returning to rip apart the space-time continuum with »Eonian«.


    From a musical point of view, the band explores their boundaries in every direction with this new record, with the black metal parts even rougher and darker than before, and the epic, orchestral moments pushed to their ultimate limits. This time DIMMU BORGIR were aiming for a more organic sound for their devilish offerings, and reached out to Jens Bogren, who engineered the 10 new tracks inside his Fascination Street studios. The cover artwork was designed in fascinating detail by Zbigniew M. Bielak.


    The songwriting core of DIMMU BORGIR furthermore consists of charismatic vocalist Shagrath, as well as the string wizards Silenoz and Galder, but other familiar faces also emerge from the darkness: Drummer Daray and keyboarder Gerlioz are still part of the team, and Gaute Storaas helped with the choral arrangements for the majestic voices of the Schola Cantrum Choir.


    The lyrical theme of the Norwegians' tenth studio work follows a philosophical concept, dealing with the illusion of time and Luciferian codes:


    "Time, when not approaching it from the construct we're used to can't be defined and thus it is illusory", explains axemaster Silenoz. "There's only an 'eternal now', which the album title is already hinting at. When we travel between the worlds seen and unseen, the perception of time ceases to exist, it has no function. Our energy is our torch and our compass when we make rifts and pierce through our the veil - when we go beyond." Silenoz refuses to grant more information than that, hence why DIMMU BORGIR's albums have always been open for interpretation and felt somewhat like a dark room in which every listener believes to see something different in front of their light seeking eyes.


    "»Eonian« represents the illusion of time, everything that is and always has been. For us, it also marks the 25th anniversary of DIMMU BORGIR and the album itself is a tribute to our own history and the Norwegian black metal history", adds Shagrath.


    Since their debut album »For All Tid« from 1994, DIMMU BORGIR have always released their epic new works in regular intervals, but this time around, the Norwegians couldn't tame the beast of their creativity that quickly, and therefore they took the time it needed to slowly weave their collective ideas into these nine new tracks:


    "Some of the songs on this album were written in 2012. All of us have our own pre-production studios and just write separately, without too much communication at first. Over a time period of one or two years we collect our ideas and then get together and try to get the best out of the material", says Shagrath. "Sometimes this can be quite challenging, because we have different tastes and opinions - but that makes it also more interesting for the listener, since we want to create music that makes you feel as if you don't know what's behind the next corner."


    Silenoz agrees: "The main challenge is to hold back the beast. You're so into what you're doing that sometimes it's easy to forget that you have to approach the beast without waking it up right away, because you know you won't be able to control it. It's actually pointless to trick yourself to believe you can ever control art... It's like going into a lion's den with a rope tied around your waist in case you need to be pulled out real quick. Being our own producers also mean we have to step out of our own egos and look at our material from an 'outside' perspective. This is another challenging part of the songwriting process because you put so much of yourself into it - and then to start shaving off things, trim things down instead of adding - is a tough process. Letting go can sometimes be really hard but when we step out of ourselves and look into the mouth of the beast, only then we're able to distinguish what to feed it next."


    Thus, both classic black metal invasions such as 'Lightbringer', but also highly symphonic charged anthems like 'Interdimensional Summit' gather on »Eonian«, with one of the band's personal favourites being the experimental, folkloristic 'Council of Wolves And Snakes'. Risking a look far beyond the horizon, this song proves that the band follows 'no formula, no absolute', as Silenoz vows, and shows that the path sometimes guides them to places they would have never expected to end up when they started their journey.


    On the previous album, »Abrahadabra«, the Norwegians irritated some militant black metal elitists by appearing in opulent white / gray costumes. And although they chose a different appearance for »Eonian«, DIMMU BORGIR always keep new surprises in store:


    "We're definitely a band that does not follow any set of 'rules', if any; we're out to break them - for sure. Not that it's a goal per se, it's just who we are. We knew the white/grey look would raise a few eyebrows but whatever we do, or not do, we'll end up raising eyebrows", Silenoz states and Shagrath adds: "The album feels like a rebirth, but also like a logical continuation. Our music comes naturally. We're not sitting down in a circle, thinking about what we could do next - it has to come with a flow and with whatever is in your mind at that time, it needs to be spontaneous and is exactly what we could do at that time. Each one of our releases was linked to a certain time period of our life."


    After having released the live DVD »Forces Of The Northern Night« in spring 2017 which provided a monumental overview of the shows that DIMMU BORGIR had performed with a big orchestra and choir, the time is over in which fans needed to watch the band members on screen - hence now they are ready to storm the stages of the world again. The first headline slots at Europe's major festivals, such as Wacken and Hellfest, have already been confirmed, and further live plans are currently being forged for the second half of this year. The Lightbringers are back - and they've come to split apart the heavens:


    "We obviously rely on our fans, if a band says they don't care - they're lying. We're definitely ready to work hard to convince the 'doubters', the 'dwellers ready to strike', that what we have to offer is still very much valid. A new generation of fans and listeners who come from a different 'time' than we do are out there now, not shy to let artists hear it! And we're not shy to let them hear what we've been up to!"

    1. The Unveiling
    2. Interdimensional Summit
    3. Ætheric
    4. Council of Wolves and Snakes
    5. The Empyrean Phoenix
    6. Lightbringer
    7. I Am Sovereign
    8. Archaic Correspondence
    9. Alpha Aeon Omega
    10. Rite of Passage
    Dimmu Borgir
    $34.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Bob Dylan Bob Dylan Quick View

    $49.99
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    Bob Dylan

    Bob Dylan on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Understated 1962 Debut Launched Immeasurably Influential Career


    Album Stands as Clearest Connection to Dylan's Purist Folk Roots


    Ghosts of Woody Guthrie and Blues Legends Appear Throughout Recording of Originals and Covers


    Transparent to the Source: Hyper-Detailed 45RPM Pressing Brings the Simple Sounds of Dylan's Voice, Acoustic Guitar, and Harmonica into Lifelike Perspective


    Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored 180 gram 45RPM 2LP analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and dimensions-the "husk and bark" to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background noise. Wider grooves mean more information reaches your ears.


    Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.


    By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's "See That My Grave Is Kept Clean," Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.


    As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, "Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin." It all starts here.


    This title is not eligible for discount.

    1. You're No Good
    2. Talkin' New York
    3. In My Time of Dyin'
    4. Man of Constant Sorrow
    5. Fixin' to Die
    6. Pretty Peggy-O
    7. Highway 51
    8. Gospel Plow
    9. Baby, Let Me Follow You Down
    10. House of the Risin' Sun
    11. Freight Train Blues
    12. Song to Woody
    13. See That My Grave Is Kept Clean
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Bob Dylan (Mono) Bob Dylan (Mono) Quick View

    $49.99
    Buy Now
    x

    Bob Dylan (Mono)

    Bob Dylan On Numbered Limited Edition 180 Gram Mono 45RPM 2LP From Mobile Fidelity


    Understated 1962 Debut Launched Immeasurably Influential Career


    Album Stands as Clearest Connection to Dylan's Purist Folk Roots


    Ghosts of Woody Guthrie and Blues Legends Appear Throughout Recording of Originals and Covers


    Mastered From The Original Master Tapes And Strictly Limited To 3,000 Copies


    Mobile Fidelity Mono 45RPM 2LP Features Unparalleled Directness And Sound Dylan, Producers Originally Intended


    Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's restored 180g mono 45RPM 2LP analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness-the husk and bark to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album-making the mono mix all the more historically valuable and truthful.


    Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.


    By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's See That My Grave Is Kept Clean, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.


    As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin. It all starts here.


    This title is not eligible for discount.

    1. You're No Good
    2. Talkin' New York
    3. In My Time of Dyin'
    4. Man of Constant Sorrow
    5. Fixin' to Die
    6. Pretty Peggy-O
    7. Highway 51
    8. Gospel Plow
    9. Baby, Let Me Follow You Down
    10. House of the Risin' Sun
    11. Freight Train Blues
    12. Song to Woody
    13. See That My Grave Is Kept Clean
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
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