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  • Emergency & I Emergency & I Quick View

    $24.99
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    Emergency & I

    Best New Reissue And Perfect 10.0 On Pitchfork!


    Full-Color Photo Collage, Lyrics Sheet, And In-Depth Liner Notes


    Four Bonus Tracks


    Emergency & I has been widely regarded as the definitive artistic statement from the beloved Washington D.C. quartet and has found its way onto many best-of lists, including the #16 spot of Pitchfork's Top 100 Albums of the 90's.


    Originally released on DeSoto Records, this vinyl re-issue will be presented in gatefold 180-gram audiophile-grade vinyl with a giant full-color photo collage, lyrics sheet, and in-depth liner notes, plus four rare bonus tracks,also never before available on high quality vinyl.

    1. A Life of Possibilities
    2. Memory Machine
    3. What Do You Want Me to Say?
    4. Spider in the Snow
    5. The Jitters
    6. I Love A Magician
    7. You Are Invited
    8. Gyroscope
    9. The City
    10. Girl O' Clock
    11. 8 1/2 Minutes
    12. Back and Forth
    The Dismemberment Plan
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • I Speak Because I Can I Speak Because I Can Quick View

    $21.99
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    I Speak Because I Can

    Ribbon Music is pleased to announce deluxe re-issues of Laura Marlings first two critically acclaimed albums; Alas I Cannot Swim and I Speak Because I Can on LP. I Speak Because I Can was the self assured second album from the young British singer/songwriter, originally released in 2010. The album was produced by Ethan Johns (Ryan Adams, Rufus Wainwright) and featured backing vocals from Marcus Mumford (Mumford & Sons).


    Since her emergence onto the London music scene in 2007 Laura Marling has steadily secured her position as one of the most exciting musical talents of her generation. By the tender age of 21 she has already won a BRIT award and been nominated for the UK Mercury Music prize twice. While so many artists of any age attempt to locate their inner child, Marling with a sometime steely gaze, measures the prerogatives of youth against the looming realities of adulthood, the specter of mortality, the betrayals of love, the balm of sex, the yearning for companionship, the need for independence. As the Times Of London recently posited, Who else is making music as ambitious, as haunting, as centuries-straddling, as thought provoking and artistically tenacious as this? And the answer is: nobody. No, really. Not a soul.


    Marling, who started out, briefly but auspiciously, with a stint in the group Noah and the Whale, was a mere 16 when she independently released her first singles and almost immediately gained serious stature as a key figure on Britains burgeoning young folk scene, alongside such artists and friends as singer/actor Johnny Flynn and Mumford & Sons. The two startlingly self-assured albums that followed, Alas I Cannot Swim (2008) and I Speak Because I Can (2010), brought the self-effacing and relatively shy Marling an extraordinary level of acclaim in her homeland, with each of them in turn being nominated for the U.K.s prestigious Mercury Prize. Remastered on 180g vinyl with deluxe gatefold packaging.

    1. Devils Spoke
    2. Made By Maid
    3. Rambling Man
    4. Blackberry Stone
    5. Alpha Shallows
    6. Goodbye England (Covered In Snow)
    7. Hope In The Air
    8. What He Wrote
    9. Darkness Descends
    10. I Speak Because I Can
    Laura Marling
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Some Say I So I Say Light Some Say I So I Say Light Quick View

    $22.99
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    Some Say I So I Say Light


    Includes CD


    Some Say I So Say Light is the second full length release of Ghostpoet's, following 2010's Mercury Prize-nominated Peanut Butter Blues & Melancholy Jam. Industrial beats, sonorous piano lines and hyper-detailed ornamentation provide a backdrop for Obaro Ejimiwe, AKA Ghostpoet, an artist who sounds ever more like a man old before his time, whether intoning words so laconically it's virtually spoken word or croaking out sung melodies. Some Say I So I Say Light is a studio-based work co-produced with the talented Richard Formby (Wild Beasts, Darkstar, Egyptian Hip-Hop).


    Even with a Mercury Prize nomination under his belt, London rapper Ghostpoet could walk through a crowd of music fans without notice and his albums don't land as much as emerge out of the mist. Maybe it's because his delivery is like Roots Manuva on sizzurp or that the lead single here is MSI musmiD, which comes off as a Dali dream sequence directed by Man Ray, but deciphering Some Say I So I Say Light is certainly a joy for returning fans.


    Maybe the album's title references a desire to communicate something brighter or more up, as the lyrics are more audible here than previously, or in the case of Them Waters, it's the music that's luminous, as balloons of synthesizer sound pass before the sun as they rise toward the sky. Plastic Bag Brain is the ultimate example and towering highlight with its combo of indie guitar riffing, Radiohead keyboards, and crackable code (his brain wanders like a plastic bag blowin' in the wind), and here's hoping that Dorsal Morsel is Sir Mix-A-Lot's Baby Got Back for the Wittgenstein set, because a mention of women's jeans, popping like a Pringle pack, and revel in the elegance all seem to point toward it. At 12 tracks long, the album is right-sized and flows beautifully with guests Tony Allen, Woodpecker Wooliams, Gwilym Gold, and This Heat's Charles Hayward adding some new sounds for the rapper to flow over. With Richard Formby and the MC himself on production, Ghostpoet remains the most aptly named rapper in the game with his excellent sophomore effort.

    - David Jeffries (All Music Guide)

    1. Cold Win
    2. Them Waters
    3. Dial Tones
    4. Plastic Bag Brain
    5. ThymeThymeThyme
    6. Meltdown
    7. Sloth Trot
    8. Dorsal Morsel
    9. MSI musmiD
    10. 12 Deaf
    11. Comatose
    Ghostpoet
    $22.99
    Vinyl LP + CD - 2 LPs Sealed Buy Now
  • I Am Very Far I Am Very Far Quick View

    $19.99
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    I Am Very Far

    The goal was to push my brain to places it didnt want to go. The idea was to not have any idea, to keep myself confused about what I was doing, frontman Will Sheff says about Okkervil Rivers newest album. The resulting record, I Am Very Far, is a startling break from anything this band has done before. By turns terrifying and joyous, violent and serene, grotesque and romantic, its a celebration of forces beyond our control.


    On I AmVery Far, Sheff emerges not only as a songwriter of the highest caliber, but a producer and arranger of singular vision. Abandoning the tidy conceptual arcs of Okkervil Rivers previous albums, I Am Very Far is a monolithic, darkly ambiguous work, one that doesnt readily offer up its secrets.


    Work on I Am Very Far started in early 2009, after a year spent on the music of others. Sheff contributed vocals to The New Pornographers album Together, wrote a song for Norah Jones The Fall, and helmed the Roky Erickson record True Love Cast Out All Evil, for which his album notes received a Grammy nomination. Immediately upon wrapping up work and leaving Ericksons company, Sheff drove to his home state of New Hampshire for lengthy isolated writing sessions. I wanted to go back home and re-start writing again, like Id never written a song previously, he says, and I wanted the music and lyrics to be both completely wedded together and a little bit beyond my control.


    Sheff emerged from the writing process with 30 or so songs, which he narrowed down to 18. In contrast to Okkervil Rivers usual practice of holing up in one studio for months on end, he opted for a series of short, high-intensity sessions, each in a different location, each employing completely different methods than the one before it. For songs like Rider and Wake and Be Fine, Sheff gathered together a massive version of Okkervil River; two drummers, two pianists, two bassists, and seven guitarists, all playing live in one room, and led them on a week of live-in-the-studio marathon sessions, performing a single song obsessively over and over for as many as 12 hours to capture just the right take. Finishing the record from home, Sheff constantly edited and reworked the album, reinventing the song structures, re-recording vocals, re-writing until the very last minute, reshaping even the tiniest of details, ultimately creating an album that plays not only as a lush, seamless epic, but also as the most deeply personal effort of his career.


    What can listeners expect? Richer and weirder than The Stage Names and deeper and moodier than even Black Sheep Boy, I Am Very Far is dense, fragmented, opaque. A reverie of uncertainty, it feels at once disorienting and oddly familiar, threatening and friendly. Okkervil River have thrown away all maps and compasses but they continue to chart their way, unblinking, toward destinations unknown.

    1. The Valley

    2. Piratess
    3. Rider
    4. Lay of the Last Survivor
    5. White Shadow Waltz
    6. We Need a Myth
    7. Hanging from a Hit
    8. Show Yourself
    9. Your Past Life as a Blast
    10. Wake and Be Fine
    11. The Rise

    Okkervil River
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • When I Said I Wanted To Be Your Dog When I Said I Wanted To Be Your Dog Quick View

    $17.99
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    When I Said I Wanted To Be Your Dog

    Call it a curse: Jens Lekman's world is populated by an endless stream of women. There he is, his hair mussed and glasses off-kilter, sitting in the corner of the cafe with his journal once again - and he's being torn in two. Moments ago he fell in love with the redheaded barista who nailed his order - when she scooted that cappuccino across the counter, it was clear that there was a connection. And now, his eye catches the picture of divinity in the shape of the most finely featured brunette he's ever seen...and she's looking his way. But which way to go? It's tragic having to make such choices. Like Fellini's The Man Who Loved Women, Jens Lekman is a man forever at a crossroads between competing inspirations.


    At only 23, Lekman has deservedly been the center of much hype in Scandinavia. Having made a name for himself performing under the name Rocky Dennis, he recently hit #2 on the Swedish National Pop Charts. Most everyone who's heard him believes him to be the next great pop star emerging from the streets of the DIY underground. With an angelic voice and golden ears he seems to be drinking from the same hard waters as The Carpenters, Harry Nilsson, The Magnetic Fields, Runt-era Todd Rundgren, Bill Callahan's Smog, The Modern Lovers, Rufus Wainwright and Belle & Sebastian.

    Side A



    1. Tram #7 To Heaven

    2. Happy Birthday, Dear Friend Lisa    

    3. Do You Remember The Riots?   

    4. You Are The Light (By Which I Travel Into This And That)   

    5. If You Ever Need A Stranger (To Sing At Your Wedding)

    6. Silvia



    Side B



    1. The Cold Swedish Winter

    2. Julie    

    3. Psychogirl        

    4. When I Said I Wanted To Be Your Dog

    5. A Higher Power


     

    Jens Lekman
    $17.99
    Vinyl LP - Sealed Buy Now
  • A Creature I Don't Know A Creature I Don't Know Quick View

    $21.99
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    A Creature I Don't Know

    A Creature I Dont Know is British singer/songwriter and guitarist Laura Marlings third album and first for Ribbon Music. Since her emergence onto the London music scene in 2007 Laura Marling has steadily secured her position as one of the most exciting musical talents of her generation. By the age of 21 she has already won a BRIT award and been nominated for the UK Mercury Music prize twice.


    Recorded with producer Ethan Johns (who also helmed her acclaimed sophomore album I Speak Because I Can), A Creature I Dont Know is a boldly accomplished and endlessly impressive album. 10 original compositions of intricate and captivating story-telling, buoyed by Marlings rich voice, evocative lyrics and the precise, confident instrumentation on every track. Marlings delivery is pitch perfect, her voice going from delicate whisper to brooding murmur and rousing wail, sometimes all in the very same sentence.


    Johns production of A Creature I Dont Know is the perfect showcase for her remarkable gifts, pulling back to give a stark spotlight to her stunning voice before surging forth with a rollicking live band feel. Fans of Marlings previous recordings will recognize her mesmeric tales and soaring melodies in what is ultimately an incredibly intimate album.

    1. The Muse
    2. I Was Just A Card
    3. Dont Ask Me Why
    4. Salinas
    5. The Beast
    6. Night After Night
    7. My Friends
    8. Rest In The Bed
    9. Sophia
    10. All My Rage
    Laura Marling
    $21.99
    Vinyl LP - Sealed Buy Now
  • Alas I Cannot Swim (Awaiting Repress) Alas I Cannot Swim (Awaiting Repress) Quick View

    $21.99
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    Alas I Cannot Swim (Awaiting Repress)

    Ribbon Music is pleased to announce deluxe re-issues of Laura Marlings first two critically acclaimed albums; Alas I Cannot Swim and I Speak Because I Can on LP. Alas I Cannot Swim was the young British singer/songwriters debut album originally released in 2008. The recording features contributions by Charlie Fink and Tom Hobden (Noah and The Whale) and Marcus Mumford (Mumford & Sons).


    Since her emergence onto the London music scene in 2007 Laura Marling has steadily secured her position as one of the most exciting musical talents of her generation. By the tender age of 21 she has already won a BRIT award and been nominated for the UK Mercury Music prize twice. While so many artists of any age attempt to locate their inner child, Marling with a sometime steely gaze, measures the prerogatives of youth against the looming realities of adulthood, the specter of mortality, the betrayals of love, the balm of sex, the yearning for companionship, the need for independence. As the Times Of London recently posited, Who else is making music as ambitious, as haunting, as centuries-straddling, as thought provoking and artistically tenacious as this? And the answer is: nobody. No, really. Not a soul.


    Marling, who started out, briefly but auspiciously, with a stint in the group Noah and the Whale, was a mere 16 when she independently released her first singles and almost immediately gained serious stature as a key figure on Britains burgeoning young folk scene, alongside such artists and friends as singer/actor Johnny Flynn and Mumford & Sons. The two startlingly self-assured albums that followed, Alas I Cannot Swim (2008) and I Speak Because I Can (2010), brought the self-effacing and relatively shy Marling an extraordinary level of acclaim in her homeland, with each of them in turn being nominated for the U.K.s prestigious Mercury Prize. Remastered on 180g vinyl with deluxe gatefold packaging.

    1. Ghosts
    2. Old Stone
    3. Tap At My Window
    4. Failure
    5. Youre No God
    6. Cross Your Fingers
    7. Crawled Out Of The Sea (Interlude)
    8. My Manic And I
    9. Night Terror
    10. The Captain And The Hourglass
    11. Shine
    12. Your Only Doll (Dora)
    Laura Marling
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • When I Look In Your Eyes When I Look In Your Eyes Quick View

    $34.99
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    When I Look In Your Eyes

    Years after the '90s, the decade will be remembered for the rise of pianist-vocalist Diana Krall. Simply put, this British Columbian-born artist is one of the most engaging musicians to emerge from the heap of scat-happy singers high on pyrotechnics, but short on poetry. Stamped with the imprimatur of the Nat King Cole trio and blessed by her apprenticeship with the late West Coast piano giant Jimmy Rowles, Krall simply sings songs the way they're supposed to be sung: with devotion to the lyric and with attention to the groove.


    This album finds Krall in familiar company with compatriots Russell Malone (on guitar), bassist John Clayton, drummers Lewis Nash and Jeff Hamilton, and vibraphonist (and former Bill Evans associate) Larry Bunker--all supported by Johnny Mandel's svelte string arrangements. Krall and crew take Irving Berlin's chestnut Let's Face the Music and Dance and the Sinatra-signatured I've Got You Under My Skin south to Brazil via a sexy bossa nova. Malone's lush guitar accompaniment complements Krall's heartfelt delivery on When I Look in Your Eyes, and Michael Franks's Popsicle Toes dances courtesy of Hamilton's drum work. Devil May Care, East of the Sun (and West of the Moon), The Best Thing for You, and the stridish I Can't Give You Anything but Love groove with a minimum of waste, while Mandel's simpatico strings steal the show on I'll String Along with You, Pick Yourself Up, and Do It Again. All of which further illuminate the cool fire from this fine gift from North of the Border. --Eugene Holley Jr.

    LP 1
    1. Let's Face The Music And Dance
    2. Devil May Care
    3. Let's Fall In Love
    4. When I Look In Your Eyes
    5. Popsicle Toes
    6. I've Got You Under My Skin


    LP 2
    1. I Can't Give You Anything But Love
    2. I'll String Along With You
    3. East Of The Sun (West Of The Moon)
    4. Pick Yourself Up
    5. The Best Thing For You
    6. Do It Again

    Diana Krall
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • I Feel So Far Away: Anthology 1974-1998 I Feel So Far Away: Anthology 1974-1998 Quick View

    $47.99
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    I Feel So Far Away: Anthology 1974-1998

    As one quarter of one of the most influential bands of the 20th century, Maureen Moe Tuckers work in the Velvet Underground created a template for all rock drummers that followed. Even today, Moes primal, tribal rhythms can be heard in countless songs from artists around the globe. Her no-nonsense style, spare kit, no drum stool, almost no cymbals, conveyed an urgency and an honesty that was the foundation of the bands sound. In a patchouli-soaked world of 20 minute double-bass drum solos, Moe kept it simple, direct and to the point. As Lou Reed put it, Shes the driving force. The hardcore heart of the Velvets mindset.


    Following her tenure with VU, Moe emerged as a solo artist, building a body of work that stretched over three decades. Ranging from home recordings to collaborations with members of Sonic Youth, Violent Femmes, Half-Japanese and her former band, the songs cover a gamut of styles but all bear the unmistakable thumbprint of their creator. Released by various independent labels on LPs, EPs, singles and compact discs, collecting her catalog has been a daunting task. This compilation finally gathers those far-flung tracks in one place.


    More than just a drummer, Moe is a multi-instrumentalist, playing guitar, bass, sax, keyboards, harmonica and whatever else the song might need. For prime examples of her DIY recording technique, check out her rendition of Chuck Berrys Around and Around from her debut LP Playin Possum. Recording that album at home on a four-track tape recorder allowed Moe to reconnect with her rock roots and eventually led to a return to live performing.


    Moving to Douglas, Georgia as a single mother in the early 80s greatly impacted her songwriting. Themes of workaday blues and tough times are reflected in songs like Spam Again and Thats B.A.D. Loss is also a recurring topic, as in Andy, a touching tribute to the late Andy Warhol. However, it is not all darkness and melancholia. Bursts of exuberance in songs like Hey Mersh! and her loving cover of Bo Diddley radiate infectious joy. Moe also faces the VU legacy head on, reinterpreting seminal tracks like Heroin, Im Waiting for the Man, Pale Blue Eyes and Im Sticking with You and making them her own. Of all the former Velvets, Moes solo work is perhaps the most direct continuation of the bands sound and structure. She never lost her love for pure, lean rock and roll.


    This collection has been mastered by Sundazeds Bob Irwin and includes notes by David Fricke. Available on three LPs, Sundazed is honored to present this first-ever career anthology for an uncompromising artist of remarkable tenacity and vision.

    1. Bo Diddley
    2. Heroin
    3. Slippin and Slidin
    4. Around and Around
    5. Will You Love Me Tomorrow?
    5. Im Sticking With You
    7. Guess Im Falling in Love
    8. Andy
    9. Hey Mersh!
    10. Pale Blue Eyes
    11. Chase
    12. Talk So Mean (alternate mix)
    13. Fired Up (single version)
    14. Too Shy (single version)
    15. Thats B.A.D.
    16. Lazy
    17. Blue, All the Way to Canada
    18. Then He Kissed Me
    19. Im Not
    20. Im Waiting for the Man
    21. Spam Again (live)
    22. Crackin Up
    23. Ive Seen Into Your Soul
    24. Poor Little Fool
    25. I Wanna
    26. To Know Him is to Love Him
    27. Last Night I Said Goodbye to My Friend
    28. After Hours
    Moe Tucker
    $47.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • The Man I Love (Pure Pleasure) The Man I Love (Pure Pleasure) Quick View

    $34.99
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    The Man I Love (Pure Pleasure)

    Around the same time that Peggy Lee decamped her longtime label home, Capitol Records, for what turned out to be a five-year sojourn at Decca Records in 1952, an apparently washed-up Frank Sinatra signed with Capitol. In 1957, when Lee returned to Capitol, Sinatra had re-established himself as a major recording artist. Meanwhile, the recording world had changed with the emergence of the 12-inch LP as an industry standard. The Man I Love, Lee's first recording for Capitol in the format after re-signing, matched her with the company's flagship artist, Sinatra, who was credited as the album's conductor, his name printed on the front cover in the same size as Lee's. A year earlier, Sinatra had conducted his Tone Poems Of Color album for Capitol, and though the singer did not read music and relied on arranger Nelson Riddle, he again proved himself able to make his intentions clear in working with Lee.



    The Man I Love is a concept album in the manner pioneered by Sinatra at Capitol, a group of 12 songs chosen to express a single theme. That theme, as the title suggests, is a woman's unwavering devotion to a man, as expressed in songs often composed by gilt-edged songwriters (Gershwin, Arlen, Rodgers, Kern, etc.) and taken from Broadway shows. The result is a superb pairing of singer, conductor, and arranger on an album that re-conceives Lee as a Capitol recording artist in the Sinatra concept album mold.




    Musicians:



    • Peggy Lee (vocal)

    • Nelson Roddle (arranger)

    • Frank Sinatra (conductor)

    • Orchestra






    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. The Man I Love
    2. Please Be Kind
    3. Happiness Is a Thing Called Joe
    4. (Just One Way to Say) I Love You
    5. That's All
    6. Something Wonderful
    7. He's My Guy
    8. Then I'll Be Tired of You
    9. My Heart Stood Still
    10. If I Should Lose You
    11. There Is No Greater Love
    12. The Folks Who Live on the Hill
    Peggy Lee
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Gathering Gathering Quick View

    $22.99
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    Gathering

    Gathering is the 9th studio album from critically-acclaimed singer-songwriter Josh Ritter. It is the follow-up to 2015's Sermon On The Rocks, which debuted on Billboard #1 Folk Albums, #5 Vinyl Albums, #6 Rock Albums, #8 Independent Albums, and more.


    Regarding the record, Josh says:


    This record is the product of a strange and interesting time. When I started writing Gathering, I felt tired of living in the shadow of my earlier self, my earlier work, but more than discouraged, I felt charged with the possibility and the freedom of cutting myself loose from my own and others expectations. I began with an exciting sense of dissatisfaction, and what emerged, as I began to find my voice, was a record full of storms. Some, like Feels Like Lightning or Friendamine, are physical storms. Others, like Dreams, are interior ones. Listening to these songs now, I hear uncertainty, mania, laughter and sadness, all vying for their place on the album. I was surprised by the new voice.


    I have been writing records for almost twenty years now. Each one has been different from the last in subject and form, but with Gathering I feel I've found a new electric dissatisfaction, a new way to rejoice as the storm rolls in.

    1. Shaker Love Song (Leah)
    2. Showboat
    3. Friendamine
    4. Feels Like Lightning
    5. When Will I Be Changed (feat. Bob Weir)
    6. Train Go By
    7. Dreams
    8. Myrna Loy
    9. Interlude
    10. Cry Softly
    11. Oh Lord (Part III)
    12. Thunderbolt's Goodnight
    13. Strangers
    Josh Ritter
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Gathering (Deluxe) Gathering (Deluxe) Quick View

    $25.99
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    Gathering (Deluxe)


    Deluxe Version Includes Bonus CD Of Demos From The Album


    Opaque Yellow Colored Vinyl w/ Etching On Side D


    Gathering is the 9th studio album from critically-acclaimed singer-songwriter Josh Ritter. It is the follow-up to 2015's Sermon On The Rocks, which debuted on Billboard #1 Folk Albums, #5 Vinyl Albums, #6 Rock Albums, #8 Independent Albums, and more.


    Regarding the record, Josh says:


    This record is the product of a strange and interesting time. When I started writing Gathering, I felt tired of living in the shadow of my earlier self, my earlier work, but more than discouraged, I felt charged with the possibility and the freedom of cutting myself loose from my own and others expectations. I began with an exciting sense of dissatisfaction, and what emerged, as I began to find my voice, was a record full of storms. Some, like Feels Like Lightning or Friendamine, are physical storms. Others, like Dreams, are interior ones. Listening to these songs now, I hear uncertainty, mania, laughter and sadness, all vying for their place on the album. I was surprised by the new voice.


    I have been writing records for almost twenty years now. Each one has been different from the last in subject and form, but with Gathering I feel I've found a new electric dissatisfaction, a new way to rejoice as the storm rolls in.

    1. Shaker Love Song (Leah)
    2. Showboat
    3. Friendamine
    4. Feels Like Lightning
    5. When Will I Be Changed (feat. Bob Weir)
    6. Train Go By
    7. Dreams
    8. Myrna Loy
    9. Interlude
    10. Cry Softly
    11. Oh Lord (Part III)
    12. Thunderbolt's Goodnight
    13. Strangers
    Josh Ritter
    $25.99
    Colored Vinyl LP + CD - 2 LPs Sealed Buy Now
  • Too True Too True Quick View

    $16.99
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    Too True

    In the summer of 2012, between tours supporting End of Daze, I
    locked out the world and sat down in my apartment to write a new record
    - clear view of the New York City sky through iron bars like a promise.
    Like all compulsive minds, I was waiting to let the muse loose. And so
    I spent the next week in a sparkling haze, and when I emerged from the
    frenzy to go back on tour, indeed ten new songs came with. They were
    bound together, not just by an overall sonic palette and new guitar pedal,
    but by time, intention, and fervor. Do you hear Suede? Siouxie? Cold-wave
    Patti? Madonna? Cure? Velvet and Paisley Undergrounds? Stone Roses?
    Cuz I did.


    Still later, in November 2012, I returned to Hollywood to record among
    the lingering Pet Sounds at East West Studios, in pursuit of a bigger,
    darker, more urgent sound. Sitting in the room with my favorite team of
    regulars (Richard Gottehrer and Sune Rose Wagner producing, Alonzo
    Vargas engineering), it was easy to add some flesh to my song skeletons.
    But, unfortunately, the previous year of touring had reduced my voice
    to a pale spectre of its former self. I left California with the heavy burden
    of an unfinished album.


    Truly one of those disguised blessings though - the extra time was a
    gift. These songs weren't done at all! So I recorded vocals alone in my
    bedroom studio, fueled by Rainer Maria Rilke, Anais Nin, Arthur Rimbaud,
    Paul Verlaine, Charles Baudelaire, Sylvia Plath; the punk poet singers
    Patti Smith and Lou Reed; and finally, an unhealthy obsession with the
    Surrealists' manifesto of desire.


    I write this now, many months later, on the up. So much of my life has
    been defined, aided, and even saved by music. Too True is my best
    attempt at joining the rock'n'roll ranks, of chasing pop into the dark,
    and I am as ever, humbled that you listen.


    XXDD

    1. Cult of Love
    2. Evil Blooms
    3. Rimbaud Eyes
    4. Are You Okay
    5. Too True to Be Good
    6. In the Wake of You
    7. Lost Boys and Girls Club
    8. Little Minx
    9. Under These Hands
    10. Trouble Is My Name
    Dum Dum Girls
    $16.99
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  • The Last Spire The Last Spire Quick View

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    The Last Spire

    Import


    And lo, Lee Dorrian, mouthpiece of Cathedral for 23 years, doth solemnly intone the death rites of this mighty British metal Titan. Born in the dying days of Thatcher's Britain, bonding over then-unfashionable, obscure names like Saint Vitus, Pentagram, Trouble and Dream Death, Cathedral's sole ambition was to record a demo tape. In fact they revolutionised doom metal, first pushing their influences into new avenues of grinding extremity, then pioneering groovier forms of '70s-indebted stoner doom.


    They've remained a reassuring and singular presence in our lives, building a rabid following worldwide with their wholly distinctive blend of rollicking British heavy metal, true doom, 70s hard rock, psych-folk, mad prog and spiky crust-punk. There was a worrying hiatus between 2005 and 2010 when some dared to wonder if Cathedral were coming back at all - but they re-emerged with 'The Guessing Game', an overflowing treasure chest of weird and wonderful goodies exploring new, bold variations on their craft. So when news came that Cathedral really were approaching the Endtyme, it was a shock.


    Personally speaking, this is the album I've been waiting to do since the first one (their landmark 1991 debut, Forest of Equilibrium), it almost feels like we made our second album last in some respects. We actually recorded a lot more material but decided to sacrifice many of the tracks to make the overall album feel more complete in its nihilism. I don't like happy endings, I never have. So many good films are ruined by happy endings and I didn't want that to be the case with Cathedral, it was my dream to bring everything full circle. Says Lee Dorrian.


    Clearly there was new impetus for reconnecting with that early spirit of doleful abjection, of sinister obsessions and lamented desires; on 'The Last Spire' Cathedral are literally doomed. We are commiserating the celebration, and in what thrilling style.

    1. Entrance to Hell
    2. Pallbearer
    3. Cathedral of the Damned
    4. Tower of Silence
    5. Infestation of Grey Death
    6. An Observation
    7. The Last Laugh
    8. This Body, Thy Tomb
    Cathedral
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Last Spire The Last Spire Quick View

    $29.99
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    The Last Spire

    And lo, Lee Dorrian, mouthpiece of Cathedral for 23 years, doth solemnly intone the death rites of this mighty British metal Titan. Born in the dying days of Thatcher's Britain, bonding over then-unfashionable, obscure names like Saint Vitus, Pentagram, Trouble and Dream Death, Cathedral's sole ambition was to record a demo tape. In fact they revolutionised doom metal, first pushing their influences into new avenues of grinding extremity, then pioneering groovier forms of '70s-indebted stoner doom.


    They've remained a reassuring and singular presence in our lives, building a rabid following worldwide with their wholly distinctive blend of rollicking British heavy metal, true doom, 70s hard rock, psych-folk, mad prog and spiky crust-punk. There was a worrying hiatus between 2005 and 2010 when some dared to wonder if Cathedral were coming back at all - but they re-emerged with 'The Guessing Game', an overflowing treasure chest of weird and wonderful goodies exploring new, bold variations on their craft. So when news came that Cathedral really were approaching the Endtyme, it was a shock.


    Personally speaking, this is the album I've been waiting to do since the first one (their landmark 1991 debut, Forest of Equilibrium), it almost feels like we made our second album last in some respects. We actually recorded a lot more material but decided to sacrifice many of the tracks to make the overall album feel more complete in its nihilism. I don't like happy endings, I never have. So many good films are ruined by happy endings and I didn't want that to be the case with Cathedral, it was my dream to bring everything full circle. Says Lee Dorrian.


    Clearly there was new impetus for reconnecting with that early spirit of doleful abjection, of sinister obsessions and lamented desires; on 'The Last Spire' Cathedral are literally doomed. We are commiserating the celebration, and in what thrilling style.

    1. Entrance to Hell
    2. Pallbearer
    3. Cathedral of the Damned
    4. Tower of Silence
    5. Infestation of Grey Death
    6. An Observation
    7. The Last Laugh
    8. This Body, Thy Tomb
    Cathedral
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Traveller (Awaiting Repress) Traveller (Awaiting Repress) Quick View

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    Traveller (Awaiting Repress)

    Chris Stapleton's highly anticipated solo debut album, Traveller, will be released on Mercury Records Nashville. As a special preview, a behind-the-scenes album trailer can now be viewed here.


    Already a world-renowned songwriter, Stapleton has enjoyed five #1 hits including the five-week No. 1 "Never Wanted Nothing More" recorded by Kenny Chesney, George Strait's "Love's Gonna Make it Alright" and Luke Bryan's "Drink A Beer," which Stapleton recently performed with Lady Antebellum at the recent CMT "Artists of the Year" show (watch the performance here).


    Recorded at Nashville's historic RCA Studio A (with additional production at The Castle and Blackbird Studio), Traveller was produced by Dave Cobb (Sturgill Simpson, Jason Isbell) and recorded by Vance Powell (Jack White). In addition to renditions of Dean Dillon and Linda Hargrove's "Tennessee Whiskey" and Don Sampson's "Was It 26," the album features twelve original songs, including fan-favorite "Sometimes I Cry." Last night, during a special album reveal party, Stapleton returned to RCA Studio A to record a new version of "Sometimes I Cry" live-to-tape in front of an audience-allowing a unique, once-in-a-lifetime glimpse inside the making of the album. The track is currently being mastered and will be added to the final track-listing very shortly.


    Of his inspiration behind the record, Stapleton comments, "This record was made standing on the shoulders of friends, family, and heroes. I hope people enjoy listening to it as much as I've enjoyed making it."


    Over the course of his acclaimed career, Stapleton has penned over 170 album cuts, including songs recorded by Adele, Tim McGraw, Brad Paisley and Dierks Bentley, and has such notable co-writers as Vince Gill, Peter Frampton and Sheryl Crow among others. Additionally, Stapleton has shared the stage with such respected artists as Gill, Alison Krauss, Marty Stuart, Emmylou Harris and more. As lead vocalist for critically acclaimed bluegrass band The SteelDrivers, Stapleton earned three Grammy nominations including "Best Bluegrass Album," as well as an International Bluegrass Music Association Award for"Emerging Artist of the Year." He's also won eight ASCAP Awards and has contributed to the soundtracks of several feature films including "Cars 2" and "Valentine's Day."

    1. Traveller
    2. Fire Away
    3. Tennessee Whiskey
    4. Parachute
    5. Whiskey And You
    6. Nobody To Blame
    7. More Of You
    8. When The Stars Come Out
    9. Daddy Doesn't Pray Anymore
    10. Might As Well Get Stoned
    11. Was It 26
    12. The Devil Named Music
    13. Outlaw State Of Mind
    14. Sometimes I Cry
    Chris Stapleton
    $24.99
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Bestial Burden Bestial Burden Quick View

    $19.99
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    Bestial Burden

    Four days before New York noise musician Margaret Chardiet was supposed leave for her first European tour as Pharmakon, she had a medical emergency which resulted in a major surgery. Suddenly, instead of getting on a plane, she was bedridden for three weeks, missing an organ.


    "After seeing internal photographs taken during the surgery, I became hyperaware of the complex network of systems just beneath the skin, any of which were liable to fail or falter at any time," Chardiet said. "It all happened so fast and unexpectedly that my mind took a while to catch up to the reality of my recovery. I felt a widening divide between my physical and mental self. It was as though my body had betrayed me, acting as a separate entity from my consciousness. I thought of my corporeal body anthropomorphically, with a will or intent of its own, outside of my will's control, and seeking to sabotage. I began to explore the idea of the conscious mind as a stranger inside an autonomous vessel, and the tension that exists between these two versions of the self."


    Consumed by these ideas, and unable to leave her bed, Chardiet occupied herself by writing the lyrics and music that would become Bestial Burden, the second Pharmakon LP for Sacred Bones Records. The record is a harrowing collection of deeply personal industrial noise tracks, each one brimming with struggle and weighted with the intensity of Chardiet's internal conflict.

    1. Vacuum
    2. Intent Or Instinct
    3. Body Betrays Itself
    4. Primitive Struggle
    5. Autoimmune
    6. Bestial Burden
    Pharmakon
    $19.99
    Vinyl LP - Sealed Buy Now
  • Savages (Discontinued) Savages (Discontinued) Quick View

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    Savages (Discontinued)

    Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.


    Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.


    "All of the things that make SOULFLY killer are combined in Savages," Max declares.


    »Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.


    "I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."


    A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.


    SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.


    In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).


    Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"


    Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."


    Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."


    Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."


    Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."


    Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."


    Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."


    Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."


    Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.


    Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"


    Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.

    LP 1
    1. Bloodshed

    2. Cannibal Holocaust
    3. Fallen

    4. Ayatollah Of Rock 'N' Rolla

    5. Master Of Savagery

    6. Spiral


    LP 2
    1. This Is Violence

    2. K.C.S.

    3. El Comegente

    4. Soulfliktion

    5. Fuck Reality (Bonus Track)

    6. Soulfly IX (Bonus Track)

    Soulfly
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Another World Another World Quick View

    $13.99
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    Another World

    Antony & The Johnsons emerged on the international stage in 2005 with their breakthrough "I Am A Bird Now" (over 700,000 RTD worldwide). His first new material since 2006 is a prelude to the new full-length, "The Crying Light", coming in January 2009. Of the project, Antony said, "I wanted to mark this moment very clearly in my life. I love and feel so anchored by the natural world, which gave birth to me, which supplies and supports my life, this experience of color and light and aching beauty. But the world is changing so fast now. 'Another World' is a song for the present but also a song for the future. What have I lost? And what is to come?"
    1.Another World

    2.Crackagen

    3.Shake That Devil

    4.Sing For Me

    5.Hope Mountain
    Antony And The Johnsons
    $13.99
    Vinyl LP - Sealed Buy Now
  • My Name Is Bear My Name Is Bear Quick View

    $24.99
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    My Name Is Bear

    In news that will delight his loyal fans and followers, acclaimed artist Nahko of Medicine for the People has announced the release of his debut solo album, My Name Is Bear, which is set for release via Side One Dummy Records.


    Spanning his formative years as an emerging artist traveling through the wild landscapes of Alaska, Hawaii, and Louisiana, My Name Is Bear is a collection of deeply personal songs that tell the tales of Nahko's awakening as an artist and his most revealing work yet.


    "'My Name Is Bear' is actually the prequel to Medicine For The People. It's where this all began, before this chapter even started. I felt like I needed to retrace my steps before I could move forward," Nahko explains.


    "I've been waiting for years on these songs, for the time to be right to release them. It's now."

    1. Dragonfly
    2. The Vow (Interlude)
    3. Be Here Now

    4. Goodnight, Sun

    5. Too Much Kerouac (Interlude)
    6. Kirby, Joe

    7. Susanna

    8. Bearly Thoughts (Interlude)
    9. Sing Him of My Revelations

    10. Hamakua

    11. Call Him by His Name
    12. Early February

    13. Stoned on a Stone (Interlude)
    14. Creation's Daughter

    15. Alice

    16. Die Like Dinoz
    Nahko
    $24.99
    Vinyl LP - Sealed Buy Now
  • United (Discontinued) United (Discontinued) Quick View

    $19.99
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    United (Discontinued)

    The first of three duet albums to feature Marvin Gaye and Tammi Terrell (followed by Youre All I Need in 1968 and Easy a year later), United was released in August of 1967 on Motowns Tamla label. The album includes their most famous duet, Aint No Mountain High Enough as well as the hits Your Precious Love and If I Could Build My Whole Life Around You. Marvin Gaye withdrew from music for two years following Tammis tragically premature death at the age of 24, to emerge in 1971 with the groundbreaking Whats Goin On.
    1. Ain't No Mountain High Enough
    2. You Got What It Takes
    3. If I Could Build My Whole World Around You
    4. Somethin' Stupid
    5. Your Precious Love
    6. Hold Me Oh My Darling
    7. Two Can Have A Party
    8. Little Ole Boy, Little Ole Girl
    9. If This World Were Mine
    10. Sad Wedding
    11. Give A Little Love
    12. Oh How I'd Miss You
    Marvin Gaye
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Relaxin' With The Miles Davis Quintet (Mono) Relaxin' With The Miles Davis Quintet (Mono) Quick View

    $34.99
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    Relaxin' With The Miles Davis Quintet (Mono)

    Relaxin' is the second classic album to be issued from the famed extended 1956 recording sessions of the Miles Davis Quintet (Miles Davis, John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones). The set is notable for Miles' mastery with a mute as he he only plays open here on Dizzy Gillespie's Woody'n You, the emerging talent of a young John Coltrane and the strength and subtlety of the Red Garland led rhythm section. One of Davis' brightest outings featuring such memorable numbers as If I Were A Bell, It Could Happen To You and I Could Write A Book among others.


    This title is not eligible for discount.

    1. If I Were A Bell
    2. You're My Everything
    3. I Could Write A Book
    4. Oleo
    5. It Could Happen To You
    6. Woody'n You
    Miles Davis
    $34.99
    200 Gram Audiophile Virgin Mono Vinyl - Sealed Buy Now
  • Idlewild Idlewild Quick View

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    Idlewild

    Import

    Everything But The Girl was an English musical duo, formed in Hull in 1982, consisting of lead singer and occasional guitarist Tracey Thorn and guitarist, keyboardist, and singer Ben Watt.


    Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything But The Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between Pop and Electronica.


    Idlewild (1988), their most accessible recording, consists of eleven intimate songs. The setting is perfect for such moving compositions as Love Is Here Where I Live and Apron Strings. The album spawned the single I Don't Want to Talk About It, a poignant cover of a song by the late Crazy Horse guitarist Danny Whitten which became EBTG's biggest hit to date, landing at the number three spot on the British charts. Start here, then go on to the rest of this remarkable group's catalog.

    1. Love Is Here Where I Live
    2. These Early Days

    3. I Always Was Your Girl

    4. Oxford Street

    5. The Night I Heard Caruso Sing

    6. Goodbye Sunday

    7. Shadow On A Harvest Moon

    8. Blue Moon Rose

    9. Tears All Over Town

    10. Lonesome For A Place I Know

    11. Apron Strings
    Everything But The Girl
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Unforgettable Unforgettable Quick View

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    Unforgettable

    Emerging as a great pop vocal stylist in 1954, Nat King Cole enjoyed a string of hit singles and albums thereon, but Unforgettable is perhaps the singer at his early peak. With romance as the watchword, Cole slides through some of his most familiar ballads, include the title selection, Portrait of Jennie, Mona Lisa, and I Love You (For Sentimental Reasons). There are quite a few lesser known, but attractive songs, plus a small handful of standards (What'll I Do? is a keeper) that round out this interesting collection. The very artistic, near surreal three-dimensional white, charcoal black, and royal blue-hued front cover may be the best part of this reissue, as it reflects a time period defined by its simplicity and yet its increasingly technological, superimposed modernity.


    -Michael G. Nastos (All Music Guide)

    1. Unforgettable
    2. A portrait of Jennie
    3. What'll I Do?
    4. Lost April
    5. Answer Me, My Love
    6. Hajji Baba (Persian Lament)
    7. Too Young
    8. Mona Lisa
    9. (I Love You) For Sentimental Reasons
    10. Red Sails In the Sunset
    11. Pretend
    12. Make Her Mine
    Nat King Cole
    $19.99
    Vinyl LP - Sealed Buy Now
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