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  • AudioQuest Evergreen Interconnect Cable MULTIPLE LENGTHS AVAILABLE AudioQuest Evergreen Interconnect Cable Quick View

    $32.95
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    AudioQuest Evergreen Interconnect Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    RCA to RCA


    Different Connection Types & Longer Lengths Available Upon Request


    Note: All cables in our Bridges & Falls Series place their left and right channels in a single jacket, and feature our Asymmetrical Double-Balanced geometry with separate high-quality positive and negative conductors. This design allows for a thin, flexible, and uniquely versatile high-performance cable that can be terminated with a variety of today's connections, including 3.5mm (male or female), DIN, and RCA. In Bridges & Falls, you'll find better metals and more sophisticated technologies - including Air-Tube insulation, Dielectric-Bias System, and Noise-Dissipation System - at lower prices than ever before. Do keep in mind, however, that, by necessity, the plugs on Bridges & Falls cables are fairly close together. If the L and R inputs of your components are more than 3 (7.6cm) apart, please consider models from our Rivers or Elements Series.


    The Evergreen Point Floating Bridge connects Seattle, Washington (USA) to the Bellevue area across Lake Washington. Since opening in 1963, its 2,285 meters (7,497 ft) makes it the longest floating bridge in the world. The structure includes 33 pre-stressed concrete pontoons averaging 110 meters (360 ft) long and 18 meters (60 ft) wide.


    SOLID LONG-GRAIN COPPER (LGC) CONDUCTORS: Solid conductors eliminate strand-interaction distortion. Evergreen's solid Long-Grain Copper allows a smoother and clearer sound than cables using regular OFHC (Oxygen-Free High-Conductivity) copper. OFHC is a general metal industry specification regarding "loss" without any concern for distortion. LGC has fewer oxides within the conducting material, less impurities, less grain boundaries, and definitively better performance.


    FOAMED-POLYETHYLENE INSULATION: Any solid material adjacent to a conductor is actually part of an imperfect circuit. Wire insulation and circuit board materials all absorb energy (loss). Some of this energy is stored and then released as distortion. Evergreen uses air-filled Foamed-Polyethylene Insulation on both conductors because air absorbs next to no energy and Polyethylene is low-loss and has a benign distortion profile. Thanks to all the air in Foamed-PE, it causes much less of the out-of-focus effect common to other materials.


    METAL-LAYER NOISE-DISSIPATION SYSTEM (NDS): 100% shield coverage is easy. Preventing captured RF Interference from modulating the equipment's ground reference requires AQ's Noise-Dissipation System. Noise-Dissipation System prevents a significant amount of RFI from reaching the equipment's ground plane.


    ASYMMETRICAL DOUBLE-BALANCED GEOMETRY: Purpose designed for single-ended applications, Asymmetrical Double-Balanced Geometry offers a relatively lower impedance on the ground for a richer, and more dynamic experience. While many single-ended cable designs use a single path for both the ground and the shield, Double-Balanced designs separate the two for cleaner, quieter performance.


    COLD-WELDED, GOLD-PLATED TERMINATIONS: This plug design allows for a connection devoid of solder, which is a common source of distortion. Because the ground shells are stamped instead of machined, the metal can be chosen for low distortion instead of machinability.


    AudioQuest
    $32.95
    Analog-Audio Interconnect Cable (Pair) - Multiple Lengths Available
    Buy Now
  • Wrapped In Red Wrapped In Red Quick View

    $24.99
    Buy Now
    x

    Wrapped In Red

    Grammy® Award winner and multi-platinum recording artist
    KELLY CLARKSON will release her rst Christmas album,
    WRAPPED IN RED, in 2013. The album will feature
    brand new instant classics such as the rst single,
    "Underneath The Tree" and title track, "Wrapped In Red" as well
    as Christmas favorites, "Have Yourself A Merry Little Christmas",
    "Blue Christmas", "Run Run Rudolph", "Please Come Home For
    Christmas" and many more!


    The album's rst single, "Underneath The Tree," was written
    by Kelly and hit songwriter/producer Greg Kurstin as well as
    produced by Kurstin. Together, Kelly and Greg bring a fresh,
    contemporary sound to this new holiday music ensuring the
    songs are big hits and evergreen holiday favorites.

    1. Underneath The Tree
    2. Have Yourself A Merry Little Christmas
    3. Run Run Rudolph
    4. Please Come Home For Christmas (Bells Will Be Ringing)
    5. Every Christmas
    6. Blue Christmas
    7. Baby, It's Cold Outside featuring Ronnie Dunn
    8. Winter Dreams (Brandon's Song)
    9. White Christmas
    10. My Favorite Things
    11. 4 Carats
    12. Just For Now
    13. Silent Night featuring Reba McEntire and Trisha Yearwood
    Kelly Clarkson
    $24.99
    Vinyl LP - Sealed Buy Now
  • Return to The East Live 2016 Return to The East Live 2016 Quick View

    $29.99
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    Return to The East Live 2016

    At this point, Dokken simply needs no introduction. The band cemented their status as one of the legendary hard rock/heavy metal archetypes of the '80s rock scene with numerous successful albums and tours, evergreen songs and music videos and a lore that will live on forever.


    The tumultuous relationship between band members is well documented and need not be repeated here, but what does need to be made known is that in 2016, the classic original line-up of Don Dokken, George Lynch, Jeff Pilson, and Mick Brown reunited to play the world famous Loud Park Festival in Japan.

    1. It's Another Day
    2. Kiss Of Death
    3. The Hunter
    4. Unchain The Night
    5. When Heaven Comes Down
    6. Breakin' The Chains
    7. Into The Fire
    8. Dream Warriors
    9. Tooth And Nail
    10. Alone Again (Intro)
    11. Alone Again
    12. It's Not Love
    13. In My Dreams
    14. Heaven Sent (Acoustic)
    15. Will The Sun Rise (Acoustic)
    Dokken
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Seventh One The Seventh One Quick View

    $34.99
    Buy Now
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    The Seventh One

    Import

    Released in 1988, Toto's The Seventh One (referring to the seventh album of this immensely popular Soft Rock band) featured some very recognizable songs that have become evergreen radio classics. First of all, the album kicks off with "Pamela", a girl song that matches their previous success of IV's hit single "Rosanna". And where would the world be without the eighties anthem "Stop Loving You"? Also the other songs on this superb album are gold in their own right. Listen to a song like "Stay Away" and imagine yourself being thrown back to the late eighties, sporting a striped T-shirt, denim jacket and Air Jordans while on your way to Back To The Future part II. Toto bears an instantaneously recognizable stamp of the '80s, but because of the high quality songwriting, their music is absolutely timeless and here to stay.

    Side A

    1. Pamela

    2. You Got Me

    3. Anna

    4. Stop Loving You

    5. Mushanga

    6. Stay Away


    Side B

    1. Straight For The Heart

    2. Only The Children

    3. A Thousand Years

    4. These Chains

    5. Home Of The Brave

    Toto
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Axis: Bold As Love (Music On Vinyl) (Mono) (Awaiting Repress) Axis: Bold As Love (Music On Vinyl) (Mono) (Awaiting Repress) Quick View

    $38.99
    Buy Now
    x

    Axis: Bold As Love (Music On Vinyl) (Mono) (Awaiting Repress)

    Import

    Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Axis: Bold as Love, the second Experience album, was released merely six months after their debut LP Are You Experienced, at the end of 1967. Many of the album's songs were composed with complex studio recording techniques in mind and as a result were rarely performed live. Only Spanish Castle Magic and every-guitar-player's-ultimate-study-material Little Wing became staples during concerts.


    The album shows an incredible growth in Hendrix' songwriting and sonical versatility. Radio friendly rockers like Wait Until Tomorrow and You Got Me Floatin' are mixed with ballads such as Castles Made Of Sand - the album's variety makes it a delightful listen.


    The original mono pressing was intended to cater to those listeners with outdated hifi equipment, and therefore this is a rare piece of Hendrix' legacy. The Music On Vinyl reissue of the mono mix makes this evergreen available for contemporary ears again.

    1. Exp
    2. Up From The Skies
    3. Spanish Castle Magic
    4. Wait Until Tomorrow
    5. Ain't No Telling
    6. Little Wing
    7. If 6 Was 9
    8. You Got Me Floatin'
    9. Castles Made Of Sand
    10. She's So Fine
    11. One Rainy Wish
    12. Little Miss Lover
    13. Bold As Love
    Jimi Hendrix
    $38.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed AWAITING REPRESS Buy Now
  • King Pleasure Sings / Annie Ross Sings King Pleasure Sings / Annie Ross Sings Quick View

    $21.99
    Buy Now
    x

    King Pleasure Sings / Annie Ross Sings

    This split LP features seminal sessions by King Pleasure, and then by Annie Ross, each vocalizing horn solos by jazz greats of the time. The LP includes the original recording of Twisted as well as Pleasure evergreens Parker's Mood and Red Top. A unique addition to any bop or vocal jazz fan's collection.
    1. Red Top
    2. Jumpin' With Symphony Sid
    3. Sometimes I'm Happy

    4. This Is Always
    5. What Can I Say (After I Say I'm Sorry)
    6. Don't Get Scared
    7. Parker's Mood
    8. I'm Gone
    9. Twisted
    10. Farmer's Market
    11. The Time Was Right
    12. Annie's Lament
    King Pleasure and Annie Ross
    $21.99
    Vinyl LP - Sealed Buy Now
  • Sinatra's Swingin' Session (Awaiting Repress) Sinatra's Swingin' Session (Awaiting Repress) Quick View

    $34.99
    Buy Now
    x

    Sinatra's Swingin' Session (Awaiting Repress)

    Mastered from the Original Master Tapes


    Legend has it that when Frank Sinatra initially stepped into the recording studio for the first of four sessions, he asked Nelson Riddle to speed up the tempos to the songs that landed on Sinatra's Swingin' Session!!! It's safe to say that the arranger followed orders and that the results-buoyant, cheery, fun, exuberant, zesty, and wonderfully jazzy-speak for themselves. This 1961 effort remains the Chairman's fastest, hardest-swinging set. And oh, how it swaggers.


    Mastered from the original master tapes, Mobile Fidelity's numbered limited edition 180 gram LP of this gem possesses a punchiness, immediacy, forcefulness, and dynamic heft that rivals even what's heard on a pristine original Capitol pressing-provided you can even find one. The reissue will help convert your room into a studio stuffed with horn players and percussionists, with Sinatra, decked out in a trademark fedora and suit, holding court at the center of it all. Sinatra's Swingin' Session!!! isn't a live album, but it hits with the gusto and tang of one.


    Forget about incorrect rumors that state that this album was only completed due to contractual obligations and that Sinatra hurried through the material. No matter the circumstances, nothing here is tossed-off or rushed. As always, Sinatra takes it all seriously, pouring his all into each of the dozen tracks here. He wouldn't have it any other way. Name another singer from his era (or any) that could possibly keep time with these uptempo beats and sound as if he isn't even breaking a sweat. Needless to say, Sinatra has a blast making it all happen.


    Riddle's arrangements help push forward the tunes, whether they be happy standards such as "When You're Smiling (The Whole World Smiles With You)," optimistic finger-snappers like "S'posin'," or the evergreen "Blue Moon," punctuated with a memorable tenor sax solo. Melodies unfurl like red ribbons on packages; grooves alternate between galloping and gallivanting; even ballads can't resist moving to joyous rhythmic patterns. Throughout, Sinatra's casual, uninhibited singing rises above the band, producing emotions that are at once frisky, lighthearted, pleasurable, and contagious. Dust off your dancing shoes.


    This title is not eligible for discount.

    1. When You're Smiling (The Whole World Smiles With You)
    2. Blue Moon
    3. S'posin'
    4. It All Depends on You
    5. It's Only a Paper Moon
    6. My Blue Heaven
    7. Should I?
    8. September in the Rain
    9. Always
    10. I Can't Believe That You're in Love With Me
    11. I Concentrate on You
    12. You Do Something to Me
    Frank Sinatra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • How Will The Wolf Survive? How Will The Wolf Survive? Quick View

    $34.99
    Buy Now
    x

    How Will The Wolf Survive?

    Import

    Produced by T-Bone Burnett, the major breakthrough of Los Lobos' How Will The Wolf Survive? was a launching pad for the tried & true sound of these Latin American musical heroes. Honing their craft in '70s L.A. by doing loads of weddings and dance gigs, they incorporated Rock into their Mexican sound which resulted in a Pop staple of legendary proportions. The band switch easily between Rockers like "Don't Worry Baby" and "A Matter Of Time" and modern Mexican evergreens "Corrida #1" and "Serenata Norteña".

    1. Don't Worry Baby
    2. A Matter Of Time
    3. Corrida #1
    4. Our Last Night
    5. The Breakdown
    6. I Got Loaded
    7. Serenata Norteña
    8. Evangeline
    9. I Got To Let You Know
    10. Lil' King Of Everything
    11. Will The Wolf Survive?
    Los Lobos
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Taste Taste Quick View

    $19.99
    Buy Now
    x

    Taste

    Taste, Islands' 6th record, is a muscular, crystalline affair, with the majority of the music electronic, buoyed by drum machines, programming and arpeggiated vintage synths. The songs still flirt with Islands' bread and butter; evergreens such as ennui, remorse, and a general disenchantment with the modern world hover over the tracks, with lines like "we got so thrown, we felt lost at home" and "steal a little moment, lose it like you own it", to hammer home the point. The songs cut a wide swath, however, and also go in directions that Islands has never tackled, including police brutality and white male privilege (!).
    1. Charm Offensive
    2. Pumpkin
    3. No Milk, No Sugar
    4. Carried Away
    5. It's Heaven
    6. Outspoken Dirtbiker
    7. Snowflake
    8. Cool Intentions
    9. The Joke
    10. Umbrellas
    11. The Weekend
    12. Whisper
    Islands
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Meal You Can Shake Hands With In The Dark (Pure Pleasure) (Awaiting Repress) A Meal You Can Shake Hands With In The Dark (Pure Pleasure) (Awaiting Repress) Quick View

    $49.99
    Buy Now
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    A Meal You Can Shake Hands With In The Dark (Pure Pleasure) (Awaiting Repress)

    Pete Brown was a Londoner and a veteran of the underground scene. Born in 1940, he first came to prominence as a poet. He was just 14 when his first poem appeared in Evergreen Revue in the US. Then in the early sixties he worked alongside another British poet Mike Horowitz. His direct involvement with rock music came when he was asked to form a songwriting partnership with Jack Bruce to write lyrics for Cream and the partnership proceeded to produce the lyrics for many of their finest songs: Wrapping Paper, I Feel Free, Sunshine Of Your Love and White Room. After the demise of Cream, Brown continued to write with Bruce but also began his own recording career with The Battered Ornaments who included Chris Spedding. After an initial 45, which with its wailing saxes and effective vocals was underrated, the band recorded this album which was a mixture of jazz-rock and blues. Dark Lady, The Old Man and Station Song were among the fine tracks and the latter later got a further airing on the Before Singing Lessons compilation. Station Song and Dark Lady had earlier featured along with Travelling Blues on the ultra-rare promo-only Harvest Sampler in 1969.



    Brown then suffered the humiliation of being thrown out of the band the night before they had a Hyde Park gig with The Rolling Stones. Brown's response was to form a new band, Piblokto!



    This release breaks the long sides down to four sides of vinyl which enhances the sound quality considerably. Also of interest is that it has been mastered in the same studio at Abbey Road as was the initial release and from the same original analogue tape masters.




    Musicians:



    • Pete Brown (vocal, trumpet)

    • Nisar A. Khan (tenor saxophone)

    • Dick Heckstall-Smith (tenor saxophone)

    • Chris Spedding (guitar)

    • Charlie Hart (organ)

    • Butch Porter (bass)

    • Rob Tait (drums)

    • Pete Bailey (conga)




    Production: Andrew King and Dick Heckstall-Smith



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    LP1
    1. Dark Lady
    2. The Old Man
    3. Station Song
    4. The Politician


    LP2
    1. Rainy Taxi Girl
    2. Morning Call
    3. Sandcastle
    4. Travelling Blues (Or The New Used Jew's Dues Blues)

    Pete Brown
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Fern Girl And Ice Man Fern Girl And Ice Man Quick View

    $15.99
    Buy Now
    x

    Fern Girl And Ice Man

    The Lowest Pair had been planning to release a new record in the Spring
    of 2016. So, in early 2015, Palmer convinced Kendl to spend a winter in
    Minnesota, with the temptation of working with local greats Dave
    Simonett and Erik Koskinen on the new material. The duo then set off on
    what would be a successful season of touring their second, critically acclaimed
    album, The Sacred Heart Sessions (Spin: "solemn and
    humble;" The Bluegrass Situation: "deeply felt"), and a new-old-time
    record, I Reckon I'm Fixin' On Kickin' Round To Pick A Little. In the fall,
    returning to the midwest to finish up the recordings they had begun a
    few months prior, Kendl and Palmer found themselves with a whole new
    batch of songs ready to lay down. After much deliberation, they
    ambitiously decided the two collections should be released together in
    2016.


    The new records, Fern Girl and Ice Man, as well as Uncertain As It Is
    Uneven, could be viewed as two windows into the growing and changing
    world of The Lowest Pair. Uncertain stays the course of their previous
    releases, being focused on stripped down, intimate arrangements to
    support their timeless songwriting and haunting vocals. Fern Girl is a
    more moody and adventurous exploration of new sounds, new studio
    production directions, and what it might sound like for The Lowest Pair
    to be supported by a full band, while keeping one foot planted in the
    rootsy aesthetics which drew them together from the beginning.
    Kendl Winter, born in Arkansas, moved to Olympia, Washington after
    high school, drawn to the evergreen forests and the lively and thriving
    music scene. She put three solo records out on Olympia's indie label, K
    Records, and performed in nationally-touring northwest string bands
    before beginning The Lowest Pair in 2013 with Palmer T. Lee. Palmer
    built his first banjo when he was 19 from pieces he serendipitously
    inherited. Shortly after deciding songwriting would be the most effective
    and enjoyable medium for his musings, he began cutting his teeth
    fronting Minneapolis string bands and touring the midwest festival
    circuit, which is where he and Kendl first met, on the banks of the
    Mississippi.


    So, back to that Spring of 2016 plan: with little attention to tedious
    practicalities and with an eye focused securely on delivering to their
    growing fan base a truly special treat; a rootsy, bluegrassy, old-timish
    version of meiosis has happened, as one new album became two new
    albums.


    Fans already know that the chemistry between Palmer's Midwestern
    charm, those long winters spent listening to a steady diet of Townes Van
    Zandt and John Hartford, and Kendl's poetic and playful way with
    words, her unique approach to the banjo (just listen to "Dreaming Of
    Babylon"), and her barefoot-in-the-cool-river-water mystique combine to
    make a powerful sound, but what's new in 2016 is both the inclusion of
    those non-banjo sounds (harmonica, drum, bass, violin) and an
    incredible expansion of their songbook. In a way, two records, the playful
    and the hush, the dark and the rooted, the pillow and the nightmare, the
    pin drop and the starry night; the juxtaposition of the ups and downs
    that are experiences in a day, in a year, in a minute, all this has
    demanded from the band more than just "a new record." Fern Girl and
    Ice Man and Uncertain As It Is Uneven mark the arrival of America's
    next great musical duo, and it's over the course of these two albums that
    that boast becomes clearly rooted in truth.

    1. The River Will
    2. Tagged Ear
    3. Stranger
    4. When They Dance the Mountains Shake
    5. Spring Cleaning
    6. Totes
    7. Trick Candlelight
    8. Shuck It
    9. Sweet Breath
    10. Waiting for the Taker
    11. How Can I Roll
    The Lowest Pair
    $15.99
    Vinyl LP - Sealed Buy Now
  • Uncertain As It Is Uneven Uncertain As It Is Uneven Quick View

    $15.99
    Buy Now
    x

    Uncertain As It Is Uneven

    The Lowest Pair had been planning to release a new record in the Spring
    of 2016. So, in early 2015, Palmer convinced Kendl to spend a winter in
    Minnesota, with the temptation of working with local greats Dave
    Simonett and Erik Koskinen on the new material. The duo then set off on
    what would be a successful season of touring their second, critically acclaimed
    album, The Sacred Heart Sessions (Spin: "solemn and
    humble;" The Bluegrass Situation: "deeply felt"), and a new-old-time
    record, I Reckon I'm Fixin' On Kickin' Round To Pick A Little. In the fall,
    returning to the midwest to finish up the recordings they had begun a
    few months prior, Kendl and Palmer found themselves with a whole new
    batch of songs ready to lay down. After much deliberation, they
    ambitiously decided the two collections should be released together in
    2016.


    The new records, Fern Girl and Ice Man, as well as Uncertain As It Is
    Uneven, could be viewed as two windows into the growing and changing
    world of The Lowest Pair. Uncertain stays the course of their previous
    releases, being focused on stripped down, intimate arrangements to
    support their timeless songwriting and haunting vocals. Fern Girl is a
    more moody and adventurous exploration of new sounds, new studio
    production directions, and what it might sound like for The Lowest Pair
    to be supported by a full band, while keeping one foot planted in the
    rootsy aesthetics which drew them together from the beginning.
    Kendl Winter, born in Arkansas, moved to Olympia, Washington after
    high school, drawn to the evergreen forests and the lively and thriving
    music scene. She put three solo records out on Olympia's indie label, K
    Records, and performed in nationally-touring northwest string bands
    before beginning The Lowest Pair in 2013 with Palmer T. Lee. Palmer
    built his first banjo when he was 19 from pieces he serendipitously
    inherited. Shortly after deciding songwriting would be the most effective
    and enjoyable medium for his musings, he began cutting his teeth
    fronting Minneapolis string bands and touring the midwest festival
    circuit, which is where he and Kendl first met, on the banks of the
    Mississippi.


    So, back to that Spring of 2016 plan: with little attention to tedious
    practicalities and with an eye focused securely on delivering to their
    growing fan base a truly special treat; a rootsy, bluegrassy, old-timish
    version of meiosis has happened, as one new album became two new
    albums.


    Fans already know that the chemistry between Palmer's Midwestern
    charm, those long winters spent listening to a steady diet of Townes Van
    Zandt and John Hartford, and Kendl's poetic and playful way with
    words, her unique approach to the banjo (just listen to "Dreaming Of
    Babylon"), and her barefoot-in-the-cool-river-water mystique combine to
    make a powerful sound, but what's new in 2016 is both the inclusion of
    those non-banjo sounds (harmonica, drum, bass, violin) and an
    incredible expansion of their songbook. In a way, two records, the playful
    and the hush, the dark and the rooted, the pillow and the nightmare, the
    pin drop and the starry night; the juxtaposition of the ups and downs
    that are experiences in a day, in a year, in a minute, all this has
    demanded from the band more than just "a new record." Fern Girl and
    Ice Man and Uncertain As It Is Uneven mark the arrival of America's
    next great musical duo, and it's over the course of these two albums that
    that boast becomes clearly rooted in truth.

    1. The Company I Keep
    2. Keweenaw Flower
    3. Lonesome Sunrise
    4. Like I Did Before
    5. 37 Tears
    6. The Sky is Green
    7. Mason's Trowel
    8. Holy Buckets
    9. Dreaming of Babylon
    10. Pretend It's True
    11. By Then Where Will That Be
    The Lowest Pair
    $15.99
    Vinyl LP - Sealed Buy Now
  • In Hollywood (Speakers Corner) In Hollywood (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    In Hollywood (Speakers Corner)

    When stringed instruments are employed, it is often an indication that the protagonist is somewhat mature. It is an unwritten law that sooner or later every rock, jazz or folk musician will bathe in soft tones for once. Chet Atkins, however, was light years away from his artistic zenith, came up with a wealth of ideas and was in a great position with regards to recording facilities when he set down his Hollywood album in 1959. Two years earlier, "Mister Guitar" had become boss of the newly founded RCA Studio in Nashville. Here he recorded several records, which reflected his ideas of an appealing, catchy Nashville Sound as an answer to the declining rock and roll.


    The Hollywood numbers were by no means dynamite movie tracks or showstoppers. Dennis Farnon's delicate, lush arrangements rather more pay homage to the maestro with his no-frills art of playing. The gentle Italo evergreen Santa Lucia, Chaplin's beautiful Limelight with its violins and the time-honoured Greensleeves - all of them flawlessly performed - are a real pleasure for the ears. Atkins greatly admired the superb string orchestra and two years later he re-recorded the album using the tapes from the Hollywood session to create this new version.

    Musicians:



    • Chet Atkins (guitar)
    • Howard Roberts (guitar)
    • Jethro Burns (mandolin)
    • Clifford Hils (bass)
    • George Callender (bass)
    • Larry Bunker (drum & strings)
    • Jack Sperling(drum & strings)


    Recording: October 1958 in Hollywood

    Production: Chet Atkins




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Armen's Theme
    2. Let It Be Me
    3. Theme From Picnic
    4. Theme From A Dream
    5. Estrelita
    6. Jitterbug Waltz
    7. Little Old Lady
    8. Limelight
    9. The Three Bells
    10. Santa Lucia
    11. Greensleeves
    12. Meet Mr. Callaghan
    Chet Atkins
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • AudioQuest Tower Interconnect Cable MULTIPLE LENGTHS AVAILABLE AudioQuest Tower Interconnect Cable Quick View

    $23.95
    Buy Now
    x

    AudioQuest Tower Interconnect Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    RCA to RCA


    Different Connection Types & Longer Lengths Available Upon Request


    Note: All cables in our Bridges & Falls Series place their left and right channels in a single jacket, and feature our Asymmetrical Double-Balanced geometry with separate high-quality positive and negative conductors. This design allows for a thin, flexible, and uniquely versatile high-performance cable that can be terminated with a variety of today's connections, including 3.5mm (male or female), DIN, and RCA. In Bridges & Falls, you'll find better metals and more sophisticated technologies - including Air-Tube insulation, Dielectric-Bias System, and Noise-Dissipation System - at lower prices than ever before. Do keep in mind, however, that, by necessity, the plugs on Bridges & Falls cables are fairly close together. If the L and R inputs of your components are more than 3 (7.6cm) apart, please consider models from our Rivers or Elements Series.


    The image of London's dramatic Tower Bridge is so famous that it is often mistakenly thought of as London Bridge. Tower Bridge, completed in 1894, is an unusual combination of suspension bridges on the land side of the towers, and dual bascule spans in the center. As with the many bascule bridges in St. Petersburg, Russia and over the Chicago River, moving this weight-balanced roadway requires comparatively little energy, making it very efficient for allowing river traffic to pass. Tower Bridge's original hydraulic accumulators were a significant advance in storing the energy required to be able to open the two 1,000 ton bascules in only five minutes.


    SOLID LONG-GRAIN COPPER (LGC) CONDUCTORS: Solid conductors eliminate strand-interaction distortion. Evergreen's solid Long-Grain Copper allows a smoother and clearer sound than cables using regular OFHC (Oxygen-Free High-Conductivity) copper. OFHC is a general metal industry specification regarding "loss" without any concern for distortion. LGC has fewer oxides within the conducting material, less impurities, less grain boundaries, and definitively better performance.


    FOAMED-POLYETHYLENE INSULATION: Any solid material adjacent to a conductor is actually part of an imperfect circuit. Wire insulation and circuit board materials all absorb energy (loss). Some of this energy is stored and then released as distortion. Tower uses air-filled Foamed-Polyethylene Insulation on both conductors because air absorbs next to no energy and Polyethylene is low-loss and has a benign distortion profile. Thanks to all the air in Foamed-PE, it causes much less of the out-of-focus effect common to other materials.


    METAL-LAYER NOISE-DISSIPATION SYSTEM (NDS): 100% shield coverage is easy. Preventing captured RF Interference from modulating the equipment's ground reference requires AQ's Noise-Dissipation System. Noise-Dissipation System prevents a significant amount of RFI from reaching the equipment's ground plane.


    ASYMMETRICAL DOUBLE-BALANCED GEOMETRY: Purpose designed for single-ended applications, Asymmetrical Double-Balanced Geometry offers a relatively lower impedance on the ground for a richer, and more dynamic experience. While many single-ended cable designs use a single path for both the ground and the shield, Double-Balanced designs separate the two for cleaner, quieter performance.


    COLD-WELDED, GOLD-PLATED TERMINATIONS: This plug design allows for a connection devoid of solder, which is a common source of distortion. Because the ground shells are stamped instead of machined, the metal can be chosen for low distortion instead of machinability.


    AudioQuest
    $23.95
    Analog-Audio Interconnect Cable (Pair) - Multiple Lengths Available
    Buy Now
  • Art Blakey!!!!! Jazz Messengers!!!!! Art Blakey!!!!! Jazz Messengers!!!!! Quick View

    $49.99
    Buy Now
    x

    Art Blakey!!!!! Jazz Messengers!!!!!

    Art Blakey discovered and championed young talented musicians such as Clifford Brown, Lou Donaldson, Keith Jarrett and Wynton Marsalis to name but a few. But he also delivered the message of hard bop through thousands of performances at festivals right down to the smallest club. Lively, joyous performances, the very highest technical standards and somnambulistic music-making characterize this recording. Right from the very start it is clear that these jazz ambassadors have a new message for us. The hard-beat recordings win in lyricism thanks to the gentle sound of Curtis Fuller's trombone, something that was often missing in the powerful Blue Note sound. Four jazz evergreens give the musicians the time and opportunity to display their soloistic talents. The real climax, however, is to be found in the harmonic layering of the three winds which lend the themes new appeal. The message was broadcasted many times until the death of Art Blakey, but the history of jazz would have been a great deal poorer without these milestone recordings on the Impulse label. Art Blakey certainly knew how to delight his audience with fire, originality, a wealth of ideas and great humor. All these attributes are applicable to the six titles on this album.


    Musicians:

    Lee Morgan (trumpet)

    Curtis Fuller (trombone)

    Wayne Shorter (tenor saxophone)

    Robert H. "Bobby" Timmons (piano)

    Jymie Merritt (bass)

    Art Blakey (drums)


    Recording: June 1961 at Rudy van Gelder's Recording Studios, Englewood Cliffs, N.J., USA by Rudy van Gelder Production: Bob Thiele



    This title is not eligible for discount.

    1. À la Mode
    2. Invitation
    3. Circus
    4. You Don't Know What Love Is
    5. I Hear a Rhapsody
    6. Gee Baby, Ain't I Good to You
    Art Blakey
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Art Blakey!!!!! Jazz Messengers!!!!! Art Blakey!!!!! Jazz Messengers!!!!! Quick View

    $27.99
    Buy Now
    x

    Art Blakey!!!!! Jazz Messengers!!!!!

    Import


    Art Blakey discovered and championed young talented musicians such as Clifford Brown, Lou Donaldson, Keith Jarrett and Wynton Marsalis to name but a few. But he also delivered the message of hard bop through thousands of performances at festivals right down to the smallest club. Lively, joyous performances, the very highest technical standards and somnambulistic music-making characterize this recording. Right from the very start it is clear that these jazz ambassadors have a new message for us. The hard-beat recordings win in lyricism thanks to the gentle sound of Curtis Fuller's trombone, something that was often missing in the powerful Blue Note sound. Four jazz evergreens give the musicians the time and opportunity to display their soloistic talents. The real climax, however, is to be found in the harmonic layering of the three winds which lend the themes new appeal. The message was broadcasted many times until the death of Art Blakey, but the history of jazz would have been a great deal poorer without these milestone recordings on the Impulse label. Art Blakey certainly knew how to delight his audience with fire, originality, a wealth of ideas and great humor. All these attributes are applicable to the six titles on this album.


    Musicians:

    Lee Morgan (trumpet)

    Curtis Fuller (trombone)

    Wayne Shorter (tenor saxophone)

    Robert H. "Bobby" Timmons (piano)

    Jymie Merritt (bass)

    Art Blakey (drums)


    Recording: June 1961 at Rudy van Gelder's Recording Studios, Englewood Cliffs, N.J., USA by Rudy van Gelder Production: Bob Thiele

    1. Alamode
    2. Invitation
    3. Circus
    4. You Don't Know What Love Is
    5. I Hear A Rhapsody
    6. Gee Baby, Ain't I Good To You
    Art Blakey
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • St. Vincent Soundtrack + Score St. Vincent Soundtrack + Score Quick View

    $39.99
    Buy Now
    x

    St. Vincent Soundtrack + Score


    180 Gram Audiophile Vinyl


    Including 2 Inserts


    2 LP Set Contains The Original Score By Theodore Shapiro + The Soundtrack Featuring Tweedy, Bob Dylan, The National And Jefferson Airplane


    First Pressing Of 1000 Numbered Copies On Blue Marbled Vinyl


    The Soundtrack to the comedy drama St. Vincent (starring Academy Award® nominees Bill Murray, Melissa McCarthy and Naomi Watts), is an irresistible compilation of evergreens and newer hits - including songs from Bob Dylan, The National, and Jefferson Airplane.


    This At The Movies release is a very interesting package: next to presenting the song soundtrack, we've also included the Original Score by Theodore Shapiro on a second disc. Each copy of the first pressing is individually numbered and pressed on blue marbled vinyl.


    The soundtrack album includes classics from the 1960s and 1970s, such as Bob Dylan's "Shelter From The Storm" from the 1975 album Blood On The Tracks. Tweedy provides two songs: the funky "Everybody Hides" and the laid-back "Why, Why, Why". In between comes a contrasting classic, the straight-hitting vocals of Jefferson Airplane's "Somebody To Love". This was the band's first and biggest hit, a single from the album Surrealistic Pillow in 1967.

    LP 1: Soundtrack
    1. Everyone Hides - Tweedy
    2. Try Loving Me - The Webs
    3. Somebody to Love - Jefferson Airplane
    4. Why Why Why - Tweedy
    5. You Da One - Ca$hizz Klay featuring Fingazz
    6. Stripper Pole - Nyzzy Nyce
    7. One Toke over the Line - Brewer & Shipley
    8. Further On Bronze Radio Return
    9. Hard to Find - JD & The Straight Shot
    10. Start a War - The National
    11. Molodaya Luna - Vechyaslav Samarin
    12. Shelter from the Storm -Bob Dylan


    LP 2: Score
    1. Long Walk Home
    2. Gym Class
    3. Life of Vin
    4. Be Good
    5. Vin and Zucko
    6. Standard Operating Procedure
    7. Small Means Nothing
    8. Nosebreaker
    9. Daka's Ultrasound
    10. At the Track
    11. Broken Glass
    12. Saints Among Us
    13. Stroke
    14. Break Through
    15. Fresh Crab
    16. Bad News

    Various Artists
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • 50 Years Anniversary Album 50 Years Anniversary Album Quick View

    $44.99
    Buy Now
    x

    50 Years Anniversary Album

    Import


    180 Gram Audiophile Vinyl


    Gold Foiled Front Sleeve


    8-Page Booklet With Exclusive Photos


    Recently, Holland's finest and longest standing Rock band Golden Earring celebrated their 50th anniversary, and it calls for a celebration! Formed as The Tornados in 1961, renamed The Golden Earrings and then shortened to Golden Earring, the band churned out hit after hit as early as their first single Please Go from 1965. The current line-up has been constant since 1970.


    The band did extremely well across the ocean with their massive hit Radar Love, which has become a staple on Rock radio ever since. But folks are advised to delve deeper into the band's catalogue; songs on this never-before released on vinyl triple LP compilation include evergreens like Another 45 Miles, She Flies On Strange Wings, Long Blond Animal, Twilight Zone, When The Lady Smiles, Going To The Run, Burning Stuntman and many more.


    In all, Golden Earring has released over 25 studio albums, 8 live albums and countless compilations, of which 50 Years Anniversary is without a doubt the most complete. This 3LP compilation contains an 8-page booklet with exclusive photos, its sleeve boasts a gold foil finish and its audio is specially mastered for vinyl.

    LP 1
    1. Please Go
    2. That Day
    3. If You Leave Me
    4. Daddy Buy Me A Girl
    5. In My House
    6. Sound Of The Screaming Day
    7. Just A Little Bit Of Peace In My Heart
    8. Where Will I Be
    9. Another 45 Miles
    10. Back Home
    11. Holy Holy Life
    12. She Flies On Strange Wings
    13. Buddy Joe


    LP 2
    1. Radar Love
    2. Instant Poetry
    3. Kill Me (Ce Soir)
    4. Sleepwalkin'
    5. Bombay
    6. Weekend Love
    7. Long Blond Animal
    8. Twilight Zone
    9. The Devil Made Me Do It
    10. When The Lady Smiles


    LP 3
    1. Clear Night, Moonlight
    2. Something Heavy Going Down
    3. Quiet Eyes
    4. My Killer, My Shadow
    5. Turn The World Around
    6. Going To The Run
    7. Temporary Madness
    8. I Can't Sleep Without You
    9. Hold Me Now
    10. Burning Stuntman
    11. Paradise In Distress
    12. Still Got The Keys Of My Old Chevrolet

    Golden Earring
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • With Doom We Come With Doom We Come Quick View

    $23.99
    Buy Now
    x

    With Doom We Come

    Ever since the release of their debut album Lugburz (1995) SUMMONING have proven themselves to be the true guardians of Middle Earth! What started out as a project deeply rooted in traditional black metal took an epic turn in the following years - evergreens like Dol Guldur (1996) and Let Mortal Heroes Sing Your Fame (2001) bear witness to a continuously refined soundscape. Five years after Old Mornings Dawn, Protector and Silenius have turned over a new leaf in their bottomless saga.


    Over eight tracks, With Doom We Come indulges all things sublime and majestic, while grandiose keyboard backgrounds and mystical intros weave pure atmosphere contrasting with raw black metal. Opener 'Tar-Calion' is a fitting ode to the last king of the island of Númenor, while 'Carcharoth' tells the bloodthirsty tale of Arda`s mightiest wolf. Sagas and myths culled from J.R.R. Tolkien`s vast universe are the black blood that courses through SUMMONING`s veins, and With Doom We Come the ultimate soundtrack to a fantastic journey!

    LP 1
    1. Tar-Calion
    2. Silvertine
    3. Carcharoth
    4. Herumor


    LP 2
    1. Night Fell Behind
    2. Barrow-downs
    3. Mirklands
    4. With Doom I Come

    Summoning
    $23.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Two Of A Mind (Speakers Corner) Two Of A Mind (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Two Of A Mind (Speakers Corner)

    Although the beautiful sound, mutual understanding and harmonic balance mostly predominate, the music of alto saxophonist Paul Desmond performing together with baritone saxophonist Gerry Mulligan is far from what one calls 'easy listening'. For many, it is even difficult to identify the melody of evergreens such as Stardust and The Way You Look Tonight. (And what theme is tucked away in Two Of A Mind????)
    The recording in the RCA Victor Studio took place over several days in 1962, and this is why different bass players and percussionists are heard - Wendell Marshall, Joe Benjamin and John Beal each take their turn on the bass, while Connie Kay and Mel Lewis change places behind the drum set. These musicians form a brilliant team, and that there is no piano is both deliberate and inevitable for Gerry Mulligan recordings of the day. By the way, the second saxophonist in The Way You Look Tonight is Paul Desmond - by means of over-dubbing in the middle of the stereo recording!
    The present LP could certainly take a rightful place in a 'Best Of' collection alongside the other recordings by Gerry Mulligan with Ben Webster and Stan Getz.



    Musicians:



    • Gerry Mulligan (bassoon)

    • Paul Desmond (alto saxophone)

    • Joe Benjamin, John Beal, Wendell Marshall (bass)

    • Connie Kay, Mel Lewis (drums)




    Recording: 1962 at RCA Victor's Studio A, New York City by Ray Hall, Bob Simpson and Mickey Crofford

    Production: Bob Prince and George Avakian





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. All the Things You Are
    2. Stardust

    3. Two of a Mind
    4. Blight of the Fumble Bee
    5. The Way You Look Tonight
    6. Out of Nowhere
    Paul Desmond & Gerry Mulligan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Chicago VII Chicago VII Quick View

    $39.99
    Buy Now
    x

    Chicago VII


    The Chicago/Friday Music 180 Gram Audiophile Vinyl Series Continues!


    Celebrate The 40th Anniversary Of The Legendary #1 Chicago VII - First Time Audiophile Vinyl!


    Mastered Impeccably By Joe Reagoso And Lee Loughnane From Chicago!


    Chicago VII was another huge multiplatinum plus #1 smash for Chicago and a stunning return to the double LP
    format for this brilliant band. Featuring the original award winning line-up of Robert Lamm (lead vocals/keyboards),
    Peter Cetera (lead vocals/bass), Terry Kath (lead vocals/guitars), the legendary horns of Lee Loughnane (trumpet),
    Walter Parazaider (saxophone/woodwinds), James Pankow (trombone) plus Danny Seraphine (drums), Chicago VII is
    undoubtedly one of their biggest selling albums and is also one of the most revered offerings in their huge catalog.


    Buoyed by the success of huge hit singles like (I've Been) Searchin' So Long and Call On Me, their seventh album
    was filled with more smashes like the power driver Robert Lamm smash Lifesaver, the funk rocker Woman Don't Want
    To Love Me and the Chicago/Beach Boys duet smash hit single Wishing You Were Here.


    The wonderful 2 LP release also features a fine array of long band workouts on instrumentals which feature each
    bandmate laying down some serious grooves on tunes like Hanky Panky, Aire and Prelude To Aire, which of course
    feature the horn work of the founders Lee Loughnane, Walter Parazaider and James Pankow.


    Several of the fine tunes on this well-crafted album also feature the sorely missed vocals and guitar of Terry
    Kath, where he truly shines on tracks like the progressive jazz rock infused Song Of The Evergreens and the stunning
    Byblos, both of which make this fine album even more of a treasure trove of classic rock enjoyment.


    Peter Cetera shines vocally throughout on the LP as well, especially on the hit acoustic ballad sounds of Happy
    Man. While being one of the more signature songs from this collection, the tune also was known for its false start
    making it one of Chicago's more collectable rarities if you were lucky to own the original vinyl version from 1974.
    It's been several decades since the rare original vinyl version of Chicago VII has been available that is until now!


    Friday Music is very honored to continue the CHICAGO 180 GRAM AUDIOPHILE VINYL SERIES with their masterpiece Chicago VII. Mastered impeccably from the original Chicago Records master tapes by Joe Reagoso at Friday
    Music Studios and Capitol Records in Hollywood, CA, with the supervision of Chicago's Lee Loughnane, this album is
    truly a thrilling first time audiophile vinyl release.


    For this special limited edition, we have also included the original full color album cover in gatefold style for the
    first time since it was released in 1974, complete with the great music you will always remember from this historic
    release.


    Chicago VII from Chicago on impeccable first time 180 Gram Audiophile Vinyl exclusively from your friends
    at Friday Music I've Been Searchin' So Long

    LP 1
    1. Prelude To Aire
    2. Aire
    3. Devil's Sweet
    4. Italian From New York
    5. Hanky Panky
    6. Life Saver
    7. Happy Man


    LP 2
    1. (I've Been) Searchin' So Long
    2. Mongonucleosis
    3. Song Of The Evergreens
    4. Byblos
    5. Wishing You Were Here
    6. Call On Me
    7. Woman Don't Want To Love Me
    8. Skinny Boy

    Chicago
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • The Beat Of My Heart (Speakers Corner) The Beat Of My Heart (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    The Beat Of My Heart (Speakers Corner)

    The crooner Tony Bennett fulfilled a lifetime dream with this percussion jazz formation: At last he could go into the studio with the greatest drummers and top-notch jazz musicians and just swing to his heart's content.


    Chico Hamilton, Jo Jones, Art Blakey, Candido and Sabu were responsible for the beat while Kai Winding, Herbie Mann, Nat Adderley and Al Cohn took care of the background among other things, and such great musicians as Milt Hinton and Eddie Safranski and John Pisano tied the whole thing together.


    The 12 numbers, recorded in four sessions, were arranged by pianist Ralph Sharon in a laid-back and diversified manner and allowed Tony Bennett plenty of room to swing along serenely. Should one recommend a particular title? If the answer is yes, then the 'pure' numbers with Chico Hamilton. And the rest? Yes, the good old jazz evergreens - which, however, sound quite new here. Really one could practically recommend all of them!


    To be sure: this is no LP for narrow-minded jazz purists, and certainly not for lovers of the soothing crooner - but why not one for both camps?

    Musicians:



    • Tony Bennett (vocal)

    • Ralph Sharon (piano, arranger, conductor)

    • Kai Winding (trombone)

    • Al Cohn (tenor saxophone)

    • Nat Adderley (trumpet)

    • Herbie Mann (flute)

    • John Pisano (guitar)

    • James Bond, Eddie Safranski (bass)

    • Eddie Costa (vibraphone)

    • Jo Jones, Chico Hamilton, Art Blakey (drums)

    • Sabu (drums, percussion)




    Recording: October 1957 at CBS 30th Street Studio, New York in mono

    Production: Mitch Miller



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Let's Begin

    2. Lullaby Of Broadway

    3. Let There Be Love

    4. Love For Sale
    5. Army Air Corps Song
    6. Crazy Rhythm
    7. The Beat Of My Heart

    8. So Beats My Heart For You

    9. Blues In The Night
    10. Lazy Afternoon

    11. Let's Face The Music And Dance

    12. Just One Of Those Things
    Tony Bennett
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Aretha With The Ray Bryant Combo (Speakers Corner) Aretha With The Ray Bryant Combo (Speakers Corner) Quick View

    $37.99
    Buy Now
    x

    Aretha With The Ray Bryant Combo (Speakers Corner)

    As is well known, early relationships are not always blessed, and it is certainly no secret that the collaboration between Aretha Franklin and Columbia's record producer John H. Hammond did not last long. Hammond's later attempts to candy Franklin's irrepressible natural voice with sugary arrangements and studio gimmicks did not go down well with the public. On the first Franklin disc from Columbia, however, it was honeymoon all the way. With a successful mix of pop and jazz standards, the super talent - Aretha had just turned 18 years old - brought her vocal chords to vibrate. Fired on with youthful Élan, these evergreens sound so fresh, new and intoxicating that the question of their genre is quite irrelevant. From a seesawing R & B (Won't Be Long) via bell-like waves of melody (Over The Rainbow) right up to the freely styled, jazzy Gershwin classic It Ain't Necessarily So - everything is right there! The Ray Bryant Trio - augmented with winds - proves itself a formidable ensemble with true presence yet unobtrusive accompaniment. If you compare the mature performances of Aretha Franklin in her subsequent years with Atlantic, you will soon recognize that the later 'First Lady of Soul' was in full command of her profession right from the very beginning.


    This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.


    Musicians:

    Aretha Franklin(vocals, electric piano)

    Quentin Jackson, Tyree Glenn (trombone)

    Al Sears (tenor saxophone)

    Ray Bryant (piano)

    Lord Westbrook, Skeeter Best (guitar)

    Milt Hinton, Bill Lee (bass)

    Belton Evans, Sticks Evans, Osie Johnson (drums)


    About Speakers Corner

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.


    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.


    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.


    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.


    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.


    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Won't Be Long
    2. Over The Rainbow
    3. Love Is The Only Thing

    4. Sweet Lover

    5. All Night Long

    6. Who Needs You?

    7. Right Now

    8. Are You Sure

    9. Maybe I'm A Fool

    10. It Ain't Necessarily So

    11. (Blue) By Myself

    12. Today I Sing The Blues
    Aretha Franklin
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Fontessa (Speakers Corner) Fontessa (Speakers Corner) Quick View

    $34.99
    Buy Now
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    Fontessa (Speakers Corner)

    The famous critic and jazz expert Ralph J. Gleason quite rightly mentioned two highly distinctive men in his liner notes - John Donne and Pablo Picasso. Almost four hundred years and a great deal of seawater separate the two exceptional artists from England and Spain. Nevertheless the four black US-Americans who make up the Modern Jazz Quartet bridge the gap between time and continents effortlessly.


    And what's more, blues is also to be heard - and bebop! And evergreens from the Broadway shows of the Thirties too!


    In contrast to some of the other rather more dawdling and laid-back MJQ LPs, Fontessa offers diversified and intense music. Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson's blues influence inspired John Lewis perceptibly to forget all about discipline. All seven numbers are true gems. But if you want a special hint, just listen to Bluesology. Well, perhaps the present author is too much of a Milt Jackson fan. Be that as it may, the music magazine Rolling Stone gave this LP a five-star rating!


    Musicians:


    • John Lewis (piano)
    • Milt Jackson (vibraphone)
    • Percy Heath (bass)
    • Connie Kay (drums)


    Recording: January and February 1956 by Rudy Van Gelder in mono

    Production: Nesuhi Ertegun


    About Speakers Corner


    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Versailles (Porte de Versailles)
    2. Angel Eyes
    3. Fontessa
    4. Over the Rainbow
    5. Bluesology
    6. Willow Weep for Me
    7. Woody 'N You
    The Modern Jazz Quartet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
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