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Everything Now (Day Version)Everything Now is Arcade Fire's fifth album and first release under its new partnership with the global media and e-commerce platform Everything Now in synergy with the Sony Corporation.
The album was recorded at Boombox Studios in New Orleans, Sonovox Studios in Montreal, and Gang Recording Studio in Paris, and produced by Arcade Fire, Thomas Bangalter, and Steve Mackey, with co-production by Markus Dravs.1. Everything Now (Continued)
2. Everything Now
3. Signs Of Life Arcade Fire
4. Creature Comfort
5. Peter Pan
7. Infinite Content
9. Electric Blue
10. Good God Damn
11. Put Your Money On Me
12. We Don't Deserve Love
13. Everything Now (Continued)$26.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ADAD-TRI-9510xFrom Indian Lakes
Everything Feels Better Now
Limited Edition Pink / Lime Green Colored Vinyl
"Drawing a bit from the Ben
Gibbard school of vocalization,
a little slice of pop perfection"
- A.V. Club
"With velvety vocal
arrangements and punch lyrics
that explore the abstract
meanings of life and death
Absent Sounds is barefaced,
American alt-rock done
exceptionally well." - Nylon
From Indian Lakes return with their 3rd full length Everything Feels Better Now. The new full length was recorded with producer
Kevin Augunas (Edwards Sharpe & The Magnetic Zeros, Cold War Kids, Needtobreathe) at the legendary Sound City Studios
a.k.a. Fairfax Recording. From Indian Lakes took a very different approach on this record with songwriter and singer Joey
Vannucchi recording all instruments and vocals for the album. "I feel like I had to write a ton of songs before I could get to this
sound, took time off from doing anything really. When it came time to record I wasn't sure what to expect. Every time I think I've
gone as deep as I can, I peel back skin and discover another layer that's been there waiting. That's what this album is" Vannucchi
said about making the record. Everything Feels Better Now picks up where Absent Sounds left off and adds an element of dream
pop to an already expansive sound.1. Happy Machines
2. The Monster
3. Blank Tapes
4. Bare It
6. Feel Love
7. American Dreams
10. Come Back
11. Lose Myself
12. Rid Of It$16.99Colored Vinyl LP - Sealed Buy Now
Now That Everything's Been SaidWe all know the Carole King who wrote some of the biggest hits of the '60s, from "Will You Love Me Tomorrow" to "Pleasant Valley Sunday," via "The Locomotion" and "(You Make Me Feel Like) A Natural Woman." We also know the singer-songwriter behind Tapestry, the album that launched King as a solo singer in her own right. But in between-and not nearly as well known-is King's band, The City, and their album, Now That Everything's Been Said.
By the mid-'60s, King's marriage to Gerry Goffin, with whom she'd written many of those wonderful hits, had hit the rocks. A divorce loomed, and King all but retired to raise their two daughters. She headed west to Laurel Canyon in '67, taking the children with her, and made the previously unlikely move of joining a progressive folk-rock band. King formed The City with future husband Charles Larkey on bass and Danny Kortchmar on guitar and vocals. With King on piano and vocals, they created a folk rock sound that pre-empted the singer-songwriter boom of the '70s.
Produced by Lou Adler and featuring Jimmy Gordon on drums, The City's sound is deep and soulful, imperfect but passionate. And the songs, with King writing or co-writing all but one, are as exceptional as you'd expect and as widely covered as her factory work. "Now That Everything's Been Said" was a hit for American Spring, "A Man Without A Dream" was tackled by The Monkees, and "Hi-De-Ho (That Old Sweet Roll)" was a hit for Blood, Sweat & Tears. Central to the album's appeal is King's own stirring reading of her track "Wasn't Born To Follow," covered masterfully by The Byrds for the Easy Rider soundtrack.
King had been used to a life on the sidelines, and her stage fright left the trio unable to tour the LP which adversely affected their fortunes. That, plus some behind-the-scenes distribution problems, meant the album was quickly deleted, and it remained so for the next thirty years-partly at King's request. Even so, its failure was a surprise to those concerned. "I was 26 when Now That Everything's Been Said was released in 1968," King says of the album. "[We] expected it to zoom to the top of the charts within, at most, a few weeks. Individually and together, we optimistically imagined the album's success as if it had already happened. Danny and Charlie kept telling each other, 'It's a great album. The City is gonna be Number 1 with a bullet!'
Listening now, you can feel the threads that lead to Tapestry and to the hugely successful performing career that followed. It's not so much an oddity in King's work as the missing link between her two lives. Reissued here in deluxe vinyl, this is, at long last, a chance to own this lost album.1. Snow Queen
2. I Wasn't Born To Follow
3. Now That Everything's Been Said
4. Paradise Alley
5. Man Without A Dream
6. Victim Of Circumstance
7. Why Are You Leaving
9. My Sweet Home
10. I Don't Believe It
11. That Old Sweet Roll (Hi-De-Ho)
12. All The Time$22.99Vinyl LP - Sealed Buy Now
Everything You WantImport
180 Gram Audiophile Vinyl
Featuring The Singles We Are, Everything You Want, You're A God & Best I Ever Had
Limited Edition Of 750 Individually Numbered Copies On Transparent Vinyl
Vertical Horizon is an American alternative rock band formed at Georgetown University in Washington, D.C. in 1991. Everything You Want is the third studio album by Vertical Horizon and was originally released in 1999. Everything You Want served as the debut of bassist Sean Hurley in the band and proved to be their most successful effort.
The first four tracks of the album were all released as singles. Everything You Want became one of the most radio played singles of 2000, reaching #1 on the Billboard Hot 100. The video for You're a God featured actress Tiffani-Amber Thiessen. The song is featured in the 2003 film Bruce Almighty. Finding Me was featured on the fifth Season opener of Buffy the Vampire Slayer.
The album is now finally available on vinyl in Europe for the first time. A limited run of 750 copies will be available on transparent vinyl. The package also contains a lyric sheet.1. We Are
2. You're A God
3. Everything You Want
4. Best I Ever Had (Grey Sky Morning)
5. You Say
6. Finding Me
8. Send It Up
9. Give You Back
10. All Of You
11. Shackled$36.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Search For EverythingOn his 10th album, The Search For Everything, John Mayer meditates on getting older. "Time's been talking to me/Whispering in my ear," he sings on "Changing," a wistful song about embracing life's complexities. While some of the album's songs read like diary entries from a man in reflection, others display a forward momentum. Shrugging off some of that inner torment in the name of fun, The Search For Everything is loose, lively, and delightfully diverse, finding him dabbling in funk, folk, blues, and soul, with support from the John Mayer Trio.
It's taken John Mayer two decades to sound this peaceful, and now, he wants us to go with the flow, too.LP 1
1. Still Feel Like Your Man
2. Emoji Of A Wave
4. Love On The Weekend
5. In The Blood
1. Theme From The Search For Everything
2. Moving On And Getting Over
3. Never On The Day You Leave
5. Roll It On Home
6. You're Gonna Live Forever In Me$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
We Are Everything You See (Discontinued)
Now Is The End--The End Is When
Lay Me Down Gently
Nobody Asked You To Come
You Must Be Joking
A Day In Shining Armour
The Loves of Augustus Abbey--Part One
The Loves of Augustus Abbey--Part Two
Coming Down/ Love Song For the Dead Che
The Loves of Augustus Abbey--Part Three
Time of Light and Darkness$16.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Fuck Off Get Free We Pour Light On Everything
Marks The 15th Anniversary Of The Band, Founded And Led By Efrim Menuck Of Godspeed You! Black Emperor
First New SMZ Full Length Since GYBE's Return To Action In 2011
Recorded In Quebec By Greg Norman (electrical Audio)
Thee Silver Mt. Zion Memorial Orchestra (SMZ) has traced a barbed-wire arc of
genre-defying protest music since its inception in 1999. Formed by Efrim Menuck, with
Thierry Amar and Sophie Trudeau, the initial iteration of the band was a predominantly
instrumental trio that forged a more intimate and ragged chamber-punk than Godspeed
You! Black Emperor, in which group all three founding SMZ members also played (and
continue to play). Through seven albums from 2000-2010, SMZ expanded its line-up and
shifted towards an increasing use of lead and group vocals, with Menuck penning politically charged lyrics to anchor long-form multi-movement compositions that juxtaposed electrified
guitars against a 4-piece string section of violins,cello and contrabass.
Most recently, SMZ has pared back to five players, with Menuck's massive spectrum spanning electric guitar sound emerging as the spine around which two violins, bass (now
more often electric than acoustic) and drums are deployed. SMZ have managed a handful
of short tours in the past couple of years (in the gaps between GYBE commitments) and
as anyone who has seen the band in its recent incarnation can attest, their current sound
is more honed, laser-guided and bone-rattling than ever, melding hardcore, blues, garage
and dark metal influences that have nothing to do with anything so quaint as "post-rock"
(a tag the group has always and rightly rejected).
Fuck Off Get Free We Pour Light On Everything is the first definitive document of
the band's newfound sound and style as a quintet. It's also their first single LP-length
work since the band's debut record as a trio almost 15 years ago, and features road tested pummeling rock-outs "Fuck Off Get Free (For The Island Of MontrÉal)", "Take
Away These Early Grave Blues" and "What We Loved Was Not Enough" alongside the
previously unheard lullabyes/minuets "Little Ones Run" and "Rains Thru The Roof At Thee
Grande Ballroom (For Capital Steeze)" and the album centerpiece "Austerity Blues" with
its closing lyric "Lord let my son live long enough to see that mountain torn down"
sung in varying incarnations throughout the second half of this 14-minute epic.
This lyric in many ways encapsulates Menuck's unflinching take on a world replete with
shabbiness, greed and injustice, seen through the lens of parenthood, mortality, endurance
and defiance. There are few other musicians who deliver social critique with the courage
and honesty of lines like "All our cities gonna burn / All our bridges gonna snap / All our
pennies gonna rot / Lightning roll across our tracks / All our children gonna die". Feel-good
music this is not; but neither can it reductively be tagged apocalyptic or world-weary.
Fuck Off Get Free rages with scorn and with hope, utterly passionate but pointedly
unromantic. Thee Silver Mt. Zion once again demonstrates, like few other bands working
today, that there is much to fight for and against, and plenty more fight songs to sing.1. Fuck Off Get Free (for The Island Of Montreal)
2. Austerity Blues
3. Take Away These Early Grave Blues
4. Little Ones Run
5. What We Loved Was Not Enough
6. Rains Thru The Roof At The Grande Ballroom (for Capital Steez)$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Put Your Money On MeSingle from 2017 album, Everything Now.1. Put Your Money on Me (12 Vinyl Version)
2. Put Your Money on Me (Windows 98 v.1.0)$17.9912 Vinyl Single - Sealed Buy Now
Creature Comfort2nd single from 2017 album, Everything Now.1. Creature Comfort (12 Vinyl Version)
2. Comfort My Sleng Teng (Geoff Barrow Mix) [12 Vinyl Version]$17.9912 Vinyl Single - Sealed Buy Now
Old World Underground, Where Are You Now?They say there's no time like the present; what they really mean is there's no such thing as the present. Five seconds into the future will be five seconds in the past once you finish reading this sentence. Translated into rock 'n' roll, terms, it means you're either ahead of your time or past your prime. And we're cool with that. We like categories and demographics and timelines because they allow us not to think; everything can be explained with the check of a box or a dot on a graph. But Metric don't let you off that easy. Their measures are decidedly cubist: eternal, multilayered portraits of instantaneous moments, the luminous blur of street life rendered as a freeze-tableaux, daily rituals portrayed in a fantastical light. This is music born out of sly, considered observation instead of gratuitous introspection - which makes it refreshingly anomalous in an era when so much popular music fudges the line between self-absorption and self-parody. Their debut album, OLD WORLD UNDERGROUND, WHERE ARE YOU NOW? launched Metric's career and helped to usher in a wave (or New Wave) of Canadian indie bands such as Broken Social Scene and Arcade Fire. They have since gone on to sell over a million singles and 500,000 albums worldwide.Finally available on vinyl, the album sounds as urgent and timeless today as it did in 2003 and like all of Metric's music to date, OLD WORLD UNDERGROUND, WHERE ARE YOU NOW? isn't so much a summation of influences as experiences. The old world underground they so romanticize; they're not sure if it ever truly existed.1. IOU
2. Hustle Rose
4. Combat Baby
5. Calculation Theme
6. Wet Blanket
7. On a Slow Night
8. The List
9. Dead Disco
10. Love Is a Place$19.99Vinyl LP - Sealed Buy Now
These Are The JBsThe Unreleased Album By James Brown's Backing Band: The Bootsy Collins-lead JB's
Never-before-heard James Brown and J.B.'s originals and covers of Jimi Hendrix, Kool & the Gang, the Meters. Contains a 12-page booklet with full annotation, liner notes by Brown historian Alan Leeds and never-before-published photos.
This album is the Rosetta Stone of funk's dominant idioms, yet its existence has barely been a rumor. In 1970 James Brown perfectly captured a definitive moment in modern music when he ordered Bootsy Collins into the studio to record the tracks that would be test pressed on King Records as These Are The J.B.'s. This album is the epitome of funk music, Brown's innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop. And if there is any funk ensemble as influential as Brown's, in the post-"Cold Sweat" musical landscape, it's the Parliament/Funkadelic contingent. Those two streams, as Grammy Winning James Brown historian Alan Leeds details in this album's liner notes, converged for the first time here.
This link between Brown's funk and all that followed features Bootsy and his young band running through twelve-minute instrumental take of Marva Whitney's "It's My Thing," replete with blues chord changes, alongside interpretations of the Meters, Kool and the Gang and none other than Jimi Hendrix. This is a young band's James Brown-turned-on-his-head style of funk that they nail in a one-minute vamp that pre-dates their obscure but important work as the Houseguests ensemble and embodies the essence of the psychedelic-flavored music that would propel them into the orbit of
George Clinton and his mothership, where they poked cosmic holes in funk's polyrhythmic ozone layer in the mid-1970s.
There are only two extant copies of the original King Records test press LP of These Are The J.B.'s. This, the first commercial issue of this album, was overseen by Now-Again's Egon alongside Leeds and Universal Music Group's James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master's Dave Cooley from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago. It comes with a 12-page booklet with liner notes by Leeds and Egon and many unpublished photographs and ephemera.
This title is not eligible for discount.1. These Are The JBs (Part 1 & 2)
2. I'll Ze
3. The Grunt (Part 1 & 2)
4. When You Feel It, Grunt If You Can$24.99Vinyl LP - Sealed Buy Now
Movie Music Volume OneFrom their inception in 1993, Braid released nearly as many songs on 7's, split 7's, and compilations as on its three albums. The idea of finding all of the original masters to the songs and releasing them was conceived by Braid as early as 1997. Movie Music Volume One is a complete collection of songs from the group's many 7 singles. Braid was notorious for keeping much of their best material off of the full-length releases, so this collection is of no small interest. Like volume two, Movie Music, Vol. 1 is chronologically sequenced, thus allowing listeners an opportunity to chart the band's growth. Established fan favorites like I'm Afraid of Everything and Now I'm Exhausted are not only release highlights, but also career standouts. Available here as a deluxe double gatefold 180g edition for the first time. Includes liner notes, rare photos and lyrics.1. Sounds Like Violence
2. Motion Light
3. Perfect Pitch
4. I'm Afraid of Everything
5. Radish White Icicle
6. Now IÆm Exhausted
7. Fire Makes the House Grow
9. That Car Came Out of Nowhere
10. (Strawberry Ann) Switzerland
11. What a Wonderful Puddle
12. First Day Back
13. Hugs From Boys
14. Forever Got Shorter
15. Please Drive Faster
16. Circus of the Stars
17. You're Lucky To Be Alive$21.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Violence, ViolenceAfter a well received demo and a debut 7 that sold 2,000 copies in less than a year, Ceremony gives us Violence Violence, their 15 song debut full length. If Ruined was their declaration, Violence Violence is their first wave assault, a soundtrack to wage war. A war against everything that hardcore has stood against, but now has been co-opted into its ranks. There's no TRL song on here, there's nothing that'll be heard at a school dance. Hardcore for the hardcore.1. Violence
3. Living Hell
4. My Hands Are Made Of Spite
7. Bite Down
8. Cross Them Out
10. Clouds Of Fire
11. Pressure's On
12. Walking Home
13. Asleep$16.9912 Vinyl LP - Sealed Buy Now
Donald Fagen's (one half of Steely Dan), fourth solo album for Warner Reprise, Sunken Condos, will be released on October 16. His first three solo albums, The Nightfly, Kamakiriad and Morph the Cat comprised the project known as the Nightfly Trilogy. Sunken Condos begins a new chapter in in the creative evolution of this innovative artist, whose career is still going strong after forty years.
The nine tracks on Sunken Condos were co-produced by Michael Leonhart and Donald. All but one track, an Ashkenazi recasting of Isaac Hayes' Out of the Ghetto, are new Fagen originals. Some familiar names from the Steely Dan family of players are on hand (Jon Herington, the Steely Dan horns, Freddie Washington) plus some new faces. The word is that, from now on, everything Donald does has got to be funky.1. Slinky Thing
2. I'm Not the Same Without You
4. Weather in My Head
5. The New Breed
6. Out of the Ghetto (Isaac Hayes cover)
7. Miss Marlene
8. Good Stuff
9. Planet D'Rhonda$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
1000 Palms1000 Palms marks a return to Surfer Blood's DIY ethos. Abandoning the big time
studio, the band decided to head back home to self-record and self-produce their
third full-length album. Free of major-label-influence, Surfer Blood has delivered a
uniquely compelling album, unlike anything in their catalog.
The story of 1000 Palms began on January 1st 2014, after playing a New Year's show in
Portland, OR. The band decided to stick around for the rest of the month, renting a
practice space and sorting through a backlog of ideas. By February, as their lease ran
out, Surfer Blood had recorded demos for most of the tracks that are now featured
on their third LP.
After a frustrating time at their previous home, Warner Brothers, the quartet was
beyond ready to return to a more DIY recording process, completely void of the
middlemen scrutinizing every bar of previous LP, Pythons. With the band
self-recording, it was in the glamorous setting of an attic studio above a doctor's office
where drums were committed to tape. Of the work, frontman John Paul Pitts states
"fortunately none of us are strangers to DIY recording, so this seemed like the kind of
challenge well-suited to our band".
The making of 1000 Palms also owes a lot to the kindness of friends and family, with
the remaining instrument sessions taking place at the home of drummer Tyler
Schwartz's parents, while they were on vacation. Following a few days of very little
sleep and after the band pooled resources and called in favors, the band had
managed to craft everything you now hear on the upcoming record.1. I Can't Explain
2. Death And The Maiden
3. Grand Inquisitor
5. I Can't Explain
6. Feast - Famine
7. Point of No Return
8. Saber-Tooth & Bone
9. Covered Wagons
11. Into Catacombs
12. Other Desert Cities
13. NW Passage$22.99Vinyl LP - Sealed Buy Now
Smoke Ring For My HaloPhiladelphia singer/songwriter Kurt Vile returns with his second proper album (2008s Childish Prodigy was a compendium of sorts). Smoke Ring For My Halo is a gorgeously layered record. Ranging from the tender breezy folk in Jesus Fever to the tuff urban guitar riff of Puppet To The Man, Viles distinctive Philly-accented vocal ties together a sweeping and evocative project, a true American psychedelic folk album.
This is no pastoral listening experience however, when Vile sings, society is my friend: he makes me lie down in a cool bloodbath, he sounds both exhausted and distanced from the ringing harmonics of his guitar and Mike Zanghis pounding drums. Even the gentler songs, such as On Tour and Babys Arms have a distinctly dark lyrical tone. The closest that Vile gets to some kind of acceptance is in the central track, the rueful In My Time, where he sings, I know when we get older, Im dying, but I got everything I need here now, and thats fine, now...thats fine.
Recorded at the Magic Shop by John Agnello, Smoke Ring For My Halo is a massive step forward for one of the countrys most beloved rock songwriters.1. Baby's Arms
2. Jesus Fever
3. Puppet To The Man
4. On Tour
5. Society Is My Friend
6. Runner Ups
7. In My Time
8. Peeping Tomboy
9. Smoke Ring For My Halo
10. Ghost Town$22.99Vinyl LP - Sealed Buy Now
Sweeten The Distance (Awaiting Repress)The first line of the title track on Neal Casal's tenth studio effort Sweeten The Distance says much about where the storied singer/songwriter/guitarist finds himself in his career: Nothing's gonna stop you now, everything you want is coming in good time. After 20-plus years of writing songs, recording albums and touring the world, there's a confidence and patience in his latest work that reveals an artist in full creative flight.
Produced by Thom Monahan (Fruit Bats, Devendra Banhart, Vetiver), Sweeten The Distance is indeed a defining moment in Casal's discography. Rich acoustic textures and sophisticated melodies of songs like Bird With No Name, and Need Shelter and Gyrls of Wynter give way to a psyched-out ambience on White Fence Round House, Feathers for Bakersfield and How Quiet It Got.
The depth of production, with its purposefully layered sounds and oceanic atmospherics, makes Sweeten The Distance as much a multi-dimensional headphone experience as a soul-stirring modern songwriter record. And as such, Casal emerges as an essential voice in the new cosmic California movement.
In addition to his critically acclaimed solo work, Neal Casal made a name for himself as the lead guitarist in Ryan Adams & The Cardinals, with whom he recorded four albums: Easy Tiger, Follow the Lights, Cardinology and III/IV. Currently he serves as a central component of the Chris Robinson Brotherhood with whom he contributes lead guitar and vocal harmonies. Over the last year, Casal also added guitar and vocals to Ryan Adams Ashes & Fire, Fruit Bats Tripper, The Jayhawks Mockingbird Time, Vetiver The Errant Charm and a forthcoming recording by Beachwood Sparks.1. Sweeten The Distance
2. Bird With No Name
3. Need Shelter
4. Let It All Begin
5. White Fence Round House
6. So Many Enemies
7. Feathers For Bakersfield
8. Time & Trouble
9. How Quiet It Got
10. The Gyrls of Wynter
11. Angel and Youre Mine$17.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Shudder (Discontinued)Savor this moment in time. Imagine being around when THE CLASH released London Calling or SOCIAL DISTORTION released their self-titled record. It's
that moment when one of our generation's most celebrated underground rock n' roll bands prepares the imminent release of their career-defining record.
In the case of "generation whatever-you-call-it," that record is called Shudder, and it's from New York City's BAYSIDE.
BAYSIDE has charmed the critics, converted the skeptics and toured the world; pouring out their hearts and souls with every performance. They are this generation's band of working-class, troubadour songwriters and story-tellers, and this is the record that will immortalize them for the ages.
Ask any BAYSIDE fan and they will tell you that this band is the real deal. They are for the people and by the people. They are telling the stories of a generation and they do so with honesty and integrity. Shudder is the next chapter in the BAYSIDE tale that takes the band and their fans into the next stages of life.
It's about growing up and moving forward into a new frontier that deals with personal growth, living life, trusting your friends and finding family where
you thought you didn't have any.
"We are feeling youthful and excited," says vocalist and guitarist Anthony Raneri. "It is going to be the fastest, catchiest record we have ever made." It is a passionate and furious record that will make them the true leaders of today's rock, and if you haven't taken notice, then you better start now.
Inevitably, everything that's popular and every generation of music gets exploited and watered down, but there needed to be bands like METALLICA in
the 80s and NIRVANA in the 90s to stand the test of time and stand in the ashes of a scene that went away. BAYSIDE is proving that they are the band that will stand the test of time.
This is the band for this decade. This is a Cult. This is BAYSIDE.1. Boy
2. The Ghost of Saint Valentine
3. No One Understands
4. What and What Not
5. A Call to Arms
6. I Can't Go On
8. Have Fun Storming the Castle
10. Roshambo (Rock, Paper, Scissors)
11. I Think I'll Be OK
12. Moceanu$15.99Vinyl LP - Sealed Buy Now
Victory LapThe first thing to know, if you want to know about Propagandhi, is that they came here to rock. Right from the snarling opening riff of their seventh album,Victory Lap, that much is clear. For everything else that swirls around the band now, and for the last 31 years - the politics, the people and, lately,a gnawing sense of despair - the sheer volume of it all hasn't changed.
Frontman Chris Hannah and bassist Todd Kowalski experienced a big change in the band when after nine years with Propagandhi, guitarist DavidThe Beaver Guillas left the band for a teaching position and the band added a new member , Sulynn Hago, a seasoned guitar-slinger from Tampa,Florida. (That said, Guillas is still all over Victory Lap, contributing licksto four songs.)
So what do you do, when you're an unapologetically political band in a time when political speech seems more fractured than it has been in years? When the darkness looms and the rapacious maws of power seem to devour more by the day? You can't stop the violence; you can't save the world. But neither can you stand to sit back, and just watch it all burn. So here's what you do: you strap up a guitar and get ready to rock.1. Victory Lap
3. Cop Just Out of Frame
4. When All Your Fears Collide
5. Letters to a Young Anus
6. Lower Order (A Good Laugh)
7. Failed Imagineer
8. Call Before You Dig
10. In Flagrante Delicto
12. Adventures in Zoochosis$19.99Vinyl LP - Sealed Buy Now
Standing In The Way Of ControlThe first thing that strikes you is the rhythm. The Gossip have been making punks dance since they debuted 5 years ago, long before dance punk existed. Soulful and jagged, you can hear everything from Dischord to Motown in Brace's playing. Now, with the addition of new drummer Hannah Blilie (Shoplifting, ex-Chromatics) they have a new thundering beat for the kids to dance to on the corners and in the clubs.
The next thing that smacks you is Beth's voice, all the guttural blues of the South is in that inimitable instrument. It resonates with the confidence that is in her lyrics asking people to hold on just a little bit longer, re-assuring the youth that there are others out there, and spitting in the face of all who say otherwise!
Standing in the Way of Control, their third album, was recorded by Guy Picciotto (Fugazi) at Seattle's Bear Creek. From heartbreakers like ''Coal to Diamonds'' to the anthemic title track, released as a single with a Le Tigre remix, the band is unafraid to put it all out there and take their audience to new places. This is the sound of a band destroying and surpassing all expectations placed on them.01 Fire With Fire
02 Standing in the Way of Control
03 Jealous Girls
04 Coal to Diamonds
05 Eyes Open
06 Your Mangled Heart
07 Listen Up!
08 Holy Water
09 Keeping You Alive
10 Dark Lines$14.99Vinyl LP - Sealed Buy Now
CongratsA cyborg dance party for a broken future that's closer
than you think - Pitchfork
Off Your Face Euphoria - The Line of Best Fit
hypnotic, electronic climax-rock - SPIN
scuzzy, funk-fuelled energy - FACT Mag
Holy Fuck took the world by surprise around 2005 because there was
just nothing like them-a hardcore thrift-store found-object punk
band with a relentless commitment to rhythm and a sense for
atmosphere better matched to a close encounter of the third kind
than a simple rock concert. Think EinstÜrzende Neubauten re-inspired
by Fela Kuti with Brian Eno working as keyboard tech and every
channel on the mixer set to max power. It was the best ride out there
while it lasted, up to and including their 2010 full-length Latin,
recorded largely in too-brief breaks while on the road. That album
cemented Holy Fuck's sound and reputation for unapologetic
instrumental noise but at the end of yet another insane touring cycle,
it was time to take a break which turned into a hiatus which turned
into a chance to explore other projects and production work. (Like the
bands Lids, Dusted and Etiquette, or production for Metz, Alvvays and
They'd been moving faster than they'd ever expected, especially after
a 2007 sophomore release that came close to securing Canada's
prestigious Juno and Polaris Music Prize. (Not to mention festival slots
at All Tomorrow's Parties, Glastonbury, Coachella and more-plus Lou
Reed said they were the best band he'd seen at SXSW.) The strategy
was just to stay busy, says founder and noisemaster Brian Borcherdt,
but soon they started to feel like Indiana Jones running from that
boulder: "He had to step aside and let things settle!"
But there's nothing Indiana Jones does better than the shock reveal, is
there? And so in 2016 Holy Fuck suddenly announced the release of
Congrats, a surprise full-length two years in the making that is by any
scientific measure their holiest fuckiest release ever: "When you're
sitting still in a van and staring out the windows, you start to dream
about all the other things you want to do," says Borcherdt. "This album
is exactly what we couldn't do then."
Checking into a "proper" studio, rather than the barn in rural Ontario
where most of Holy Fuck's records were made, Congrats was
recorded by the same lineup that recorded Latin: Borcherdt, Graham
Walsh, Matt "Punchy" McQuaid, and Matt Schulz. As they worked, they
discovered that Congrats was a process of refining things, Walsh
says-both physically and philosophically. Their ad hoc arsenal of
low-budget hi-tech toys has been streamlined down to what he calls
the nervous system of the band: "What gets run through our system is
the seed of the idea for our music, and the system is what we play. This
record is almost a beginning-the first stage of a new way for us."
So consider those previous albums prelude to Holy Fuck's true
breakthrough, and recognize Congrats as the moment when Holy
Fuck take the chaos and craziness (and charm) that have always been
at the heart of their band and not so much control it as concentrate it.
Now they're heavier, wilder, leaner, sharper, more daring and more
unpredictable than ever before, on fire with the power of inspired
outsiders like Suicide, Silver Apples, Can, Mission of Burma or the
Monks or even Sun Ra, says Borcherdt, whose pursuit of his own kind
of musical purity is exactly what Holy Fuck are after. Yes, it took them
a few years, which in 2016 is supposed to be the career suicide, but
they took that time to take chances. "We were told we did everything
wrong," Borcherdt says now, laughing-but really Congrats is the
sound of a band doing absolutely everything right.1. Chimes Broken
2. Tom Tom
4. Xed Eyes
5. Neon Dad
6. House Of Glass
10. Crapture$21.99Vinyl LP - Sealed Buy Now
Morgan Delt (Discontinued)"Psychic Death Hole", the ultra limited 6 song cassette released early in 2013 introduced the world to Morgan Delt's self-produced, genre-bending flavor of brown acid-dosed flowerdelia. Equal parts Odyssey & Oracle' and 'Parable of Arable Land', Morgan Delt 's debut S/T LP expands on those initial tracks and brings forth one a fully realized glimpse into the California native's twisted brain.
Morgan cites influences from Curt Boettcher to West Coast Pop Art Experimental Band and rounds it out with golden age sunset stip heavies like The Byrds and Love. It 's all in there; obsessively studied, mastered and then mutated. Side one opens with the one/two punch of 'Make My Grey Brain Green' and 'Barbarian Kings' blasting apart 40 years of pop-psych and stitching it back together in a way that is both familiar but also refreshingly new. 'Beneath the Black and Purple' soars with a chiming guitar grumble right out of '8 Miles High.'' & "Chakra Sharks" squirms it 's way out of the speakerslike a snake - oiled up with the stink of not only what came before, but what 's happening NOW. The drums pound hard & heavy, while the backups "la-la-la" all over your noggin like a Frankenstein version of The Flaming Lips & Thee Oh Sees. Each track worms it 's way into your brain and takes hold. The finale 'Main Title Sequence', is all Stu Phillips-worship, right out of the soundtrack to your favorite 60's cult classic with it 's angelic backing vocals and lilting tremolo lead but somehow still buzzes with a modern current. As Morgan so keenly described his notion on the current state of genre bending music "I think we've become unstuck in time and everything is going to happen all at once from now on."1. Make My Grey Brain Green
2. Barbarian Kings
3. Beneath The Black & Purple
4. Mr. Carbon Copy
5. Obstacle Eyes
6. Little Zombies
7. Chakra Sharks
8. Sad Sad Trip
9. Backwards Bird Inc.
11. Main Title Sequence$18.99Vinyl LP - Sealed Buy Now
Beethoven: Symphony No. 6 in F Major, Op. 68 (Columbia Symphony Orchestra) (45 RPM)The Famed Recording Returns In A Premier Vinyl Reissue From Analogue Productions
Now Cut At 45 RPM On 2LPs
Mastered From The Original 3-track Tapes By Ryan Smith At Sterling Sound
Deluxe Gatefold Tip-On Jacket From Stoughton Printing With Rare Photos
200-Gram LPs Pressed At Acoustic Sounds' State-Of-The-Art Pressing Plant, Quality Record Pressings
Bruno Walter helped shape the very essence of interpretive style among conductors. Walter's rendition of Beethoven's sixth symphony is perhaps the greatest ever recorded - his reading of the score comes off sounding like a piece of literature or poetry, but that is a great thing and perfectly blends with the music to create a benchmark recording.
And here, once again, Analogue Productions has taken a classic and shaped it to make the premier reissue of this famed LP. Ryan Smith at Sterling Sound mastered this album from the original analog tapes. The cut lacquers were plated and pressed to 200-gram vinyl by our own Quality Record Pressings. The Stoughton Printing old-style tip-on gatefold jacket has been upgraded handsomely by a series of rarely-seen photos of Walter from the Sony Music Archives. Everything about this reissue radiates quality.
Now with Analogue Production's 45 RPM release, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.
Written in 1808, Beethoven's Symphony No. 6 in F Major (Pastoral), Op. 68, is deemed one of the most influential by the famed composer. Unlike the vast majority of assumed names by which his works have become known, Beethoven directed from the very outset that his sixth symphony be titled Pastoral Symphony, or a recollection of country life. It was a musical approach to the forces of nature that inspired Beethoven.
Walter's late life was marked by stereo recordings with the Columbia Symphony Orchestra, an ensemble of professional musicians assembled by Columbia Records for recordings.
Originally released in 1958, this recording still sounds fresh, with a broad soundstage, persuasive depth, and a remarkable sense of air and presence. Simply because of Walter's vibrant, fluid interpretation, taking into account both variable tempi and heightened accents, the result is one of the most passionate, awe-inspiring recorded versions of this symphony that's ever been recorded.
This title is not eligible for discount.1. I. Allegro ma non troppo (The awakening of joyful feelings upon arrival in the country)
2. II. Andante molto moto (The Brook)
3. III. Allegro (Village Festival)
4. IV. Allegro (The Storm)
5. V. Allegretto (Shepherd's Song)$54.99200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
ADAD-MUT-2315xNick Cave And The Bad Seeds
No More Shall We PartNo More Shall We Part ends a four-year silence from Nick Cave & the Bad Seeds. A best-of was issued in 2000, but no new material has appeared since 1997's landmark album, The Boatman's Call. With that record Cave had finally delivered what everyone knew he was capable of: an entire album of deeply tragic and beautiful love songs without irony, sarcasm, or violent resolution. It appears that The Boatman's Call has altered the manner in which Cave writes songs, and the Bad Seeds illustrate them. Two musical directors -- the ubiquitous Mick Harvey and Dirty Three violinist Warren Ellis -- craft a sonic atmosphere whose textures deepen and widen Cave's most profound and beautiful lyrics to date. The ballads have the wide, spacious, sobering ambience one has come to expect from the Bad Seeds. There is an ethereal change in sound in the up-tempo numbers, which are, for lack of better terminology, musical novellas. They plumb the depths of blues, yet contain glissando and crescendos from the orchestral music of composers such as Fartein Valen and Olivier Messiaen. There are places, such as in Oh My Lord, where rock & roll is evoked as a device, but this isn't rock music. A listen to As I Sat Sadly By Her Side, Hallelujah, and the aforementioned track (the most rock song here) will attest that it is merely one color on a musical palette that is more expansive now than at any time in the band's history. Also in the band's musical treasure trove is the addition of the McGarrigle sisters on backing vocals - nowhere is their contribution more poignant than on the tenderly daunting, haunted house that is Love Letter. Lyrically, and as a vocalist, Cave has undergone a startling, profound metamorphosis. Gone is the angry, humorous cynic whose venom and bile touched even his lighter moments. His deep taunting ambivalence about Jesus Christ and Christianity in general is gone, vanished into a maturity that ponders spiritual things contemplatively. Humor that pokes fun churchianity remains, but not as a source of its inspiration. Over these 12 tracks, Cave has taken the broken heart--so openly exhibited on The Boatman's Call--and elevated it to the place where he has learned to live with, and speak from it as both an artist and a human being. Leonard Cohen stated in the song Anthem, that, there is a crack in everything/that's where the light gets in.No More Shall We Part is a mosaic of those cracks. If this album is about anything, it is about love's ability to survive in the world. It is examined concretely and abstractly; to the point where it meditates on this theme even cinematically. His methodology for the listener is, even though these are intimate conversations, the effect is illustrated in widescreen. In this way, Cave touches the heart in the same way Andrei Tarkovsky's films Stalker and The Sacrifice and Wim Wenders' Wings of Desire do. There is powerful emotion here, spiritual, psychological and romantic, without a hint of the sentimentality that would make it false. As both a singer and a songwriter, his work has been transformed into something so full of depth, color, and dimension, that there is simply no one except his mentors working on this level in popular music. In the opening moments of As I Sat Sadly By Her Side, a tenderly, softly sung vocal delivers: Then she drew the curtains down/And said when will you ever learn/That what happens there beyond the glass/Is simply none of your concern/God has given you but one heart/You are not a home but the hearts of your brothers/God don't care for your benevolence anymore/But he cares for the lack of it in others/Nor does he care for you to sit at/Windows in judgement of the world he created/While sorrows pile up around you/Ugly, useless and over-inflated/At which she turned her head away/Great tears leapin' from her eyes/I could not wipe a smile from my face/As I sat sadly by her side. The title track is a ballad that could have been lifted from The Boatman's Call, except it lacks the reaching tragedy. And Cave sings in a tenor no one thought him capable of -- And all the birds will sing to your beautiful heart/Up on the bell/And no more shall we part. The chaos of earlier Bad Seeds outings does kick up on The Sorrowful Wife, where violins and Blixa Bargeld's guitars duel with Jim Sclavunos's drums for domination of the sonic torrent. The record closes with two of Cave's most beautiful songs, a near country gospel waltz called Gates to the Garden with the McGarrigles sweetening an already lovely tome to redemptive love. Finally, Darker With the Day, illustrated by Harvey's striking pianistic ballad framework touched by Bill Evans' technique, is as strikingly autobiographical as Cave has ever been, highlighting the extremes of good and evils that inform and torment the protagonist's inner emotional life within in a single day. There is loss and the seeking of deliverance and, in a statement not so much of recognition that this is simply fate, he also acknowledges hope: All these streets are frozen now/I come and go/Full of a longing for something I do not know. As he calls to a lover gone seemingly forever, he comes to the conclusion that for him, redemption is in love itself, whether divine or profane; the only hope is that love, between two people or between an individual and her or his creator, depends on one's openness to receiving it. Who can argue with him? No More Shall We Part leaves listeners in awe, full of complex emotions, and pondering the notion that they've been in the presence of great redemptive art--which Henry James calls, the thing that can never be repeated.
- Thom Jurek (All Music)1. As I Sat Sadly by Her Side
2. And No More Shall We Part
4. Love Letter
5. Fifteen Feet of Pure White Snow
6. God Is in the House
7. Oh My Lord
8. Sweetheart Come
9. The Sorrowful Wife
10. We Came Along This Road
11. Gates to the Garden
12. Darker with the Day$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now