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  • The Yellow Princess (Pure Pleasure) The Yellow Princess (Pure Pleasure) Quick View

    $34.99
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    The Yellow Princess (Pure Pleasure)

    This particular John Fahey LP is a personal favourite of many of his devout fans for several reasons. And although such a judgment is tough, if one were looking to own only one album by this unique guitarist, The Yellow Princess could be the one. The recording sound is among the best of his many releases; at the proper volume, the effect is as if one had taken up residency inside the sound hole of a giant acoustic guitar. The program of pieces is marvellously emotional and varied, with many moments of precisely stated harmonies moving at courageously slow tempos. The second piece on the first side, View (East from the Top of the Riggs Road/B&O Trestle), is surely one of his masterpieces, on a par with Charles Ives for musical Americana. It is a great added bonus to have liner notes by the artist, some of the best and most absurd text he ever came up with. Yet another reason this is one of Fahey's top sides is it allows a chance to hear one of his few collaborations with other musicians. Several members of the fine rock group Spirit are present, along with drummer Kevin Kelley, for several lovely pieces, including the March! For Martin Luther King, a remarkably heartfelt tribute that could have gone on much longer. Taped sounds and electronic effects on The Singing Bridge of Memphis, Tennessee certainly predict the more noisy stuff Fahey would get into in the later part of his career.




    Musicians:



    • John Fahey (guitar, vocal)

    • Jay Ferguson (organ, piano)

    • Mark Andes (electric bass)

    • Matt Andes (guitar)

    • Kevin Kelley (drums)




    Recording: 1968 at Sierra Sound Laboratories, Berkeley, CA, USA

    Production: John Fahey & Barret Hansen




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    SIde One

    1. The Yellow Princess

    2. View (East From The Top Of The Riggs Road / B&O Trestle)

    3. Lion

    4. March! For Martin Luther King

    5. The Singing Bridge Of Memphis, Tennessee

     

    Side Two

    1. Dance Of The Inhabitants Of The Invisible City Of Bladensburg

    2. Charles A. Lee: In Memoriam

    3. Irish Letter

    4. Commemorative Transfiguration And Communion At Magruder Pars
    John Fahey
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blind Joe Death Blind Joe Death Quick View

    $21.99
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    Blind Joe Death

    John Fahey's first album, released in 1964 for the record label he co-founded, is a beautiful introduction to this incredible artist. Blind Joe Death remains a wonderful album and displays Fahey's ability to re-interpret the blues and folk idioms prevalent at the time in his own inimitable style.
    1. West Coast Blues (Blind Blake)
    2. St. Louis Blues (W. C. Handy)
    3. I'm a Poor Boy a Long Ways from Home (Barbecue Bob)
    4. Uncloudy Day (Josiah Kelley Alwood)
    5. John Henry (Traditional)
    6. In Christ There Is no East or West (Episcopal Church Hymn)
    7. The Transcendental Waterfall (Fahey)
    8. Desperate Man Blues (Arranged by John Fahey)
    9. Sun Gonna Shine in My Back Door Someday Blues (Arranged by John Fahey)
    10. Sligo River Blues (John Fahey)
    11. On Doing an Evil Deed Blues
    John Fahey
    $21.99
    Vinyl LP - Sealed Buy Now
  • Louisiana Blues (Colored Vinyl) Louisiana Blues (Colored Vinyl) Quick View

    $21.99
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    Louisiana Blues (Colored Vinyl)


    Limited Edition Of 600 On Bottleneck Brown Vinyl


    Comes With A 8 Page Booklet


    Over 50 years since his discovery by ethnomusicologists Dr. Harry Oster and Richard Allen in the prison farm of Angola, Louisiana, what is it that makes the blues as sung and picked by Robert Pete Williams such a singular listening experience, unequaled elsewhere in that musical form? As Peter Guralnick, in his Feel Like Going Home book writes: "It's difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. More than anyone else he shatters the conventions of the form and refuses to rely upon any of the clichÉs, either of music or of lyric, which bluesman after bluesman will invoke. Instead he sings blues which reflect a unique and personal vision; he makes each song unmistakably his own."


    Unfamiliar keys, clichÉ-free lyricism, spontaneity, an individualistic style in invoking his particular blues, all make Robert Pete Williams an idiosyncratic entry into the canon. It's impossible to listen to blues artists before him and hear strains of his particular style. None have matched it since. Louisiana Blues contains 10 songs recorded in the month of July 1966 out in Berkeley, California for John Fahey's Takoma imprint.

    1. Somebody Help Poor Me
    2. Freight-Train Blues
    3. It's Hard To Tell
    4. I'm Going Down Slow
    5. Motherless Children Have A Hard Time
    6. Ugly
    7. So Long Boogie
    8. This Is A Mean Old World To Me
    9. High As I Want To Be
    10. It's A Long Old Road
    Robert Pete Williams
    $21.99
    Colored Vinyl LP - Sealed Buy Now
  • The Transcendental Waterfall The Transcendental Waterfall Quick View

    $124.99
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    The Transcendental Waterfall

    The Transcendental Waterfall: Guitar Excursions 1959-1967 is a 6-LP box set drawing from John Faheys best, and most influential, period. Included in the set are Blind Joe Death, Death Chants, Breakdowns, And Military Waltzes, The Dance of Death and Other Plantation Favorites, The Great San Bernardino Birthday Party, The Transfiguration of Blind Joe Death, and Days Have Gone By, all reissued on 180 gram vinyl with deluxe tip-on jackets.


    Also included are a t-shirt, poster, and a postcard, all of which are housed in a deluxe box with stunning graphic design. An amazing package featuring some of the most important guitar solo recordings of the 20th century.

    Blind Joe Death
    1. West Coast Blues (Blind Blake)
    2. St. Louise Blues (W.C. Handy)
    3. I'm A Poor Boy A Long Way From Home (Barbecue Bob)
    4. Uncloudy Day (Josiah Kelley Alwood)
    5. John Henry (Traditional)
    6. In Christ There Is No East or West (Episcopal Hymn)
    7. The Transcendental Waterfall
    8. Desperate Man Blues
    9. Sun Gonna Shine In My Back Door Someday Blues
    10. Sligo River Blues
    11. On Doing AN Evil Deed Blues


    Death Chants, Breakdowns and Military Waltzes
    1. Sunflower River Blues
    2. When the Springtime Comes Again
    3. Stomping Tonight On the Pennsylvania/Alabama Border
    4. Some Summer Day
    5. On the Beach at Waikiki
    6. Spanish Dance
    7. The Downfall of the Adelphi Rolling Grist Mill
    8. John Henry Variations
    9. Take A Look At That Baby
    10. Dance of the Inhabitants of the Palace of King Phillip XIV
    11. America
    12. Episcopal Hymn


    The Dance of Death and Other Plantation Favorites
    1. Wine and Roses
    2. How Long
    3. On the Banks of the Owchita
    4. Worried Blues
    5. What the Sun Said
    6. Revelation on the Banks of the Pawtuxent
    7. Poor Boy
    8. Variations on the Coocoo
    9. The Last Steam Engine Train
    10. Give Me Corn Bread When I'm Hungry
    11. Dance of Death


    The Great San Bernardino Birthday Party
    1. The Great San Bernardino Birthday Party
    2. Knott's Berry Farm Molly
    3. Will the Circle Be Unbroken (traditional)
    4. Guitar Excursions Into the Unknown
    5. 900 Miles (traditional)
    6. Sail Away Ladies (traditional)
    7. Oh Come, Oh Come Emanuel (traditional)


    The Transfiguration of Blind Joe Death
    1. Beautiful Linda Getchell
    2. Orinda-Moraga
    3. I Am the Resurrection
    4. On the Sunny Side of the Ocean
    5. Tell Her to Come Back Home
    6. My Station Will Be Changed After Awhile
    7. 101 Is A Hard Road to Travel
    8. How Green Was My Valley
    9. Bicycle Built For Two
    10. The Death of the Clayton Peacock
    11. Brenda's Blues
    12. Old Southern Medley
    13. Come Back Baby
    14. Poor Boy
    15. Saint Patrick's Hymn


    Days Have Gone By
    1. The Revolt of the Dyke Brigade
    2. Impressions of Susan
    3. Joe Kirby Blues
    4. Night Train of Valhalla
    5. The Portland Cement Factory
    6. A Raga Called Pat, Pt. 1
    7. A Raga Called Pat, Pt. 2
    8. My Shepherd Will Supply My Needs
    9. My Grandfather's Clock
    10. Days Have Gone By
    11. We Would Be Building (Sibelius)

    John Fahey
    $124.99
    180 Gram Audiophile Virgin Vinyl LP - 6 LPs Sealed Buy Now
  • The Dance Of Death And Other Plantation Favorites The Dance Of Death And Other Plantation Favorites Quick View

    $21.99
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    The Dance Of Death And Other Plantation Favorites

    Originally released in 1964. Dance of Death offers a glimpse of an artist in transformation. More than half the album's titles draw from the traditional blues and country repertoire Fahey had spent his teen years and young adulthood collecting, listening to, and learning to play, yet the recordings proved once and for all that his interests lay in musical transfigurations rather than preservation - Fahey was not afraid to use these old tunes as raw material.
    1. Wine and Roses
    2. How Long
    3. On the Banks of the Owchita
    4. Worried Blues
    5. What the Sun Said
    6. Revelation on the Banks of the Pawtuxent
    7. Poor Boy
    8. Variations on the Coocoo
    9. The Last Steam Engine Train
    10. Give Me Corn Bread When I'm Hungry
    11. Dance of Death
    John Fahey
    $21.99
    Vinyl LP - Sealed Buy Now
  • Death Chants, Breakdowns, And Military Waltzes Death Chants, Breakdowns, And Military Waltzes Quick View

    $21.99
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    Death Chants, Breakdowns, And Military Waltzes

    Death Chants is John Fahey's second album, following the brilliantly apocryphal Blind Joe Death. As massive as that earlier work was, it represented only a tentative first step towards the fields of hodologic splendor that our hero would go on to create. Death Chants represents a much more fully realized syncretism of the modernist and primitive poles between which Fahey wobbled. It is also the first album he deigned to release entirely under his own name and the one with which he truly began to cast a shadow across the blandly-lit landscape of the world's subconscious.
    1. Sunflower River Blues
    2. When The Springtime Comes Again
    3. Stomping Tonight On The Pennsylvania/Alabama Border
    4. Some Summer Day
    5. On The Beach At Wakiki
    6. Spanish Dance
    7. John Henry Variations
    8. The Downfall Of Adelphi Rolling Grist Mill
    9. Take A Look At That Baby
    10. Dance Of The Inhabitants Of The Palace Of King Phillip XIV Of Spain
    11. America
    12. Episcopal Hymn
    John Fahey
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Seal of the Blue Lotus The Seal of the Blue Lotus Quick View

    $21.99
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    The Seal of the Blue Lotus

    Originally released on John Fahey's Takoma Records in 1965, The Seal of the Blue Lotus is the debut album from American guitar soli legend Robbie Basho. In college Basho immersed himself in the study of Asian art and culture, even changing his last name to that of the Japanese poet Matsuo Basho, and his music shows a much greater Eastern influence than contemporaries like John Fahey and Peter Lang. Basho was particularly entranced by the raga form which is apparent in classics like "Dravidian Sunday" from this album. A guitar soli masterwork reissued here on 180 gram vinyl.
    1. Seal of the Blue Lotus
    2. Mountain Man's Farewell
    3. Dravidian Sunday
    4. Bardo Blues
    5. Sansara In Sweetness After Sandstorm
    6. Black Lotus - Hymn to Fugen
    Robbie Basho
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Christmas With John Fahey Vol. II Christmas With John Fahey Vol. II Quick View

    $24.99
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    Christmas With John Fahey Vol. II

    Christmas with John Fahey, Vol. II is a Christmas album by American fingerstyle guitarist and composer John Fahey, originally released in 1975.
    1. Oh Holy Night
    2. Medley: Oh Tannenbaum / Angels We Have Heard on High / Jingle Bells
    3. Russian Christmas Overture
    4. White Christmas
    5. Carol Of the Bells
    6. Christmas Fantasy Part 1
    7. Christmas Fantasy Part 2
    John Fahey
    $24.99
    Vinyl LP - Sealed Buy Now
  • The New Possibility: John Fahey's Guitar Soli Christmas Album The New Possibility: John Fahey's Guitar Soli Christmas Album Quick View

    $21.99
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    The New Possibility: John Fahey's Guitar Soli Christmas Album

    John Fahey was a legendary individual and a crucial figure in expanding the boundaries of the acoustic guitar. Fahey was considered a cult artist by
    many, and one with a definite cult following, which holds true to today, yet this fact has also ensured his work continues to always sound 'fresh,' unique
    and artistically powerful.


    A new Collection of 14 Holiday Classics by one of Acoustic music's true innovators and eccentrics. Features signature arrangements of Santa Claus Is
    Coming To Town," "Joy To The World, & Oh Holy Night.

    1. Joy To The World
    2. Medley: Hark The Herald Angels Sing / O Come All Ye Faithful
    3. We Three Kings Of Orient Are
    4. God Rest Ye Merry Gentlemen Fantasy
    5. Auld Lang Syne
    6. Oh Holy Night
    7. Christmas Medley: Oh, Tannenbaum / Angeles We Have Heard On High / Jingle Bells
    8. Carol Of The Bells (Duet with Richard Ruskin
    9. The First Noel
    10. It Came Upon A Midnight Clear
    11. Silent Night, Holy Night
    12. Santa Claus Is Coming To Town
    13. Medley: Deck The Halls with Boughs of Holly / We Wish You A Merry Christmas
    14. The Christmas Song
    John Fahey
    $21.99
    Vinyl LP - Sealed Buy Now
  • The Voice Of The Turtle The Voice Of The Turtle Quick View

    $23.99
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    The Voice Of The Turtle

    Reissued on 180 Gram Gatefold Vinyl in a Deluxe Tip-on Jacket With an Exact Replica of The Original 12 Page Booklet.


    The Voice Of The Turtle is one of the most beguiling albums from one of America's most legendarily beguiling musicians. Originally released in 1968 on his own Takoma label, Fahey credits some of the compositions and performances to the fictional guitarist Blind Joe Death, and some of the songs are actually rumored to not be Fahey at all but in fact obscure blues 78s. Whatever the case may be, it's one of Fahey's most adventurous and beautiful LPs.

    1. Bottleneck Blues
    2. Bill Cheatum
    3. Lewisdale Blues
    4. Bean Vine Blues
    5. Bean Vine Blues #2
    6. A Raga Called Pat, Part III
    7. A Raga Called Pat, Part IV
    8. Train
    9. Je Ne Me Suis Reveillais Matin Pas En May
    10. The Story Of Dorothy Gooch, Part I
    11. Nine-Pound Hammer
    12. Lonesome Valley
    John Fahey
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blind Joe Death Volume 1 Blind Joe Death Volume 1 Quick View

    $21.99
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    Blind Joe Death Volume 1

    For several years major labels had been issuing records in both mono and stereo formats. By 1967 Takoma was doing well enough financially to justify the recording of Fahey's first and second albums for the burgeoning stereo market. Thus Vol.1: Blind Joe Death, as the record would be titled henceforth, was recorded for the third time and it is probably this release that most people are familiar with today. For the new version Fahey recorded all but one song on the album. He recorded one new track for the reissue: I'm Gonna Do All I Can for My Lord. His new take of the Episcopal hymn In Christ There Is No East or West would become the most well-known and oft-played song on the album.
    1. On Doing An Evil Deed Blues
    2. St. Louis Blues
    3. Poor Boy Long Ways From Home
    4. Uncloudy Day
    5. John Henry
    6. In Christ There Is No East Or West
    7. The Transcendental Waterfall
    8. Desperate Man Blues
    9. Sun Gonna Shine In My Backdoor Someday Blues
    10. Sligo River Blues
    11. I'm Gonna Do All I Can For My Lord
    John Fahey
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Great San Bernardino Birthday Party The Great San Bernardino Birthday Party Quick View

    $21.99
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    The Great San Bernardino Birthday Party

    Originally released in 1966. Fahey's never recorded an album that was more thoroughly of its moment. From the groovy flute and twangy sitar accompaniment to the backwards guitar, this Birthday Party is a charmingly trippy 60s time capsule. But it isn't a two dimensional one. The album gains immense depth from the tension between his sweeping, fingerpicked melodies and discordant string-battery. It's the audible battle between yearned for rose colored luminescence and ankle blistering hellhound darkness that enables this record to transcend its hippie dreaminess.
    1. The Great San Bernardino Birthday Party
    2. Knott's Berry Farm Molly
    3. Will the Circle Be Unbroken (Traditional)
    4. Guitar Excursions into the Unknown
    5. 900 Miles (Traditional)
    6. Sail Away Ladies (Traditional)
    7. Oh Come, Oh Come Emanuel
    John Fahey
    $21.99
    Vinyl LP - Sealed Buy Now
  • Digging In The Dust: Home Recordings 1976 Digging In The Dust: Home Recordings 1976 Quick View

    $17.99
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    Digging In The Dust: Home Recordings 1976

    Songwriter/guitarist Mark Fosson grew up in Kentucky, where he began writing songs while he was still in his early teens. In the late '70s he sent some song demos to John Fahey's West Coast-based Takoma Records, and Fahey, impressed with what he heard, offered Fosson a recording deal. Fosson lost no time in relocating to Los Angeles and began recording with Fahey, but as bad luck would have it, Takoma was in some difficulty, and the label soon folded. Fahey allowed Fosson to retain the master tapes of the sessions, however.


    Now located on the West Coast, Fosson met fellow songwriter Edward Tree, and the two began working together, eventually forming the Bum Steers, a country-tinged group, in the late '80s. Fosson material appeared on several soundtracks through the 1990s. In 2001 he began collaborating with singer/songwriter Lisa O'Kane, who recorded several of his songs, and Fosson also began recording a solo project, Jesus on a Greyhound, which was eventually released on Big Otis Records. The record drew positive reviews and Fosson was frequently compared to Americana artists like Ramblin' Jack Elliott, Joe Ely, John Prine, and Guy Clark.


    The Fahey material finally saw the light of day as The Lost Takoma Sessions from Drag City Records in 2006. His instrumental piece Another Fine Day is featured on the critically acclaimed Tompkins Square compilation Imaginational Anthem. Now Tompkins Square has put together more hard to come by but welcome material from this gifted artist with the collection Digging In The Dust: Home Recordings 1976, an 11-track set of home recordings Fosson made circa 1976.

    1. Quarter Moon
    2. Arrival of the Grand Picayune
    3. Cosmic Hiccup
    4. Frozen Fingers
    5. Gorilla Mountain
    6. Nancy's Waltz
    7. Sky Piece
    8. Back in the Saddle Again
    9. Chillicothe
    10. Frozen Fingers (alternate take)
    11. Quarter Moon (alternate take)
    Mark Fosson
    $17.99
    Vinyl LP - Sealed Buy Now
  • Mississippi Blues Mississippi Blues Quick View

    $21.99
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    Mississippi Blues

    Originally released in 1969 on John Fahey's Takoma record label, Mississippi Blues, is one of the finest albums White produced during his later period after being rediscovered by the folk revival of the 1960s. A pre-war country-blues artist of the highest order, White, like many of his contemporaries had lived in obscurity for many years, but his great talent remained. Reissued on 180 gram vinyl with a deluxe tip-on jacket.
    1. Aberdeen, Mississippi Blues
    2. Baby Please Don't Go
    3. New Orleans, Streamline
    4. Parchman Farm Blues
    5. Poor Boy Long Way from Home

    6. Remembrance of Charley Patton
    7. Shake 'Em on Down
    8. I Am in the Heavenly Way
    9. Atlanta Special
    10. Drunk Man Blues
    11. Army Blues
    Bukka White
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Paranoid Cat Paranoid Cat Quick View

    $16.99
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    Paranoid Cat

    Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and the first for Family Vineyard. It is a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. The kaleidoscopic arrangements of Paranoid Cat are a leap from the stripped down attack on Forsyth's hotly acclaimed 2009 Dreams - to be reissued by Family Vineyard later this year -- with hints of John Fahey's America, Richard Lloyd's work with Television, John Lee Hooker, and Van Dyke Parks all being identifiable somewhere in the swirling mix.
    1.Paranoid Cat, Parts 1-3
    2.New Pharmacist Boogie [For Jack]
    3.Front Street Drone
    4.Anniversary Day
    Chris Forsyth
    $16.99
    Vinyl LP - Sealed Buy Now
  • American Epic: The Best of Mississippi John Hurt American Epic: The Best of Mississippi John Hurt Quick View

    $19.99
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    American Epic: The Best of Mississippi John Hurt

    Blues fingerpicking guitarist, singer and sharecropper Mississippi John Hurt was born in the heart of Mississippi Hill Country, along the veiny tributaries of the great American river. His moving renditions of "Frankie" and "Spike Driver Blues" were included in Harry Smith's American Anthology of Folk Music in 1952 and were vitally influential on the Greenwich Village folk music revival of the 1960s as well as John Fahey's development of the American Primitive Guitar genre.


    Single LP with single pocket tip-on jacket with soft touch finish.

    1. Frankie
    2. Ain't No Tellin'
    3. Spike Driver Blues
    4. Avalon Blues
    5. Louis Collins
    6. Candy Man Blues
    7. Stack O' Lee Blues
    8. Praying On The Old Camp Ground
    9. Blue Harvest Blues
    10. Got the Blues Can't be Satisfied
    11. Big Leg Blues
    12. Nobody's Dirty Business
    13. Blessed Be The Name
    Mississippi John Hurt
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 6 & 12 String Guitar 6 & 12 String Guitar Quick View

    $21.99
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    6 & 12 String Guitar

    The release of this truly iconic album virtually launched Leo Kottke out beyond the St. Paul-Minneapolis confines where he had been ensconced as a local phenom. By jumping on board John Fahey's burgeoning Takoma label, Kottke's guitar wizardry (especially finger-picking a 12-string, usually reserved as rhythm accompaniment) gave other guitarists far and wide, second thoughts. Throw in some sassy slide work on both 6 & 12 String Guitar and you'll know why this particular record is commonly referred to as an Intro to Guitar 101. With twelve original compositions plus a few by J.S. Bach, Kottke's blues, folk, country and classical channelings dictate both his playful and reflective approach on each. Highlights include blazing picking techniques on Busted Bicycle and Vaseline Machine Gun with some muscular bottleneck slide work on The Sailor's Grave On The Prairie.

    1. The Driving Of The Year Nail
    2. The Last Of The Arkansas Greyhounds
    3. Ojo
    4. Crow River Waltz
    5. The Sailor's Grave On The Prairie
    6. Vaseline Machine Gun
    7. Jack Fig
    8. Watermelon
    9. Jesu, Joy Of Man's Desiring
    10. The Fisherman
    11. The Tennessee Toad
    12. Busted Bicycle
    13. The Brain Of The Purple Mountain
    14. Coolidge Rising
    Leo Kottke
    $21.99
    140 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Bluebird Recordings 1939-1942 The Bluebird Recordings 1939-1942 Quick View

    $72.99
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    The Bluebird Recordings 1939-1942

    Though Mississippi Delta blues guitarist and singer Tommy McClennan was only active for a brief three years, he left a powerful legacy on the world of blues and beyond, influencing the likes of John Fahey and Elmore James, with tracks being covered by everyone from Bob Dylan to Albert King, and Moon Mullican. Cutting sides for Bluebird between 1939-1942, McClennan's rough, slightly unhinged style made him one of the more unique voices in the Delta and he was the first to record the classic "Cross Cut Saw Blues" along with the well known "Shake 'Em On Down", "Bottle It Up And Go", and dozens more. Doxy is pleased to present his complete recordings here in deluxe 3LP box set.
    LP1
    1. You Can Mistreat Me Here
    2. New Shake' Em On Down
    3. Bottle It Up And Go
    4. Whiskey Head Woman
    5. Brown Skin Woman
    6. Cotton Patch Blues
    7. Baby Don't You Want To Go?
    8. Baby, Please Don't Tell On Me
    9. I'm Going Don't You Know
    10. New Highway 51
    11. She's Just Good Huggin' Size
    12. My Little Girl
    13. My Baby's Gone
    14. It's Hard To Be Lonesome


    LP2
    1. My Baby's Doggin' Me
    2. She's A Good Looking Mama
    3. Whiskey Head Man
    4. New Sugar Mama
    5. Down To Skin And Bones Blues
    6. Katy Mae Blues
    7. Love With A Feeling
    8. Drop Down Mama
    9. Black Minnie
    10. Elsie Blues
    11. Des'e My Blues
    12. Cross Cut Saw Blues
    13. Classy Mae Blues
    14. You Can't Read My Mind


    LP3
    1. Travelin' Higway Man
    2. Deep Blue See Blues
    3. I'm A Guitar King
    4. It's A Crying Pity
    5. Mozelle Blues
    6. Blues Trip Me This Morning
    7. Mr So And So Blues
    8. Roll Me, Baby
    9. I Love My Baby
    10. Shake It Up And Go
    11. Blue As I Can Be
    12. Bluebird Blues
    13. Boogie Woogie Woman
    14. Cross Cut Saw Blues [Alt Take]

    Tommy McClennan
    $72.99
    Vinyl LP Box Set - 3 LPs Sealed Buy Now
  • Hold Time Hold Time Quick View

    $19.99
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    Hold Time

    Hold Time is an eloquent and startlingly beautiful album. While past critics have compared him to everyone from John Fahey to Tom Waits to his old friend Howe Gelb, with Hold Time it's clear that M. Ward, with his brilliant guitar playing and innate sense of melody, is one of those rare and special talents who defy comparisons and compartmentalization. Over the past few years, Ward has found an ever-increasing and dedicated audience; his last three albums, Transfiguration of Vincent, Transistor Radio and Post-War, have struck a singular chord among music fans. His deft guitar picking, bar room piano, and voice like drizzled honey make him a huge favorite of music critics and the focus of public praise from such disparate talents as Norah Jones and Oasis' Noel Gallagher, the former taking him on a global tour as her sole support act. In 2008, he was also part of the duo known as She & Him, a project he began with Zooey Deschanel. The duo's debut album, Volume One, was produced by M. Ward and has enjoyed international success. Like a true American treasure, M. Ward cuts his own groove while music fans continue to fall under his whispered spell.
    1. For Beginners
    2. Never Had Nobody Like You
    3. Jailbird
    4. Hold Time
    5. Rave On
    6. To Save Me
    7. One Hundred Million Years
    8. Stars Of Leo
    9. Fisher Of Men
    10. Oh Lonesome Me
    11. Epistemology
    12. Blake's View
    13. Shangri-La
    14. Outro
    M. Ward
    $19.99
    Vinyl LP - Sealed Buy Now
  • Oh Man, Cover the Ground Oh Man, Cover the Ground Quick View

    $18.99
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    Oh Man, Cover the Ground

    Limited Edition Of 1,000 Copies


    Pressed On Custom Lake Blue Vinyl


    Shana Cleveland is a rare artist who seems dismissive of time. Shes been performing with
    a rotating batch of musicians tagged as The Sandcastles for years, and yet Oh Man,
    Cover The Ground is their first proper album. It would be easy to chalk up the delay
    behind the debut to a slacker lifestyle-Oh Man, Cover The Grounds laid-back vibe
    certainly suggests an extremely casual approach to songcraft. But Cleveland is no slacker.
    In the years since she first started playing out under her own name, shes helmed a
    number of other music projects; most notably her revered Girls In The Garage-inspired
    band La Luz. In her downtime, shes crafted a set of 37 trading cards dedicated to
    obscure acoustic guitarists and a calendar of drawings depicting rock bands of
    yesteryear. The glacial pace of Oh Man, Cover The Grounds development has little to do
    with work ethic and everything to do with doing things in a way that feels right. "I don't
    really think of it as a proper band," says Cleveland. "The line-up has been different for
    almost every show depending on which arrangements I thought would be best for the
    atmosphere. Some shows I played alone; some with bass, clarinet, and backing vocals;
    some with the addition of drums, cello and piano. We've played shows really selectively
    throughout the last few years-just sticking to shows that I thought sounded really
    interesting. Like, I'd rather play these songs for people in their bedrooms or in a field at
    night than on a three band bill at a bar." In an industry fixated on striking while the iron
    is hot, getting an artist in front of as many people in as short of a time as possible,
    Clevelands insistence on atmosphere over arbitrary numbers is a bold move.


    Oh Man, Cover The Grounds softly-stated melodies and breezy air operates on its own
    sense of time. Though the songs still settle comfortably into three-minute parcels, their
    gestation bucked at the convention of pop musics stringent time format. "I'm really into
    meandering, fingerpicked open-tuned acoustic guitar, like John Fahey and Robbie
    Basho," says Cleveland. "I started playing guitar in that style during a year right before I
    moved to Seattle when I was lonely and bummed out in the San Fernando Valley and
    found solace in spending long afternoons fingerpicking slow moving improvisations." This
    casualness is evident in the music-you can hear it in the airy ambience of album opener
    "Butter & Eggs", the gentle piano and strings accompaniment on the title track, the
    particularly Fahey-esque explorations of "Itching Around" and "SPATM". But even the
    timeline of the albums development seems to defy the ephemeral haste that permeates so
    much contemporary music. The bulk of Oh Man, Cover The Ground was recorded in
    Shanas basement. "I wanted it to sound casual and kind of loose like my favorite folk
    albums, so we didn't practice much before recording and a few of the musicians were
    playing the songs for the first time."

    1. Butter & Eggs
    2. Holy Rollers
    3. Oh Man, Cover The Ground
    4. Itching Around
    5. Potato Chips
    6. Golden Days
    7. (death riff)
    8. SPATM
    9. Rounding The Block
    10. City To City
    11. Sucking Stones
    12. Quiet As Skin
    13. Change In The Ocean
    Shana Cleveland & The Sandcastles
    $18.99
    Colored Vinyl LP - Sealed Buy Now
  • The Magic City The Magic City Quick View

    $20.99
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    The Magic City

    On the original 1965 The Magic City LP, issued on Saturn, the monster 27-1/2 minute title track sprawled across side A. Ra customarily supervised the Arkestra's improvisational process via keyboard cues or hand signals. He was always in charge-hence critic Simon Adams describing the title track as 27 minutes of controled freedom. The Magic City was never performed in concert; saxophonist John Gilmore said it was unreproducible, a tapestry of sound. Although shorter in scope than side A's magnum opus, the four works on The Magic City's flip side reflect the same improvisational approach, spatiality, and lack of structure. One session outtake, Other Worlds, an alternate version of Shadow World, is included as a bonus track on side B.

    For this definitive edition, historical and technical liner notes are provided by noted jazz historian Ben Young, who restored and remastered the album with his Triple Point Records partner Joe Lizzi. Both men have been recognized for their extensive work on the Grammy Nominated Albert Ayler boxset, released on John Fahey's Revenant records in 2005.

    First-generation Saturn pressings of The Magic City were monophonic. A full stereo version had been issued on Sun Ra's Thoth subsidiary label sometime after 1969; however, it suffered from a technical flaw that prevented many copies of the LP from tracking cleanly through the first cut on side B. A 1973 gatefold LP reissue on Impulse featured reprocessed stereo. For this definitive reissue, Cosmic Myth Records used stereo sources which are superior to the Thoth pressing.

    Cosmic Myth Records issues recordings under license from Sun Ra LLC, comprised of the heirs and rights holders of Sun Ra's music. The series is being co-produced and supervised by Irwin Chusid (Raymond Scott, Esquivel, Langley School Music Project) and Michael D. Anderson, who maintains the Sun Ra Music Archive, the world's foremost collection of original Ra session masters.

    Sun Ra
    $20.99
    Vinyl LP - Sealed Buy Now
  • Hard For To Win And Can't Be Won Hard For To Win And Can't Be Won Quick View

    $14.99
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    Hard For To Win And Can't Be Won

    I suppose it's not terribly difficult to play a guitar - to hold the thing in your arms, to move your hands across its body in all the prescribed and proven ways, to coax a little melody into being.
    But what Nathan Salsburg - an acoustic guitarist and the curator of the Alan Lomax archive, a Pennsylvania-born Kentuckian who has logged good time in coastal Maine - does with his instrument is singular, nearly mystic: his are agile, engaging compositions, songs that feel desirous and questioning and vital, as if they weren't just channeled into being, but demanded revelation.


    Nathan's 2011 solo debut, Affirmed, directly addressed a trio of thoroughbreds - Affirmed, Eight Belles, and Bold Ruler - which also made it at least in part about Salsburg's Kentucky: the land that sustained and nurtured those horses, the ancient traditions that anointed and sometimes undid them. Its follow-up, Hard For To Win and Can't Be Won, is also a record about place, although its landscapes are less specific. Some of them are memories, even: spaces that were real once, but have to be conjured now, willed to or from mind. Most of the album's songs are instrumental, save two re-workings of older material: "Coll Mackenzie," written and first performed by Archie Fisher, and "To Welcome the Travelers Home," a composite of two traditional nineteenth-century pieces; one sacred, one less so. Both songs concern homecomings, what it feels like to be enveloped by a place that you know will sustain you, will nurture what needs nurturing.


    Musically, Nathan has emerged from a venerable tradition that includes Lena Hughes and Frank Hutchison, John Fahey and Ry Cooder. I'm reluctant to make too much of his virtuosity - and he is virtuosic, a staggering craftsman - because he is
    also in the unique position of having that be the least interesting thing about his playing. There are moments in Nathan's pieces - these nimble rhythmic shifts, steps from one place to another - that make my knees quiver. Listening to him play, it's hard not to feel subsumed by gratitude.


    I'm just as hesitant to frame his work as subversive, and yet - he is such a remarkably courageous writer and musician, and Hard For To Win and Can't Be Won is so matchless a document, so inimitable in its moves. This is the sort of record
    that could change the course of your year. It certainly changed mine. - Amanda Petrusich

    1. First Field Path
    2. Mrs. Gristle's Reel
    3. Paraffin & Turpentine
    4. Coll Mackensie
    5. Concessions
    6. Dog At Bay
    7. Chief Wants
    8. To Welcome The Travelers Home
    9. What Can't Be Won
    Nathan Salsburg
    $14.99
    Vinyl LP - Sealed Buy Now
  • The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set Quick View

    $469.99
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    The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set


    * 800 Newly-Remastered Digital Tracks, Representing 172 Artists


    * 200+ Fully-Restored Original 1920s Ads And Images


    * 6x 180g Vinyl LPs Pressed On Burled Chestnut Colored Vinyl W/ Hand-Engraved, Blind-embossed Gold-Leaf Labels, Housed In A Laser-Etched White Birch LP Folio


    * 250 Page Deluxe Large-Format Clothbound Hardcover Art Book


    * 360 Page Encyclopedia-Style Softcover Field Guide Containing Artist Portraits And Full Paramount Discography


    * Handcrafted Quarter-Sawn Oak Cabinet With Lush Sage Velvet Upholstery And Custom-forged Metal Hardware


    * First-Of-Its-Kind Music And Image Player App, Allowing User Mgmt Of All Tracks And Ads, Housed On Custom-Designed USB Drive


    How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in 'The Rise and Fall of Paramount Records 1917-1932,' an epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, to be jointly released by Jack White's Third Man Records and John Fahey's Revenant Records.


    'Volume One,' which covers the label's improbable rise from 1917-1927, will be released exclusively through Third Man on October 29, and worldwide on November 19. The project is co-produced by leading Paramount authority Alex van der Tuuk, and 'Volume 2' will be released in November 2014.


    Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a "race records" powerhouse, its sound and fortunes directly linked to the Great Migration.


    By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable "other" (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.


    The 'Rise and Fall' wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences.

    6 LPs feature 87 tracks from the collection.


    USB Drive contains 800 digital tracks by 172 artists across the Paramount family of labels, including the earliest recordings of:
    King Oliver, Jelly Roll Morton, Blind Blake, Fats Waller, Ma Rainey, Blind Lemon Jefferson, Duke Ellington, Louis Armstrong, Fletcher Henderson, Alberta Hunter, Papa Charlie Jackson, Ethel Waters, Coleman Hawkins, Johnny and Baby Dodds, Bo Weavil Jackson, Jimmy O'Bryant, Buddy Boy Hawkins, Tiny Parham, Jimmy Blythe, and Jaybird Coleman.

    Various Artists
    $469.99
    180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed Buy Now
  • The Thousand Incarnations Of The Rose: American Primitive Guitar & Banjo (1963-1974) (Pre-Order) The Thousand Incarnations Of The Rose: American Primitive Guitar & Banjo (1963-1974) (Pre-Order) Quick View

    $29.99
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    The Thousand Incarnations Of The Rose: American Primitive Guitar & Banjo (1963-1974) (Pre-Order)

    The Thousand Incarnations Of The Rose: American Primitive Guitar and Banjo (1963-1974) celebrates the
    groundbreaking, inventive approach to traditional music brought forward by a collection of maverick artists whose
    interpretations of folk, blues, and traditional song gave rise to one of American music's most unique and singular
    styles. Features John Fahey, Leo Kottke, Robbie Basho, and more.
    1. John Fahey - Night Train to Valhalla
    2. Leo Kottke - The Ice Miner
    3. Leo Kottke - Anyhow
    4. Peter Walker - April In Cambridge
    5. Harry Taussig - Water Verses
    6. Harry Taussig - Children's Dance
    7. Sandy Bull - Little Maggie
    8. John Fahey - On the Banks of the Owchita
    9. Peter Walker - Gypsy Song
    10. Max Ochs - Raga (1)
    11. Max Ochs - Raga (2)
    12. Billy Faier - Longhorn Express


    LP 2
    1. Robbie Basho - The Thousand Incarnations of the Rose
    2. Fred Gerlach - Eyrie
    3. George Stavis - Winterland Doldrums
    4. Peter Lang - When Kings Come Home
    5. John Fahey - The Portland Cement Factory at Monolith, California

    Various Artists
    $29.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
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