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  • Sunday 8PM Sunday 8PM Quick View

    $39.99
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    Sunday 8PM

    Import



    Good for Saturday nights as well as Sunday evenings, Maxi Jazz, Rollo and Sister Bliss are the holy trinity at
    the centre of the U.K. electronic dance collective Faithless. Catapulted to fame by their 1996 banger
    eInsomniaf, the group went on to play almost every stage, club and festival known to man. Twice. Music On
    Vinyl is now releasing their second album, Sunday 8PM, on 180 grams audiophile vinyl. On it, Maxi Jazzfs
    reverent flow managed to produce eGod Is A DJf, not just a dance anthem, but a hymn of majestic
    proportions.

    The audience at the Dutch festival Pinkpop went so wild to the song that the band decided to
    use live footage of the concert in their video, a plea for togetherness devoid of false sentiment and schmaltz.
    Sunday 8PM is a prime example of dance music at the peak of its popularity, but donft let nostalgia fool you;
    this album still stands today even in one of the most changing and evolving music genres we know.

    LP1 - Side 1


    1 The Garden (4:26)
    2 Bring My Family Back (5:30)
    3 Hour Of Need (4:36)


    LP1 - Side 2


    1 Postcards (4:01)
    2 Take The Long Way Home (7:14)
    3 Why Go? (3:10)


    LP2 - Side 1


    1 She's My Baby (5:48)
    2 God Is A DJ (8:06)


    LP2 - Side 2


    1 Hem Of His Garment (4:08)
    2 Sunday 8pm (2:43)
    3 Killerfs Lullaby (6:08)

    Faithless
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Outrospective Outrospective Quick View

    $44.99
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    Outrospective

    Good for Saturday nights as well as Sunday mornings, Maxi Jazz, Rollo and Sister Bliss are the holy trinity at the centre of the U.K. electronic dance collective Faithless.
    Catapulted into fame by their 1996 banger 'Insomnia', the group went on to play almost every stage, club and festival known to man. Twice.


    Outrospective was their third and most successful album, where Maxi Jazz's trendy vicar approach and Sister Bliss & Rollo's innate sense of what makes music work reach their climax.


    It is more upbeat in tempo and emotion and has an intuitive production that emphasizes their E-flavoured spirituality to a tee. Featuring Dido and their biggest selling hit 'We Come One'.

    LP 1
    1. Donny X
    2. Not Enuff Love

    3. We Come 1
    4. Crazy English Summer
    5. Muhammad Ali
    6. Machines R Us


    LP 2

    1. One Step Too Far
    2. Tarantula
    3. Giving Myself Away

    4. Code
    5. Evergreen
    6. Liontamer

    Faithless
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Summon The Faithless Summon The Faithless Quick View

    $19.99
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    Summon The Faithless

    The Sanford Parker (Minsk, High Confessions, Nachtmystium) and Bruce Lamont (Yakuza) helmed Circle Of Animals delivers a modern form of the legendary Chicago industrial sound on its first proper full-length Destroy the Light. Created from the ground up around a rotating cast of well-known drummers picked from all corners of the rock spectrum (Steve Shelley - Sonic Youth), Dave White - Municipal Waste/Burnt By The Sun), John Herndon - Tortoise), John Merryman - Cephalic Carnage), Parker and Lamont paint a collection of dark, epic unforgettable tracks that are sometimes driving, sometimes creeping, but always brooding and hypnotic.
    1. In a Frightened State of Gnawed Dismemberment
    2. Summoning the Faithless
    3. Greed is Your Horse
    4. Descend Into External
    5. Dreams of Mercy
    6. Perverse Osmosis
    7. Water Under a Burning Bridge
    8. What is Not...is
    Lord Dying
    $19.99
    Vinyl LP - Sealed Buy Now
  • Strangers Almanac Strangers Almanac Quick View

    $24.99
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    Strangers Almanac

    Whiskeytown, a highly acclaimed founding band of the alt-country/No Depression scene, launched the solo career of four-time Grammy®-nominated singer-songwriter-guitarist Ryan Adams as well as that of fiddler-singer-songwriter Caitlin Cary. Now the groups 1997 major label debut album, an overlooked gem from a band considered one of the genres most promising, is being released for the first time ever on vinyl.


    1997's Strangers Almanac was Whiskeytown's major-label debut and the album that first introduced Ryan Adams to a wide audience, but at the same time it marked the beginning of the end for the group. When Whiskeytown went into the studio to record Strangers Almanac, the band had undergone the first of what would become a long line of personnel shakeups, and in addition to Ryan Adams, the only proper members of the group on hand for the sessions were violinist and vocalist Caitlin Cary and guitarist Phil Wandscher; session musicians filled out the lineup, while the new rhythm section, Jeff Rice (bass) and Steve Terry (drums), was hired only two weeks before recording began. Despite its chaotic creation, Strangers Almanac sounds stronger and more cohesive than its ragged but forceful indie predecessor, Faithless Street, and there's a deeper resonance in Ryan Adams' tales of wasted nights and wasted lives, such as Inn Town, Losering, and Dancing with the Women at the Bar. Strangers Almanac doesn't rock as hard as Whiskeytown's earlier material, but when the guitars kick into high gear on Yesterday's News and Waiting to Derail, it reveals just how good a match Ryan Adams and Wandscher were, and Excuse Me While I Break My Own Heart Tonight and 16 Days are as strong and moving as their country gestures got. Strangers Almanac captures Whiskeytown when they still had some business calling themselves a band rather than just Ryan Adams' backing musicians, and the glorious world-weariness of its best moments makes it a far more satisfying listen than most of what would follow once Ryan Adams struck out on his own.

    1. Inn Town
    2. Excuse Me While I Break My Own Heart Tonight
    3. Yesterdays News
    4. 16 Days
    5. Everything I Do
    6. Houses on the Hill
    7. Turn Around
    8. Dancing with the Women at the Bar
    9. Waiting to Derail
    10. Avenues
    11. Losering
    12. Somebody Remembers the Rose
    13. Not Home Anymore


    Live in the Studio Radio Performances September 1997 Houses on the Hill*
    14. Nurse with the Pills*
    15. I Dont Care What You Think About Me*
    16. Somebody Remembers the Rose*
    17. Turn Around*


    *previously unreleased
    Whiskeytown
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Talent Talent Quick View

    $18.99
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    Talent

    12" vinyl.


    Texas native and Beach Fossils bassist John Pena began writing and performing under the Heavenly Beat guise in the latter part of 2009. John emerged from his bedroom after months of leisurely paced recording with a couple of tracks that would become his first release on Captured Tracks in the form of the 7" single "Suday." Being influenced by nothing in particular has payed off as many have had trouble pinning the sound down as anything other than "immaculately arranged and paced" and "attractive music for attractive people."


    Thus again proving that just because you've heard a song by The Cure or Neil Young doesn't mean you have to ape it shamelessly to gain wide acceptance. Shortly after the release of "Suday," Heavenly Beat released the A-side "Faithless" for their forthcoming second single, igniting not only the blog world but the interest of the uninformed few who might have missed "Suday." By paying homage to no one but himself, John Pena's band has become one to watch in 2012. This, Heavenly Beat's debut LP, Talent, will be preceded by the album's first single "Messiah."

    1. Lust
    2. Messiah
    3. Faithless
    4. Tolerance
    5. Elite
    6. Talent
    7. Hurting
    8. Tradition
    9. Presence
    10. Influence
    11. Consensual
    Heavenly Beat
    $18.99
    Vinyl LP - Sealed Buy Now
  • Loyalty Loyalty Quick View

    $21.99
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    Loyalty

    The record was called Loyalty from the beginning-it was the first decision I made about it. It's a word you
    usually see written in copperplate script, a virtue: LOYALTY. But the songs don't treat it that way, just as a
    thing to unpack. It's a force that you have to reckon with: loyalty to the dream, to the "work," to the mythical idea of "you" that somebody thought they saw. It can be a weakness as much as a strength; it can keep you from the reality of your own life, your own self. - Tamara Lindeman


    In excess virtue lies danger, or at least limits to pragmatic action-it's a lesson hard learned by anyone
    disillusioned by the erosion of youthful mythologies. Strict fealty to a fixed ideal of identity doesn't do us
    any favors as adults. Loyalty, the third and finest album yet by The Weather Station (and the first for
    Paradise of Bachelors) wrestles with these knotty notions of faithfulness/faithlessness-to our idealism,
    our constructs of character, our memories, and to our family, friends, and lovers-representing a bold
    step forward into new sonic and psychological inscapes. It's a natural progression for Toronto artist
    Tamara Lindeman's acclaimed songwriting practice. Recorded at La Frette Studios just outside Paris in
    the winter of 2014, in close collaboration with Afie Jurvanen (Bahamas) and Robbie Lackritz (Feist),
    the record crystallizes her lapidary songcraft into eleven emotionally charged vignettes and intimate
    portraits, redolent of fellow Canadians Joni Mitchell, Leonard Cohen, and David Wiffen, but utterly her
    own.


    Lindeman describes La Frette, housed in an enormous, crumbling 19th-century mansion, as
    "a secret garden, a place of enchantment and grace": walls mantled in ivy and lions, corridors piled high
    with discarded tape machines, old reels, and priceless guitars. As she puts it, "Recording where we did
    meant we embraced beauty-we weren't afraid of it being beautiful." Like the record itself, it's a quietly
    radical statement, especially since certain passages achieve a diaphanous eeriness and harmonic and
    rhythmic tension new to The Weather Station. The stacked vocal harmonies of "Tapes," the drifting,
    jazz-inflected chording in "Life's Work," and the glacial percussion in "Personal Eclipse" contribute to a
    pervading sense of clock-stopping bloom and smolder, recalling the spooky avant-soul of Terry Callier's
    Occasional Rain.


    Beyond the decaying decadence and vintage gear, the brokedown palace atmosphere of
    La Frette afforded a more significant interior luxury as well, one stated with brutal honesty in the
    stunning "Shy Women": "it seemed to me that luxury would be to be not so ashamed, not to look away."


    Accordingly, Loyalty brings a freshly unflinching self-examining gaze and emotional and musical control
    to The Weather Station's songs. She is an extraordinary singer and instrumentalist-on Loyalty she plays
    guitar, banjo, keys, and vibes-but Lindeman has always been a songwriter's songwriter, recognized for
    her intricate, carefully worded verse, filled with double meanings, ambiguities, and complex metaphors.
    Though more moving than ever, her writing here is almost clinical in its discipline, its deliberate wording
    and exacting delivery, evoking similarly idiosyncratic songsters from Linda Perhacs to Bill Callahan.


    Outside her musical practice, Lindeman also happens to be an accomplished film and
    television actor, and it's her directorial eye for quietly compelling characters and the rich details of the
    everyday, Bressonian in its specificity and scope, that drives the limpid singularity of The Weather
    Station's songs. As in Bresson's films, there is no trace of theater here, no brittle singer-songwriter
    histrionics, but rather a powerful performative focus and narrative restraint, a commitment to what the
    auteur called the "simultaneous precision and imprecision of music." Despite the descriptive delicacy, the
    album never lapses into preciousness or sentimentality, instead retaining its barbs and bristles and
    remaining resolutely clear-eyed and thick-skinned. Lyrically, Loyalty inverts and involutes the language
    of confession, of regret, of our most private and muddled mental feelings, by externalizing those
    anxieties through exquisite observation of the things and people we accumulate, the modest meanings
    accreted during even our most ostensibly mundane domestic moments. ("Your trouble is like a lens," she
    discerns in "I Mined," "through which the whole world bends.")


    "Tapes" and "I Could Only Stand By" expose and exalt the quotidian-"the little tapes"
    hidden beneath a lover's bed, "the sunken old moorings" at the "bruise-colored lake"-without romanticizing
    these scenes of, respectively, grief and guilt. "Like Sisters" analyzes the darker contours of a
    friendship with devastating scrutiny. The breathless momentum of "Way It Is, Way It Could Be"-"both
    are," she sings of the way we sometimes live, for better or for worse, amid multiple truths-hinges on a
    mysterious moment when two brown dogs die underwheel, then don't, and that gut-sickness is
    overturned, a sin redeemed with a second glance. "Floodplain" and "Personal Eclipse" are also road songs
    about traveling through, and owning, the empty places in-between, literally and figuratively-what
    Lindeman deems "the various ways people try to disappear from themselves, in physical distance, in
    politeness."


    To invoke Melville (author of PoB's namesake story), "extreme loyalty to the piety of love"
    can be a destabilizing force, a kind of bondage from which we must emancipate ourselves. The line is
    from his strange masterpiece Pierre, or the Ambiguities; The Weather Station's Loyalty could quite easily
    support the same subtitle for the fascinating ways it navigates the deep canyons between certainty and
    uncertainty, faith and doubt.

    1. Way It Is, Way It Could Be
    2. Loyalty
    3. Floodplain
    4. Shy Women
    5. Personal Eclipse
    6. Life's Work
    7. Like Sisters
    8. I Mined
    9. Tapes
    10. I Could Only Stand By
    11. At Full Height
    The Weather Station
    $21.99
    Vinyl LP - Sealed Buy Now
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