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SleepwalkersKnown as singer/guitarist of The Gaslight Anthem, as well as The Horrible Crowes, Brian Fallon will release his
sophomore solo album, SLEEPWALKERS, via Island Records.LP 1
1.If Your Prayers Don't Get To Heaven
2.Forget Me Not
3.Come Wander With Me
5.Her Majesty's Service
6.Proof Of Life
3.My Name Is The Night (Color Me Black)
6.See You On The Other Side$22.99Vinyl LP - 2 LPs Sealed Buy Now
PainkillersPAINKILLERS is the first solo album from Brian Fallon.
Fallon is widely known as singer and guitarist of The Gaslight Anthem, as well as The Horrible Crowes and Molly & The Zombies. Produced by Butch Walker, the album was recorded earlier this year at Nashville's Taxidermy Studios with Fallon fronting a crack band that includes Walker, Molly & The Zombies bassist Catherine Popper, and drummer Mark Stepro.1. A Wonderful Life
3. Among Other Foolish Things
5. Steve McQueen
6. Nobody Wins
8. Red Lights
9. Long Drives
10. Honey Magnolia
11. Mojo Hand
12. Open All Night$19.99Vinyl LP - Sealed Buy Now
untitled unmastered.Having treated fans with new music during various TV performances over the past year, Top Dawg Entertainment, alongside Aftermath Ent/Interscope Records have released "untitled unmastered." by Kendrick Lamar, an 8-song project which features studio versions of the untitled songs Kendrick performed on The Colbert Report, The Tonight Show with Jimmy Fallon and the most recent performance at the 58th annual GRAMMY Awards show.1. Untitled 01 | 08.19.2014.
2. Untitled 02 | 06.23.2014.
3. Untitled 03 | 05.28.2013.
4. Untitled 04 | 08.14.2014.
5. Untitled 05 | 09.21.2014.
6. Untitled 06 | 06.30.2014.
7. Untitled 07 | 2014 - 2016
8. Untitled 08 | 09.06.2014.$25.99Vinyl LP - Sealed Buy Now
American SlangAmerican Slangs marks an extraordinary leap forward for the Gaslight Anthem, revealing a triumphant rock 'n' roll band honed by two years of nearly non-stop touring. Singer/guitarist Brian Fallon's lyrical approach has grown more personal and introspective, his raw throated vocals stronger and more resonant against the band's boundless dynamic force. American Slang is a classic rock and roll album, that will be a benchmark of the genre.1. American Slang
2. Stay Lucky
3. Bring It On
4. The Diamond Church Street Choir
5. The Queen of Lower Chelsea
8. Old Haunts
9. The Spirit Of Jazz
10. We Did It When We Were Young$22.99Vinyl LP - Sealed Buy Now
UNIM-SID-3019xThe Horrible Crowes
Live At The Troubadour (Awaiting Repress)Includes DVD With Over An Hour Of Live And Behind The Scenes Footage
On September 14, 2011, The Horrible Crowes took the stage of the legendary Troubadour in West Hollywood, CA for an amazing hour-long plus set. It was only the band's second show, and attendees were able to experience Elsie in an authentic, natural setting.
I think this was one of the highlights of my career, Brian Fallon recalls. Everyone was in great spirits, we were comfortable, and we were playing music that excited us beyond what we thought we were capable of. I remember, on this night, I felt like someone else was playing for us. I love this band, as a fan.
Both Fallon and guitarist Ian Perkins remember that night fondly. I will always look back at this show with the fondest of memories. Sometimes you can walk into a venue and the atmosphere is already there, The Troubadour is one of those places. We were all excited to play such a legendary venue and you only have to read the names on the walls inside to see why."
The hi-definition DVD features twelve live tracks from that night, as well as candid pre-show interviews with Brian Fallon and Ian Perkins, sound check footage and the music videos for Behold The Hurricane and Lady Killer.1. Last Rites
3. Behold the Hurricane
4. I Witnessed a Crime
5. Go Tell Everybody
6. Cherry Blossoms
9. Teenage Dream
10. Mary Ann
11.Black Betty & the Moon
12. Blood Loss
13. I Believe Jesus Brought Us Together
14. Never Tear Us Apart$24.99Vinyl LP + DVD - 2 LPs Sealed AWAITING REPRESS Buy Now
Handwritten (Awaiting Repress)
Blue Colored Vinyl
The late Nashville songwriter Harlan Howard famously defined the ingredients of a great song as three chords and the truth. Every songwriter knows three chords, but laying bare the truth? Now that can be an altogether trickier affair. In January of 2012, The Gaslight Anthem piled into their old tour van and headed across the New Jersey state line for a 14 hour road trip to Nashville on their own quest for the truth. Their destination was 2806 Azalea Place, Nashville, Blackbird Studio, where the New Brunswick quartet had booked five weeks recording time with producer Brendan O'Brien (Bruce Springsteen, Pearl Jam, AC/DC). Their mission: to reconnect with rock 'n' roll in its most feral, pure, stripped-raw form.
Brian Fallon was thirteen years old when he discovered The Clash's self-titled debut album in the racks of Sound Effects Records in Hackettstown, New Jersey: the owner of the store promised the young teenager that the record would change his life. He wasn't wrong. But there was a time, not so very long ago, when The Gaslight's Anthem frontman had grown weary of the sound of electric guitars. After three albums of soulful, impassioned, hearts-on-fire punk rock, Sink Or Swim (2007), The '59 Sound (2008) and American Slang (2010), Fallon needed a change of pace, a change of scenery.
And so, in January of 2011, together with TGA guitar tech Ian Perkins, he formed The Horrible Crowes, a darkly melancholic side-project inspired by his love of The Afghan Whigs, Tom Waits and PJ Harvey. After the band's acclaimed debut album Elsie dropped in September, Fallon joined fellow punk rock troubadours Chuck Ragan, Dan Andriano (Alkaline Trio) and Dave Hause (The Loved Ones) on the acoustic Revival Tour, airing stripped-down versions of Gaslight Anthem and Horrible Crowes songs to packed rooms across Europe. And then he returned home to New Jersey and Gaslight, re-energized, renewed and ready to make a full-tilt rock 'n' roll record again.
After six weeks of that there's nothing you want to hear more than a Marshall stack turned all the way up, he says with a laugh. The result is Handwritten, the most committed, affecting and compelling album of The Gaslight Anthem's career to date. Introduced by muscular lead-off single 45, which received it's world premiere on BBC Radio 1 as Zane Lowe's Hottest Record In The World on April 30, it finds the Jersey boys in inspired form, decanting '60's soul, '70's stadium rock, '80s hardcore and '90's grunge into eleven white-knuckle, blue-collar everyman anthems. Fallon likens its incandescent electrical storms to Tom Petty songs (being) played by Pearl Jam. Put more simply, it's a supercharged American rock 'n' roll classic.
We've taken everything we do and gone to 10 with it, explains Fallon. This is definitely the Gaslight Anthem record I would want next, if I were a fan. American Slang was cool, but this sounds like a band who has plugged back into the electric socket again. I think these songs are the closest thing to what we should have always sounded like, adds guitarist Alex Rosamilia. We just hadn't figured out yet how to play it right.
Fallon credits Brendan O'Brien for capturing the raw, live-off-the-floor feel of Handwritten. Fine-tuned in the living room of the small rental house the band shared in Nashville, its eleven tracks were recorded with the whole band eyeball-to-eyeball in one room at Blackbird, vibing off one another's energy. The electricity in the recordings is tangible. Brendan taught us a ton about songwriting and recording as a band, Fallon notes. The whole experience was amazing. That's the guy that recorded Pearl Jam, that's the guy that recorded Bruce Springsteen, that's the guy that did Rage Against The Machine; and that's the guy you want to say 'It's good', because when he says it's good, that's when it's good.
The purity of O'Brien's stark, unadorned recording process served to inspire Fallon's approach to the lyrical themes on Handwritten too. Where previous Gaslight Anthem albums evoked deathless images of Americana, all Cadillacs, jukeboxes, Ferris wheels and wistful, romanticized vignettes of star-struck lovers disappearing into the great wide open, Handwritten is rooted in Fallon's own experiences, lending the record a more immediate, emotional edge. Now I am no angel but I got nothing to hide, the singer rasps on the brooding grunge-noir of Too Much Blood. Can you say the same thing for yourself tonight?
It's supposed to be a letter to whoever is listening, says Fallon. Like, this is what we got beat up by and maybe you did too. There's so many things that I just never wrote about, real personal stuff that I just wasn't ready to talk about yet. Now I think being an adult I have some reflection on it. We wanted to look back on the music that we first found when we were in high school. The truth is, if you're my age, you were listening to Peal Jam and Nirvana and Soundgarden. When that music came out these were guys that we could relate to. They weren't the biggest bands in the world by accident.
And it's no accident either that with Handwritten, the Gaslight Anthem themselves sound built to take on the world. After years paying their dues in the punk rock underground, their major label debut is assuredly the work of a young band who know their time is now. And their laidback, charismatic frontman is ready. I've always been ready for arenas, Fallon smiles. I've just been waiting for them to catch up to me. I want to play Giant Stadium, I always wanted to be a major label, major league band. If I can be the kid that's on the cover of Time magazine, I'll take it. And I'll buy you a drink while I'm at it.1. 45
3. Here Comes My Man
4. Mulholland Drive
6. Too Much Blood
8. Biloxi Parish
11. National Anthem$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Good Earth (Awaiting Repress)It took the Feelies six years to create their follow-up album to Crazy Rhythms. The Good Earth was co-produced by Feelies co-captains Glenn Mercer and Bill Million along with REM's Peter Buck, a Feelies admirer since his days as a record store clerk. The album was an early release on Coyote Records the label started by Steve Fallon of Maxwell's in Hoboken and featured the line-up that continues to this day.
Available for the first time in over a decade, deluxe packaging features liner notes by Jim Derogatis and Jim Sullivan and bonus material including demos, b-sides, EP tracks and new live recordings via download card inserts.1. On The Roof
2. The High Road
3. The Last Roundup
4. Slipping (Into Something)
5. When Company Comes
6. Let's Go
7. Two Rooms
8. The Good Earth
9. Tomorrow Today
10. Slow Down$18.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
EclipseEclipse, Lewis' third album as Twin Shadow, follows up on the success of 2012's Confess, an international critical smash.
That moment when something pure and constant is broken, where you're filled with vulnerability, that moment is what I live for in art, says George Lewis, Jr., aka Twin Shadow. I've always chased that in my music, and when I find it I try to reign it back right before it falls over the edge.
2012's international critical smash, Confess, was hailed by Pitchfork as Best New Music for its brash lyrics [and] laser-focused songwriting, Uncut called an impeccable sequel to an immaculate debut, and NME dubbed a thrill ride. Stunning performances everywhere from Fallon and Conan to Coachella and Bonnaroo cemented Lewis' status as one of the most charismatic and compelling frontmen in music today, but by the end of touring for Confess, he found himself burned out and in need of solitude.1. Flatliners
2. When The Lights Turn Out
3. To The Top
4. Alone (feat. Lily Elise)
6. Turn Me Up
7. I'm Ready
8. Old Love / New Love (feat. D'Angelo Lacy)
9. Half Life
10. Watch Me Go
11. Locked & Loaded$12.99Colored Vinyl LP - Sealed Buy Now
The Hamilton MixtapeAtlantic Records has announced the highly-anticipated release of The Hamilton Mixtape, an unprecedented musical companion to the landmark Broadway musical by Tony, GRAMMY® and Emmy Award-winner Lin-Manuel Miranda.
Executive produced by The Roots' Ahmir "Questlove" Thompson and Tarik "Black Thought" Trotter, The Hamilton Mixtape sees songs from the Pulitzer Prize-winning musical covered and remixed by a remarkable cast of contemporary artists. Superstars contributing to the one of its kind collection include Sia, Usher, Kelly Clarkson, The Roots, Alicia Keys, Nas, Wiz Khalifa, Chance The Rapper, John Legend, Regina Spektor, Ashanti, Ja Rule, Miguel, Queen Latifah, Common, Ben Folds, Andra Day, Jill Scott, Jimmy Fallon & more. The Hamilton Mixtape also includes three previously unreleased HAMILTON demos.LP 1
1. No John Trumbull (Intro) - By The Roots
2. My Shot (feat. Busta Rhymes, Joell Ortiz & Nate Ruess) [Rise Up Remix] - By The Roots
3. Wrote My Way Out - By Nas, Dave East, Lin-Manuel Miranda & Aloe Blacc
4. Wait For It - By Usher
5. An Open Letter (feat. Shockwave) [Interlude] - By Watsky
6. Satisfied (feat. Miguel & Queen Latifah) - By Sia
7. Dear Theodosia (feat. Ben Folds) - By Regina Spektor
8. Valley Forge (Demo) - By Lin-Manuel Miranda
9. It's Quiet Uptown - By Kelly Clarkson
10. That Would Be Enough - By Alicia Keys
11. Immigrants (We Get The Job Done) - By K'naan, Snow Tha Product, Riz MC, Residente
1. You'll Be Back - By Jimmy Fallon & The Roots
2. Helpless (feat. Ja Rule) - By Ashanti
3. Take A Break (Interlude) - By !llmind
4. Say Yes To This - By Jill Scott
5. Congratulations - By Dessa
6. Burn - By Andra Day
7. Stay Alive (Interlude) - By J.PERIOD & Stro Elliot
8. Cabinet Battle 3 (Demo) - By Lin-Manuel Miranda
9. Washingtons By Your Side - By Wiz Khalifa
10. History Has Its Eyes On You - By John Legend
11. Who Tells Your Story (feat. Common & Ingrid Michaelson) - By The Roots
12. Dear Theodosia (Reprise) - By Chance The Rapper & Francis and The Lights$29.99Vinyl LP - 2 LPs Sealed Buy Now
Crazy RhythmsBar/None is proud to release two classic albums by the Feelies, the much-loved group of hyperactive indie rockers from Haledon, New Jersey who did much to influence the sound of college radio in the 1980s.
Their debut album Crazy Rhythms is a masterwork of perfectly honed minimalist rock 'n' roll that leaps and darts into the corners of the listener's consciousness, a true sonic achievement that Rolling Stone called one of the 100 Best albums of the 1980s. Fans of the Velvet Underground, Wire and Brian Eno's early solo albums will surely appreciate their forces at work.
It took the Feelies six years to create their follow-up album. The Good Earth was co-produced by Feelies co-captains Glenn Mercer and Bill Million along with REM's Peter Buck, a Feelies admirer since his days as a record store clerk. The album was an early release on Coyote Records the label started by Steve Fallon of Maxwell's in Hoboken and featured the line-up that continues to this day.
Available for the first time in over a decade, deluxe packaging features liner notes by Jim Derogatis and Jim Sullivan.1. The Boy With the Perpetual Nervousness
2. Fa Ce-La
3. Loveless Love
4. Forces At Work
5. Original Love
6. Everybody's Got Something to Hide (Except Me and My Monkey)
7. Moscow Nights
8. Raised Eyebrows
9. Crazy Rhythms$18.99Vinyl LP - Sealed Buy Now
Gold Colored Vinyl
"I'm starting to think that the only way Black Clouds would fail us is if they
simply decided not to show up." -Brightest Young Things
The final minutes of Black Clouds' debut album did not have a happy
ending: In a spoken word coda, Clutch's Neil Fallon repeatedly informs the
listener that "everything is not going to be OK," and despite the fact this
had already been well communicated by the album itself, this was the first
time that language had been used to articulate its quasi-nihilism. For these
Washington D.C. post-rock and metal experimentalists, it was a rare, but
vivid show-me-and-tell-me moment.
Which is to say that Dreamcation, Black Clouds' sophomore effort and Collect
Records debut, is a significantly different kind of record. That sense of doom,
once mined for its power, is more effectively harnessed for a nuanced energy-
the darkness curbed just enough to let the light in-and the result is alternately
aggressive and ambient, often in the same song, and sometimes in the same
part: "Carcosa," for one, takes equal cues from funeral and ascension, and
"Some Of Us Are Meant To Disappear" somehow pummels you into a warm
hug. A smart and measured progression, Black Clouds finds itself at their most
introspective on Dreamcation, and if this album's finalÉ eschews language
altogether for a wash of subtle chords and a blissfully ecstatic drone, it's only
because-perhaps-everything is going to be OK after all.1. We Begged For The Floods
2. Don't Look For Me
4. And Then I Dove
5. Accept The Mystery
6. Some Of Us Are Meant To Disappear
7. Mt. Rainier
8. Low Places
9. Everyone's Waiting
10. Perennial$16.99Colored Vinyl LP - Sealed Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
UNIM-ISL-8740xFall Out Boy
American Beauty/American PsychoAmerican Beauty/American Psycho will be released on Island Records & DCD2 Records. It is the follow-up album to the band's gold-certified fifth studio album Save Rock and Roll, which debuted at #1 on the Billboard Top 200 and #1 on iTunes in 27 countries upon its April 2012 release.
Hailing from Chicago, Fall Out Boy Patrick Stump (vocals/guitar), Pete Wentz (bass), Joe Trohman (guitar) and Andy Hurley (drums) has appeared on the cover of Rolling Stone and other prestigious publications. They have performed on Saturday Night Live, The Today Show, America s Got Talent, The Voice, Late Night with Jimmy Fallon, The Tonight Show with Jay Leno, Conan, The Late Show with David Letterman, Jimmy Kimmel Live and many more.1. Irresistible
2. American Beauty/American Psycho
4. The Kids Aren't Alright
5. Uma Thurman
6. Jet Pack Blues
8. Fourth of July
9. Favorite Record
11. Twin Skeleton's (Hotel in NYC)$19.99Vinyl LP - Sealed Buy Now
Wise Up GhostLong-rumored and shrouded in mystery, this collaborative album between Elvis Costello and The Roots promises to be one of the most unexpected and
revelatory releases of 2013. Born out of multiple performances by Costello on the Roots' day/night job at Late Night With Jimmy Fallon, this album developed organically and is definitely a situation where the whole is greater than the sum of the amazing parts. It surprises with how good the two
elements gel, but also sounds exactly how you'd think in your wildest dreams. As The Roots' ?uestlove notes, "it's a moody, brooding affair, cathartic rhythms and dissonant lullabies. I went stark and dark on the music. Elvis went HAM on some ole Ezra Pound shit"
"Really does combine the strengths of its authors: Costello's voice, lyrics, and melody are driven by the Roots' powerful, swinging groove." - Stereogum
"Sounds like vintage Costello, with a deep, dubby bassline- Los Angeles Times
"A funky, icy groove, replete with a throwback organ sound and Costello singing like he did in his "Watching the Detectives era."- SPIN1. Walk Us Uptown
2. Sugar Won't Work
3. Refuse To Be Saved
4. Wake Me Up
6. Stick Out Your Tongue
7. Come The Meantimes
8. (She Might Be A) Grenade
9. Cinco Minutos Con Vos
10. Viceroy's Row
11. Wise Up Ghost
12. If I Could Believe$29.99Vinyl LP - 2 LPs Sealed Buy Now
GEMINIReleased For The First Time On Vinyl, This Double LP Gatefold Contains Two Bonus Tracks Never Before Available
GEMINI, Macklemore's first solo effort in 12 years, was initially released in September of 2017. It
debuted at #2 on the Billboard Top 200 chart and #1 on the charts for Rap, R&B/Hip-Hop, and
Independent Albums. The album follows two releases with producer Ryan Lewis: the multipleGRAMMY
award winning album 'The Heist' and 2016 release 'This Unruly Mess I've Made'
(featuring Platinum-certified single Downtown).
GEMINI includes singles "Glorious (featuring Skylar Grey), "Marmalade" (featuring Lil Yachty)
and "Good Old Days" (featuring Kesha).
Collectively Macklemore's music videos have been viewed over 2.7 billion times and he is one
of only two rappers to have a Diamond-certified single. Macklemore's previous solo releases
include "The Language of My World" and the mixtapes "Open Your Eyes" and "The Unplanned
In the past year, the Seattle rapper released two solo songs 'Wednesday Morning' and 'Drug
Dealer,' performed on Ellen and The Tonight Show with Jimmy Fallon, was featured in an MTV
special with President Obama about the opioid epidemic in America and was the first US
citizen ever to participate in the Presidential Weekly Address. Both 'Wednesday Morning' and
'Drug Dealer' are featured as bonus tracks on the February 2018 LP release of GEMINI.LP 1
1. Ain't Gonna Die Tonight feat. Eric Nally
2. Glorious feat. Skylar Grey
3. Marmalade feat. Lil Yachty
4. Willy Wonka feat. Offset
5. Intentions feat. Dan Caplen
6. Good Old Days feat. Kesha
7. Levitate feat. Otieno Terry
8. Firebreather feat. Reignwolf
9. How To Play the Flute feat. King Draino
10. Ten Million
1. Over It feat. Donna Missal
2. Zara feat. Abir
3. Corner Store feat. Dave B and Travis Thompson
4. Miracle feat. Dan Caplen
5. Church feat. Xperience
6. Excavate feat. Saint Claire
7. Drug Dealer feat. Ariana DeBoo
8. Wednesday Morning$21.99Vinyl LP - 2 LPs Sealed Buy Now
Soul EyesSinger, songwriter and pianist Kandace Springs will release her debut full-length album Soul Eyes on Blue Note Records. Produced by Grammy-winning producer Larry Klein (Lizz Wright, Melody Gardot, Joni Mitchell, Herbie Hancock), the album touches upon soul and pop while channeling her jazz influences as well as her Nashville upbringing. Kandace counts such stylists as Billie Holiday, Ella Fitzgerald, Nina Simone, Roberta Flack and Norah Jones as her heroes, but as evidenced by Soul Eyes, Springs mimics none of them.
Kandace's journey to discovering her uniqueness didn't happen overnight. In fact, her 2014 self-titled debut EP had a decidedly contemporary R&B/hip-hop bent with production by Pop & Oak (Rihanna, Nicki Minaj, Miguel). The EP was incredibly well-received and led to performances on Late Show With David Letterman, Jimmy Kimmel Live and The Tonight Show Starring Jimmy Fallon, as well as appearances at the Afropunk and Bonnaroo festivals.
Kandace was dubbed a "suave songstress" (Wall Street Journal), "a versatile and vital artist" (Afropunk), and "a vocal force to be reckoned with" (Okayplayer). Essence Magazine named her a New & Next artist and Interview Magazine made her their Music Discovery, writing that while "Hearing the word jazz might revert a listener's thoughts to the music of yesteryear...Up-and-comer Kandace Springs aims to change this notion. The singer, songwriter, and pianist blends elements of soul, jazz, and pop, producing a unique and modern twist on the genre that appeals to young and old listeners alike."
As amazing an experience as that was, as Kandace got ready to record her album she couldn't shake the feeling that she wasn't yet singing her true self. Conversations with her longtime producers Carl Sturken and Evan Rogers led to soul searching and rethinking her musical direction. Also during this period, Kandace attracted the attention of Prince, who heard her makeover of Sam Smith's "Stay With Me" on the website Okayplayer. The music icon invited her to perform with him at Paisley Park for the 30th anniversary of Purple Rain. "He encouraged me a lot before I recorded this new record, especially during the time in which I was trying to figure out my sound," Kandace says. "He told me that I needed to do what comes naturally to me. He was absolutely right."
For Soul Eyes, Kandace continued working closely with Rogers and Sturken, but they also recruited Klein to help the singer bring out her distinctive artistic traits. "Larry wanted me to be free in the studio," she recalls. "I've been through a lot of other sessions in which the producer tries to take control of your sound. Larry was just like, 'Go in and play what you feel.' That ultimately led to the best outcome; he captured this record perfectly."
Klein praises Kandace as a "natural." "In this era, in which flash and hunger for fame is often equated with talent, she's that rare person who sings and plays because that is what she needs to do in life," he says. "When I first heard Kandace, I was sold after hearing one song. Her smoky voice coupled with a sense of phrasing way beyond her years, and her angular way of accompanying herself on piano grabbed me right away."
The eleven songs contained on Soul Eyes are a mix of Kandace's originals and co-writes as well as the jazz classic "Soul Eyes" and songs by Jesse Harris, Shelby Lynne, War, and others. The album features Kandace's playing piano alongside an illustrious cast of musicians that includes trumpeter Terence Blanchard, guitarists Dean Parks and Jesse Harris, drummer Vinnie Colaiuta, organist Pete Kuzma, bassist Dan Lutz, percussionist Pete Korpela.1. Talk To Me
2. Soul Eyes feat. Terence Blanchard
3. Place To Hide
4. Thought It Would Be Easier
5. Novocaine Heart
6. Neither Old Nor Young
7. Too Good Too Last feat. Terence Blanchard
8. Fall Guy
9. The World Is A Ghetto$19.99Vinyl LP - Sealed Buy Now
The title of Now, Now's first new album in half a decade begs the obvious
question Saved from what? They certainly didn't seem like a band that
needed saving after the release of their 2012 LP Threads. When the world
last heard from Now, Now, they had made their late night TV debut with
Jimmy Fallon, and landed tours and shows with bands including Fun. and
Bob Mould, among others. For better or worse, the usual path for any band
that seems like they're on the cusp of a breakthrough is to strike while the
iron is hot. That is, to hurry back to the studio to work with a proven producer
known for having a hand in a few big records. Bands and artists that find
themselves in this situation are compelled to "go big, or go home," and in
Now, Now's case they did just that, they went home.
It might not have been planned that way, but that's where they ended up--
back in Minneapolis without a clear sense of how to move forward. Despite
any success or acclamation earned up to that point, self-doubt set in, and
a crippling writers block entrenched itself further. Weeks became months,
and months dissolved into years, all while the band's modest but fervent
fanbase were left to speculate on social media as to what was behind the
silence. At a particularly low point relates KC, "I felt like I was pursuing the
wrong dream, that maybe something else would reveal itself to me."
She felt pressure from both herself and those around her so immense that it
froze her. "It felt like everyone was mistaking how much I was obsessing
over the album for not caring about the album, but in reality I was putting too
much pressure on myself to be able to write. So it felt like everyone was angry
with me on top of me feeling like I was ruining my career and disappointing
myself." As a result she reveals, "I had some very difficult conversations with
myself and with people close to me who were worried about my happiness."
"I still carry a little bit of guilt for adding to that stress that KC is talking about,"
reveals Brad. "After a year of people around us asking 'why is the album not
done, your career is about to just be over,' I as well started to question my
career choice, to question my talent, and I started buying into this idea that
KC wasn't working, even though I was right there watching her work. That's
something I'm embarrassed by and wish I could take back. But through that
we got stronger as friends and collaborators, and I learned the hard way that
the only reason we make music is for ourselves."1. SGL
3. Can't Help Myself
6. Holy Water
11. Set It Free
12. Powder$19.99Vinyl LP - Sealed Buy Now
Willie And The Boys: Willie's Stash Vol. 2Legacy Recordings is set to release Willie Nelson and the Boys, the eagerly-awaited second installment in the acclaimed Willie's Stash archival recordings series.
Following in the musical footsteps of 2014's December Day, the first volume in the Willie's Stash series (featuring Willie's Sister Bobbie), Willie Nelson and the Boys is another family collaboration, this time showcasing Willie and sons, Lukas Nelson and Micah Nelson, performing a selection of well-loved American country music standards and classics, including seven penned by the immortal Hank Williams Sr.
The Willie's Stash series will present a variety of archival releases, each personally curated by Willie Nelson, culled from decades of recording and touring, providing unique perspectives on one of America's most vital musical forces.
Consisting mainly of studio recordings laid down during the extraordinary 2011 sessions for Heroes, Willie's Legacy debut, Willie Nelson and the Boys (Willie's Stash, Vol. 2) is produced by Willie's longtime friend and collaborator Grammy-winning Buddy Cannon and recorded by Steve Chadie at Pedernales Recordings Studio in Austin, Texas.
Musicians on the album include Willie Nelson (vocals, Trigger), Lukas Nelson (vocals, electric guitar, resonator guitar), Micah Nelson (vocals), Mickey Raphael (harmonica), Kevin Swine Grantt (bass), Bobby Terry (acoustic guitar, electric guitar), Jim Moose Brown (piano, B-3 organ, Wurlitzer), Mike Johnson (steel guitar), Tony Creasman (drums), Barry Bales (upright bass on My Tears Fall) and Lonnie Wilson (drums on My Tears Fall). Move It On Over featured background vocals by the Spur Of The Moment Singers: Buddy Cannon, Mickey Raphael, Kevin Swine Grantt, Bobby Terry, Jim Moose Brown, Mike Johnson, Tony Creasman, Melonie Cannon, and Shannon Finnegan.
According to Willie, the album is ....kinda like the country version of 'Stardust.' Where you have all these great songs and standards that the young people have never heard, then all of a sudden you have a whole new audience out there.
I really love the live element of this record, said producer Buddy Cannon. There was a fire in the studio during those sessions, especially on these particular tracks. It was as though the band was in a Nashville honky tonk and Willie and Lukas strolled in and jammed with the band for an hour. That's what this record is. It's honest excitement. I've never cut a record before that has this element.... It's a great joy to see Willie, Luke and Micah all equally part of a record that I love so much.
Born in Austin, Texas and raised in Maui, singer/songwriter/guitarist Lukas Nelson entered the music scene as a youngster and, by the age of 13, had joined his father Willie Nelson's band, touring as rhythm guitarist and honing the stagecraft that lead to his own career. Moving to Los Angeles, he launched in own ensemble, Lukas Nelson & Promise Of The Real (POTR) in 2008; POTR served as Neil Young's back-up group on The Monsanto Years album and subsequent tour. Lukas and his father worked together on Willie's 2012 Legacy album, Heroes, which featured a number of father-and-son vocal-and-guitar duets.
Micah Nelson has performed with a variety of artists at events including FarmAid, Neil Young's Bridge-School Benefit, Desert Trip festival, Lightning in a Bottle, Coachella, Bonnaroo Festival as well as on TV shows such as Conan O'Brien, Jimmy Fallon, Jimmy Kimmel and more. Micah has been involved in the ensemble Insects vs. Robots, recorded and toured with Neil Young and made multi-instrumental contributions to the 21st century post-modern American rock band Promise Of The Real. Micah is currently the singer/songwriter/guitarist in his future-folk project Particle Kid.
Willie Nelson and the Boys (Willie's Stash, Vol. 2) is the artist's 10th release since signing to Legacy Recordings in 2012. His last Legacy album, God's Problem Child, was released on April 28, 2017 (the eve of Willie's 84th birthday on April 29) and promptly entered the Billboard Country chart at #1, making it the artist's second US country chart-topper in less than two years; Nelson's 6th Legacy release, Django and Jimmie, an unforgettable musical collaboration with Merle Haggard, debuted at #1 on the Billboard Country chart in June 2015.1. Move It On Over (Hank Williams Sr.)
2. Mind Your Own Business (Hank Williams Sr.)
3. Healing Hands Of Time (Willie Nelson)
4. Can I Sleep In Your Arms (Hank Cochran)
5. Send Me The Pillow You Dream On (Hank Locklin)
6. I'm So Lonesome I Could Cry (Hank Williams Sr.)
7. I'm Movin' On (Hank Snow)
8. Your Cheatin' Heart (Hank Williams Sr.)
9. My Tears Fall (Alyssa Miller)
10. Cold, Cold Heart (Hank Williams Sr.)
11. Mansion On The Hill (Hank Williams Sr. and Fred Rose)
12. Why Don't You Love Me (Hank Williams Sr.)$19.99Vinyl LP - Sealed Buy Now