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  • The Fast And The Furious Soundtrack The Fast And The Furious Soundtrack Quick View

    $39.99
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    The Fast And The Furious Soundtrack

    Soundtrack based on the major motion picture The Fast and the Furious. The soundtrack reached number seven on the Billboard 200 and number one on the Top Soundtracks. The album went platinum in 2002 in both the United States and Canada.
    1. Good Life (Remix) (Feat. Ja Rule, Vita & Cadillac Tah) - Faith Evans

    2. POV City Anthem - Cadillac Tah
    3. When a Man Does Wrong - Ashanti
    4. Race Against Time II (Feat. Ja Rule) - Tank
    5. Furious (Feat. Vita & O1) - Ja Rule
    6. Take My Time Tonight - R. Kelly
    7. Suicide (Feat. I.G.) - Scarface

    8. The Prayer - Black Child
    9. Tudunn Tudunn Tudunn (Make U Jump) (Feat. Noreaga) - Funkmaster Flex
    10. Hustlin' (Feat. Armageddon) - Fat Joe

    11. Freestyle - Boo & Gotti
    12. Rollin' (Urban Assault Vehicle) (Feat. DMX, Redman & Method Man) - Limp Bizkit
    13. Life Ain't a Game - Ja Rule

    14. Cali Diseaz (Feat. Nate Dogg) - Shade Sheist

    15. Didn't I - Petey Pablo
    16. Put It On Me (Remix) (Feat. Vita & Lil' Mo) - Ja Rule
    17. Justify My Love (Feat. Ashanti) - Vita
    Various Artists
    $39.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Furious 7 (Movie Score) Furious 7 (Movie Score) Quick View

    $46.99
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    Furious 7 (Movie Score)

    First Pressing Of 1000 Numbered Copies On Red & Blue Colored Vinyl, Black Vinyl Thereafter


    With Exclusive Poster


    The musical score for the 7th installment of The Fast & The Furious franchise is composed by Brian Tyler, an American composer, arranger, producer, musician, and songwriter. Tyler has composed scores for film, television and video games, including scores for the third, fourth, and fifth episodes of The Fast & The Furious.


    Brian Tyler is easily one of the busiest composers around today. Tyler won Composer of the Year at the 2013 Cue Awards and was nominated for a 2014 BAFTA Award. In 2010, Tyler was inducted into the music branch of the Academy of Motion Picture Arts and Sciences. As of May 2015 his films have grossed $9.5 billion worldwide.


    When discussing the creation of the score, Tyler explained: The music uses modern recording techniques, vintage modular synthesizers, mashed-up beats, drums and tweaked remix elements along with classic film scoring traditions including full orchestra, piano, voice and classical guitar. I am so proud of the movie, and I dedicate the score to the memory of Paul Walker and all the joy he brought.

    LP1
    1. Furious 7
    2. Paratroopers
    3. Awakening
    4. Operation Ramsey
    5. Battle Of The Titans
    6. Parting Ways
    7. Mountain Hijack
    8. Homecoming
    9. Beast In A Cage
    10. Homefront
    11. Vow For Revenge
    12. Party Crashers
    13. The Three Towers


    LP2
    1. God's Eye
    2. When Worlds Collide
    3. Remembrance
    4. Hobbs Is The Cavalry
    5. Operation Carjack
    6. A Completely Insane Plan
    7. Letty And Dom
    8. Heist In The Desert
    9. No More Funerals
    10. Hobbs Vs Shaw
    11. Connected
    12. About To Get Real Serious Up In Here
    13. Family
    14. One Last Stand
    15. Farewell

    Brian Tyler
    $46.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Fate Of The Furious (Original Score) The Fate Of The Furious (Original Score) Quick View

    $36.99
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    The Fate Of The Furious (Original Score)

    First Pressing Of 1000 Individually Numbered Copies On Silver Vinyl, Black Vinyl Thereafter

    180 Gram Audiophile Vinyl

    PVC Protective Sleeve

    Gatefold Sleeve With Deluxe Spot Varnish

    Contains Exclusive Poster And 4-Page Booklet

    Score By Brian Tyler, Featuring Mercury Prize Winner Sam Lee

    The Fate of the Furious (alternatively known as Fast & Furious 8 and Fast 8) is the eighth installment in The Fast and the Furious franchise. The film stars Vin Diesel, Dwayne Johnson, Jason Statham, Michelle Rodriguez and Tyrese Gibson. The Fate of the Furious follows Dominic Toretto, who has settled down with his wife Letty (Rodriguez), until cyberterrorist Cipher coerces him into working for her and turns him against his team, forcing them to find Dom and take down Cipher.

    The film turned out to be a huge blockbuster and has grossed over $1.2 billion worldwide, making it the second highest-grossing film of 2017 and the eleventh highest-grossing film of all time.

    The score is written and produced by Brian Tyler. Tyler is easily one of the busiest composers around today. He won Composer of the Year at the 2013 Cue Awards and was nominated for a 2014 BAFTA Award. In 2010, Tyler was inducted into the music branch of the Academy of Motion Picture Arts and Sciences.

    The first pressing of Fate Of The Furious is available on silver vinyl. This is a limited edition of 1000 individually numbered copies.

    The 2LP set package contains an exclusive poster, as well as a 4-page booklet with pictures and credits. The gatefold has a special spot varnish effect.

    LP 1
    1. The Fate Of The Furious
    2. Cipher
    3. Zombie Time
    4. Reunited
    5. Confluence
    6. Affirmation
    7. The Toy Shop
    8. Hoodwinked
    9. Incentive
    10. Harpooned
    11. Simple Solutions

    12. Asking The Question
    13. The Cuban Mile


    LP 2
    1. Facing The Crocodile
    2. Cargo Breach
    3. Mutual Interest
    4. Wrecking Ball
    5. Taking Control
    6. Consequences
    7. Nobody's Intel
    8. Outflanked
    9. Welcome To The Club
    10. Roman
    11. Davidaniya
    12. Concussion Grenade
    13. Rogue
    14. Dead In The Eye
    15. The Return

    Brian Tyler
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Iron Fist & The Hordes From Hell (Picture Disc) Iron Fist & The Hordes From Hell (Picture Disc) Quick View

    $32.99
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    Iron Fist & The Hordes From Hell (Picture Disc)

    Import


    Motörhead's first live album, recorded in early 1978 at The Roundhouse, less than a year after the release of their groundbreaking, self-titled debut. This is vintage, 'take-no-prisoners' Motörhead, and the band (playing a mix of originals and a few speedfreak versions of early R&B, country and British blues songs) is a fast and furious machine. Punk rock step aside... This is Motörhead!

    1. The Watcher
    2. Iron Horse, Born To Lose
    3. On Parole

    4. White Line Fever

    5. Keep Us On the Road

    6. Leaving Here

    7. I'm Your Witch Doctor

    8. The Train Kept A Rollin'

    9. City Kids
    Motorhead
    $32.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Power Rangers Soundtrack Power Rangers Soundtrack Quick View

    $24.99
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    Power Rangers Soundtrack

    Power Rangers gets a big budget reboot and super composer Brian Tyler is along for the ride. Tyler is the primary composer for the Fast and Furious soundtracks, including the forthcoming eighth installment. Also in the past year, Brian has helmed the duties for The Avengers: Age of Ultron, Now You See Me 2, xXx and others.
    Brian Tyler
    $24.99
    Vinyl LP - Sealed Buy Now
  • New Hope For The Wretched New Hope For The Wretched Quick View

    $35.99
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    New Hope For The Wretched

    New Hope for the Wretched is the debut album by punk-metal band The Plasmatics, fronted by the infamous Wendy O. Williams. The front woman is also credited on the sleeve as playing the chainsaw and machine gun! A hint at how raucous and rowdy their live shows and albums were. This is some fast and furious Rock N' Roll, and Wendy O's gruff vocals perfectly compliment the music.
    LP1
    1. Tight Black Pants
    2. Monkey Suit
    3. Living Dead
    4. Test Tube Babies

    5. Won't You
    6. Concrete Shoes
    7. Squirm
    8. Want You Baby
    9. Dream Lover
    10. Sometimes I


    LP2
    1. Corruption
    2. Butcher Baby
    3. Sometimes I (Live)
    4. Living Dead (Live)
    5. Tight Black Pants (Live)
    6. Butcher Baby (Live)
    7. Corruption (Live)
    8. You Think You're Comin'
    9. Fast Food Service

    Plasmatics
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Get Up Get Up Quick View

    $19.99
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    Get Up

    Bryan Adams' thirteenth studio album, Get Up, is a solid collection of beautifully-crafted rock songs, from the fast
    and furious up-tempo tracks such as lead song Brand New Day, You Belong To Me, and Thunderbolt, to the
    gentler songs such as Don't Even Try and We Did It All. Produced by Jeff Lynne (ELO, Traveling Wilburys), Get
    Up is one of Bryan's strongest efforts to date.
    1. You Belong To Me
    2. Go Down Rockin'
    3. We Did It All
    4. That's Rock and Roll
    5. Don't Even Try
    6. Do What Ya Gotta Do
    7. Thunderbolt
    8. Yesterday Was Just A Dream
    9. Brand New Day
    10. Don't Even Try - Acoustic
    11. We Did It All - Acoustic
    12. You Belong To Me - Acoustic
    13. Brand New Day - Acoustic
    Bryan Adams
    $19.99
    Vinyl LP - Sealed Buy Now
  • Five Five Quick View

    $21.99
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    Five

    The number five holds a deep significance. We have five senses. Five points adorn a star. Five represents man in theology. For the five members of Hollywood Undead-Johnny 3 Tears, J-Dog, Charlie Scene, Funny Man, and Danny-the digit perfectly encapsulates their fifth full-length offering- V (FIVE).

    The band recently announced the album's first single, California Dreaming. Powered by neck-snapping guitars and fast and furious bars, the song cycles between guttural rapping and quick quips. Everything culminates on the choral chant We never sleep, in California we're dreaming.

    It dissects both sides of California, J-Dog reveals. You've got the glitz, glamour, sun, and surf. Then, you've got the super fucked side of people not being able to afford rent, celebrities being assholes, and that fake façade. We wanted to do a heavy song with a Red Hot Chili Peppers-esque chorus. It's an old school vibe explored in a new way.

    We're five brothers, and this is our fifth record, affirms Johnny 3 Tears. Nothing gets to the essence of the music like this number does. Numerology has a lot of power. When we said Five, it just made sense. The fact that we could all agree on one word codifies who we are. It also nods back to 'No. 5' from our first album, because it was our fifth song. Moreover, it hints at this secret society of fans supporting us for the past decade. The number is significant, and this is a significant moment for us.

    1. California Dreaming
    2. Whatever It Takes
    3. Bad Moon
    4. Ghost Beach
    5. Broken Record
    6. Nobody's Watching
    7. Renegade
    8. Black Cadillac (ft. B-Real)
    9. Pray (put em in the dirt)
    10. Cashed Out
    11. Riot
    12. We Own The Night
    13. Bang Bang
    14. Your Life
    Hollywood Undead
    $21.99
    Vinyl LP - Sealed Buy Now
  • Zombie Attack Zombie Attack Quick View

    $25.99
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    Zombie Attack

    Clear w/Red Splatter Vinyl


    Tankard's debut album, released in 1986 was full
    of parody and full throttle thrash metal. Many of
    the ten tracks here originally featured on their
    Alcoholic Metal demo and with subject matter
    like horror movies, moshing and beer they made
    many fans across the burgeoning thrash metal
    scene with their hardcore punk tinged thrash. Fast,
    furious, catchy and above all fun - ZOMBIE ATTACK
    spawned live classics such as "(Empty) Tankard.

    1. Zombie Attack
    2. Acid Death
    3. Mercenary
    4. Maniac Forces
    5. Alcohol
    6. (Empty) Tankard
    7. Thrash Till Death
    8. Chains
    9. Poison
    10. Screamin' Victims
    Tankard
    $25.99
    Colored Vinyl LP - Sealed Buy Now
  • Santana III Santana III Quick View

    $44.99
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    Santana III

    Import


    "Santana III" is an album of lasts. It was the last album recorded with the original Woodstock]line up and the last to hit #1 in the Billboard charts until 1999's "Supernatural". But there are also a number of important firsts on this album; Coke Escovedo joins in for the first time on percussion, as does Neal Schon (Journey) - a mere seventeen when they recorded the album - on guitar. Santana III is seen by many as the band's commercial and creative highpoint. The band sounds darker, more raw, and more eager with the doubling up on guitar of Schon's rock´n´roll sensibilities and Santana's ecstatic high notes and soulful fills. Escovedo's and Chepito's percussion is as fast as it is furious, and the minimal production adds greatly to the timeless appeal of this album.

    Side A:

    1. Batuka

    2. No One To Depend On

    3. Taboo

    4. Toussaint L'Overture


    Side B:

    1. Everybody's Everything

    2. Guajira

    3. Jungle Strut

    4. Everything's Coming Our Way

    5. Para Los Rumberos


    Side C:

    1 Gumbo *

    2. Folsom Street ] One *


    Side D:

    1. Banbeye *

    2. No One To Depend On (Single Version) *

    Santana
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Gershwin: Rhapsody In Blue, An American In Paris (Speakers Corner) Gershwin: Rhapsody In Blue, An American In Paris (Speakers Corner) Quick View

    $34.99
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    Gershwin: Rhapsody In Blue, An American In Paris (Speakers Corner)

    This fast and furious orchestral work with piano, which begins with what must surely be the most famous clarinet glissando of modern times, was composed with the intention of presenting as many facets as possible of music from the New World in the short space of around 15 minutes. In his Rhapsody In Blue Gershwin wanted to »paint a musical kaleidoscope of America - our enormous melting pot, our typical national traits, our blues, our seething city life«. With this in mind, Leonard Bernstein made a number of recordings of the work and among the many excellent recordings that he made as a conductor or as a soloist, this present version with the Columbia Orchestra, from 1959, is especially of note. Bernstein takes on a double function as conductor and soloist and manoeuvres his way safely and surely through the highly diversified score to create a well-rounded picture filled with hefty orchestral dynamics and finely chiselled solo playing. In Gershwin's freely composed work the soloist and orchestra do not resort to bombastic shock effects or egomaniac keyboard acrobatics, and so this the work can be described as rhapsodic in the very best sense of the word.
    Most fittingly, on the B side there is another freely composed work - the autobiographical sketch entitled An American In Paris. The superb New York musicians paint the impressions of a visitor to the hectic French capital city - that too is the sound of America.


    Musicians:



    • The Columbia Symphony Orchestra

    • New York Philharmonic Orchestra

    • George Gershwin (composer)

    • Leonard Bernstein (conductor)




    Recording: June 1959 and December 1958 at St George Hotel, Brooklyn, New York, by Fred Plaut and Frank Bruno

    Production: John McClure



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Rhapsody In Blue
    2. An American In Paris
    Leonard Bernstein
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Kill (Picture Disc) Kill (Picture Disc) Quick View

    $20.99
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    Kill (Picture Disc)


    25th Anniversary Limited Pressing


    Original Uncensored Art On A Vibrant Picture Disc


    Simply titled but meticulously assembled, Kill was recorded with producer Erik Rutan (Hate Eternal/ex-Morbid Angel) at Mana Studios in St. Petersburg, Florida. The tenth record of their storied career, each track basks in its own claustrophobic abrasiveness and maniacal subject matter. From the onset of the fiery The Time To Kill Is Now, guitarists Barrett and Pat O'Brien, vocalist George Corpsegrinder Fisher, bassist Alex Webster and drummer Paul Mazurkiewicz pummel with a renewed sense of urgency. Fast, furious and scrupulously timed, the tune is a palpable reminder that Cannibal remains a force to be reckoned. Make Them Suffer sears with an old school Possessed vibe (a band to whom Cannibal has paid homage to on several occasions), while Necrosadistic Warning, replete with a barrage of blistering solo work by O'Brien whose guitar deftness is often underestimated, comes riddled with visions of zombies sexually gratifying themselves with the body parts of! the beings they've slain. Other tracks like the telling Five Nails Through The Neck, Death Walking Terror, Brain Removal Device and instrumental closer Infinite Misery see the five-piece at their most cogent, both lyrically and musically.


    Older, wiser, and as malevolent as ever before, the time to Kill is now!

    1. The Time to Kill Is Now
    2. Make Them Suffer
    3. Murder Worship
    4. Necrosadistic Warning
    5. Five Nails Through the Neck
    6. Purification by Fire
    7. Death Walking Terror
    8. Barbaric Bludgeonings
    9. The Discipline of Revenge
    10. Brain Removal Device
    11. Maniacal
    12. Submerged in Boiling Flesh
    13. Infinite Misery
    Cannibal Corpse
    $20.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Gore Metal: A Necrospective Gore Metal: A Necrospective Quick View

    $19.99
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    Gore Metal: A Necrospective

    Originally released in 1998, EXHUMED's now-classic debut full-length, Gore Metal, was a boundary defying offering of filth-ridden, grinding, over-the-top death-metal. Unrepentantly fast, furious and maniacal, Gore Metal gleamed with a delightful audio repugnance bedecked in blazing riff infiltrations, slasher-film-inspired lyrics and vile cover art. It was the record that made Carcass seem PG-rated by comparison and thus certified itself as a true underground classic.


    Not content to let the album rot away, EXHUMED returned to the studio almost two decades later to re-record the landmark offering. The resulting Gore Metal: A Necrospective 1998 - 2015, set for release this February via Relapse Records, maintains the maniacal ferocity of the original recordings while adding depth to the sonic devourment thanks in no small part to years of touring and a vastly improved-sounding recording quality.


    Proclaims vocalist/guitarist Matt Harvey: I'm super pumped that we got the chance to re-recordGore Metal. I don't think any of us were happy with how it turned out the first time around, so getting another shot at it meant a lot to me personally. I was also really excited to have our old friend Ross Sewage reprise his vocals on the new version, ensuring that it still sounds like that era ofEXHUMED, though things are a lot more audible this time around!

    1. Necromaniac
    2. Open The Abscess
    3. Postmortem Procedures
    4. Limb From Limb
    5. Enucleation
    6. Casket Crusher
    7. Death Mask
    8. In My Human Slaughter House
    9. Sepulchral Slaughter
    10. Vagitarian II
    11. Blazing Corpse
    12. Deadest Of The Dead
    Exhumed
    $19.99
    Vinyl LP - Sealed Buy Now
  • Onward And Sideways Onward And Sideways Quick View

    $18.99
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    Onward And Sideways

    Cleveland born, songwriter/performer Joshua Radin has earned a loyal following for his wistful meditations and hit songs. His rootsy-pop track, "I'd Rather Be With You" from Simple Times topped the iTunes album chart at #1 and hit 'top 10' in ten different countries. The hushed, emotionally raw "Winter" and Closer from his 2006 album, We Were Here received a four-star review in Rolling Stone Magazine. Radin's compositions have a proven track record having been sound-tracked on shows like Grey's Anatomy, American Idol and House. His songs have been used more than 100 times in various films and television shows making him a 'behind the scenes' artist whose music is heard most everywhere.


    In 2008, Ellen DeGeneres asked Joshua to perform at her wedding. Radin said, "I played six of my songs and Ellen and Portia just sat right in front of me looking at each other, crying, and looking at me. I actually teared up a little-that's never happened to me before."


    Live performances have always been Radin's lifeblood. After stints as a screenwriter in New York and as an inner-city art teacher in Chicago, he moved to Southern California to test the waters as a musician. "More than drawing, I taught those kids in Chicago a general perspective of the world-looking at something and not being overwhelmed. And it's how I've always looked at life," he says. "I've always wanted to wake up every day and have the opportunity to be creative, to express what's going on in my head and heart, and to be able to connect with the world in that way. I may have started playing music later in life than my peers, but I love living with the idea that it's never too late."


    When his father gave him a guitar on a whim for his birthday, Radin taught himself how to play. Soon after, in 2004, he wrote his first song, "Winter," about a fractured relationship with his longtime girlfriend. The song so moved his college friend Zach Braff, that the actor passed it along to a producer on his TV show, Scrubs. Three weeks later, it was played on the show. Buzz from the Scrubs show was fast and furious, crashing the NBC site and winning Radin thousands of new fans. Afterward, he worked hard to build a grassroots movement on social-media sites and continued to build his fan base.


    For various albums, Radin has recruited 'dream teams' of musicians to enhance his sounds. Among them: pianist Benmont Tench (Tom Petty and the Heartbreakers), drummer Jim Keltner (Bob Dylan, John Lennon), and string arranger Jimmie Haskell (Simon and Garfunkel). Joshua has sold over two and a half million singles and over 700,000 full-length albums.


    In 2015, Radin releases his sixth studio album, "Onward and Sideways." His first single, "Beautiful Day" features a duet with American, singer songwriter Sheryl Crow.

    1. We'll Keep Running Forever
    2. Belong
    3. Beautiful Day (feat. Sheryl Crow)
    4. Angels
    5. In Your Hands
    6. Let Our Sun Shine Down
    7. Another Beginning
    8. Blow Away
    9. Away We Go
    10. Worlds Apart
    11. One and Only
    12. Old Friend
    13. My Baby
    Joshua Radin
    $18.99
    Vinyl LP - Sealed Buy Now
  • Inri Inri Quick View

    $29.99
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    Inri

    From dark and primitive origins comes this highly refined and directed musical statement, both aesthetically and musically wrought from the primal polarities of angst, rendered into simple but effective fast, furious, and cryptic black metal.


    Similar in many ways to Sodom or Massacra, this music features floating highspeed riffs from which pseudopods of dogmatic rhythm emerge to stamp out their defiant message. The last seconds of the title track, Fuck you...fuck you!...fuck you, Jesus Christ exemplify the paradox of this album: raw punkness contrasting with the need for ideology.


    Guitar seems haphazard, solos in the afterthought tradition of Bathory and early Burzum, but delivers the rapid trembling hand rhythm of soaring metallic riffs and melodies.


    Underneath bangs a primitive and ill-programmed mechanistic beat which might be dubbed Rudiments of Rhythmic Awareness for Context and left to the abyss. How are these riffs? Simple fluid note wraparounds racing toward a tonal note...some center...some context...or maybe simply giving up. They fit in a narrow compositional sense of lucidity in this entity, alone, and work together for the power of its unique countenance.


    At their core musicians inspired by punk music, Sarcofago blend with their hardcore the moron-rock destructiveness and theatrical pro-Satan anti-life program of heavy metal black metal bands, creating an over-the-top image imbued in the anti-aesthetic style of resistance and hatred to all which would accept it, protecting virus of dark spiritual nature to recipient human listeners. Variations of few elements project ideas: some profound, some careless, some inspired, some vapid.


    - American Nihilist Underground Society

    1. Satanic Lust<
    2. Desecration Of Virgin
    3. Nightmare
    4. I.N.R.I
    5. Christ's Death
    6. Satanas
    7. Ready To Fuck
    8. Deathtrash
    9. The Last Slaughter
    Sarcofago
    $29.99
    Vinyl LP Reissue - Sealed Buy Now
  • Taking One For The Team Taking One For The Team Quick View

    $20.99
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    Taking One For The Team

    Taking One for the Team, Simple Plan's fifth full-length and most ambitious album so far, offering hard-hitting punk-fueled tracks alongside songs that delve into everything from reggae to delicate acoustic balladry. Longtime fans can rest assured that Taking One for the Team is packed with plenty of quintessential Simple Plan tracks, including Boom, whose companion music video features cameos by members of All-Time Low, Pierce The Veil, PVRIS, MxPx, and many more Warped Tour all-stars. The album starts out full-throttle with the brutal guitar and furious drumming of Opinion Overload. It's a song about following your heart and dreams no matter what people say or think, explains Bouvier.


    We're adults in our mid-thirties now, and we still have to deal with that. Sometimes you gotta remind yourself that it doesn't mean anything, that it's ok to stand up for yourself and be who you are and that's what's gonna set you apart. That same defiant spirit is present on I Refuse, where Simple Plan mine inspiration from punk/hardcore acts like Rise Against and Good Riddance, ultimately delivering the only punk anthem in recent memory to feature an elegant piano interlude. We grew up on that kind of music; it's in our DNA- we'll always need that energy and those super-fast, in-your-face songs that people love about this band, says bass player David Desrosiers of tracks like I Refuse or Nostalgic. I can already imagine us playing those songs live and seeing the crowd go crazy, singing along to every word.

    1. Opinion Overload
    2. Boom!
    3. Kiss Me Like Nobody's Watching
    4. Farewell (feat. Jordan Pundik)
    5. Singing In The Rain (feat. R. City)
    6. Everything Sucks
    7. I Refuse
    8. I Don't Wanna Go To Bed (feat. Nelly)
    9. Nostalgic
    10. Perfectly Perfect
    11. I Don't Wanna Be Sad
    12. P.S. I Hate You
    13. Problem Child
    14. I Dream About You (feat. Juliet Simms)
    Simple Plan
    $20.99
    Vinyl LP - Sealed Buy Now
  • Kreisleriana (Speakers Corner) Kreisleriana (Speakers Corner) Quick View

    $34.99
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    Kreisleriana (Speakers Corner)

    It is always tempting with the Kreisleriana, a portrayal of E.T.A. Hoffmann's wild, eccentric and genial Kapellmeister Kreisler, to study both the literary figure and to try to identify the characteristics of the composer Robert Schumann himself. In the eight Fantasies, as Schumann called them, we find a romantically coloured reflection of the ups and downs of life, which an artist such as Vladimir Horowitz could empathize with. Right in the very first movement furious chains of triplets »like electrical fire« (Hoffmann) seem to leap out of the keyboard. With a cool mind and extreme sensitivity Horowitz treats the extreme tempo markings such as 'very heartfelt, very agitated, very fast' with restrain, resulting in a haunting and controlled expression. The result is an effusion of gently flowing melodies and swift, pulsating movement full of spirited rhythm which heightens to nervous emotion. Rich, saturated sounds from the piano breathe life into even the quietest passages and the listener's highest expectations are totally fulfilled - as such a key work deserves. It only takes a little imagination to conjure up something of the irony and humour of the romanticist when »the music vibrates in the play of facial muscles« of the Kapellmeister Kreisler.




    Recording: February and December 1964 at Columbia's 30th Street Studio, New York, by Fred Plaut

    Production: Richard Killough




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    Robert Schumann: Andantino from Sonata No. 3, Op. 14, Kreisleriana, Op. 16 - Vladimir Horowitz
    Robert Schumann
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Live On Fire (Out Of Stock) Live On Fire (Out Of Stock) Quick View

    $25.99
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    Live On Fire (Out Of Stock)

    Colored Triple Vinyl Set of This Amazing Live Show!


    Despite having planned his career meticulously over the past 25 years or so, even in the camp of German hard rock master Axel Rudi Pell surprises cannot be ruled out: Before playing in front of a sold-out Cologne crowd on the second leg of his wildly successful Circle Of The Oath tour, the opportunity arose for taping the whole show, with cameras being all over. Well, Axel gave it a try. And that was a good move. Ten years after his last live album Knights Live (2002), you can - again - be a witness of a complete concert from the Bochum-based guitar virtuoso and his German-American all-star band. To round out the Axel Rudi Pell live package, the recording of the co-headlining gig at last year's Rock Of Ages festival was added to Live On Fire, the name of his newest live oeuvre.


    Obviously, a live album doesn't have the same importance and significance as a new studio output, but it nevertheless is a perfect snapshot in time, because 2012 was the most successful year in Axel Rudi Pell's solo career by far. Circle Of The Oath, album No. 14, was released on March 23 and rode high on the charts all over Europe: in his homeland Germany, the critically acclaimed disc made it up to No. 16 in the first week, Switzerland welcomed good old Axel on No. 30, Austria on No. 55, Norway on No. 69 and in Sweden he went up to No. 51. And last but not least, he received another gold award for selling out three consecutive nights at the famous Zeche venue in his native Bochum. Apart from that, he rocked the summer crowds at the legendary Sweden Rock and Wacken Open Air festivals, as well as the open-air Rock Of Ages in Germany together with his band.


    Even though Axel loves the composing part at home and the recording business in the studio, home is where the heart is and that's being on stage. Being musically socialized in the Golden Age of hard rock (the Seventies) he's probably a bigger fan of live albums than he would admit. As they say: applause is the performer's meat and drink. But without sometimes being anarchistic spontaneously and playing with the audience's emotions, without the sweat coming off the ceiling and the priceless energy being trapped in the middle of an adventure that is called live concert, when the lights go down and every amp is on fire - the life of a true rocker would be incomplete. Speaking of which: besides his success, Axel Rudi Pell has always been that down-to-earth guy and mainly the fan he was turned into when he first heard DEEP PURPLE's Fireball back in the day. With Live On Fire, he accomplishes a long-desired wish and gives his fans what they desperately want for quite some time.


    No surprise at all that the main focus is set on the newbies: here's the striking chords of fast and furious opener Ghost In The Black, the hard rocking pounding of Before I Die and without a doubt one of Axel's best songs written in a decade: the brilliant Circle Of The Oath, which would make Jimmy Page cry out loud. But there's more to listen to on Live On Fire: the passion for medleys (The Masquerade Ball/Casbah/Dreaming Dead) combined with some all-time classics here and there (ZEPPELIN's Whole Lotta Love or PURPLE's Mistreated).

    1. The Guillotine Suite (intro)
    2. Ghost In The Black
    3. Strong As A Rock
    4. Before I Die
    5. The Masquerade Ball / Casbah / Dreaming Dead / Whole Lotta Love / Dreaming Dead
    6. Drum Solo
    7. Mystica / Mistreated / Mystica
    8. Oceans Of Time
    9. Circle Of The Oath
    10. Fool Fool
    11. Keyboard Solo / Carousel / Jam / Carousel
    12. Tear Down The Walls / Nasty Reputation
    13. Rock The Nation
    Axel Rudi Pell
    $25.99
    Vinyl LP - 3 LPs Sealed Temporarily out of stock
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