Pro-ject Authorized & Certified VPI Dealer

VINYL. OUR WAY OF LIFE SINCE 2004

(877) 929-8729
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
20% Off Vinyl - LP20
Home > Products for: '

Fast Times

'
Results per page:
  • Fast Times At Ridgemont High (Music From The Motion Picture) (Discontinued) Fast Times At Ridgemont High (Music From The Motion Picture) (Discontinued) Quick View

    $29.99
    Buy Now
    x

    Fast Times At Ridgemont High (Music From The Motion Picture) (Discontinued)

    35th Anniversary pressing of the Platinum Selling Classic '80s Soundtrack to 'Fast Times At Ridgemont High'. On LP for the first time since 1982! Featuring: Jackson Browne "Somebody's Baby", Billy Squier "Fast Times (The Best Years of Our Lives)".
    LP 1
    1. Jackson Browne - Somebody's Baby
    2. Joe Walsh - Waffle Stomp
    3. Don Henley - Love Rules
    4. Louise Goffin - Uptown Boys
    5. Timothy B. Schmit - So Much In Love
    6. Ravyns - Raised On The Radio
    7. Gerard McMahon - The Look In Your Eyes
    8. The Go-Go's - Speeding
    9. Quarterflash - Don't Be Lonely
    10. Don Felder - Never Surrender


    LP 2
    1. Billy Squier - Fast Times (The Best Years Of Our Lives)
    2. Sammy Hagar - Fast Times At Ridgemont High
    3. Jimmy Buffett - I Don't Know (Spicoli's Theme)
    4. Graham Nash - Love Is The Reason
    5. Poco - I'll Leave It Up To You
    6. Donna Summer - Highway Runner
    7. Stevie Nicks - Sleeping Angel
    8. Dave Palmer / Phil Jost - She's My Baby (And She's Outta Control)
    9. Oingo Boingo - Goodbye, Goodbye

    Various Artists
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Hard Times Are Relative Hard Times Are Relative Quick View

    $18.99
    Buy Now
    x

    Hard Times Are Relative

    Our favorite songs are like one-night stands: passionate or sad, capable of recalling moments with Proustian power. Our favorite artists are lifelong companions: fixtures we turn to for comfort and highs.


    Over the last two decades, Jason Boland and the Stragglers have delivered and become both.


    "We've always just wanted to entertain ourselves and put out music that would be a part of people's lives, not just something passing to them," says Boland. "We want to be something more monolithic." He pauses and grins as he adds, "We're just a social experiment at this point."


    Boland is talking about the deep body of work he's created with his band of jangly honky-tonk aces, the Stragglers--Grant Tracy on bass; drummer and background vocalist Brad Rice; Nick Worley on fiddle, mandolin, and harmonies; and Cody Angel on guitar and pedal steel. Fronted and co-founded by Boland with Tracy and Rice, the band has featured only a handful of other members over the last 20 years, all of whom--whether they're currently Stragglers or not--are like brothers. As they've independently sold more than half a million albums, the outfit has packed iconic dancehalls, theaters, and other big rooms across the country.


    With their new record Hard Times are Relative, Boland and the Stragglers stack the smart, road-ready outlaw country longtime fans have come to expect alongside creative risks that flirt with punk and psychedelic sounds. The 10-song collection is a rare blend of instantly gratifying and rewarding of closer listens--a definitively Stragglers accomplishment. "It's an upbeat album--a lot of fast songs, but it doesn't try to be fast," Boland says with characteristic insight. "It just sits in the pocket."


    No one has combined Woody Guthrie's conscience with Waylon Jenning's panache quite like Boland and the Stragglers. Since debuting in 1999 with the Lloyd Maines-produced Pearl Snaps, the band has matured without taming their refreshing irreverence. "We always joke that we try to take as much as we can from Lloyd and apply it to producing our own records," Boland says. "We've worked with him so many times. The most obvious thing he taught us is: just be musical. Don't hammer through the songs like a garage band all the time."


    That mix of subtle musical sophistication and unruly Oklahoma junkyard pedigree has resulted in some of the best independent honky tonk in recent memory. "You just have to be where you are--keep plugging away and doing the best you can at any moment," Boland says, reflecting on their career thus far. "For a bunch of slackers [like us], that's not too terribly tough."


    Co-produced by the Stragglers, David Percefull, and Adam Odor, Hard Times are Relative is the band's ninth studio record. All songs were recorded live to tape and without the use of any computers--now a Stragglers' hallmark. Upbeat steel guitar kicks off album opener "I Don't Deserve You" before Boland's signature baritone thunders in, smooth and stronger than ever. When fellow sly honky-tonk champ Sunny Sweeney joins him in out-front harmonies, the two become the rootsy dream team you never knew you always wanted.


    The album's title track is a masterpiece: an epic story song about a young orphaned brother and sister depending on the land and one another. Rich details layered over strings paint a scene that's compelling and lush. The song has become one of Boland's favorites. "Folk music is hard to write. Country music is hard to write," he says, reflecting on the difficulty of spinning a long tale while keeping it simple and engaging. "When you hit your own little tuning fork in your head, that one is a hard sell, even to me. But I enjoy that song."


    "Right Where I Began" sounds like vintage Stragglers: clever wordplay and muscly guitars ready for two-steppers. Fiddle and vocal showcase "Searching for You" shows off Rice's and Worley's harmonies that are downright divine. Crunchy guitars drive "Dee Dee OD'd" as Boland offers another round of wry observations. Easy gem "Going Going Gone" makes a solid argument for fiddle in rock-and-roll as Boland deftly turns a baseball metaphor into a classic leaving song.


    Gorgeous waltz "Do You Remember When" bemoans some of modern life's emphasis on disposability and the dismissal of heritage. Rollicking "Tattoo of a Bruise" picks up the same idea, and is tongue-in-cheek country doo-wop, fueled by fiddle, steel, and drums. "I'm not judging anybody," Boland clarifies. "Our music has always called it like we see it, right or wrong, smarter or dumber."


    Praise for the past but acknowledgement of nostalgia's limitations is a career-long theme for Boland, and one that this record continues to carry. "We don't want to lose the chili recipes and the Schroeder Halls because people are moving on to faster, louder, and newer," he says. "But instead of just hemming and hawing, remembering what's old and gone, we want to have new experiences within those frameworks--make memories with what's left of the good stuff."


    With lines like "Empty pockets don't mean you need money / It's just another place to put your hands / And focus on that rock you've been kicking / One day it's going to be a grain of sand," "Predestined" challenges listeners as it soothes. The song is a lyrical victory for Boland, who's long-since become a master of distilling heady ideas into digestible nuggets.


    Penned by Oklahoma music godfather Randy Crouch, "Grandfather's Theme" serves as the album's climactic closer. Attacked with psychedelic ferocity by the band, the song picks up the record's recurring concepts of the ground's insistence on shifting, inevitability, and our complex relationship with the past. Stripped down as Boland sings, the song soars off into a trippy, robust jam-band send-off--a serious triumph especially considering it's a defiantly analog recording. "We're fighting the digital world because they can make it so huge," Boland says, discussing the balancing act of filling out songs while letting them breathe. "I'm really proud if what we did."


    As he mulls over where the Stragglers have been and where they're headed, Boland comes back to one idea over and over again: he and his band are who they are, and with that genuineness comes grit, beauty, and staying power. "We're fortunate that we're not trying to fool anybody," he says. "That's what it comes down to. We're all loners but somehow a team. Now that I can look at it all, I can see: it's been fun."


    Here's to the next 20 years.

    1. I Don't Deserve You
    2. Hard Times Are Relative
    3. Right Where I Began
    4. Searching For You
    5. Do You Remember When
    6. Dee Dee OD'd
    7. Going Going Gone
    8. Tattoo of a Bruise
    9. Predestined
    10. Grandfather's Theme
    Jason Boland & The Stragglers
    $18.99
    Vinyl LP - Sealed Buy Now
  • Too Fast For Love (Awaiting Repress) Too Fast For Love (Awaiting Repress) Quick View

    $18.99
    Buy Now
    x

    Too Fast For Love (Awaiting Repress)

    For the first time ever, Motley Crue is re-issuing their first 5 studio albums as well as their latest hit album, Saints of Los Angeles on the vinyl format.


    Too Fast For Love is the 1981 debut from a Hollywood club circuit-era Motley Crue, and it marks the beginning of the glam metal scene. The album offers an early look at the Crue's raw, powerful and gritty determination to take over rock & roll.

    1. Live Wire
    2. Come on and Dance
    3. Public Enemy #1
    4. Merry-Go-Round
    5. Take Me to the Top
    6. Piece of Your Action
    7. Starry Eyes
    8. Too Fast for Love
    9. On With the Show
    Motley Crue
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Time Spent Time Spent Quick View

    $15.99
    Buy Now
    x

    Time Spent

    Limited Edition Red Vinyl


    Punk/hardcore band from Minneapolis,, intricate guitar lines weave in and out of heavy breakdowns, lightning fast drumming, and Gilbert's powerful singing voice holds it all together. Recorded by Jay Maas (Defeater, Title Fight, Counterparts). Nationwide tour in support of release. First single, Wistern premiered at Substream Magazine as part of a full marketing campaign.

    1. Safesound

    2. Wistern

    3. Collecting

    4. Sway

    5. Dry Eyes

    6. Growing Pains

    7. Undertow

    8. Try Hard

    9. 828

    10. Cavity

    11. Withered

    12. I've Been Places

    13. Guilty Gone
    Household
    $15.99
    Colored Vinyl LP - Sealed Buy Now
  • Fixation On A Co-Worker (Awaiting Repress) Fixation On A Co-Worker (Awaiting Repress) Quick View

    $15.99
    Buy Now
    x

    Fixation On A Co-Worker (Awaiting Repress)

    DEADGUY's new release Fixation Of A Co-Worker is nothing short of ear bleeding murder core bent on neural destruction. Their use of fast off time, bone grinding rhythms and off kilter song structures separate this New Jersey band from the pack. Their fusion of hardcore and noise have started a new trend many are coining 'noisecore'. Fixation Of A Co-Worker is dangerous, ferocious, and extreme.
    1. Doom Patrol
    2. Pins And Needles
    3. Die With Your Mask On
    4. Baby Arm
    5. Makeshift Atomsmasher

    6. The Extremist
    7. Nine Stitches

    8. Riot Stairs
    9. Apparatus
    10. Crazy Eddie
    Deadguy
    $15.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Boys And Girls Boys And Girls Quick View

    $19.99
    Buy Now
    x

    Boys And Girls

    Alabama Shakes' debut release Boys & Girls marks the arrival of a major new rock 'n' roll band. Due out on ATO Records, the album was recorded at The Bomb Shelter in Nashville, TN and was produced and mixed by the band. Boys & Girls is a vibrant fusion of swampy, dirty Southern rock, blues and soul delivered with punk rock fervor. From the heartrending title song to such stompers as Rise to the Sun, the album demonstrates the sense of groove and space the band learned from their idols, along with a blistering force and emotion that simply can't be learned.


    A thunderbolt dressed in blue jeans with music that's aching when it's slow and growling and whooping when it's fast. - New York Times

    1. Hold On
    2. I Found You
    3. Hang Loose
    4. Rise To The Sun
    5. You Ain't Alone
    6. Goin' To The Party
    7. Heartbreaker
    8. Boys & Girls
    9. Be Mine
    10. I Ain't The Same
    11. On Your Way
    Alabama Shakes
    $19.99
    Vinyl LP - Sealed Buy Now
  • Taking One For The Team Taking One For The Team Quick View

    $20.99
    Buy Now
    x

    Taking One For The Team

    Taking One for the Team, Simple Plan's fifth full-length and most ambitious album so far, offering hard-hitting punk-fueled tracks alongside songs that delve into everything from reggae to delicate acoustic balladry. Longtime fans can rest assured that Taking One for the Team is packed with plenty of quintessential Simple Plan tracks, including Boom, whose companion music video features cameos by members of All-Time Low, Pierce The Veil, PVRIS, MxPx, and many more Warped Tour all-stars. The album starts out full-throttle with the brutal guitar and furious drumming of Opinion Overload. It's a song about following your heart and dreams no matter what people say or think, explains Bouvier.


    We're adults in our mid-thirties now, and we still have to deal with that. Sometimes you gotta remind yourself that it doesn't mean anything, that it's ok to stand up for yourself and be who you are and that's what's gonna set you apart. That same defiant spirit is present on I Refuse, where Simple Plan mine inspiration from punk/hardcore acts like Rise Against and Good Riddance, ultimately delivering the only punk anthem in recent memory to feature an elegant piano interlude. We grew up on that kind of music; it's in our DNA- we'll always need that energy and those super-fast, in-your-face songs that people love about this band, says bass player David Desrosiers of tracks like I Refuse or Nostalgic. I can already imagine us playing those songs live and seeing the crowd go crazy, singing along to every word.

    1. Opinion Overload
    2. Boom!
    3. Kiss Me Like Nobody's Watching
    4. Farewell (feat. Jordan Pundik)
    5. Singing In The Rain (feat. R. City)
    6. Everything Sucks
    7. I Refuse
    8. I Don't Wanna Go To Bed (feat. Nelly)
    9. Nostalgic
    10. Perfectly Perfect
    11. I Don't Wanna Be Sad
    12. P.S. I Hate You
    13. Problem Child
    14. I Dream About You (feat. Juliet Simms)
    Simple Plan
    $20.99
    Vinyl LP - Sealed Buy Now
  • Nude Beach II Nude Beach II Quick View

    $16.99
    Buy Now
    x

    Nude Beach II

    Growing up in the bucolic waterfront village of Northport, NY, Chuck Betz, Ryan Naideau and Jimmy Shelton played punk rock together since high school, in a succession of bands more than happy to set up at any house party, BBQ or makeshift venue that would have them. The familiar strain of classic rock is the go-to sound on the North Shore of Long Island, but they lived in an alternate universe where Ryan convinced his parents to let him turn the family basement into an occasional all-ages show space, hosting touring groups, and rounding out the bill with whatever band he and his friends were in at the time.


    Fast forward to 2008, the boys had based themselves in Brooklyn and Nude Beach was born; the group slowly integrated themselves into the local DIY community, performing in dive bars and warehouse lofts, often several times a week, playing more than 100 shows in less than four years together. They self-released cassettes and vinyl LPs, they booked their own tours, and played in infinite side-projects and spin-off bands at every punk venue in North Brooklyn and beyond.


    But while Nude Beach is very much a part of the Brooklyn DIY scene, it's always been more in spirit than in sound; sure, they're as beer-soaked, overdriven and raw as any group around, yet as hard as they've tried to ignore it, the trio could never quite shake the rock & roll of Tom Petty and Bruce Springsteen which sound-tracked their Long Island youth, and battered vinyl from the Byrds, the Replacements and the Jam sits side by side in their record collections with the hardcore and indie LPs and 7"s that brought the friends together in the first place.


    In an increasingly fractured music scene, Chuck, Ryan and Jimmy play against fashion and deliver straight up rock & roll, and moreover, they do it better than anyone has in a long time. They've got the songs, they've got the sound, and they've got the fuck-all attitude that just can't be faked. Nude Beach will rock you if you let them. Turns out it's still more fun than just about anything else going on. Just check out their most recent full-length, II, if you don't believe us!

    1. Radio
    2. walkin' Down My Street
    3. Some Kinda Love
    4. You Make It So Easy
    5. Keep It Cool
    6. Love Can't Wait
    7. Cathedral Echoes
    8. Don't Have To Try
    9. The Endless Night
    10. Loser in the Game
    Nude Beach
    $16.99
    Vinyl LP - Sealed Buy Now
  • Saves The Day Saves The Day Quick View

    $16.99
    Buy Now
    x

    Saves The Day

    Saves the Day is dead. Long live Saves the Day.


    Of course, with the departure of long-time lead guitarist Dave Soloway prior to the release of Daybreak in 2009, that may have been the moment that marked the final days of an early 2000s emo powerhouse. But even that album felt more like a body of work you could have expected from Chris Conley and company in the past.


    The band's newest self-titled release marks a well-documented departure from the days of Stay What You Are, In Reverie, and, hell, even Sound the Alarm. Whereas previous entries in the band's catalogue have dealt with the anxious, even nerve-wracking realities of the young and socially awkward, Saves the Day instead starts off on a power-pop riff and hardly strays from it (not that anyone's complaining.)


    The first two tracks, "Remember" and "In the In Between," set the tone for the rest of the LP. The fast-paced, poppy tunes are care-free ventures, something missing from Conley's writing since In Reverie.


    Oddly enough, Saves the Day sounds more like the bands that have fondly proclaimed that Can't Slow Down, Through Being Cool and Stay What You Are inspired their own sounds. That sentiment becomes even more pronounced as the album plays on.


    "Beyond All of Time" slows things down a bit before "Ain't No Kind of Love" kicks the tempo back up a bit. Both tracks flow into each other nicely. And although neither stands out on its own, the songs reinforce the mood of the album.


    "Lucky Number" plays much the same, fitting into the album nicely as a piece of the puzzle, but without offering much on its own merit.


    The song "Xenophobic Left Hook" by title alone demonstrates that Conley hasn't yet lost his lyrical style. But the sound that accompanies his vocals is drastically different than ever before and it can be directly attributed to the band's ever-changing lineup.


    "The Tide of Our Times" is one of the album's truly outstanding tracks. It's catchy. It's fast. It's less than two-and-a-half minutes long and it's emblematic of everything Saves the Day does right in this album.


    "Supernova" is, lyrically, the closest we might come to a traditional Conley track. The imagery and metaphors are wonderfully woven throughout the ballad.


    "Verona" picks the pace back up, leading nicely into another of the album's best tracks: "Ring Pop." The pace is fast and the lyrics recall carefree days when a ring pop may have sufficed as a symbol of courtship. It's the essence of what makes some of Conley's best music, harkening to a past with the sentimentality ramped up to 11.


    "Stand in the Stands" is, by far, the most up-beat and optimistic album closer Saves the Day has ever composed. Standing in stark contrast to even the band's sunnier albums and closers like "Firefly" and "Tomorrow Too Late," the track starts with a bouncy melody and doesn't let up for the nearly four minutes it plays out.


    Although Daybreak was the first album where Conley was the last of the band's founding members left, it carried hints of Sound the Alarm and Under the Boards, primarily because of those three albums' conceptual ties (They were designed as a trilogy that started with 2006's Sound the Alarm).


    If Conley's way with words is what drew you to the band, this will be right up your alley. Saves the Day may not be the band you remember, but Conley's presence maintains the only lyrical and moody consistency that we really need.


    - Eder Campuzano (Daily Emerald)

    1. Remember
    2. In The In Between
    3. Beyond All Of Time
    4. Ain't No Kind Of Love
    5. Lucky Number
    6. Xenophobic Blind Left Hook
    7. The Tide Of Our Times
    8. Supernova
    9. Verona
    10. Ring Pop
    11. Stand In The Stars
    Saves The Day
    $16.99
    Vinyl LP - Sealed Buy Now
  • Audeze iSINE10 In-Ear Headphones Audeze iSINE10 In-Ear Headphones Quick View

    $399.00
    Buy Now
    x

    Audeze iSINE10 In-Ear Headphones



    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    The iSINE 10 sounds and looks like no others, an innovative design without a care for the same old status quo of balanced armature or dynamic driver designs. The Fluxor Magnets and large 30mm planar magnetic diaphragms deliver precise control and fast response times without distortion so music always sounds alive. Add the included Lightning cable with DSP and there's no other in-ear headphone that even comes close to its performance.




    Exclusive iSINE planar magnetic technology

    Miniaturizing Planar drivers is no small feat. The new iSINE Series barely weighs 20 grams, contains all our exclusive patented technology including power enhancing Fluxor Magnets that nearly double the magnetic driving force on our large, ultra-thin diaphragms with patented Uniforce voice-coil technology that delivers the most accurate in-ear headphones experience ever. The distortion (THD) is less the 0.1% overall even at high volumes, an amazing achievement for in-ear headphone designs.


    The world's first 24-bit Lightning cable for higher-resolution sound

    Audeze's award-winning CIPHER Lightning cable specially optimized for the iSINE Series, delivers 24-bit digital audio from iPhone/iPad/IPod to the headphones. The CIPHER cable contains a high-quality inline amplifier, digital-to-analog converter, and DSP. With the powerful DSP capabilities of the Cipher cable, the iSINE headphones deliver a vivid, almost like-you're-there experience. Customize the sound in real-time with the Audeze iOS App. It features two presets and a 10-band equalizer that changes EQ in real time. Refine the bass levels and tamp down the highs on peaky recordings you still love to hear. The two EQ presets travel with the cable when switching devices.


    Customize your sound in real-time with the Audeze iOS App

    The Audeze DSP app features two presets to personalize your music playback. It features a 10-band equalizer that changes EQ in real time. Refine the bass levels and tamp down the highs on peaky recordings you still love. Save two EQ curve presets that travel with the cable when switching devices.


    Engineered and handcrafted in our California factory

    Both the iSINE10 and iSINE20 headphones are engineered for superb long-term comfort and deliver an immersive, dynamic music experience. Audeze's innovative planar magnetic technology delivers astonishingly clear and accurate sound wherever you go.


    Great Sound comes in small packages

    To bring the sound of our award-winning LCD Collection to in-ear headphones, we worked closely with our strategic partner Designworks, a BMW Group Company. Every part of the iSINE is designed to bring our world-renowned Audeze sound to a global market in a smaller, lighter package. Great care has gone into the design of the iSINE series, from the housings that minimize reflections and diffractions to ensuring a comfortable, secure fit. At 20 grams, it is the lightest planar headphone ever made.


    This item is not eligible for discount.


    Audeze Headphones
    $399.00
    iSINE10 In-Ear Headphones Buy Now
  • Kill (Picture Disc) (Awaiting Repress) Kill (Picture Disc) (Awaiting Repress) Quick View

    $20.99
    Buy Now
    x

    Kill (Picture Disc) (Awaiting Repress)


    25th Anniversary Limited Pressing


    Original Uncensored Art On A Vibrant Picture Disc


    Simply titled but meticulously assembled, Kill was recorded with producer Erik Rutan (Hate Eternal/ex-Morbid Angel) at Mana Studios in St. Petersburg, Florida. The tenth record of their storied career, each track basks in its own claustrophobic abrasiveness and maniacal subject matter. From the onset of the fiery The Time To Kill Is Now, guitarists Barrett and Pat O'Brien, vocalist George Corpsegrinder Fisher, bassist Alex Webster and drummer Paul Mazurkiewicz pummel with a renewed sense of urgency. Fast, furious and scrupulously timed, the tune is a palpable reminder that Cannibal remains a force to be reckoned. Make Them Suffer sears with an old school Possessed vibe (a band to whom Cannibal has paid homage to on several occasions), while Necrosadistic Warning, replete with a barrage of blistering solo work by O'Brien whose guitar deftness is often underestimated, comes riddled with visions of zombies sexually gratifying themselves with the body parts of! the beings they've slain. Other tracks like the telling Five Nails Through The Neck, Death Walking Terror, Brain Removal Device and instrumental closer Infinite Misery see the five-piece at their most cogent, both lyrically and musically.


    Older, wiser, and as malevolent as ever before, the time to Kill is now!

    1. The Time to Kill Is Now
    2. Make Them Suffer
    3. Murder Worship
    4. Necrosadistic Warning
    5. Five Nails Through the Neck
    6. Purification by Fire
    7. Death Walking Terror
    8. Barbaric Bludgeonings
    9. The Discipline of Revenge
    10. Brain Removal Device
    11. Maniacal
    12. Submerged in Boiling Flesh
    13. Infinite Misery
    Cannibal Corpse
    $20.99
    Vinyl LP Picture Disc - Sealed AWAITING REPRESS Buy Now
  • Surfing With The Alien Surfing With The Alien Quick View

    $34.99
    Buy Now
    x

    Surfing With The Alien

    Import

    Joe Satriani is one of the world's best and most well-known guitarists. Early in his career, Satriani worked as a guitar instructor, and among his students were now famous guitarists Steve Vai, Larry LaLonde, Kirk Hammett, Andy Timmons, Charlie Hunter and Alex Skolnick. He himself is influenced by blues-rock guitar icons such as Jimi Hendrix, Eric Clapton, Jimmy Page, Ritchie Blackmore and Jeff Beck. Satriani worked with a range of musicians from several musical genres, including Mick Jagger, Deep Purple, John Petrucci, Eric Johnson, Yngwie Malmsteen, Brian May, Patrick Rondat, Paul Gilbert, Adrian Legg, and Robert Fripp. He is currently the lead guitarist for the supergroup Chickenfoot.

    'Surfing with the Alien' is Satriani's second album, released in 1987 and meant his breakthrough to a larger audience. It was the first instrumental rock record to enter the charts in a very long time. Although the album contains fast and complex songs as well as slower, melodic songs Satriani's unique style is always easily recognizable.

    1. Surfing With the Alien
    2. Ice 9
    3. Crushing Day
    4. Always With Me, Always With You
    5. Satch Boogie
    6. Hill of the Skull
    7. Circles
    8. Lords of Karma
    9. Midnight
    10. Echo
    Joe Satriani
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Bestial Burden Bestial Burden Quick View

    $19.99
    Buy Now
    x

    Bestial Burden

    Four days before New York noise musician Margaret Chardiet was supposed leave for her first European tour as Pharmakon, she had a medical emergency which resulted in a major surgery. Suddenly, instead of getting on a plane, she was bedridden for three weeks, missing an organ.


    "After seeing internal photographs taken during the surgery, I became hyperaware of the complex network of systems just beneath the skin, any of which were liable to fail or falter at any time," Chardiet said. "It all happened so fast and unexpectedly that my mind took a while to catch up to the reality of my recovery. I felt a widening divide between my physical and mental self. It was as though my body had betrayed me, acting as a separate entity from my consciousness. I thought of my corporeal body anthropomorphically, with a will or intent of its own, outside of my will's control, and seeking to sabotage. I began to explore the idea of the conscious mind as a stranger inside an autonomous vessel, and the tension that exists between these two versions of the self."


    Consumed by these ideas, and unable to leave her bed, Chardiet occupied herself by writing the lyrics and music that would become Bestial Burden, the second Pharmakon LP for Sacred Bones Records. The record is a harrowing collection of deeply personal industrial noise tracks, each one brimming with struggle and weighted with the intensity of Chardiet's internal conflict.

    1. Vacuum
    2. Intent Or Instinct
    3. Body Betrays Itself
    4. Primitive Struggle
    5. Autoimmune
    6. Bestial Burden
    Pharmakon
    $19.99
    Vinyl LP - Sealed Buy Now
  • Reaching Into Infinity Reaching Into Infinity Quick View

    $33.99
    Buy Now
    x

    Reaching Into Infinity

    Pressed On 2x Colored Vinyl


    Long running Grammy-nominated extreme melodic power metal band DragonForce are set to release their seventh album, 'Reaching Into Infinity.' Once again recorded with Jens Bogren (Opeth, Katatonia, Soilwork), the producer extraordinaire who helmed the UK-based group's now three-year-old previous record 'Maximum Overload,' it will be available via Metal Blade Records in the United States.


    'Reaching Into Infinity' introduces Italian drummer Gee Anzalone, who joined the band for their first ever 'best-of' collection, 'Killer Elite: The Hits, The Highs, The Vids', released in 2016. It's the third DragonForce album to feature frontman Marc Hudson, whose reign at the mic now enters its sixth year.


    Musically speaking, 'Reaching Into Infinity' continues where DragonForce left off with 'Maximum Overload', the band's faster material becoming even faster still, while the melodic parts head even further in that particular direction. The band offers no apologies for the inclusion of a 1980s rock-style ballad entitled 'Silence' and, at the other end of the spectrum, there's even an 11-minute multi-tempoed monster called 'The Edge Of The World'.


    "'The Edge Of The World' is DragonForce's longest ever song," says Li proudly. "In some ways, this album is more epic than anything we've done before."'The Edge Of The World' is extremely ambitious, channeling growled vocals from Hudson and fusing them with a stunning arrangement that twists and turns like the proverbial dragon's tail. The 'Force go prog-rock, anyone?


    "Why not?" Li responds. "Marc's favorite style of music is prog, and I'm a massive fan of Dream Theater, so there's an element of that going on. With each album that we make, the band reveals more and more if its influences, constantly adding to what we can do."


    "We have proven that playing fast is something we were good at, so this time I wanted to bring even more diversity into our music," Fred elaborates. "It's great to challenge ourselves instead of staying in a comfort zone, and I really wanted to experiment with Marc's vocals. I think people are going to be surprised at his brutality."


    The title corresponds with the album's highly impressive sleeve art, which features a dragon bursting through a wormhole into a hi-tech, futuristic cityscape.


    "The dragon represents us - DragonForce - and a form of music that's been around for a very long time, emerging into an outside world that's infinitely more crazy and chaotic than it was ten years ago," Li explains, using considerable understatement. "Everyone is saying that there's no future and there's a lot of fear and uncertainty, especially for younger people, but our music is an escape from it all."


    The bulk of the album was laid down at Fascination Street Studios in Sweden, though additional parts were cut in studios around the UK and in California. They had to be - "Since 'Killer Elite' it's been non-stop for us," Li comments.


    Adds Leclercq: "We flew out, played a festival, headed back into the studio, then went back out again. It was very intense and tiring. I obviously played bass but also a lot of rhythm guitar, electric and acoustic, and lost my temper a few times - I think we all did at some point because we wanted to deliver nothing but the best."


    Expect many of these songs to become firm live favorites, particularly the super-fast 'Midnight Madness' (feted as the album's second video track), when DragonForce hit the road again. As usual, their itinerary will take them to the four corners of the world.

    LP 1
    1. Reaching into Infinity
    2. Ashes of the Dawn
    3. Judgement Day
    4. Astral Empire
    5. Curse of Darkness
    6. Silence
    7. Midnight Madness


    LP 2
    1. War!
    2. Land of Shattered Dreams
    3. The Edge of the World
    4. Our Final Stand
    5. Hatred and Revenge (Bonus Track)
    6. Evil Dead (Bonus Track)

    Dragonforce
    $33.99
    Colored Vinyl LP -2 LPs Sealed Buy Now
  • I Got Dem Ol' Kozmic Blues Again Mama! I Got Dem Ol' Kozmic Blues Again Mama! Quick View

    $24.99
    Buy Now
    x

    I Got Dem Ol' Kozmic Blues Again Mama!

    Sourced from the Original Masters


    I Got Dem Ol' Kozmic Blues Again Mama! was the rst solo studio album Joplin recorded after leaving Big Brother and the Holding Company. The LP was released on September 11, 1969 and reached gold record status within two months of its release.


    When Janis Joplin died in October 1970 at the early age of 27, thus involuntarily confirming the beatnik adage live fast, love hard, die young, it was only a matter of time before she was crowned the "Queen of Rock". Of greater importance than this posthumous entry into rock 'n' roll's hall of fame is the recognition during her lifetime of her explosive vocal style, which - so Vogue - turned the whole history of singing upside down.


    Janis Joplin's discography is just as short and changeable as her life. After two LP releases with the standard 'cast' of rock musicians in the band Big Brother And The Holding Company, with whose excellent musical support she obtained her first recording contract with Columbia Records in 1968, the company provided her with a group augmented with organ and winds. Their intention was to broaden her vocal expression with blues and funk elements, which, however, her most loyal fans regarded as betrayal of the ideals of rock music. Rock fans in the Old World were less critical, especially since Joplin and her Kozmic Blues Band went on a two-month tour of Europe. For those Woodstock fans whose ears are still ringing with the band's full, meaty wind sound and Janis's bluesy soul singing, this album is an absolute must.

    1. Try (Just a Little Bit Harder)
    2. Maybe
    3. One Good Man
    4. As Good As You've Been to This World
    5. To Love Somebody
    6. Kozmic Blues
    7. Little Girl Blue
    8. Work Me Lord
    Janis Joplin
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Have Lost All Desire For Feeling I Have Lost All Desire For Feeling Quick View

    $20.99
    Buy Now
    x

    I Have Lost All Desire For Feeling


    Features A B-Side Etching Of Their Signature Triangular Logo


    Includes A 32 Page Photo Booklet


    "Punk rock revelations like Perfect Pussy don't come along often enough. They've got it all:
    great riot-feminist name, excellently miserable hometown (Syracuse, New York), ragingly
    chaotic live shows and a noise-assault donnybrook of a debut EP that's right up there with
    Yeezus among 2013's freshest headaches." - Rolling Stone


    "This band is going to be part of your life for the foreseeable future." - Pitchfork


    Just over a year after playing their first show as a band, Perfect Pussy have
    quickly made a name for themselves as one of the most intense bands in the
    indie rock and hardcore punk communities, both live and on record. Their fast
    rise to success all stemmed from this 4 track demo EP, originally released as
    a cassette only. Simply title tracks such as "I" and "IV" garnered praise from
    everyone to Rolling Stone and Pitchfork, to NPR and the New York Times,
    landing the on countless year end lists.


    Since the release of this 4 song wonder the band have toured the US
    countless times over, done a full tour of Europe and played festivals such as
    Pitchfork, Pitchfork Paris and Iceland airwaves. Their full length LP 'Say Yes to
    Love' received Pitchfork's Best New Music and is looking to join 'I Have Lost
    All Desire For Feeling' as a year end chart topper.


    To celebrate a banner year for Perfect Pussy, Captured Tracks are pleased
    to make "I Have Lost All Desire For Feeling" widely available and for the first
    time on vinyl. The 12" LP features music on the A-side and an etching
    of their signature triangular logo on the B-side. Along with the LP comes a
    32 page photo booklet documenting the band's year on the road.

    1. I
    2. II
    3. III
    4. IV

    Perfect Pussy
    $20.99
    Vinyl LP - Sealed Buy Now
  • Mass & Volume Mass & Volume Quick View

    $19.99
    Buy Now
    x

    Mass & Volume

    Recorded during the final hours of the sessions for the 'Phantom Limb' lp (Decibel Magazine's #1 record of 2007) 'Mass & Volume' finds Pig Destroyer's typically break neck speed virtually come to a grinding halt. 2 epic songs of crushing doom prove that Pig Destroyer cannot only dominate all other wickedly fast grind bands, but that when Pig Destroyer does slow, they do slow better than anyone else out there. If Pig Destroyer were to completely change gears and become a full time doom band, they would be the best doom band in the world. Until then we all have 'Mass & Volume' to hold us over.
    1. Mass & Volume
    2. Red Tar
    Pig Destroyer
    $19.99
    Vinyl EP - Sealed Buy Now
  • The Fate Of The Furious (Original Score) The Fate Of The Furious (Original Score) Quick View

    $36.99
    Buy Now
    x

    The Fate Of The Furious (Original Score)

    First Pressing Of 1000 Individually Numbered Copies On Silver Vinyl, Black Vinyl Thereafter

    180 Gram Audiophile Vinyl

    PVC Protective Sleeve

    Gatefold Sleeve With Deluxe Spot Varnish

    Contains Exclusive Poster And 4-Page Booklet

    Score By Brian Tyler, Featuring Mercury Prize Winner Sam Lee

    The Fate of the Furious (alternatively known as Fast & Furious 8 and Fast 8) is the eighth installment in The Fast and the Furious franchise. The film stars Vin Diesel, Dwayne Johnson, Jason Statham, Michelle Rodriguez and Tyrese Gibson. The Fate of the Furious follows Dominic Toretto, who has settled down with his wife Letty (Rodriguez), until cyberterrorist Cipher coerces him into working for her and turns him against his team, forcing them to find Dom and take down Cipher.

    The film turned out to be a huge blockbuster and has grossed over $1.2 billion worldwide, making it the second highest-grossing film of 2017 and the eleventh highest-grossing film of all time.

    The score is written and produced by Brian Tyler. Tyler is easily one of the busiest composers around today. He won Composer of the Year at the 2013 Cue Awards and was nominated for a 2014 BAFTA Award. In 2010, Tyler was inducted into the music branch of the Academy of Motion Picture Arts and Sciences.

    The first pressing of Fate Of The Furious is available on silver vinyl. This is a limited edition of 1000 individually numbered copies.

    The 2LP set package contains an exclusive poster, as well as a 4-page booklet with pictures and credits. The gatefold has a special spot varnish effect.

    LP 1
    1. The Fate Of The Furious
    2. Cipher
    3. Zombie Time
    4. Reunited
    5. Confluence
    6. Affirmation
    7. The Toy Shop
    8. Hoodwinked
    9. Incentive
    10. Harpooned
    11. Simple Solutions

    12. Asking The Question
    13. The Cuban Mile


    LP 2
    1. Facing The Crocodile
    2. Cargo Breach
    3. Mutual Interest
    4. Wrecking Ball
    5. Taking Control
    6. Consequences
    7. Nobody's Intel
    8. Outflanked
    9. Welcome To The Club
    10. Roman
    11. Davidaniya
    12. Concussion Grenade
    13. Rogue
    14. Dead In The Eye
    15. The Return

    Brian Tyler
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Beyond The Valley Of The Murderdolls Beyond The Valley Of The Murderdolls Quick View

    $34.99
    Buy Now
    x

    Beyond The Valley Of The Murderdolls

    Import


    180 Gram Audiophile Vinyl


    6 Page Insert


    Available On Vinyl For The First Time!


    First Pressing Of 1000 Numbered Copies On Red Vinyl


    Beyond the Valley of the Murderdolls, released in 2002, is the debut album of Horror Punk band Murderdolls. Murderdolls are a side project for Slipknot drummer Joey Jordison and Static-X guitarist Tripp Eisen.


    The music on the album is fast and macabre. The Murderdolls draw inspiration from movies such as Friday the 13th, Night of the Living Dead, and Phantasm. The 15 tracks are full of tongue-in-cheek horror clichÉs.

    1. Slit My Wrist
    2. Twist My Sister
    3. Dead In Hollywood
    4. Love At First Fright
    5. People Hate Me
    6. She Was A Teenage Zombie
    7. Die My Bride
    8. Grave Robbing U.S.A
    9. 197666
    10. Dawn Of The Dead
    11. Let's Go To War
    12. Dressed To Depress
    13. Kill Miss America
    14. B-movie Scream Queen
    15. Motherf**ker I Don't Care
    Murderdolls
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Queen On Air Queen On Air Quick View

    $79.99
    Buy Now
    x

    Queen On Air

    3x 180 Gram Vinyl LPs


    Embossed Front Sleeve


    Between February 1973 and October 1977, Queen recorded six sessions for the BBC - twenty four new and alternative recordings spanning four albums.


    They revisited nineteen different songs in all: My Fairy King (the first Queen song ever to be broadcast on radio), Liar, Son And Daughter, Doing All Right, Great King Rat, Modern Times Rock'n'Roll, Ogre Battle, Nevermore, White Queen, See What A Fool I've Been (a song that never appeared on any Queen studio album), Now I'm Here, Stone Cold Crazy, Flick Of The Wrist, Tenement Funster, Spread Your Wings, My Melancholy Blues, It's Late, the only known studio recording of their dramatically different full-band 'fast' arrangement of We Will Rock You and the song that became their very first single Keep Yourself Alive.


    All six sessions have been remastered and feature here together for the very first time.

    LP 1
    Session 1: February 5th, 1973
    1. My Fairy King
    2. Keep Yourself Alive
    3. Doing All Right
    4. Liar
    Session 2: July 25th, 1973
    5. See What A Fool I've Been
    6. Keep Yourself Alive
    7. Liar
    8. Son And Daughter


    LP 2
    Session 3: December 3rd, 1973
    1. Ogre Battle
    2. Modern Times Rock 'n' Roll
    3. Great King Rat
    4. Son And Daughter
    Session 4: April 3rd, 1974
    5. Modern Times Rock'n'Roll
    6. Nevermore
    7. White Queen (As It Began)


    LP 3
    Session 5: October 16th, 1974
    1. Now I'm Here
    2. Stone Cold Crazy
    3. Flick Of The Wrist
    4. Tenement Funster
    Session 6: October 28th, 1977
    5. We Will Rock You
    6. We Will Rock You (fast)
    7. Spread Your Wings
    8. It's Late
    9. My Melancholy Blues

    Queen
    $79.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Santana III Santana III Quick View

    $44.99
    Buy Now
    x

    Santana III

    Import


    "Santana III" is an album of lasts. It was the last album recorded with the original Woodstock]line up and the last to hit #1 in the Billboard charts until 1999's "Supernatural". But there are also a number of important firsts on this album; Coke Escovedo joins in for the first time on percussion, as does Neal Schon (Journey) - a mere seventeen when they recorded the album - on guitar. Santana III is seen by many as the band's commercial and creative highpoint. The band sounds darker, more raw, and more eager with the doubling up on guitar of Schon's rock´n´roll sensibilities and Santana's ecstatic high notes and soulful fills. Escovedo's and Chepito's percussion is as fast as it is furious, and the minimal production adds greatly to the timeless appeal of this album.

    Side A:

    1. Batuka

    2. No One To Depend On

    3. Taboo

    4. Toussaint L'Overture


    Side B:

    1. Everybody's Everything

    2. Guajira

    3. Jungle Strut

    4. Everything's Coming Our Way

    5. Para Los Rumberos


    Side C:

    1 Gumbo *

    2. Folsom Street ] One *


    Side D:

    1. Banbeye *

    2. No One To Depend On (Single Version) *

    Santana
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • New Normal Catastrophe New Normal Catastrophe Quick View

    $9.99
    Buy Now
    x

    New Normal Catastrophe

    This 5-song 12 EP is blazing fast and intelligent hardcore, 80s style, a la AOF's classic What We Want Is Free EP (1982) & Give Thanks LP (1984). Recorded at Chicago's Million Yen Studios (Cheap Trick, Effigies, Local H, Smoking Popes) on July 4, 2010, these 5 songs show the band members' continuing political involvement and brutal musical chops. This lineup had not written or recorded together since 1985's In This Life LP.


    New Normal Catastrophe was mixed by J. Robbins (of Jawbox & Report Suspicious Activity [a collaboration between J. Robbins and AOF's Vic Bondi]) in Baltimore, MD.


    This 5-song 12 is released in time for the return of the original lineup to the stage at Chicago's annual RIOT FEST from October 6-October 10, 2010. This lineup has not played live together since July 1985!

    1. With A Vengeance
    2. Coming Off The Rails
    3. New Normal Catastrophe
    4. Hammer Song
    5. Brother John
    Articles of Faith
    $9.99
    Vinyl LP - Sealed Buy Now
  • I Got Dem Ol' Kozmic Blues Again Mama! (Speakers Corner) (Awaiting Repress) I Got Dem Ol' Kozmic Blues Again Mama! (Speakers Corner) (Awaiting Repress) Quick View

    $34.99
    Buy Now
    x

    I Got Dem Ol' Kozmic Blues Again Mama! (Speakers Corner) (Awaiting Repress)

    When Janis Joplin died in October 1970 at the early age of 27, thus involuntarily confirming the beatnik adage live fast, love hard, die young, it was only a matter of time before she was crowned the "Queen of Rock". Of greater importance than this posthumous entry into rock 'n' roll's hall of fame is the recognition during her lifetime of her explosive vocal style, which - so Vogue - turned the whole history of singing upside down.



    Janis Joplin's discography is just as short and changeable as her life. After two LP releases with the standard 'cast' of rock musicians in the band Big Brother And The Holding Company, with whose excellent musical support she obtained her first recording contract with Columbia Records in 1968, the company provided her with a group augmented with organ and winds. Their intention was to broaden her vocal expression with blues and funk elements, which, however, her most loyal fans regarded as betrayal of the ideals of rock music. Rock fans in the Old World were less critical, especially since Joplin and her Kozmic Blues Band went on a two-month tour of Europe. For those Woodstock fans whose ears are still ringing with the band's full, meaty wind sound and Janis's bluesy soul singing, this album is an absolute must.



    Musicians:



    • Janis Joplin (vocal)

    • Cornelius Snooky Flowers, Terry Clements (saxophone)

    • Luis Gasca (trumpet)

    • Richard Kermode, Gabriel Mekler (organ)

    • Sam Andrew (guitar)

    • Brad Campbell (bass)

    • Maury Baker, Lonnie Castille (drums)



    Recording: June - August 1969 by Sy Mitchell, Jerry Hochman, and Alex Kazanegras

    Production: Gabriel Mekler



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Try (Just a Little Bit Harder)
    2. Maybe
    3. One Good Man
    4. As Good As You've Been to This World
    5. To Love Somebody
    6. Kozmic Blues
    7. Little Girl Blue
    8. Work Me Lord
    Janis Joplin
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • The Goat Rodeo Sessions The Goat Rodeo Sessions Quick View

    $29.99
    Buy Now
    x

    The Goat Rodeo Sessions

    The last time cellist Yo-Yo Ma teamed with bassist Edgar Meyer and mandolin player Chris Thile (of Nickel Creek and Punch Brothers fame) for a classical/bluegrass hybrid, the result was the gold-selling Songs of Joy & Peace. Here, Ma, Meyer, and Thile are joined by fiddler Stuart Duncan in a different kind of string quartet.


    The slang phrase goat rodeo, according the Urban Dictionary, is about the most polite term used by aviation people (and others in higher risk situations) to describe a scenario that requires about 100 things to go right at once if you intend to walk away from it. That may be overstating the case for a group of musicians, most of whom have worked together and succeeded before, but it also carries a rural connotation that is appropriate for music that is, for the most part, closer to bluegrass than classical. The tunes were written by Duncan, Meyer, and Thile, and Ma's role is largely supportive. After the fast pieces Attaboy and Quarter Chicken Dark, Helping Hand is the first slower number, with Thile switching to guitar and Duncan taking over the mandolin for a musical conversation between the two instruments.


    Where's My Bow? is a violin/cello/bass trio with Thile sitting out, and it is one of the few tracks that leans more toward the classical side, boasting a big, dramatic finish. The more exotic Here and Heaven finds both Thile and Meyer at times playing the Renaissance instrument the gamba, as Duncan picks up a fretless banjo, all of them backing a vocal duet between Thile and Aoife O'Donovan of Crooked Still. Meyer moves to piano for the slow, thoughtful Franz and the Eagle, another piece that has more of a classical bent.


    The rest of the album is in a progressive bluegrass mode, Less Is Moi mixing several short themes and allowing room for improvisation, and 13:8 taken quickly, with Duncan and Thile interacting briskly. It doesn't really seem as if 100 things had to go right for The Goat Rodeo Sessions to work; it only required four or five talented musicians to play and sing in sympathetic unity, and that they did, making this a satisfying experience for more adventurous classical and bluegrass fans.

    LP1
    1. Attaboy
    2. Quarter Chicken Dark
    3. Helping Hand
    4. Where's My Bow?
    5. Here and Heaven
    6. Franzand the Eagle


    LP2
    1. Less is Moi
    2. Hill Justice
    3. No One But You
    4. 13:8
    5. Goat Rodeo

    Yo-Yo Ma
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
Go to top