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Fate Of The Furious'
The Fate Of The Furious (Original Score)First Pressing Of 1000 Individually Numbered Copies On Silver Vinyl, Black Vinyl Thereafter
180 Gram Audiophile Vinyl
PVC Protective Sleeve
Gatefold Sleeve With Deluxe Spot Varnish
Contains Exclusive Poster And 4-Page Booklet
Score By Brian Tyler, Featuring Mercury Prize Winner Sam Lee
The Fate of the Furious (alternatively known as Fast & Furious 8 and Fast 8) is the eighth installment in The Fast and the Furious franchise. The film stars Vin Diesel, Dwayne Johnson, Jason Statham, Michelle Rodriguez and Tyrese Gibson. The Fate of the Furious follows Dominic Toretto, who has settled down with his wife Letty (Rodriguez), until cyberterrorist Cipher coerces him into working for her and turns him against his team, forcing them to find Dom and take down Cipher.
The film turned out to be a huge blockbuster and has grossed over $1.2 billion worldwide, making it the second highest-grossing film of 2017 and the eleventh highest-grossing film of all time.
The score is written and produced by Brian Tyler. Tyler is easily one of the busiest composers around today. He won Composer of the Year at the 2013 Cue Awards and was nominated for a 2014 BAFTA Award. In 2010, Tyler was inducted into the music branch of the Academy of Motion Picture Arts and Sciences.
The first pressing of Fate Of The Furious is available on silver vinyl. This is a limited edition of 1000 individually numbered copies.
The 2LP set package contains an exclusive poster, as well as a 4-page booklet with pictures and credits. The gatefold has a special spot varnish effect.LP 1
1. The Fate Of The Furious
3. Zombie Time
7. The Toy Shop
11. Simple Solutions
12. Asking The Question
13. The Cuban Mile
1. Facing The Crocodile
2. Cargo Breach
3. Mutual Interest
4. Wrecking Ball
5. Taking Control
7. Nobody's Intel
9. Welcome To The Club
12. Concussion Grenade
14. Dead In The Eye
15. The Return$36.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Fate Of The Furious: The AlbumArtist Partner Group, Atlantic Records, and Universal Pictures have announced the release of "THE FATE OF THE FURIOUS: THE ALBUM," the musical companion to the much-anticipated Universal Pictures film of the same name. The album arrives in stores and at all online retailers on Friday, April 14, as the ultimate companion to Universal's THE FATE OF THE FURIOUS, which opens in theaters everywhere the same day.
The highly-anticipated album includes an impressive total of 14 exclusive new tracks curated specifically for THE FATE OF THE FURIOUS, featuring unparalleled collaborations by Young Thug, 2 Chainz, Wiz Khalifa & PnB Rock; Jeremih, Ty Dolla $ign & Sage The Gemini; and PnB Rock, Kodak Black & A Boogie Wit Da Hoodie. Furthermore, Migos, Post Malone, 21 Savage, Lil Yachty, Kevin Gates and more round out the star-studded tracklist, contributing their own exclusive new songs for the dynamic album.LP 1
1. Gang Up (By Young Thug, 2 Chainz, Wiz Khalifa & PnB Rock)
2. Go Off (Lil Uzi Vert, Quavo & Travis Scott)
3. Good Life (G-Eazy & Kehlani)
4. Horses (PnB Rock, Kodak Black & A Boogie Wit Da Hoodie)
5. Seize The Block (Migos)
6. Murder (feat. 21 Savage) [Remix] (YoungBoy Never Broke Again)
7. Speakerbox (feat. Ohana Bam & Lafa Taylor) [F8 Remix] (Bassnectar)
8. Candy Paint (Post Malone)
9. 911 (Kevin Gates)
1. Mamacita (feat. Rico Nasty) [Lil Yachty]
2. Don't Get Much Better (Jeremih, Ty Dolla $ign & Sage The Gemini)
3. Hey Ma (feat. Camila Cabello) [Spanish Version] (Pitbull & J Balvin)
4. La Habana (feat. El Taiger) [Pinto Wahin & DJ Ricky Luna]
5. Hey Ma (feat. Camila Cabello) [J Balvin & Pitbull]$29.99Vinyl LP - 2 LPs Sealed Buy Now
Be More KindFrank Turner has announced his seventh studio album, Be More Kind, which is set for release via Interscope Records. Months after the release of Songbook, a career-spanning retrospective which also saw reworked versions of tracks from across the past decade, Be More Kind represents a thematic and sonic line in the sand for the 36-year-old. The new album combines raw political and personal universal anthems with the intricate folk and punk roar trademarks of Turner's sound imbued with new, bold experimental shades.
Be More Kind was produced by Charlie Hugall (Florence And The Machine, Halsey) and White Denim's Austin Jenkins and Joshua Block. "I wanted to try and get out of my comfort zone and do something different," says Turner. Originally, he contacted Jenkins and Block at their Niles City Sound studio in Fort Worth, Texas with the idea of recording a soul album in the vein of Dexys Midnight Runners. He found they were equally enthusiastic when he changed his mind and decided he wanted to record a more rock-led album with tints of electronic pop. "I have an obscure corner of my music taste where I'm into glitch electronic music and Warp Records," says Turner. "It's not an electronic record but I got into arpeggiator synths." While 2015's Positive Songs for Negative People was cut in nine intense days, Be More Kind was made over a period of seven months giving Turner the opportunity to turn songs on their head, try different versions, and shake up the dynamics within his band.
Turner was halfway through writing a very different sort of album, a concept record about women from history who had been ignored, when he was reading a collection of Clive James's poetry and one particular line compelled him to re-think his direction. The line, from a poem called Leçons Des TÉnèbres, reads: "I should have been more kind. It is my fate / To find this out, but find it out too late." "It devastated me the first time I read it," Turner says. "A lot of older, wiser people tend to say things like that, that the things that come out in the wash at the end of a human life are the way you treated the people around you. In the modern world, that's a lesson that all of us, myself included, could do to learn."
Turner and his band, The Sleeping Souls, were touring America in 2016 "when the world decided to go collectively nuts" and the songs that make up Be More Kind started to come together. "Somewhere in the record, there's a convergence of the ideas of personal and political, which is a central theme of the album," Turner says. One of the other driving themes of the album is empathy, even for your enemy. "You should at least be able to inhabit the mental universe of the people you disagree with. If you can't do that, then how do you communicate with people other than through force of arms, which is something we all agree is a bad idea."
The first track to be released from Be More Kind is "1933", a clattering, state-of-the-nation anthem. Furious and direct, it's inspired by articles Turner saw that suggested the alt-right was punk rock. "That filled me with a mixture of incredulity and anger," says Turner. "The idea that Breitbart or Steve Bannon think they have anything to do with punk rock makes me extremely angry." The other theme in the track is summed up by the line, "If I was one of the greatest generation / I'd be pissed / I'd be screaming at my grandkids / that we already did this." "These ideas are surfacing again that collectively as a species we've already shot down," says Turner.1. Don't Worry
3. Little Changes
4. Be More Kind
5. Make America Great Again
6. Going Nowhere
7. Brave Face
8. There She Is
9. 21st Century Survival Blues
11. Common Ground
12. The Lifeboat
13. Get It Right$25.99Vinyl LP -Sealed Buy Now
Babel follows the 2009 release of Mumford & Sons' debut album, Sigh No More. It is produced by Markus Dravs.
Fantastic 4 Star review from American Songwriter!
There are some guitar sounds so indelibly stuck into our collective pop-consciousness that even those who can't tell a minor from a major chord can identify the band or player from just a few riffs -a dreamy John Lennon lick, the cosmic climb of Joe Perry, Slash's slash, Nirvana's fuzzy-barre rips, the post-punk fury of Sonic Youth. Now, the chugging, kinetic strum of Mumford & Sons is slowly creeping onto this revered list - not born out of extreme skill or virtuosity but by sheer branding, note for note. And it's how the band's second album, Babel, opens on the title track: with that same very strum, born somewhere between English mountain folk and an old time Appalachia. You can nearly hear the sweat flying off Marcus Mumford, his Martin instrument hiked high on his chest, every time he and banjo player Winston Marshall attack their strings.
So it's no coincidence, it seems, that the band's highly anticipated sophomore record begins exactly where we might expect, and the rest of LP that follows proves that this isn't an attempt to smash any expectations with a sudden progression of their style. For those devotees looking for the Mumfords to evolve drastically, well, you're out of luck. But who would that audience be, anyway? The band is no doubt polarizing: old time and bluegrass faithfuls wouldn't be caught dead with a copy of Sigh No More, and their most ardent followers are more likely to have an iPod stocked with Coldplay and John Mayer than Bill Monroe or Doc Watson. Even pop addicts can't deny the catchy craft of "Little Lion Man" or "The Cave." No one is looking for their Kid A. Thus Babel's not a new sentence in the book of Mumford & Sons - it's what happens after an ellipses. And in many ways, that suits them just fine. It will most definitely suit their fans.
Marcus Mumford has always been a bit of a melancholy fellow, and even a marriage to pixie-haired starlet Carey Mulligan, sold-out shows and Grammy nominations haven't shaken the teary introspection from this set of songs. Obviously, Babel deals in a lot of religious imagery and lyrics - with all the success and opportunities to indulge, it seems the boys have taken a moment to ask a few questions of their maker. "This cup of yours tastes holy/but a brush with the devil can clear your mind," Mumford sings on the second track "Whispers in the Dark." It's an anthem call with a firm statement: "I'm a cad but I'm not a I'm not a fraud / I set out to serve the lord." Maybe the trials and tribulations of being simultaneously loved and harangued have worn on the Mumford's, but at least they can prove to themselves, their audience or even their lord that this stuff comes from the heart.
The album's single, "I Will Wait," is an easy crowd-pleaser moment with an arena-ready hushed chorus, set to those furious strings. The lyric and melody could easily be a Fray song if you removed the plucking banjo -and that's the amazing thing about Mumford & Sons. Purists aside, there's no one else that can get an audience from ages eight to eighty screaming along to a bunch of acoustic instruments or urge a kid to choose guitar lessons over computer games. Every time they perform - live or on Babel - they do it with sheer fervor, as if it's both their first and last time.
While the band is mostly known for their "Americana" sound, they also pull references from their side of the pond: from both classic British countryside folk and Celtic punk bands like The Pogues. Those influences run a little more clear on Babel - "Ghosts That We Knew" and "Reminder" are both soft, melancholy stunners born out of grassy hills and cockney-tinged tales told in wood-paneled bars. And "Broken Crown" is the boys at their angriest yet: "I'll never be your chosen one," Mumford sings lightly before launching into an all-out war over minstrel plucks. It's a force of a song, and not your firmest pick nor hard-earned callous could weather that storm.
Babel has some other unexpected moments, too, like on "Hopeless Wanderer," which begins with keys instead of strum, and "Lover of the Light" is a sunnier moment, perhaps a nod to the singer's recent vows ("to have and to hold," Mumford howls on the track). And the album's closer, "Not Without Haste," is a beautiful lullaby meant more for singing a restless man to sleep than a still-innocent child.
There's also a continuation of the Mumford's love of literary references, with the boys even copping recently to ripping a line from Hilary Mantel's Wolf Hall - this is the band, after all, that was able to loop Macbeth's fateful cry of "stars, hide your fires" into their rollicking song "Roll Away Your Stone." So while the album title, Babel, is most likely a biblical reference, it's hard not to think of Jorge Louis Borges' short story, The Library of Babel. In it Borges imagines a universe composed of an endless library that contains every book in every possible permutation, and, therefore, nothing at all. This excess causes great despair for people of the library as they try to search for meaning in all of it. They fret. They come up empty.
Babel may not hold all the answers, and it may not be some exotic transformation of their original formula - it's a safe bet to say that nothing from the Mumford & Sons may ever be. In The Library of Babel, the final realization that everything repeats itself is the universe's saving grace. And in Babel, you could say the same. Though there may not be endless possibilities, there's comfort - elegance, even - in that familiar, now nearly iconic rip of those strings, strummed in the way only those boys from West London can strum. It's not perfect, but it's perfectly Mumford & Sons.1. Babel
2. Whispers In The Dark
3. I Will Wait
4. Holland Road
5. Ghosts That We Knew
6. Lover Of The Light
7. Lovers' Eyes
9. Hopeless Wanderer
10. Broken Crown
11. Below My Feet
12. Not With Haste$16.99Vinyl LP - Sealed Buy Now