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  • Alive! (Awaiting Repress) Alive! (Awaiting Repress) Quick View

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    Alive! (Awaiting Repress)

    Ranked 159/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

    Alive! was the album that catapulted Kiss from cult attraction to mega-superstars. It was their first Top Ten album, remaining on the charts for 110 weeks and eventually going quadruple platinum. Culled from shows in Detroit, New Jersey, Iowa, and Cleveland on the Dressed to Kill tour, the record features producer Eddie Kramer doing a masterful job of capturing the band's live performance on record. The band's youthful energy is contagious, and with positively electric versions of their best early material, it's no mystery why Alive! is widely regarded as one of the greatest live hard rock recordings of all time. Rock and Roll All Nite became a Top 20 smash and was the main reason for the album's success, but there are many other tracks that are just as strong -- Deuce, Strutter, Firehouse, Parasite, She, 100,000 Years, Black Diamond, and Cold Gin all shine in a live setting. Although there's been some speculation of extensive overdubbing to correct mistakes, Alive! remains Kiss' greatest album ever. An essential addition to any rock collection.

    - Greg Prato (All Music Guide)

    1. Deuce
    2. Strutter
    3. Got To Choose
    4. Hotter Than Hell
    5. Firehouse
    6. Nothin' To Lose
    7. C'mon And Love Me
    8. Parasite
    9. She
    10. Watchin' You
    11. 100,000 Years
    12. Black Diamond
    13. Rock Bottom
    14. Cold Gin
    15. Rock And Roll All Nite
    16. Let Me Go, Rock 'N' Roll
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Kiss (Awaiting Repress) Kiss (Awaiting Repress) Quick View

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    Kiss (Awaiting Repress)

    Kiss' 1974 self-titled debut is one of hard rock's all-time classic studio recordings. Kiss is chock full of their best and most renowned compositions, containing elements of Rolling Stones/New York Dolls party-hearty rock & roll, Beatles tunefulness, and Sabbath/Zep heavy metal, and wisely recorded primal and raw by producers Richie Wise and Kenny Kerner (of Gladys Knight fame). Main songwriters Stanley and Simmons each had a knack for coming up with killer melodies and riffs, as evidenced by Nothin' to Lose and Deuce (by Simmons), Firehouse and Black Diamond (by Stanley), as well as Strutter and 100,000 Years (collaborations by the two). Also included is the Ace Frehley alcohol anthem Cold Gin, Let Me Know (a song that Stanley played for Simmons upon their very first meeting, then titled Sunday Driver), and one of Kiss' few instrumentals: the groovy Love Theme from Kiss (penned by the entire band). The only weak track is a tacky cover of the 1959 Bobby Rydell hit Kissin' Time, which was added to subsequent pressings of the album to tie in with a Kissing Contest promotion the band was involved in at the time. Along with 1976's Destroyer, Kiss' self-titled debut is their finest studio album, and has only improved over the years.

    - Greg Prato (All Music Guide)

    1. Strutter
    2. Nothin' To Lose
    3. Firehouse
    4. Cold Gin
    5. Let Me Know
    6. Kissin' Time
    7. Deuce
    8. Love Theme From Kiss
    9. 100,000 Years
    10. Black Diamond
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Two Big Bull In A One Pen (Dubwise Versions) Two Big Bull In A One Pen (Dubwise Versions) Quick View

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    Two Big Bull In A One Pen (Dubwise Versions)

    Dub versions of Two Big Bull In A One Pen by Red Rose and King Kong. Recorded at Tubby's by the likes of Peego and Fatman, this killer album was originally issued on Firehouse in 1986.
    1. Two Big Bull In A One Pen
    2. Body Crazy
    3. Is It Love I'm Feeling
    4. Tribulation
    5. Riddle Me This
    6. Follow Me Now

    7. Cater Fi She
    8. Don't Touch My Choo-Choo
    9. Ain't Gonna Be No Loafter
    10. Monkey Sample
    King Tubby
    Vinyl LP - Sealed Buy Now
  • Soul To Soul (Pure Pleasure) Soul To Soul (Pure Pleasure) Quick View

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    Soul To Soul (Pure Pleasure)

    The acclaimed composer, jazz vocalist, producer, arranger and educator Carmen Lundy believes in honesty and sincerity in music. Her artistic passion has guided her around the world, working with numerous musicians such as Geri Allen, Patrice Rushen, Teri Lynne Carrington and many others. So it should come as no surprise that her fervent new song cycle, titled Soul To Soul, features an array of award-winning musicians that help her realize the next chapter in her critically acclaimed career.

    Soul To Soul is Carmen Lundy's 14th album and features 13 songs, 11 of which Carmen composed and arranged. She plays guitar on all tracks, piano on "Kindred Spirits", the electric Rhodes on "Don't You Know How I Feel", and the drums/percussion on "Sardegna" and also provides backing vocals on "Grace". The Los Angeles-based vocalist opens the program with "Kindred Spirits", a song that explores the concept of 'you reap what you sow' and the way you play the game of life. Next is "Life Is A Song In Me", during which Lundy's lyrics benefit from the synergy of her multi-octave range and vocalese, Rushen's Rhodes solo, Jamison Ross' exemplary drumming and the balanced backing vocals.

    Carmen Lundy continues to find new connections between the jazz elements used by vocalists and instrumentalists on the title track, "Soul To Soul". She adds the stellar accompaniment of trumpeter Randy Brecker, tenor saxophonist Ada Rovatti and piano chops of Patrice Rushen to underline her musical persona and vocal technique. The sound motion inherent in that song has great tone that many people will feel instantly and submit it to their memory and recall abilities. That is what makes a song a hit with people - its sound motion.

    Her great ballad, "When Will They Learn", is absolutely beautiful with its string arrangements for harpist Carol Robbins and the serene brushwork of Jamison Ross. Here Carmen delivers the song in her vocals lower octaves which make this moving song one of the best on the recording. You can hear that she has internalized the music, allowing it to flow in her veins and transferring it directly to the listener.
    Overall, Soul To Soul is among Carmen Lundy's best recordings. She understands that those notes she puts down on paper are important and have their place. But when it comes to delivering those notes, her vocal acumen and virtuosity proves that she has the right balance, the right accompaniments, the right musical formats and the right synergy, artistry and jazz sensibilities to make those inspired notes accessible to her worldwide fans. Check it out.


    • Carmen Lundy (vocal, keyboard, guitar, drums, percussion)

    • Bennie Maupin (tenor saxophone, soprano saxophone)

    • Randy Brecker (trumpet, fluegel horn)

    • Patrice Rushen (keyboard)

    • Carol Robbins (harp)

    • Simphiwe Dana (vocals)

    • Darryl Hall (bass)

    • Mayra Casales (conga, percussion)

    • Jamison Ross (drums, percussion)

    Recording: 2014 at Firehouse Recording Studios, Pasadena (CA), by Don Murray
    Production: Elisabeth Oei & Carmen Lundy

    About Pure Pleasure

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Kindred Spirits
    2. Life Is a Song in Me
    3. Soul to Soul
    4. When Will They Learn
    5. Daybreak
    6. Between Darkness and Dawn
    7. Grace
    8. Grateful, Pt. 1
    9. Grateful, Pt. 2
    10. Everything I Need
    11. Don't You Know How I Feel
    12. Sardegna
    13. What's Your Story, Morning Glory
    Carmen Lundy
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
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