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Frank Sinatra And Count Basie'
Sinatra - Basie: An Historic Musical FirstSinatra-Basie: An Historic Musical First (or simply Sinatra-Basie) is a 1962 studio album by Frank Sinatra, arranged by Neal Hefti.
As the title indicates, this was the first recording that Sinatra made with the Count Basie Orchestra.1. Pennies From Heaven
2. Please Be Kind
3. (Love Is) The Tender Trap
4. Looking At The World Thru Rose Coloured Glasses
5. My Kind Of Girl
6. I Only Have Eyes For You
7. Nice Work If You Can Get It
8. Learnin' The Blues
9. I'm Gonna Sit Right Down And Write Myself A Letter
10. I Won't Dance$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
At The SandsSinatra at the Sands is a 1966 live album by Frank Sinatra, accompanied by Count Basie and his orchestra, conducted and arranged by Quincy Jones, recorded live at the Copa Room of the Sands Hotel and Casino in Las Vegas.
It was Sinatra's first live album to be commercially released, and contains many definitive readings of the songs that are most readily associated with Sinatra.LP 1
1. Come Fly With Me
2. I've Got A Crush On You
3. I've Got You Under My Skin
4. The Shadow of Your Smile
5. Street of Dreams
6. One For My Baby (And One More For the Road)
7. Fly Me To the Moon
8. One O'Clock Jump
9. The Tea Break (monologue)
10. You Make Me Feel So Young
1. All of Me
2. The September Of My Years
3. Get Me To the Church On Time
4. It Was A Very Good Year
5. Don't Worry 'Bout Me
6. Makin' Whoopee! (instrumental)
7. Where or When
8. Angel Eyes
9. My Kind of Town
10. A Few Last Words (monologue)
11. My Kind of Town (reprise)$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Live At The Sands: Before FrankSwinging Hard and Heavy With Orchestral Support, Live Big-Band Album Recorded During the Count's Warm-Up Sets for Sinatra in Early 1966 in Vegas
Incredible Sound: Mastered from the Original Master Tapes, Reissue Improves Upon Renowned Dynamics, Presence, Crispness, and Balances
Long Out-of-Print, Seminal Classic is Perfect Complement to Sinatra's Live at the Sands
Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano-a focal point throughout-resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.
Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count's studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.
Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.
No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. Mobile Fidelity's reissue restores not only the sonics but the record's place in jazz history.
This title is not eligible for discount.1. Introduction
3. I Can't Stop Loving You
4. I Needs to Be Bee'd With
5. Flight of the Foo Birds
6. Satin Doll
7. Makin' Whoopee!
8. Corner Pocket
9. One O'Clock Jump
10. Hello Little Girl
11. Whirly Bird
12. Blues for Ilene
13. This Could Be the Start of Something Big
14. Jumpin' at the Woodside$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
H.R. Is A Dirty Guitar PlayerIn the pantheon of under-the-radar American guitar heroes, Howard Roberts looms large. A remarkably versatile musician who was one of Los Angeles' most in-demand session players from the early 1950s through the 1970s, Roberts' career encompassed an incredible array of studio assignments. He recorded with a dizzying assortment of acts, including Elvis Presley, Frank Sinatra, the Beach Boys, the Monkees, Dean Martin, Sonny and Cher, the Jackson 5, Peggy Lee, Eddie Cochran, Chet Atkins and the Electric Prunes. He also played on countless film and television soundtracks; his guitar work is featured prominently in the iconic theme music of The Twilight Zone, The Munsters and I Dream of Jeannie.
Roberts was also an accomplished musical educator, co-founding Hollywood's Guitar Institute of Technology, writing a regular instructional column on jazz improvisation for Guitar Player magazine, and penning several highly-regarded guitar instruction books. As a guitar teacher, one of his students was a teenaged Phil Spector, for whom Roberts would later work as a session man.
Impressive as his session resume is, for many guitar aficionados, the real highlights of Howard Roberts' body of work are the instrumental albums he released under his own name throughout his career. One of his best-loved solo releases is the memorably titled H.R. Is A Dirty Guitar Player, originally released by Capitol Records in 1963. Recorded at the legendary Studio A in the Capitol Tower, with a band that includes fellow studio legends Chuck Berghofer and Earl Palmer on bass and drums, H.R. Is A Dirty Guitar Player is a potent showcase for Roberts' fluid, swinging guitar work. The material offers ample opportunity for the artist to demonstrate his versatility, encompassing pop standards 9Lerner, Loewe If Ever I Would Leave You), bossa nova (Antonio Carlos Jobim's One Note Samba) and jazz (tunes by Herbie Hancock, Count Basie and Duke Ellington), along with such Roberts originals as Smolderin', Turista, Deep Fry and Dirty Old Bossa Nova.
Long unavailable in its original form, this vintage instrumental gem has been restored to its original vinyl glory by Sundazed Music. The album has been sourced from the original stereo masters and pressed on 180 gram vinyl, with complete original cover art.1.Watermelon Man
3. Liâl Darlin'
5. If Ever I Would Leave You
6. One O'Clock Jump
7. Deep Fry
8. Rough Ridin'
9. Satin Doll
11. One Note Samba
12. Dirty Old Bossa Nova$24.99180 Gram Audiophile Virgin Vinyl LP- Sealed Buy Now