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My Feeling For The BluesDonny Hathaway as arranger, King Curtis as producer, and a rhythm section that included Jerry Jemmott and Cornell Dupree. The groove tempos are not too fast and not too slow; in other words just right. The horn arrangements are sublime and Freddie's performance is top-notch. My Feeling For The Blues is a one-of-a-kind blues album by the great Freddie King.
The first two songs, Yonder Wall and The Stumble set the tone for the whole recording. In fact, the album's opener is a laid-back rendition of Elmore James's Yonder Wall. King Curtis lays a great, soulful horn and Freddie's guitar sounds more upfront than on his previous LP.
From there, My Feeling for the Blues listens as a tribute to the Giants of the Blues genre: King tackles B.B. King's I Wonder Why and Woke Up This Morning, T-Bone Walker's Stormy Monday, Jimmy Reed's You Don't Have to Go and Eddie 'Guitar Slim' Jones classic The Things I Used to Do, while upping the pace with a frantic, instrumental take on Ray Charles What'd I Say.
One of the top best blues albums was getting harder to find, but is now available on vinyl again. Do yourself a favour and make sure you grab this one!1. Yonder Wall
3. I Wonder Why
4. Stormy Monday
5. I Don't Know
6. What'd I Say
7. Ain't Nobody's Business What We Do
8. You Don't Have To Go
9. Woke Up This Morning
10. Things I Used To Do
11. My Feeling For The Blues$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Goin' HomeIn a 20-year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently
in-demand live act and an influential force in a worldwide resurgence of interest in the blues. Now, the five-time GRAMMY® nominee delivers one of his
most personal projects to date with Goin' Home, his eighth album and his first to be recorded in his hometown of Shreveport, Louisiana. Recorded in a
mere 11 days, Goin' Home finds Shepherd revisiting a dozen of the vintage blues classics that first ignited his love of the blues and inspired him to play
guitar. The artist's sharp interpretive skills and sublime guitar work shine on his renditions of tunes originally popularized by such blues icons as B.B. King,
Albert King, Freddie King, Muddy Waters, Magic Sam, Johnny Guitar Watson, Stevie Ray Vaughan, Buddy Guy and Junior Wells.1. Palace of the King
2. Everything's Gonna Be Alright
3. I Love the Life I Live
4. The House Is a Rockin' v
5. Breaking Up Somebody's Home
6. You Done Lost Your Good Thing Now
7. You Can't Judge A Book by the Cover
8. Boogie Man
9. Looking Back
10. Cut You Loose
11. Born Under a Bad Sign
12. Still a Fool$34.99Vinyl LP - 2 LPs Sealed Buy Now
Getting Ready...Freddie King is easily one of the most influential blues guitarists of his or any generation. Any blues enthusiast or guitar aficionado would have him ranked high on their list of all-time greats. He was a guitar hero before there was Guitar Hero.
Getting Ready... was King's first of three releases for Shelter Records, Leon Russell's Tulsa-based label. In fact, when Russell first formed Shelter, he reportedly did so partly to play out his vision of recording one of his favorites, Freddie King.
Recorded in October 1970 at the TER-MAR Chess Studios in Chicago and released in 1971, Getting Ready... is proof positive that King was the man and that Shelter Records was one cool label. The record includes a cover of Jimmy Rogers' classic Walking By Myself and King references Rogers also in the lyrics of another track on the record, Living On The Highway. Rogers was the first artist to record for Acoustic Sounds' own APO Records label and the first to appear in concert at Acoustic Sounds' Blue Heaven Studios.
More APO and Blue Heaven tie-ins to Freddie King include Jimmie Lee Robinson, who while living was the veritable soul of APO and Blue Heaven. When King moved from Texas to Southside Chicago around 1950, he formed his first ever band, The Every Hour Blues Boys, with Robinson.
The backing band for Getting Ready... includes the stud cast of Leon Russell on piano and guitars, Duck Dunn on bass, Don Preston on guitar, Jon Gallie on organ, Chuck Blackwell on drums and Charles Myers on drums.
Getting Ready is among the first titles to be pressed at Acoustic Sounds' Quality Record Pressings.
This title is not eligible for discount.1. Same Old Blues
2. Dust My Broom
3. Worried Life Blues
4. Five Long Years
5. Key to the Highway
6. Going Down
7. Living on the Highway
8. Walking by Myself
9. Tore Down
10. Palace of the King
$29.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Freddy King Gives You a Bonanza of InstrumentalsFreddie Kings second all-instrumental album, Freddy King Gives You a Bonanza of Instrumentals, originally released in 1965 on King Records Federal subsidiary, continued the artists winning streak, with such memorable King originals as Manhole, Freeway 75, Low Tide and Funnybone. The 12-song LP demonstrates once again why King was one of his generations most revered electric guitarists.
Although his career was tragically cut short by his death at the age of 42, Freddie King was one of Americas most distinctive and influential electric blues guitarists, leaving an indelible mark on more than one generation of guitar superstars, including Eric Clapton, Stevie Ray Vaughan and the Rolling Stones Mick Taylor. The Texas-born axeman began playing guitar at the age of six, and in his teens moved with his family to the South Side of Chicago, where he was inspired by witnessing club gigs by such seminal electric bluesmen as Muddy Waters, Jimmy Rogers and Elmore James. Originally billed as Freddy King, he began recording in 1957, revealing a massively influential style that merged his Texas and Chicago influences, and soon achieved commercial success with a series of infectious instrumental hits.
Sundazed Musics new vinyl edition of this electric blues landmark has been sourced from the original mono master, and pressed on 180-gram vinyl. It features an exact reproduction of the original LP cover art..1. Manhole
2. Freeway 75
3. Low Tide
4. The Sad Nite Owl
8. Surf Monkey
9. Freddy's Midnite Dream
10. Fish Fare
11. Cloud Sailin'
12. Remington Ride$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Texas CannonballReleased in 1972 as the second of Freddie King's three releases for Shelter Records, Leon Russell's Tulsa-based label. In fact, when Russell first formed Shelter, he reportedly did so partly to play out his vision of recording one of his favorites, Freddie King.
King's output on Texas Cannonball includes brilliant covers of songs by Howlin' Wolf, Lowell Fulson, Leon Russell, Bill Withers and Elmore James.
Backing artists include many musicians who played with Eric Clapton in the 1970s. Clapton has stated many times over that Freddie King was among his chief influences. Supporting musicians include Leon Russell on piano, Carl Radle and Donald Duck Dunn on bass, Jim Gordon, Chuck Blackwell and Al Jackson on drums, Don Preston on guitar and John Gallie on organ.
Recorded at Ardent Studios in Memphis in February 1972.
Texas Cannonball is among the first titles to be pressed at Acoustic Sounds' Quality Record Pressings.
This title is not eligible for discount.1. Lowdown In Lodi
2. Reconsider Baby
3. Big Legged Woman
4. Me And My Guitar
5. I'd Rather Be Blind
6. Can't Trust Your Neighbor
7. You Was Wrong
8. How Many More Years
9. Ain't No Sunshine
10. The Sky Is Crying
$29.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
King StringsJohn Lee Hooker, Albert King, Johnny "Guitar" Watson And More On 180 Gram Vinyl Pressed At R.T.I.
Selected from the crown jewels of the rich King-Federal-DeLuxe discography, King Strings features rocking, socking guitar instrumentals from the Cincinnati-based family of labels cut between 1949 and 1962, programmed for power! Fashioned as a vintage King LP from the era and containing a killer line-up of the biggest talents the stable of labels offered, this is the historic various artists collection that should have been issued circa 1962. King was central to the underlying creative flow in R&B during the era, and the recordings here show the depth of style and synergy that the label routinely captured on vinyl. From the proto-funk groove of Hooker's "Stomp Boogie" (under the pseudonym Texas Slim) to two cuts of Baker magic captured in Paris over a decade later, and including key cuts from Freddy King, Albert King, Johnny "Guitar" Watson and many others in between, you'll individually hear a variety of instruments, tones and techniques, but together the clear, common artistry of the players' sovereign ability, sequenced like a long, climactic solo-this is the sound of some of the most heralded talent of the guitar generation! Includes a rich, detailed insert with rare photos and extensive liner notes by Colin Escott. Join six-string soul royalty for a showcase from the company that called itself The King of Them All!1. Let's Rock - Johnny Otis with Johnny "Guitar" Watson
2. San-Ho-Zay - Freddy King
3. Louisiana Hop - Pete "Guitar" Lewis
4. Steam Roller - Mickey Baker
5. Dyna-Flow - Albert King
6. Honky Tonk (Part 1) - Bill Doggett
7. Stomp Boogie - Texas Slim (John Lee Hooker)
8. After Hours - Jimmy Nolen
9. This Morning - Albert King
10. Do What You Do - Mickey Baker
11. Floyd's Guitar Blues - Bill Doggett
12. Strollin' with Nolen - Jimmy Nolen
13. Space Guitar - Young John Watson
14. Hide Away - Freddy King
15. Gainesville - Roy Gaines
16. The Big Push - Cal Green & His Orchestra$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
I Get EvilAlbert King, the velvet bulldozer, was one third of the 'three kings of guitar' along with B.B and Freddie, although given he was 6'4' and weighed 250lbs he probably amounted to a little more. His stature as a man was reflected in his musicianship and his guitar style influenced the likes of Mick Taylor, Eric Clapton, Stevie Ray Vaughan and Derek Trucks.LP1
1. Let's Have A Natural Ball
2. What Can I Do To Change Your Mind?
3. I Get Evil
4. Had You Told It Like It Was (It Wouldn't Be Like It Is)
5. This Morning (Instrumental)
6. I Walked All Night Long
7. Don't Throw Your Love On Me So Strong
8. Travelin' To California
9. I've Made Nights By Myself
10. This Funny Feeling
11. Ooh-ee Baby
12. Dyna Flow (Instrumental)
1. Bad Luck Blues
2. Be On Your Merry Way
3. Why Are You So Mean To Me?
4. Ooh-ee Baby (Single Version)
5. Need You By My Side
6. The Time Has Come
7. Blues At Sunrise
8. Old Blue Ribbon
9. I Get Evil (Single Version)
10. What Can I Do to Change Your Mind?$32.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Blues Breakers With Eric ClaptonRanked 195/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
1966s seminal Blues Breakers with Eric Clapton marked John Mayalls emergence as a major recording artist, as well as his commercial breakthrough. The 12-song LP, considered by many to be the most influential British blues album of all time, marked the official introduction of Mayalls long-running, ever-evolving combo the Bluesbreakers. Mayall shares the spotlight here with soon-to-be-superstar guitarist Eric Clapton (who quit the Yardbirds in order to pursue his blues muse with Mayall), along with future Fleetwood Mac co-founder John McVie on bass and Hughie Flint on drums. Blues Breakers with Eric Clapton is generally acknowledged as a musical milestone for Clapton; his scorching playing and over-the-top tone dominates the entire album. With the groups punchy performances captured in straightforward style by noted producer Mike Vernon, the album offers a potent combination of Mayall originals and distinctive interpretations of songs by Ray Charles, Freddie King, Little Walter and Otis Rush.
From the pristine U.K. mono masters, with complete original artwork and photos.1. All Your Love
3. Little Girl
4. Another Man
5. Double Crossing Time
6. What'd I Say
7. Key To Love
8. Parchman Farm
9. Have You Heard
10. Ramblin' On My Mind
11. Steppin' Out
12. It Ain't Right$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Freddy King Goes Surfin'Pressed on 180 Gram Vinyl at Record Technology, Inc. (RTI) and Sourced From the Original King/Federal Analog Tapes
Syd Nathan, impresario of Cincinnati's King Records, was the epitome of the old-school indie record label owner. Always hustling, Nathan regularly beat the odds to release hit after hit in multiple genres. He'd try anything if he thought it might work, or more precisely, if he thought it would make money. After issuing the hit album Let's Hide Away and Dance Away with Freddy King, Syd sensed untapped potential in the LP. Inspired by the West Coast surf scene, he conjured a little marketing magic...GET A NEW COVER WITH SOME SURF KIDS! THROW SOME CROWD NOISE OVER TRACKS SO IT SOUNDS "LIVE"! CALL IT...ERR...FREDDY KING GOES SURFIN'! PRESS IT AND HAVE IT ON THE SHELVES BY NEXT WEEK!!!!!!!
While it may not have happened EXACTLY like that, King Records did release the album containing the very same songs (in precisely the same running order) as Let's Hide Away...with crowd noise dubbed over the music. And it WORKED! Fellow Lone Star blues maven Billy F. Gibbons later picked it as one of his Top Ten Favorite Blues Albums of All Time. Sundazed is proud to present Freddy King Goes Surfin' in magnificent mono fidelity. Cowabunga!1. Hide Away
4. Side Tracked
5. The Stumble
6. Wash Out
8. Just Pickin'
9. Heads Up
10. In The Open
11. Out Front
12. Swooshy$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Let's Hide Away and Dance AwayKing scored his biggest hit with 1961's Hide Away, which became his signature tune; it also became a standard for bluesy bar bands on both sides of the Atlantic, and a regular feature of Eric Clapton's live sets. King followed Hide Away with a memorable series of self-penned instrumental hits, including the blues standards San-Ho-Zay and The Stumble. The aforementioned tunes are all featured on King's all-instrumental 1961 LP Let's Hide Away and Dance Away with Freddy King. Originally released on the legendary King label, it remains one of the most influential guitar albums of all time, and demonstrates why King remains a guitar icon.1. Hide Away
4. Side Tracked
5. The Stumble
6. Wash Out
8. Just Pickin'
9. Heads Up
10. In the Open
11. Out Front
12. Swooshy$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ACSO-APO-0613xStevie Ray Vaughan
In The Beginning (200 Gram Vinyl)
Mastered From The Original Tapes By Ryan Smith At Sterling Sound
200-Gram Pressing By Quality Record Pressings
With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.
Before the Montreaux Jazz Festival, before Bowie's Let's Dance album, before Texas Flood, before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful In Step and Family Style ..... before August 27, 1990..... before the all-star tributes, before The Legendary Stevie Ray Vaughan......
There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie.
It wouldn't be long.
Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that. Young Stevie Vaughan (he had yet to become Stevie Ray) blasted the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing.
Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's In the Open and the lengthy Tin Pan Alley are the real highlights here.
As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.
There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
This title is not eligible for discount.1. In The Open
2. Slide Thing
3. They Call Me Guitar Hurricane
4. All Your Love (I Miss Loving)
5. Tin Pan Alley (aka Roughest Place in Town)
6. Love Struck Baby
7. Tell Me
8. Shake for Me
9. Live Another Day$39.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Live Bootleg Series Vol. 8White Colored Vinyl
For Johnny Winter's Live Bootleg Series Volume 8, the artist surely becomes his instrument in some incredibly guitar shredding live performances. For this 180 Gram Audiophile White Vinyl Limited Edition, the blues wielding axeman steps out with super extended workouts on concert classics like his masterful version of the Freddie King classic Tore Down, fan favorite Give It Back and a super long jam on the classic Have You Ever Loved A Woman. Johnny also treats the fans to two Elmore James classics and even Chuck Berry's Roll Over Beethoven to make this a truly rockin' blues celebration!1. Introduction
2. Have You Ever Loved A Woman
3. Give It Back
4. Roll Over Beethoven
5. Tore Down
6. Stranger Blues
7. Done Somebody Wrong$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
Live Bootleg Series Vol. 9Pressed on 180 Gram Audiophile Gold Vinyl
Legendary rocker and blues statesman Johnny Winter continues to enthrall
audiences the world over. With his unique brand of blues/rock guitar and vocal
prowess, Winter's style is truly unmatched in purity and in star power longevity.
While he tours non-stop, it's no secret that his live performances are legendary. Fortunately for his huge fan base, Johnny has captured a lot of his concerts on
tape over the many decades, which proudly leads us to the ninth installment of the
chart topping Live Bootleg Series.
For Johnny Winter's Live Bootleg Series Volume 9, the artist surely becomes
his instrument in some incredibly guitar shredding live performances. The blues
wielding axeman steps out with super extended workouts on concert classics like his masterful version of the Freddie King
classic Hideaway (Alternate Version), fan favorite Mean Town Blues and a super long jam on the B.B. King classic You Done
Lost Your Good Thing Now.
Always paying homage to his fellow bluesmen, Johnny also dug far back into his archives for two super rare performances of his favorite Roosevelt Sykes classic 44 Blues and the early Bobby "Blue" Bland smash It's My Life Baby.
Always paying tribute to his favorite friends and musical heroes, Johnny closes out the album with an incredibly
rockin' interpretation of Jimi Hendrix's Manic Depression.
Friday Music is very honored to be the home of Johnny Winter's Live Bootleg Series Volume 9. As with our previous
releases, these are totally authorized and owned/controlled by Johnny Winter himself.
In addition to the hard rockin' blues on this wonderful collection, this limited edition compact disc and 180 Gram
Audiophile GOLD Vinyl LP will both be presented with the a rare album cover photography from the lens of Neil Zlozower,
as well as Johnny's good friend and fellow guitarist Sonny Landreth's penned liner notes.
Live Bootleg Series Volume 9 by Johnny Winter Six tracks of pure Texan blues power on both remastered compact
disc or 180 Gram Audiophile GOLD Vinyl Courtesy of the legendary Johnny Winter and Friday Music. Rock and Roll!!!!1. Introduction
2. Hideaway (Alternate Version)
3. Mean Town Blues
4. 44 Blues
5. You Done Lost Your Good Thing Now
6. It's My Life Baby
7. Manic Depression$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Freddie Mercury: Messenger Of The Gods - The Singles (Box Set)Box Set Features 13 x 7" Singles On Colored Vinyl
Includes Booklet Featuring Previously Unpublished Photos
Freddie Mercury was a man of many talents and many different sides. The songs he wrote for and with Queen filled stadiums around the globe and have rightly gone down in history, but he also embarked on a solo career that took him from the clubs of Munich and New York to the great opera houses of the world.
He was the ultimate showman, but he kept his private life away from the prying eyes of the media; a larger than life rock star who loved disco, classical music and ballet. He was a restless spirit, a true chameleon who reveled in his own contradictions.
All the different sides of this iconic musician can be found on Freddie Mercury: Messenger Of The Gods - The Singles. Fittingly released on Mercury Records for the world outside North America, and on Hollywood Records in North America, this box set brings together all 13 of Freddie's solo singles on individually coloured vinyl.
From his debut solo single I Can Hear Music, released under the name Larry Lurex, through the dance floor-influenced solo anthems of the 80s and up to his collaborations with legendary Spanish opera singer Montserrat CaballÉ including the timeless Barcelona, this is a journey through the career of a unique talent.
Born Farrokh Bulsara on the East African island of Zanzibar on September 5, 1946, the rechristened Freddie Mercury was already a star in his own mind by the time he formed Queen with Brian May and Roger Taylor in 1970. Where his band mates had studied astrophysics, dentistry and electronics at college, Freddie majored in stardom.
His first solo single actually emerged a week before Queen's own debut 7". Released in 1973 and credited to Larry Lurex in a nod to the fashionably flamboyant noms de rock of the glam era, the Beach Boys cover I Can Hear Music and its B-side, Goin' Back, were recorded as a favour towards a musical project by Trident Studios' house engineer Robin Geoffrey Cable, in 1972.
As Queen's career rocketed towards the heavens, Freddie poured his energies into the band. It would be more than a decade before he released his second solo single, the pulsating, electronic Love Kills. Originally released in 1984, Love Kills was a collaboration with famed Italian disco producer Giorgio Moroder for the soundtrack to Moroder's update of the groundbreaking 1927 silent movie Metropolis. A Top 10 UK hit, it found Freddie moving away from Queen's traditional sound, paving the way for what he would do next.
Released in 1985, Freddie's debut solo album, Mr Bad Guy, fully explored the music he had fallen in love with in the dance clubs of Munich and New York. The four hit singles released from that album - I Was Born To Love You, Made In Heaven, Living On My Own and Love Me Like There's No Tomorrow, all of which are included in the Messenger Of The Gods box set - crackled with playfully hedonistic energy, but they also hid a more serious side to Freddie. Here was a man who craved the good times but wanted something deeper as well.
Within two years, he had abandoned the sound of the clubs for the music of the opera house - though not before releasing both the epic single Time, the theme to the lavish stage musical of the same name produced by Dave Clark, and his outrageous (and strangely revealing) Top 5 cover of The Platters' 1965 hit, The Great Pretender.
In 1987, he dived headlong into the world of opera and classical music with the towering single, Barcelona. A duet with legendary Spanish soprano Montserrat CaballÉ, an idol of Freddie's, it came about after the opera star asked him to write a song about her home town.
Barcelona remains one of the most momentous hit singles not just of Freddie's career but in pop history. Not only did it lead to an album of collaborations between these two huge talents, but the title track was also chosen as the official anthem of the 1992 Olympics. That song, together with the two other singles taken from the album, The Golden Boy and How Can I Go On, are all included as part of Messenger Of The Gods with their original B-sides.
In October 1988 Freddie and Montserrat were invited by the King and Queen of Spain to perform Barcelona on the steps of Barcelona's National Palace of Montjuic at the open air La Nit festival which was staged to mark the arrival of the Olympic Flag from Seoul.
But sadly, Freddie would not live to see the fruits of his collaboration with Montserrat CaballÉ showcased at the Barcelona Olympics. He passed away on November 24, 1991, just seven months before the Games took place. The grand opening ceremony was a fitting tribute to a man who thrived on spectacle.
Messenger Of The Gods is completed by two posthumous singles, In My Defence and Living On My Own (No More Brothers Radio Mix), the latter of which became Freddie's first solo number 1 and was the biggest selling European single of the year in 1993.
Had he lived, it is anyone's guess where this most restless and protean of singer's muses would have taken him. But Messenger Of The Gods - The Singles is a towering legacy, a collection of songs which will never lose their stature of classics and will live on forever.Disc 1 - Blue Colored Vinyl
(a) I Can Hear Music - Larry Lurex (1973)
(b) Goin' Back - Larry Lurex
Disc 2 - Orange Colored Vinyl
(a) Love Kills (1984)
Disc 3 - Yellow Colored Vinyl
(a) I Was Born To Love You (1985)
(b) Stop All The Fighting
Disc 4 - Red Colored Vinyl
(a) Made In Heaven [Single Remix] (1985)
(b) She Blows Hot And Cold
Disc 5 - White Colored Vinyl
(a) Living On My Own [Single Edit] (1985)
(b) My Love Is Dangerous
Disc 6 - Red Colored Vinyl
(a) Love Me Like There's No Tomorrow (1985)
(b) Let's Turn It On
Disc 7 - Cyan Colored Vinyl
(a) Time (1986)
(b) Time [Instrumental]
Disc 8 - Orange Colored Vinyl
(a) The Great Pretender (1987)
(b) Exercises In Free Love [Freddie's Vocal]
Disc 9 - Clear Colored Vinyl
(a) Barcelona [Single Version] (1987)
(b) Exercises In Free Love [Montserrat's Vocal]
Disc 10 - Gold Colored Vinyl
(a) The Golden Boy [Single Edit] (1988)
(b) The Fallen Priest [B-Side Edit]
Disc 11 - Green Colored Vinyl
(a) How Can I Go On [Single Version] (1989)
(b) Overture Piccante
Disc 12 - Neon Pink Colored Vinyl
(a) In My Defence (1992)
(b) Love Kills [Wolf Euro Mix]
Disc 13 - Yellow Colored Vinyl
(a) Living On My Own [No More Brothers Radio Mix] (1993)
(b) Living On My Own [Julian Raymond Album Mix]$139.997 Inch Colored Vinyl Box Set - 13 Singles Sealed Buy Now
MolochProduced by Don Nix (widely credited as a key architect of the Memphis Sound), this hard-hitting collection of bluesy Acid Rock first appeared on Stax subsidiary Enterprise in 1970. Featuring the outstanding guitar playing of the late Lee Baker (later to play with Alex Chilton) and the original version of Going Down (covered by Freddie King, Jeff Beck, JJ Cale and others), this album is an essential purchase for all fans of blues-influenced rock and roll.1. Helping Hand
2. Maverick Woman Blues
3. Outta Hand
4. Same Old Blues
5. Going Down
6. She Looks Like An Angel
7. Gone Too Long
8. Dance Chancy Dance
10. People Keep Talking
11. I Can Think The Same Of You
12. Night At The Possum$24.99Vinyl LP - Sealed Buy Now
Black To BluesIn April 2016, Black Stone Cherry released Kentucky, to great critical and commercial success. Kentucky reached new chart peaks for the band worldwide and was followed by massive touring through the United States, Europe, and Australia. In the midst of this all, the band found the time and dedication to record Black to Blues. On this EP, the quartet of Chris Robertson (vocals, guitar), Ben Wells (guitar, vocals), Jonathan Lawhon (bass, vocals) and John Fred Young (drums, harmonica, vocals) channel their blues music roots. The EP features six blues-classics originally written and/or performed by legendary musicians like Willie Dixon, Howlin' Wolf, Muddy Waters, Booker T. Jones, Albert King and Freddy King. On Black to Blues, these traditional songs get wildly Black Stone Cherry-fied, while also paying homage to the original on the other hand.1. Built For Comfort
2. Champagne & Reefer
3. Palace Of The King
4. Hoochie Coochie Man
5. Born Under A Bad Sign
6. I Want To Be Loved$15.99180 Gram Audiophile Virgin Vinyl EP - Sealed Buy Now
Mouth Harp BluesShakey Jake - Mouth Harp Blues The late James Harris earned the moniker Shakey Jake due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record this, his second album for the Bluesville label. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping Easy Baby, a tune also associated with Jake's nephew Magic Sam.
Guitarist Jimmie Lee Robinson, who died in 2002, was the soul of Acoustic Sounds' own APO Records. He was the first to record at Blue Heaven Studios, having made three records (one still unreleased) in the converted church, and he was there several more times to perform. A Chicago native and lifelong resident, Robinson began playing guitar in the open-air market on Maxwell Street in 1942 with the likes of Big Bill Broonzy and Robert Nighthawk. He later teamed with Freddie King for a four-year partnership and went on to play guitar and bass with Little Walter, Howlin' Wolf, Eddie Taylor, Elmore James, Jimmy Rogers, Jimmy Reed, Magic Sam and of course Shakey Jake.
This title is not eligible for discount.1. Mouth Harp Blues
2. Love My Baby
3. Jake's Cha Cha
4. Gimme A Smile
5. My Broken Heart
6. Angry Lover
7. Things Is Alright
8. Easy Baby
9. Things Are Different Baby
10. It Won't Happen Again$54.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
Live At The Greek TheatreCelebrated blues rock master Joe Bonamassa delivers a musical tribute to The Three Kings Of the Blues (Albert, Freddie and B.B.) at the legendary Greek Theatre - recorded in August 2015. Bonamassa is backed by a stellar band of blues musicians including Anton Fig (drums), Michael Rhodes (bass), Reese Wynans (Keys), Lee Thornburg (trumpet), Paulie Cerra (saxophone), Ron Dziubla (saxophone), Kirk Fletcher (Guitar), Mahalia Barnes, Jade MaCrae and Juanita Tippins (Vocals).LP 1
1. See See Baby
2. Some Other Day, Some Other Time
3. Lonesome Whistle Blues
4. Sittin' On The Boat Dock
5. You've Got To Love Her With A Feelin'
6. Going Down
1. I'll Play The Blues For You
2. I Get Evil
3. Breaking Up Somebody's Home
4. Angel Of Mercy
5. Cadillac Assembly Line
6. Oh, Pretty Woman
1. Let The Good Times Roll
2. Never Make Your Move Too Soon
3. Ole Time Religion
4. Nobody Loves Me But My Mother
5. Boogie Woogie Woman
1. Hide Away
2. Born Under A Bad Sign
3. The Thrill Is Gone
4. Riding With The Kings$48.99180 Gram Audiopbhile Virgin Vinyl LP - 4 LPs Sealed Buy Now
Live Bootleg Special Edition
The Johnny Winter Live Bootleg Series Continues On Friday Music!
First Time Special Limited Edition Recordings From The Rare Archives Owned And Controlled By The Legend Johnny Winter!
First Time On Smokin' 180 Gram White Vinyl!
Mastered Impeccably By Joe Reagoso From The Original Johnny Winter Tapes At Friday Music Studios
Legendary rocker and blues statesman Johnny Winter continues to enthrall audiences the world over. With his
unique brand of blues/rock guitar and vocal prowess, Winter's style is truly unmatched in purity and in star power
While he tours non-stop, it's no secret that his live performances are legendary. Fortunately for his huge fan
base, Johnny has captured a lot of his concerts on tape over the many decades, which proudly leads us to the latest
installment of the chart topping Live Bootleg Series.
For Johnny Winter's Live Bootleg Special Edition, the artist surely becomes his instrument in some incredible
guitar shredding first time released live performances. The blues wielding axeman steps out with super extended
workouts on concert classics like his masterful version of the Freddie King classic Hideaway, blues favorite Ain't That
Just Like A Woman and a stunning rock free for all on the Chuck Berry champion Johnny B. Goode.
Known to write many of his own hit songs, Johnny also dug far back into his archives for two super rare performances for the fans with his classic power blues ballad Stranger and the masterful blues workout on Serious As A Heart Attack.
Always a champion of his favorite bands and artists, Johnny closes out the album with an incredibly rockin'
interpretation tip of the hat to The Rolling Stones with the hard rockin' Jumping Jack Flash.
Friday Music is very honored to be the home of Johnny Winter's Live Bootleg Special Edition. As with our previous releases, these are totally authorized and owned/controlled by Johnny Winter himself. Mastered impeccably by
Joe Reagoso (Johnny Winter/Canned Heat/John Lee Hooker) from the original Johnny Winter tapes at Friday Music
Studios, this album consists of his own personally picked archives and will be a welcome collection to any fan of the
blues and rock sounds of this Grammy Award winning artist and producer.
In addition to the hard rockin' blues on this wonderful collection, this limited edition release also will be pressed
for a very short time on 180 Gram WHITE VINYL, including the fine album cover artwork, as well as Johnny's good
friend, producer and guitarist Paul Nelson's penned liner notes.
Live Bootleg Special Edition by Johnny Winter Six tracks of pure Texan blues power on stunning 180 Gram
WHITE VINYL, courtesy of the legendary Johnny Winter and Friday Music. Rock and Roll!!!!1. Hideaway
2. Ain't That Just Like A Woman
3. Johnny B. Goode
4. Serious As A Heart Attack
6. Jumping Jack Flash$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
ACSO-APO-1145xJimmie Lee Robinson
All My LifeWith All My Life, his second APO Records release, Jimmie Lee is aiming for goose bumps and tears. And if you've got appreciation for acoustic, front porch blues, you'll have a tough time escaping his spell.
No doubt Jimmie Lee Robinson offers a delightful taste of traditional blues. His work through the years with such stalwarts as Little Walter, Howlin' Wolf, Freddie King, Elmore James and Jimmy Reed have made their impressions on the man called The Lonely Traveler just as he has been credited with inspiring them.
On All My Life you'll hear standby classics like a haunting, slowed-down version of Muddy Waters' Forty Days and Forty Nights with eerie harmonica accompaniment by Madison Slim. And Jimmie Lee even covers a non-blues favorite with What a Wonderful World. His live version of that song at a 1999 concert in Blue Heaven Studios - the converted church that is home to APO Records - brought tears to scores of the 400 in attendance.
But All My Life is also packed with Jimmie Lee originals like the title track, which was once covered by John Mayall, where Jimmie Lee pleads with the woman of his dreams to return all the respect and love he's paid to her. That track is also a perfect showcase for the classic Jimmie Lee growling vocals and the spurs jangling from his boots as the only percussion.
Unlike his first APO release, Remember Me, an almost entirely-solo effort, Jimmie Lee is joined on most of the All My Life tracks by APO artist and noted-guitarist Jimmy D. Lane and journeyman harp player Madison Slim, whose knack for acoustic blues is highlighted on this release.
Jimmie Lee has gained national attention for his protest of the destruction of Chicago's famed Maxwell Street, said to be the birthplace of Chicago blues and the neighborhood where Jimmie Lee grew up. He fasted for 81 straight days, shunning solid food as if it was the wrecking ball he so badly wants to stop. His efforts were even documented on the front page of the New York Times.1. Forty Days and Forty Nights
2. I'll Be Around
3. Love My Baby
4. The Sun Is Shining
5. Driftin' Blues
6. The Girl I Love
8. All My Life
9. I'm Ready
10. What A Wonderful World
11. Too Late
12. If I Get Lucky$29.99180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
Porcupine MeatNaming one's album after a song titled "Porcupine Meat" may seem a little unusual - unless, of course, you're Bobby Rush, who earned his first gold record in 1971 with a hit entitled "Chicken Heads." He elaborates on his recent composition: "If a lady won't treat me right, but she doesn't want anyone else to have me, that is hard to digest." Hence the lyric, "too fat to eat, too lean to throw away."
Porcupine Meat is Rush's debut release for Rounder Records, and one of the best recordings of his astonishing 60-plus year career. The album is due out September 16, 2016.
Rush estimates that he has cut over 300 songs since he first began making music. He has been honored with three Grammy nominations, as well as ten Blues Music Awards and 41 nominations. He was inducted into the Blues Hall of Fame in 2006.
Make no mistake: Rush is not your typical octogenarian. At age 82, he exudes the energy of a 20-year-old, on the road for more than 200 dates a year. His hectic tour schedule has earned him the affectionate title King of the Chitlin' Circuit. Rush has traveled the globe including Japan and Beirut. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and the ribald humor that he has cultivated during the course of his storied career.
Born Emmet Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. According to Rush, his parents never talked about the blues being the devil's music. "My daddy never told me to sing the blues, but he also didn't tell me to not sing the blues. I took that as a green light."
Rush built his first guitar when he was a youngster. "I didn't know where to buy one, even if I had the money. I was a country boy," he says. After seeing a picture of a guitar in a magazine, he decided to make one by attaching the top wire of a broom to a wall and fretting it with a bottle. He also got some harmonica lessons from his father He eventually acquired a real guitar, and started playing in juke joints as a teenager, when his family briefly relocated to Little Rock, Arkansas. The fake moustache Rush wore made club owners believe he was old enough to gain entry into their establishments. While he was living in Little Rock, Rush's band, which featured Elmore James, had a residency at a nightspot called Jackrabbit.
During the mid-1950s, Rush relocated to Chicago to pursue his musical career and make a better life for himself. It was there that he started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed, Willie Dixon, and Little Walter. Rush eventually began leading his own band in the 1960s. He also started to craft his own distinct style of funky blues, and recorded a succession of singles for a various small labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album for Kenny Gamble and Leon Huff's Philadelphia International Label.
Rush relocated one final time, to Jackson, Miss. in the early 1980s. He was tired of the cold up north, and he realized that setting up his base of operations directly in the center of the South would make it easier to perform in nearby cities on weekends. More indie label recordings followed. Songs like "Sue, A Man Can Give (But He Sure Can't Take It)," "What's Good For The Goose Is Good For The Gander Too," and" I Ain't Studdin' You" became regional jukebox favorites in juke joints throughout the region, and many of those songs are still fan favorites that are an integral part of his live repertoire.
Since 2003, Rush has self-released the majority of his work (including the critically acclaimed Folk Funk album) on his Deep Rush label, but recently, he came to the realization that having a bigger record company behind him would be beneficial. "I outgrew myself," he says. "I need someone to help in doing the things I can't do. When you are wearing all the hats, you can't be everywhere at once."
Enter esteemed producer and two-time Grammy winner Scott Billington, Rounder Records' longtime VP of A&R. Billington first met Rush at a Recording Academy meeting 25 years ago, and they became fast friends. He has wanted to work with Rush ever since. "He is the most vital bluesman of his generation," says Billington. He continues, "There are many people who still don't know Bobby Rush, even though he is a hero in the parallel universe of the Chitlin' Circuit - fans stop him on the street in Memphis and Helena and Little Rock."
Porcupine Meat will not only please Rush's older fans, but is likely to win over many new ones. Billington reflects, "We wanted to come up with something fresh, while staying 100% true to Bobby."
The album was recorded in New Orleans, and Rush was pleased and proud to be given the opportunity to make an album in his home state for the very first time. His impassioned vocals and in-the-pocket harmonica playing are among the best performances of his career. Unlike most of his recent releases, these sessions only feature real instruments and no synthesizers. All of the rhythm tracks were cut live in the studio, often edited down from jams that on several occasions ran close to ten minutes.
For the project, Billington assembled some of the best Louisiana musicians, including Shane Theriot, David Torkanowsky, Jeffrey "Jellybean" Alexander, Kirk Joseph, Cornell Williams, and others. Rush brought along his old friend and longtime collaborator, guitarist Vasti Jackson, who worked with Bobby and Scott on getting the songs ready for the studio. Guitar greats Dave Alvin, Keb' Mo', and Joe Bonamassa all make guest appearances on the album.
Rush has always been a prolific and clever songwriter. The songs he penned for Porcupine Meat such as "Dress Too Short," "I Don't Want Nobody Hanging Around," "Me, Myself And I," "Nighttime Gardener," "It's Your Move," and the title selection, all equal or rival his best material. "Funk O' De Funk" delivers exactly what the title suggests and what Rush has always done the best, which is putting the funk into the blues. While "Got Me Accused" is inspired by events from Rush's own life, the lyrics tell an all-too-familiar tale about the rampant racial injustice that afflicts our society. Producer Billington and his wife Johnette Downing (the well known New Orleans songwriter and children's musician) co-wrote a couple of fine selections, "Catfish Stew" and "Snake In The Grass."
Bobby Rush is the greatest bluesman currently performing. Porcupine Meat is a testament to his brilliance, which presents him at his very best, and doesn't try to be anything that he is not. "I just try to record good music and stories," he humbly states. With this recording, he has more than accomplished his goal, and has produced one of the finest contemporary blues albums in recent times.1. I Don't Want Nobody Hanging Around
2. Porcupine Meat
3. Got Me Accused
4. Snake in the Grass
5. Funk O' De Funk
6. Me, Myself and I (feat. Joe Bonamassa)
7. Catfish Stew
8. It's Your Move (feat. Dave Alvin)
9. Nighttime Gardener (feat. Keb Mo)
10. I Think Your Dress Is Too Short
11. Standing on Shaky Ground
12. I'm Tired (Tangle Eye Mix)$25.99Vinyl LP - 2 LPs Sealed Buy Now
40 Blue Fingers, Freshly Packed and Ready to ServeImport
Featuring Christine Perfect (better known as the future Christine McVie of Fleetwood Mac) the British ensemble Chicken Shack offers up a solid set of blues-influenced rock on their 1968 LP, fully titled 40 Blue Fingers Freshly Packed And Ready To Serve.
This LP was a promising debut, especially noteworthy for Stan Webb's Freddie King-inspired guitar playing and Christine Perfect's vocals. Webb does justice to his mentor with two instrumentals, King's San-Ho-Zay and his own Webbed Feet, and Christine proves the ideal counterpart: one of the few pianists paying homage to King's longtime collaborator Sonny Thompson.
It remains their finest work; Perfect left the band in 1969 when she married John McVie of Fleetwood Mac. Pianist Paul Raymond, bassist Andy Silvester, and drummer Dave Bidwell all left in 1971 to join Savoy Brown.
The album - with a nice spare sound, typical of Mike Vernon's Blue Horizon label- will be enjoyed again, this time on audiophile vinyl.
* 180 grams audiophile vinyl1. The Letter
2. Lonesome Whistle Blues
3. When the Train Comes Back
5. King of the World
6. See See Baby
7. First Time I Met the Blues
8. Webbed Feet
9. You Ain't No Good
10. What You Did Last Night$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Bossa Nova and Blues (Out Of Stock)
This Sundazed Mono Edition Reproduces The Original Artwork And Presents The Original 12-Song LP On 180 Gram Vinyl Mastered From The Original Analog Reels And Pressed At Record Technology Inc.
One of the Three Kings of blues guitar along with B.B. and Albert, Texas-born Freddy (Freddie) King influenced everyone from Eric Clapton and Peter Green in the UK to Jerry Garcia and Stevie Ray Vaughan in the States. But even his staying up all night playing poker with Grand Funk wasn't enough to prevent his seminal King/Federal albums from staying out of print on vinyl for decades - until Sundazed came to the rescue. The reissue campaign that began with meticulously mastered editions of King classics Let's Hide Away and Dance Away with Freddy King, Freddy King Gives You a Bonanza of Instrumentals, and Freddy King Goes Surfin' continues with his rare 1963 offering, Bossa Nova and Blues. In the tradition of his surfing album, which wasn't really surf, Bossa Nova and Blues had no bossa nova - but the advertising was at least half true, and hey, there were two cuts that had "bossa nova" in the title. Though King was best known for blues instrumentals, "Bossa Nova Blues" and "The Bossa Nova Watusi Twist" (dig the dance craze threesome) were actually the only two instrumentals on an album otherwise dedicated to bluesy ballads. But of course, Freddie made it work - churning out bonafide classics like the karmic "Someday, After A While (You'll Be Sorry)" (later covered by John Mayall and the Blues Breakers on A Hard Road, also reissued on Sundazed mono LP), the emotive "The Welfare (Turns Its Back on You)," the soulful "It Hurts to Be In Love," and the more uptempo, New Orleans-flavored "You're Barkin' Up the Wrong Tree."1. (I'd Love To) Make Love To You
2. You're Barkin' Up The Wrong Tree
3. Look Ma, I'm Cryin'
4. It Hurts To Be In Love
5. You Walked In
6. The Bossa Nova Watusi Twist
7. Is My Baby Mad At Me
8. Someday, After A While (You'll Be Sorry)
9. One Hundred Years
10. Bossa Nova Blues
11. The Welfare (Turns Its Back on You)
12. Walk Down That Aisle (Honey Chile)$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Temporarily out of stock
A Hard Road (Out Of Stock)Mono Edition
1967s A Hard Road proved to be every bit as powerful and innovative as its predecessor, thanks in large part to Mayalls discovery of Claptons equally brilliant replacement, Peter Green. A one-of-a-kind player with a highly distinctive sound, Green makes his instrumental presence felt throughout A Hard Road, while delivering compelling lead vocals on You Dont Love Me and The Same Way. With sterling support from bassist John McVie and drummer Aynsley Dunbar, the material here features such Mayall originals as Hit the Highway, Leaping Christine and the title track, along with standout interpretations of tunes by Freddie King, Elmore James and Willie Cobbs. The legendarily haunting Green-penned instrumental The Supernatural previews the guitarists groundbreaking work with the original incarnation of Fleetwood Mac, which he and fellow Bluesbreaker John McVie would form a few months later.
From the pristine U.K. mono masters, with complete original artwork and photos.1. A Hard Road
2. It's Over
3. You Don't Love Me
4. The Stumble
5. Another Kind Of Love
6. Hit The Highway
7. Leaping Christine
8. Dust My Blues
9. There's Always Work
10. The Same Way
11. The Supernatural
12. Top Of The Hill
13. Someday After A While (You'll Be Sorry)
14. Living Alone$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Temporarily out of stock