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  • The Third Face of Fame (Pure Pleasure) The Third Face of Fame (Pure Pleasure) Quick View

    $34.99
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    The Third Face of Fame (Pure Pleasure)

    Georgie Fame's swinging, surprisingly credible blend of jazz and American R&B earned him a substantial following in his native U.K., where he scored three number one singles during the '60s and a top ten hit with Bonnie & Clyde in the States. Fame played piano and organ in addition to singing, and was influenced by the likes of Mose Allison, Ray Charles, Booker T and the MG's and Louis Jordan. Early in his career, he also peppered his repertoire with Jamaican ska and bluebeat tunes, helping to popularize that genre in England; during his later years, he was one of the few jazz singers of any stripe to take an interest in the vanishing art of vocalese, and earned much general respect from jazz critics on both sides of the Atlantic.



    This set finds him in a suaver, jazzier vein accompanied by a band made up of the cream of jazz musicians on the UK scene at the time. It was at this time, 1967 and 1968, that to much acclaim, he toured as featured vocalist with the Count Basie Orchestra throughout the UK & Europe.



    Musicians:



    • Georgie Fame (piano, organ, vocal) and orchestra




    Recording: 1968 by Mike Ross

    Production: Mike Smith



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. The Ballad of Bonnie and Clyde
    2. When I'm Sixty Four
    3. Ask Me Nice
    4. Exactly Like You
    5. Someone to Watch Over Me

    6. Blue Prelude
    7. Bullets Laverne
    8. This is Always
    9. Side By Side
    10. St. James Infirmary

    11. Mellow Yellow
    Georgie Fame
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Roll With The Punches Roll With The Punches Quick View

    $35.99
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    Roll With The Punches

    Roll With The Punches - Van Morrison's 37th studio album - sees him simultaneously hand-picking a selection of rhythm and blues classics (by the likes of Bo Diddley, Mose Allison, Sister Rosetta Tharpe and Lightnin' Hopkins among others) and recording a set of new self-written songs. It's an album that features raw, intimate interpretations of some of the cornerstones of rock'n'roll alongside five new numbers by one of our most consistently brilliant recording artists.

    Roll With The Punches was produced by Van Morrison and recorded with an incredible team of studio collaborators including Chris Farlowe, Georgie Fame, Jeff Beck, Paul Jones and Jason Rebello.

    1. Roll With the Punches (Van Morrison & Don Black)
    2. Transformation (Van Morrison)
    3. I Can Tell (Bo Diddley & Samuel Bernard Smith)
    4. Stormy Monday / Lonely Avenue (T-Bone Walker / Doc Pomus)
    5. Goin' To Chicago (Count Basie & Jimmy Rushing)
    6. Fame (Van Morrison)
    7. Too Much Trouble (Van Morrison)
    8. Bring It on Home to Me (Sam Cooke)
    9. Ordinary People (Van Morrison)
    10. How Far From God (Sister Rosetta Tharpe)
    11. Teardrops From My Eyes (Rudy Toombs)
    12. Automobile Blues (Lightnin' Hopkins)
    13. Benediction (Mose Allison)
    14. Mean Old World (Little Walter)
    15. Ride On Josephine (Bo Diddley)
    Van Morrison
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Cool Cat Blues (Pure Pleasure) Cool Cat Blues (Pure Pleasure) Quick View

    $49.99
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    Cool Cat Blues (Pure Pleasure)

    At last! ... British blues legend Georgie Fame finally has his Magnum Opus committed to the stuff we all love.



    Contained within is a collection of Blues, Jazz and R&B standards mixed with some originals. This musicians' musician is backed by a world class band including Steve Gadd, Robben Ford, Richard Tee, Will Lee, Ralph MacDonald, Hugh McCracken and an uber horn section. Fame's classy, economic Hammond and great voice inspires superb duets with Bozz Scaggs and Richard Tee. Van Morrison, Fame's erstwhile boss, joins him on Moondance and one of his heroes, Jon Hendricks, aids him to fly through Little Pony. There is a slowed down, super sexy Yeah,Yeah and a blistering take on Willie Dixon's I Love The Life I Live. If you like Brother Ray, Mose Allison, Hoagy Carmichael, Van the Man, Peggy Lee and Lambert, Hendricks & Ross then you'll love this.



    On an audiophile note, this studio album from 1990 was recorded 'live' with most tracks done in one or two takes, no overdubs and entirely in the analogue domain. A great album, beautifully recorded, finally done justice on two slabs of 180g by Pure Pleasure.




    Musicians:



    • Georgie Fame (vocal, piano, organ)

    • Van Morrison (vocal)

    • Bob Malach (saxophone)

    • Richard Tee (piano, organ)

    • Michael Weiss (piano)

    • Ben Sidran (vocal, tambourine)

    • Robben Ford (guitar)

    • Dennis Irwin, Will Lee (bass)

    • Steve Gadd (drums)

    • Ralph MacDonald (percussion)




    Recording: 1990 at Skyline Studios, New York City, by James Farber

    Production: Ben Sidran




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Cool Cat Blues
    2. Every Knock Is a Boost
    3. Moondance
    4. It Should Have Been Me
    5. Yeah Yeah
    6. I Love the Life I Live, I Live the Life I Love
    7. Big Brother
    8. Georgia on My Mind
    9. Cat's Eyes
    10. You Came a Long Way from St. Louis
    11. Survival
    12. Little Pony
    13. Rocking Chair
    Georgie Fame
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Back To Basics Back To Basics Quick View

    $32.99
    Buy Now
    x

    Back To Basics

    Bill Wyman didn't quit making music once he quit the Rolling Stones in the early '90s, but he did put it on the back burner. A decade later, he started the Rhythm Kings -- a loose collective of similarly minded rockers including Gary Brooker, Georgie Fame, and Andy Fairweather-Low, at least on occasion -- but he didn't do a full solo album until 2015's Back to Basics. The title is a giveaway that Wyman remains in a casual roots mood, knocking out a bunch of originals that amble or shuffle but never hit hard. His voice is breathy, weathered, and rough but he's as unashamed of his limitations as he is of using outdated synths elsewhere. He's very comfortable using Back to Basics as an excuse to relax, to just settle back with some friends to play amiable tunes. While the songs are sturdy enough to withstand such gentle rocking, this is a vibe record, the sound of an old pro playing not because it's necessary but because it's fun.
    1. What and How and If and When and Why
    2. I Lost My Ring
    3. Love, Love, Love
    4. Stuff (Can't Get Enough)
    5. Running Back To You

    6. She's Wonderful

    7. Seventeen

    8. I'll Pull You Through

    9. November

    10. Just a Friend of Mine

    11. It's a Lovely Day

    12. I Got Time
    Bill Wyman
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Takes To The Hills (Pure Pleasure) Takes To The Hills (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Takes To The Hills (Pure Pleasure)

    The incomparable and profoundly influential pianist/singer-songwriter Mose Allison - who's inspired everyone from Georgie Fame, The Who and The Clash to Van Morrison and Pixies - developed his own unique, idiosyncratic style that melded an ironic sense of wit and humour with country-blues inflections and a bebop-esque vocabulary. Besides cool playing and his uniquely smoky singing, has great taste in material. Hey Good Lookin' fits right in with revisited versions of I Love the Life I Live, I Ain't Got Nobody and Baby Please Don't Go, complete with what the singer himself calls his distinctive 'involuntary groan' during the piano solo. Teo Macero's intimate production makes it feel like you're right there in the studio.



    Musicians:



    • Mose Allison (piano, vocals)

    • Addison Farmer, Henry Grimes, Aaron Bell (bass)

    • Jerry Segal (drums)

    • Paul Motian, Osie Johnson (drums)



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. V-8 Ford Blues
    2. Please Don't Talk About Me When I'm Gone
    3. Baby, Please Don't Go
    4. Hey, Good Lookin'
    5. I Live The Life I Live
    6. I Ain't Got Nobody (And Nobody Cares For Me)
    7. Back On The Corner
    8. Life Is Suicide
    9. 'Deed I Do
    10. Ask Me Nice
    11. You're A Sweetheart
    12. Mad With You
    Mose Allison
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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