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Last Of A Dyin' BreedLegendary rock band Lynyrd Skynyrd returns with a fiery slice of Southern style guitar rock heaven in Last of a Dyin' Breed, their newest release on Roadrunner/Loud & Proud Records.
This is the kind of record guaranteed to feed the needs of the multi-generational Skynyrd Nation, and continue the renewed vigor the band exhibited with their last album, 2009's God & Guns.
For the passionate, longtime fans of the band, this is Skynyrd at the top of their game, complete with instantly memorable songs, more hooks than a tackle box, and a blistering three-guitar attack at full power.
From the raging guitars of the title track and the pounding, funky homage to local talent in Home Grown to the mind-blowing Honey Hole, Lynyrd Skynyrd sound like young bucks having one hell of a good time, which, regarding the latter, founding member Gary Rossington says is very much the case.1. Last Of A Dyin' Breed
2. One Day At A Time
4. Ready To Fly
5. Mississippi Blood
6. Good Teacher
7. Something To Live For
8. Life's Twisted
9. Nothing Comes Easy
10. Honey Hole
11. Start Livin' Life Again$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Thanks For The SilverSaddle up the horses and take your guns to town boys because the Sun Gods in Exile are back. After a three year silence Portland's God's of Southern Fried Biker Boogie Rock have cowboy-ed up and returned to shake the dried clay from your boots and put a little swagger in your step. Ten thunderous tracks titled Thanks for the Silver that add just a little more southern than fried this time around and take aim with their six shooters hitting the target every single time.1. Hammer Down
3. Writing's On The Wall
4. Climb Down
5. Since I've Been Home
6. Broken Bones
7. Smoke And Fire
8. Nobody Knows
9. Thanks For The Silver
10. I Buried My Bitch's Car$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Venomous Rat Regeneration VendorIn April, horror rock mogul ROB ZOMBIE returns with his fifth solo album, and in his words, "It merges the old days of WHITE ZOMBIE with the future of what I am doing now this is the perfect combo of both worlds." Much more than self-serving hyperbole, this is the Devil's truth! 'The Girl Who Loved The Monsters' harkens back to La Sexorcisto, whereas 'Behold, The Pretty Filthy Creatures' would be right at home on The Sinister Urge. Throughout the 12 songs, pretty much every aspect of Zombie's musical career is touched upon; Venomous Rat Regeneration Vendor is almost like a Greatest Hits comprised of entirely new material. First single 'Dead City Radio And The New Gods Of Super Town' is a fiery, barn-burner of a track highlighting "wasted youth - an angel of odd in her birthday suit." That being said, the award for worst song title of the year goes to 'Ging Gang Gong De Do Gong De Laga Raga'. Musically, it's actually quite a good piece, but that title and chorus - what were you thinking Rob? Then there's 'Rock And Roll (In A Black Hole)', centered around a tedious, electronic syncopated drum beat. All signs lead to dull and dreary, but when this kicks in, it'll knock you on your ass! 'Theme For The Rat Vendor' is an unexpected 62-second instrumental immersed in middle-eastern sounds. Pulling a decapitated rabbit out of the hat, Zombie and cohorts John 5 on guitar, Piggy D on bass, and Ginger Fish on drums rock the shit out of GRAND FUNK RAILROAD's 'We're An American Band'; talk about a job well done! And if there really is a fallen angel in hell, Zombie will play 'Lucifer Rising' every night on tour. Bound to be a fan-favourite, this makes you move and groove uncontrollably; it's damn near irresistible. 'Trade In Your Guns For A Coffin' ends this illicit affair with the perfect amount of sex, sleaze and violence. Forget the Pied Piper, it's time to embrace, cherish and worship those Venomous Rats!-- Aaron Small1. Teenage Nosferatu Pussy
2. Dead City Radio And The New Gods Of Supertown
3. Revelation Revolution
4. Theme For The Rat Vendor
5. Ging Gang Gong De Do Gong De Laga Raga
6. Rock And Roll (In A Black Hole)
7. Behold, The Pretty Filthy Creatures
8. White Trash Freaks
9. We're An American Band
10. Lucifer Rising
11. The Girl Who Loved The Monsters
12. Trade In Your Guns For A Coffin$24.99Vinyl LP - Sealed Buy Now
Venomous Rat Regeneration Vendor (Picture Disc)Picture Disc
Horror rock mogul ROB ZOMBIE returns with his fifth solo album, and in his words, "It merges the old days of WHITE ZOMBIE with the future of what I am doing now this is the perfect combo of both worlds." Much more than self-serving hyperbole, this is the Devil's truth! 'The Girl Who Loved The Monsters' harkens back to La Sexorcisto, whereas 'Behold, The Pretty Filthy Creatures' would be right at home on The Sinister Urge. Throughout the 12 songs, pretty much every aspect of Zombie's musical career is touched upon; Venomous Rat Regeneration Vendor is almost like a Greatest Hits comprised of entirely new material. First single 'Dead City Radio And The New Gods Of Super Town' is a fiery, barn-burner of a track highlighting "wasted youth - an angel of odd in her birthday suit." That being said, the award for worst song title of the year goes to 'Ging Gang Gong De Do Gong De Laga Raga'. Musically, it's actually quite a good piece, but that title and chorus - what were you thinking Rob? Then there's 'Rock And Roll (In A Black Hole)', centered around a tedious, electronic syncopated drum beat. All signs lead to dull and dreary, but when this kicks in, it'll knock you on your ass! 'Theme For The Rat Vendor' is an unexpected 62-second instrumental immersed in middle-eastern sounds. Pulling a decapitated rabbit out of the hat, Zombie and cohorts John 5 on guitar, Piggy D on bass, and Ginger Fish on drums rock the shit out of GRAND FUNK RAILROAD's 'We're An American Band'; talk about a job well done! And if there really is a fallen angel in hell, Zombie will play 'Lucifer Rising' every night on tour. Bound to be a fan-favourite, this makes you move and groove uncontrollably; it's damn near irresistible. 'Trade In Your Guns For A Coffin' ends this illicit affair with the perfect amount of sex, sleaze and violence. Forget the Pied Piper, it's time to embrace, cherish and worship those Venomous Rats!-- Aaron Small1. Teenage Nosferatu Pussy
2. Revelation Revolution
3. Theme For The Rat Vendor
4. Ging Gang Gong De Do Gong De Laga Raga
5. Rock And Roll (In A Black Hole)
6. Behold, The Pretty Filthy Creatures!
7. White Trash Freaks
8. We're An American Band
9. Lucifer Rising
10. The Girl Who Loved The Monsters
11. Dead City Radio And The New Gods Of Supertown
12. Trade In Your Guns For A Coffin$35.99Vinyl LP Picture Disc - Sealed Buy Now
FrankenchristRemastered And Available In A Deluxe Gatefold Sleeve
Released after a three-year studio hiatus, this album picks up right where Plastic Surgery Disasters left off. As always, the lyrics are among the most literate and angry in all of rock & roll. Goons of Hazard scores the culture of guns and the rednecks who love them, utilizing full-textured hard rock to set the verses. Soup Is Good Food lacerates the concept of disposable people in disposable jobs, pairing this idea with repeated guitar riff-based music that suggests a nightmare version of 1960s songs. Jock-O-Rama excoriates organized sports and macho attitudes; musically, the outer sections wed rockabilly and hardcore influences, sandwiching a slow middle section that spoofs martial numbers like Barry Sadler's Ballad of the Green Berets. This Could Be Anywhere has critical lyrics about racism and classicism set to music highly reminiscent of the Sex Pistols. Hellnation has garbled, wide-range, muckracking verses set to stun-speed punk that recalls numbers from In God We Trust Inc.
The excellent MTV -- Get Off the Air lambastes the corporate influences on rock & roll; musically, the song exhibits a tripartite structure, using a vacuously poppy opening, a speed hardcore central section, and a mid-tempo rocking finale that prominently features trumpet (a very brief coda reprise of hardcore ends the number). The finest selection on this album (and perhaps in the whole Dead Kennedys' canon) is the anthemic Stars and Stripes of Corruption. This number also utilizes a three-part construct, consisting here of a hard-rocking midsection flanked by faster, punk-oriented material. The verses here are stunningly detailed, describing what the band believes is wrong with the United States and what the solutions should be. This wonderful and challenging album is very highly recommended.
- David Cleary (All Music Guide)1. Soup Is Good Food
3. This Could Be Anywhere (This Could Be Everywhere)
4. A Growing Boy Needs His Lunch
5. Chicken Farm
6. Jock-O-Rama (Invasion Of The Beef Patrol)
7. Goons Of Hazzard
8. MTV - Get Off The Air
9. At My Job
10. Stars And Stripes Of Corruption$34.99Vinyl LP - Sealed Buy Now
ConnectSick Puppies is a three piece rock band that formed in Australia in the late 1990s. The current lineup for the band is Shimon Moore on guitar, Emma Anzai on bass and Mark Goodwin on drums. In the early 2000s the band, which at the time did not include Mark, moved to the states to start their career as a professional rock band. They were signed to Virgin Records and released their second album, Dressed Up As Life which has sold over 200,000 copies in the United States and abroad since it's release in 2007. The band furthered their career and released their third full length album Tri-Polar in 2009 which featured hits such as, You're Going Down, Riptide, Maybe and Odd One.
Connect is an album that takes all types of Sick Puppies sound and combines it all into one. You have hints of Welcome To the Real World, Dressed Up As Life and Tri-Polar in the album. You have the hard rock and heavy bass songs such as, Die To Save You, There's No Going Back, Walk Away, Gunfight and The Trick The Devil Did; and you have the ballads, Poison, Where Did The Time Go, Telling Lies, Connect, Run, Healing Now and Under A Very Black Sky. The album comes together really well and isn't the bad kind of overpowering. Fans, if you've been anxiously awaiting this album to see if it's good; I'm here to tell you that this album is very good and worth the wait.
My Favorite Song Is... There's No Going Back. The song starts right off the bat with a very rhythmic acoustic guitar. The chorus then comes in and hits you with very strong lyrics. There's no going back / when life's a loaded gun / you pull the trigger, trigger / There's no going back / the past is in the past / thank God it doesn't last forever /. The use of Emma as a backup vocalist has always been something I wanted the band to do in every song, and this song, her small presence gives it such a bigger presence on the album. There's No Going Back is also the band's first single off the album.
- aNewRisingDesign1. Die to Save You
2. There's No Going Back
3. Walking Away
6. Where Did the Time Go
7. Telling Lies
10. The Trick the Devil Did
11. Healing Now
12. Under a Very Black Sky$19.99Vinyl LP - Sealed Buy Now
180g Audiophile Vinyl Reissue
Remastered To High Definition 192kHz/24-bit Audio For Maximum Fidelity
Celebrating four decades of decibels, KISS, Mercury Records and UMe proudly announce reissuing the legendary KISS albums on 180g audiophile vinyl. Remastered to high definition 192kHz/24-bit audio for maximum fidelity, these albums have never sounded so amazing and now
vinyl collectors will get what they've been demanding. All posters, sleeve art, stickers, etc that appeared in the original LP release where applicable have
been faithfully reproduced for the KISS Army.
For Kiss' breakthrough 1975 release Alive!, the band had a total of three studio albums from which to select their in-concert repertoire. By mid-1977, Kiss had released another three studio recordings (Destroyer, Rock and Roll Over, and Love Gun), and with a new Kiss album needed for the holiday season, a second live album, Alive II, was assembled. Three sides were recorded live in concert at the Los Angeles Forum (with a few tracks recorded in Japan), while the fourth side featured five new studio recordings. Like its predecessor, there's been quite a lot of speculation concerning extensive overdubbing (the proof being that you can often hear several Paul Stanley voices singing backup simultaneously!), but Alive II shows that Kiss was still an exciting live band despite all the hype. Adrenaline-charged versions of Detroit Rock City, Love Gun, Calling Dr. Love, Shock Me, God of Thunder, I Want You, and Shout It Out Loud are all highlights. On the fourth side, Ace Frehley only plays on a single song (his self-penned classic Rocket Ride) for reasons unknown, while session guitarist Bob Kulick filled in for the AWOL Frehley. Among the studio tracks is the made-for-the-stage anthem Larger Than Life, which the band surprisingly never performed live.
- Greg Prato (All Music Guide)LP 1
1. Detroit Rock City
2. King Of The Night Time World
3. Ladies Room
4. Makin' Love
5. Love Gun
6. Calling Dr. Love
7. Christine Sixteen
8. Shock Me
9. Hard Luck Woman
10. Tomorrow And Tonight
1. I Stole Your Love
3. God Of Thunder
4. I Want You
5. Shout It Out Loud
6. All American Man
7. Rockin' In The U.S.A.
8. Larger Than Life
9. Rocket Ride
10. Any Way You Want It$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Concrete ConfessionalAn institution can be relied on forever. Its foundations don't shake due to the winds of change or tides of trends-no matter how volatile, omnipresent, or tenuous.
With steadfast determination, drive, and dedication, Hatebreed cement themselves as one of heavy music's strongest institutions on their seventh full-length offering and very first for Nuclear Blast worldwide, 2016's The Concrete Confessional. Since 1994, the Connecticut quintet-Jamey Jasta [vocals], Chris Beattie [bass], Wayne Lozinak [guitar], Frank Novinec [guitar], and Matthew Byrne [drums]-has risen to the ranks of hardcore and heavy metal elite with a GRAMMY® Award nomination, main stage slots on festivals, and countless fans worldwide. 2013's The Divinity Of Purpose earned their highest entry on the Billboard Top 200, bowing at #17 with impressive first-week sales in excess of 17,000. When it came time to return to the studio after two years on the road, Jasta and his cohorts clung to the bedrock on which their legacy stands firm.
"There's nothing better than loud amps, riffs that hit you right in the chest, and lyrics that spark a new thought and give you a charge," he declares. "That's our musical DNA. We could just be who we are. We don't need to incorporate whatever the trend is. We can just be Hatebreed. There are some new highlights to the game, but you know it's us."
The Divinity Of Purpose saw them become a headliner in locations such as Slovenia, Slovakia, Russia, Japan, and beyond. They would perform at Poland's Woodstock in front of 400,000 people. Stateside, the band supported longtime friends Slipknot on an extensive 2015 run in between festival appearances at Rock On The Range, Welcome To Rockville, and more as well as Motörhead's Motörboat with Slayer and Motörhead.
"Riding into this album, I realized we could play with bands of every genre nearly anywhere without deviating from who we are," continues Jasta. "The Motörboat was really a highlight of our career. We played this exclusive event with some of our chief influences. We got to literally chart new territory."
Returning home in the Fall of 2015, they entered the studio with longtime producer Zeuss [Rob Zombie, Soulfly]. Immediately, they channeled the spirit that's long defined their signature sound. By January, the record was mixed by Josh Wilbur [Megadeth, Lamb Of God] and primed for ignition.
"We had a really good vibe in the studio," he says. "The record is a snapshot of this time for us."
It also reflects what's going on outside. The opening track and first single "A.D." fuses together torrential thrashed-out guitars, double bass drums, and Jasta's immortal growl before an incendiary lead. The singer dissects what the American Dream means in a climate of upheaval. "Fight fire with fire, you'll see everyone's burning," he screams. Think of it as "Vote With A Bullet" or "Holy Wars The Punishment Due" for the Instagram age.
"It's a mirror of both sides of the story whether it's what you believe in the media or what you actually see," he explains. "Musically, it came together quickly. It's about all of the frustrated feelings that come out when I turn on the news. So much of our attention is focused on the wrong areas. People want to one-up each other with better clothes and cars, and it's all bullshit. Nobody goes to the grave with any of that stuff. It's not all instant gratification. What exists on the phone and computer isn't what exists in real life. What is the American Dream anymore?"
The machine gun chug of "Looking Down The Barrel Of Today" proves equally uplifting and undeniable. "I wanted something to get crowds pumped up," he admits. "So many fans will tell us, 'Your records help me get through my life.' I needed to encourage this cyclical power to get up and face the day. You either make the best of today, or you're done in by it."
"Something's Off" carries an ominously lyrical bass line into a guttural chant, showcasing Jasta's chilling vocal dynamics in the process. "I've written songs about depression, alcoholism, and falling back into destructive patterns," he says. "However, I never felt like I could really put my finger on what anxiety is. It's not just social anxiety but this unexplained feeling of unease. I've felt it since I was in kindergarten. You can't control when it happens. Heavy music has kept that beast at bay-in addition to exercise and experiences with my family. I had to confront it directly in the lyrics here."
Elsewhere, "Remember When" and "Slaughtered In Their Dreams" juxtapose visceral lyricism with a searing sonic backdrop as chaotic as it is catchy. Through and through, The Concrete Confessional is classic Hatebreed.
In order to transfer this message to the masses, the band inked a global deal with Nuclear Blast. "They're world-renowned mainstays in the metal community," he smiles. "We get to be in the company of career bands we look up to." These musicians have come a long way from the East Coast's storied nineties underground scene. Their journey has seen them achieve a 2005 GRAMMY® Award nod in the category of "Best Metal Performance" for "Live For This," sell over 1.2 million records, and land a #1 debut on Billboard's DVD Chart with 2009's Live Dominance. Moreover, they've annihilated audiences from OZZfest Japan and Download Festival to Wacken, Hellfest, and beyond.
Now, The Concrete Confessional fits right into the bold, bloody, and beating heart of the Hatebreed institution.
"The title had to be something that was heavy and hard, but also vulnerable and honest," Jasta leaves off. "Heavy music is this cleansing, therapeutic, and cathartic experience. You're on that concrete floor, the guitars are crushing you, and someone's screaming their head off-sharing their pain and aspects of their life through words, poetry, or songs. There's nothing like it. You confess you have negative thoughts, and you purge them. For however long you're at the show, there are no bills to pay, issues to deal with, or problems holding you back. You can be free."1. A.D.
2. Looking Down The Barrel Of Today
3. Seven Enemies
4. In The Walls
5. From Grace We've Fallen
6. Us Against Us
7. Something's Off
8. Remember When
9. Slaughtered In Their Dreams
10. The Apex Within
11. Walking The Knife
13. Serve Your Masters$24.99Vinyl LP - Sealed Buy Now