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  • Youth Authority Youth Authority Quick View

    $21.99
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    Youth Authority

    Youth Authority, Good Charlotte's first album in six years, was produced by John Feldmann and includes guest appearances from Kellin Quinn of Sleeping with Sirens, and Simon Neil of Biffy Clyro. Includes the singles Makeshift Love and 40 oz. Dream. Strong and back to their roots, this record is their best one yet.


    Good Charlotte is an American pop punk rock band from Waldorf, Maryland formed in 1996. Original band members since 1998 include lead vocalist Joel Madden, guitarist and vocalist Benji Madden, bassist Paul Thomas, guitarist and keyboardist Billy Martin. Drummer Dean Butterworth joined in 2005.

    1. Life Changes
    2. Makeshift Love
    3. 40 Oz. Dream
    4. Life Can't Get Much Better
    5. Keep Swingin' (feat. Kellin Quinn)
    6. Reason to Stay (feat. Simon Neil)
    7. Stray Dogs
    8. Stick to Your Guns Interlude
    9. The Outfield
    10. Cars Full of People
    11. War
    12. Moving on
    Good Charlotte
    $21.99
    Vinyl LP - Sealed Buy Now
  • Fever Fever Quick View

    $17.99
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    Fever

    Hard rock band Bullet For My Valentine returns with its third Jive album, Fever. The release pairs Bullet For My Valentine with producer Don Gilmore, best known for his work with Linkin Park and Good Charlotte. The Welsh band consisting of vocalist/guitarist Matt Tuck, guitarist Michael Paget, bassist Jason James and drummer Michael Thomas, recorded Fever in studios both in its native Wales and in Los Angeles.
    1. Your Betrayal
    2. Fever
    3. The Last Fight
    4. A Place Where You Belong
    5. Pleasure and Pain
    6. Alone
    7. Breaking Out, Breaking Down
    8. Bittersweet Memories
    9. Dignity
    10. Begging for Mercy
    11. Pretty on the Outside
    Bullet For My Valentine
    $17.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Sounds Good Feels Good Sounds Good Feels Good Quick View

    $22.99
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    Sounds Good Feels Good

    Sounds Good Feels Good is the follow-up to the band's chart-topping, self-titled debut album, which has sold more than three million copies worldwide. Sounds Good Feels Good sees the band collaborate again with rock veteran John Feldmann (All Time Low, Good Charlotte, Boys Like Girls), who executive produced the new, adrenaline-fueled album.
    1. Money
    2. She's Kinda Hot
    3. Hey Everybody!
    4. Permanent Vacation
    5. Jet Black Heart
    6. Catch Fire
    7. Waste The Night
    8. Vapor
    9. Castaway
    10. Fly Away
    11. Invisible
    12. Airplanes
    13. San Francisco
    14. Outer Space / Carry O
    5 Seconds Of Summer
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Sum Of Who We Are The Sum Of Who We Are Quick View

    $17.99
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    The Sum Of Who We Are

    Merging melodic pop rock hooks with rockin' riffs, Framing Hanley are poised for their big breakthrough with their
    upcoming album, 'The Sum of Who We Are.' Comprised of Nixon, guitarists Ryan Belcher and Brandon Wooten, plus
    drummer Chris Vest, Framing Hanley has steadily built a buzz, as evidenced by their earlier album's steady rise on
    the Billboard 200 Chart (2007's 'The Moment' peaked at #169, while 2010's 'A Promise to Burn' reached #57), while
    the song Lollipop went Digital Gold (over 500,000 copies sold).


    As a result, they have headlined and sold out venues all throughout the United States and the UK, and have toured
    with the likes of Good Charlotte, Sick Puppies, Saving Abel. Also, Framing Hanley has been spotted turning heads at
    such mega-festivals as Download in the UK and Soundwave in Australia.

    1. Criminal
    2. Twisted Halos
    3. Collide
    4. Crooked Smiles
    5. Simple Life
    6. Rollercoaster
    7. No Saving Me
    8. Unbreakable
    9. Science
    10. Streetlights and Silhouettes
    11. Crash & Burn
    12. Forever Till the End
    13. Castaway
    Framing Hanley
    $17.99
    Vinyl LP - Sealed Buy Now
  • American Fall American Fall Quick View

    $18.99
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    American Fall

    Anti-Flag's new studio album, American Fall, follows 2015's well-received American Spring. With Good Charlotte's Benji Madden on board as co-producer, the band has intensified their signature anthemic style with bigger melodies, tighter songcraft, and thicker guitars. American Fall is bold - both musically and politically - and Anti-Flag's time is now.


    American Fall is set for release via Spinefarm Records and as expected, it addresses issues facing America today like only Anti-Flag can:


    "The politics of distraction influences people to lose focus on what makes a positive impact on their lives and the world," the band said about the new album. "It encourages people to make choices that are not in their best interest and reduces society's ability to make progressive change.


    "The American Fall is our rejection of this harmful distraction. At this crucial moment in history, we must focus on pushing past the status quo to create a better and more just world. We reject the proliferation of exploitation, racism, bigotry, and socioeconomic injustice that dominate the policies of Donald Trump, just as we renounce the neoliberal status quo that came before him."

    1. American Attraction
    2. The Criminals
    3. When The Wall Falls
    4. Trouble Follows Me
    5. Finish What We Started
    6. Liar
    7. Digital Blackout
    8. I Came. I Saw. I Believed.
    9. Racists
    10. Throw It Away
    11. Casualty
    Anti-Flag
    $18.99
    Vinyl LP - Sealed Buy Now
  • American Fall (Colored Vinyl) American Fall (Colored Vinyl) Quick View

    $18.99
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    American Fall (Colored Vinyl)

    Pressed On Mixed Colored Vinyl


    Anti-Flag's new studio album, American Fall, follows 2015's well-received American Spring. With Good Charlotte's Benji Madden on board as co-producer, the band has intensified their signature anthemic style with bigger melodies, tighter songcraft, and thicker guitars. American Fall is bold - both musically and politically - and Anti-Flag's time is now.


    American Fall is set for release via Spinefarm Records and as expected, it addresses issues facing America today like only Anti-Flag can:


    "The politics of distraction influences people to lose focus on what makes a positive impact on their lives and the world," the band said about the new album. "It encourages people to make choices that are not in their best interest and reduces society's ability to make progressive change.


    "The American Fall is our rejection of this harmful distraction. At this crucial moment in history, we must focus on pushing past the status quo to create a better and more just world. We reject the proliferation of exploitation, racism, bigotry, and socioeconomic injustice that dominate the policies of Donald Trump, just as we renounce the neoliberal status quo that came before him."

    1. American Attraction
    2. The Criminals
    3. When The Wall Falls
    4. Trouble Follows Me
    5. Finish What We Started
    6. Liar
    7. Digital Blackout
    8. I Came. I Saw. I Believed.
    9. Racists
    10. Throw It Away
    11. Casualty
    Anti-Flag
    $18.99
    Colored Vinyl LP - Sealed Buy Now
  • Flesh Coffin Flesh Coffin Quick View

    $23.99
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    Flesh Coffin

    Formed in 2010, Lorna Shore consists of vocalist Tom Barber, guitarists Adam De Micco and Connor Deffley, and drummer Austin Archey. To date, they have released three EPs and released their debut full-length Psalms in June of 2015. Aside from being featured on the Metal Alliance Tour with Deicide, Lorna Shore has most notably toured alongside bands such as Carnifex, Chelsea Grin, The Black Dahlia Murder, and more. The band has also played festivals such as the New England Metal And Hardcore Festival, Never Say Never Festival, South By So What, Skate and Surf Festival and SXSW's New England Metal and Hardcore Festival Stage. Lorna Shore's unique signature aesthetic spans death metal, black metal, power metal, and progressive rock for a style that encompasses brutal breakdowns, dazzling technical passages, white-knuckle-ride dynamics, and rich textured moments. The band's forthcoming sophomore album, Flesh Coffin (Outerloop Records) was produced by Lorna Shore, Carson Slovak, and Grant McFarland at Atrium Audio (August Burns Red, Everclear, From Ashes to New), mixed by Carson Slovak and Grant McFarland, and mastered by Zakk Cervini (Beartooth, Good Charlotte, Blink 182).
    1. Offering Of Fire
    2. Denounce The Light
    3. The Astral Wake Of Time
    4. Desolate Veil
    5. FVNERAL MOON
    6. Void
    7. Infernum
    8. the//watcher
    9. Black Hollow
    10. Flesh coffin
    Lorna Shore
    $23.99
    Vinyl LP - Sealed Buy Now
  • Caramel Caramel Quick View

    $18.99
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    Caramel


    Limited, Hand-Numbered First Edition LP


    New Zealand via Paris/London pop sprite Connan Mockasin
    follows up the widely acclaimed oddball-psych of 2010s
    Forever Dolphin Love. Caramel boasts a unique brand of
    mutated, lustrous soul that was almost wholly self-recorded
    over a month in a Tokyo hotel room. Described by Clash
    Music as "a true cosmonaut of inner space," the new album
    explores different regions of Mockasins singular galaxy,
    guided by his truly adventurous songwriting that favors
    reconfigured pop structures with a skewed funk sensibility. If
    Caramel wasnt enough, Mockasin has also been writing more
    material for Charlotte Gainsbourg after penning the exquisite
    Out Of Touch for the actress/singers 2012 mini-album,
    Stage Whisper. Its another sign that Mockasin is going
    places, but at his own pace - just as Caramel suggests the
    process of melting and taking on a new shape, a new taste.
    That is the true sound of Connan Mockasin.


    "[Caramels] dreamy grooves sound like something Prince might
    make, were he on strong prescription tranquilisers - in a good
    way, of course"
    - The Guardian


    "Mockasins a more ambitious songwriter than his sleepy
    demeanor would sometimes suggest"
    - Pitchfork


    " a fascinating headtrip from start to finish "
    - Death and Taxes

    1. Nothing Lasts Forever
    2. Caramel
    3. Im the Man, That Will Find You
    4. Do I Make You Feel Shy?
    5. Why Are You Crying?
    6. Its Your Body 1
    7. Its Your Body 2
    8. Its Your Body 3
    9. Its Your Body 4
    10. Its Your Body 5
    11. I Wanna Roll with You
    Connan Mockasin
    $18.99
    Vinyl LP - Sealed Buy Now
  • Metallica Through The Never Metallica Through The Never Quick View

    $39.99
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    Metallica Through The Never


    Black, Red, & White Colored Vinyl


    Award-winning filmmaker Nimród Antal (Predators, Kontroll) creates a groundbreaking 3-D motion picture event, Metallica Through the Never. The music-driven feature film combines a bold narrative and spectacular live-performance footage of one of the most popular and influential rock bands in history to produce a bracing, raw and visceral cinematic experience. Emerging young star Dane DeHaan (The Place Beyond the Pines, Kill Your Darlings, The Amazing Spider-Man 2) portrays Trip, a young roadie sent on an urgent mission during Metallica's roaring live set in front of a sold-out arena audience.


    Metallica Through The Never is written and directed by Nimród Antal and produced by Charlotte Huggins (Journey to the Center of the Earth). The film was released by Picture house in North America on September 27, 2013, exclusively in over 300 IMAX® 3-D theaters, and expanded into additional theaters on October 4, 2013.


    Recorded live at Rexell Place, Edmonton, Alberta on August 17 & 18, 2012 and at Rogers Arena, Vancouver, British Columbia on August 24, 25 and 27, 2012, the soundtrack consists of 15 classic Metallica songs - from their early work (Hit The Lights) to the more recent (Cyanide).


    In true Metallica concrert tradition, the album kicks off with Ennio Morricone's The Ecstasy of Gold from the film, The Good The Bad, And The Ugly.


    Metallica is easily one of the best, most influential heavy metal band of the '80s. Responsible for bringing the genre back to Earth, the bandmates looked and talked like they were from the street, shunning the usual rockstar games of metal musicians during the early '80s. They expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions.

    LP 1
    1. L'Estasi Dell'oro (The Ecstasy Of Gold) (2004 Digital Remaster) - By Ennio Morricone
    2. Creeping Death
    3. For Whom The Bell Tolls
    4. Fuel
    5. Ride The Lightning
    6. One


    LP 2
    1. The Memory Remains
    2. Wherever I May Roam
    3. Cyanide
    4. ...And Justice For All
    5. Master Of Puppets


    LP 3
    1. Battery
    2. Nothing Else Matters
    3. Enter Sandman
    4. Hit The Lights
    5. Orion

    Metallica
    $39.99
    Colored Vinyl LP - 3 LPs Sealed Buy Now
  • Late Night Tales: BADBADNOTGOOD (Unmixed) Late Night Tales: BADBADNOTGOOD (Unmixed) Quick View

    $35.99
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    Late Night Tales: BADBADNOTGOOD (Unmixed)

    Canadian quartet BadBadNotGood take on creating the ultimate "late night" selection of tracks from their record collections.


    The original trio of Matthew Tavares, Alex Sowinski and Chester Hansen formed while studying music at Toronto's Humber College (they've recently added Leland Whitty to the line-up). A shared appreciation of hip hop and instrumental covers of Gucci Mane and Earl Sweatshirt suggested a worldly outlook and reciprocated love from Tyler The Creator and Ghostface Killah, with whom they made 2015's Sour Soul. Their last album, the critically-acclaimed IV, turned heads and their collaborators continue to multiply: Snoop Dogg, Kaytranada and Kendrick Lamar among them.


    "We were really excited to have the chance to put together a LateNightTales compilation, it's a great organisation. We decided to use it as a vehicle to show everyone all the amazing music we have gotten to experience by touring and meeting new people.


    Every track on this comp was either shown to us by an incredible person or made by one of our friends. We also included a little cover of a song by one of our favourite current musicians, Andy Shauf. These artists, as well as many, many others, have influenced us to create, and kept our deep love of music alive. This mix will keep you company on a quiet night by yourself or with friends. You can check it out on the plane, the bus, a long walk, or any situation where you want a soundtrack for reflection and meditation."


    - BADBADNOTGOOD May 2017


    You can even hear little bits of BadBadNotGood through this mix, as though they are transmitting parts of themselves through the music they select. Perhaps the keys on Admas' hilariously expensive 'Anchi Bale Game', maybe, or the arrangements on Delegation's mighty Britsoul tune 'Oh Honey' or the groove from 'Vida Antiga', Erasmo Carlos' Brazilian classic. As Janis almost sang, take another little piece of my art.


    This is an international effort: Velly Joonas' Estonian version of 'Feel Like Makin' Love', Kiki Gyan, Admas and Francis Bebey representing Africa (Ghana, Ethiopia and Cameroon respectively), Les Prospection from France, Scots' Boards Of Canada and fellow Canucks River Tiber and Charlotte Day Wilson.


    Finally, there's the no-small-matter of the Late Night Tales cover version, in which BadBadNotGood take on Andy Shauf's 'To You' is turned into a mournful delight. while the Queen Of Siam herself, Lydia Lunch, delivers a sexual sermon involving only you, her and Jim Beam.


    Badbad, indeed: so good they said it twice.

    LP 1
    1. Boards Of Canada - Olson
    2. Erasmo Carlos - Vida Antiga
    3. Gene Williams - Don't Let Your Love Fade Away
    4. The Chosen Few - People Make The World Go Round
    5. Esther Phillips - Home Is Where the Hatred Is
    6. Delegation - Oh Honey
    7. Velly Joonas - KÄes on aeg
    8. Stereolab - The Flower Called Nowhere
    9. Kiki Gyan - Disco Dancer
    10. Admas - Anchi Bale Game


    LP 2
    1. Francis Bebey - Sanza Nocturne

    2. Thundercat - For Love I Come
    3. River Tiber Ft. Daniel Caesar - West
    4. Charlotte Day Wilson - Work
    5. The Beach Boys - Don't Talk (Put Your Head On My Shoulder)
    6. Donnie & Joe Emerson - Baby
    7. Les Prospections - Lido
    8. Grady Tate - And I Love Her
    9. Badbadnotgood - To You (Exclusive Andy Shauf cover version)
    10. Steve Kuhn - The Meaning Of Love
    11. Lydia Lunch - You, Me and Jim Beam (Exclusive Spoken Word Piece)

    BADBADNOTGOOD
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Bach: 1-6 Solo Cello Suites (Speakers Corner) Bach: 1-6 Solo Cello Suites (Speakers Corner) Quick View

    $95.99
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    Bach: 1-6 Solo Cello Suites (Speakers Corner)

    Today it is difficult to understand that despite the tremendous Bach renaissance that took place in the 19th century many compositions by the Cantor of St. Thomas's Church in Leipzig had been underrated. The Cello Suites, for example, have been regarded for almost 300 years as purely a set of tricky etudes that every virtuoso in the making simply must tackle. What recording engineers and their equipment can bring to the ears is quite astounding. So it was back in the Thirties with Pablo Casal's legendary recording against which every cellist is measured today and to whose perfection he aspires.



    Janos Starker's recording of the Suites from 1965 makes a lasting impression on the listener, even when compared with other recordings from the digital era, and even record producers who are well used to recorded excellence have been highly impressed. For Charlotte Gilbert of the Mercury record label, these recording sessions were one of five truly great events in all her 20 years of recording experience.



    Without a doubt, Starker allows his instrument to resound freely but without forcing the tone. Starker's full-bodied sound and technical brilliance are complemented by his finely chiselled interpretation that lends immense expression to Bach's thrilling harmony and verve to the strict rhythmic construction of the movements. Just listen to his organ-like double-stopped passages, the eloquent dialogues, and the pure excitement created by his highly individual treatment of tempo. Then you will surely agree with the often-quoted paradox that Bach's Cello Suites are 'polyphony for a solo instrument'.



    Musicians:



    • Janos Starker (cello)




    Recording: April 1963, September and December 1965 at ballroom Studio A at Fine Recording Studios, New York, by C. Robert Fine and Robert Eberenz

    Production: Wilma Cozart



    Format: 3LPs 33rpm / Box, booklet



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    Janos Starker
    $95.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Condolences (Gray w/Black Splatter) Condolences (Gray w/Black Splatter) Quick View

    $29.99
    Buy Now
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    Condolences (Gray w/Black Splatter)

    Pressed On Gray Vinyl With Black Splatter


    A grimly glamorous ghoul who first slithered from the cobwebbed shadows of Charlotte, North Carolina, in the early 90s, WEDNESDAY 13 has firmly established himself as the world's premier purveyor of balls-out horror punk insanity. With a vivid and vile imagination that has endeared him to countless fans of riff-driven macabre over the last two decades, he has been one of rock's most prolific protagonists, spreading his credo of grave-robbing rock 'n' roll and Hallowe'en debauchery around the globe and unleashing a seemingly endless stream of blood-spattered albums and EPs.


    "All my favorite stuff, like KISS and ALICE COOPER and TWISTED SISTER, those guys set the bar pretty high," he states. "I always wanted to do something in the worlds of those bands. That's the blueprint. It had to be as outrageous and crazy as that and I wanted to be on someone's wall one day and have their parents say 'Oh my god, what is that?' The formula's still there from when I started doing it as a kid and started wanting to be in a band. It's just GI Joe and Dracula!"


    After several years of sharpening his creative teeth, WEDNESDAY 13 emerged from the fetid crypt of obscurity with his band FRANKENSTEIN DRAG QUEENS FROM PLANET 13, those masters of snotty schlock rock that released an astonishing five studio albums and six EPs between 1996 and 2002. Always the leader of the revolting pack, WEDNESDAY 13 then became a bona fide international rock star as frontman for the MURDERDOLLS, his collaboration with SLIPKNOT's Joey Jordison. The band took the world by storm, with Europe and the UK, in particular, succumbing to the feral charms of 2002 debut album, »Beyond The Valley Of The Murderdolls«; a raucous eruption of big tunes and bad attitude that noisily redefined the horror punk genre. After MURDERDOLLS went on an extended hiatus in 2004, WEDNESDAY 13 embarked on a widely lauded solo career that again provided him with an outlet for his relentless outpouring of fiendish musical and lyrical ideas. Albums like »Transylvania 90210« (released by Roadrunner in 2005), »Fang Bang« and »Skeletons« all cemented our pallid hero's reputation as the bastard son of ALICE COOPER and THE MISFITS, while his outlaw country project, BOURBON CROW and one-off glam metal vehicle, GUNFIRE 76 proved that he had sufficient versatility to survive outside the graveyard and abattoir.


    MURDERDOLLS reconvened in 2010 for the vicious »Women And Children Last« album and another successful world tour before disappearing once more into the freezing midnight fog, leaving WEDNESDAY to revive his solo career with a few thousand volts of wicked electricity yet more highly praised albums and tours including 2014's scintillating acoustic opus »Undead Unplugged« and the following year's thunderous »Monsters Of The Universe: Come Out & Plague«. However, absolutely nothing that WEDNESDAY has created in the past has even touched upon the horrifying potency and allure of his brand new studio album, »Condolences«.


    Frustrated with the arduous process of releasing his own music, our favorite black-hearted freak has thrown himself and his music into a whirling maelstrom of reinvention. The result is not just the heaviest and most authentically disturbing record of the great man's career but also a huge creative leap forward, neatly encapsulated by the new album's simple and direct title.


    "It's more of a serious WEDNESDAY 13 record, I guess," he says. "The campiness has gone and it's taken a darker vibe. It's definitely not in the camp, sleazy world anymore. The band is visually stronger and that's taken things to a new level. Normally my album titles are parodies of something, like »Women And Children Last«, that's a VAN HALEN album title gone wrong! (laughs) So I wanted to make sure that this record came across as a brand new version of WEDNESDAY 13."


    In musical terms, »Condolences« showcases WEDNESDAY's growing obsession with the world of heavy metal and its endless possibilities for exploring tales of horror and violence. Produced by renowned studio guru Zeuss, new songs like anthemic first single 'What The Night Brings' and the pile-driving 'Blood Sick' still exhibit a dash of B-movie weirdness and are full of WEDNESDAY's trademark twisted lyrics, but where previous albums were rooted in the worlds of punk rock and glam metal, »Condolences« is a full-on modern metal record with gigantic balls and the attitude to match. From the glowering menace of 'Good Riddance' to the grandiose hellishness of the album's 7-minute title track, it's living, breathing, murdering proof that the WEDNESDAY 13 of 2017 means business. And business is mean.


    "The punk rock vibe has left the building and it's become a full-on metal vibe," WEDNESDAY agrees. "I've been the horror-punk guy for years, but this is horror metal. It's just evolution. Over the last ten years, I've become a metalhead for the most part. That second MURDERDOLLS record just amped the whole thing up, and the guys in the band have influenced me with so much other stuff. It's not just me with my SEX PISTOLS, ALICE COOPER and RAMONES records anymore! (laughs) Now I've got my band incorporating everything from death metal to rock'n'roll. It's all across the boards. There are no rules. We can do whatever we want, whatever fits."


    Manifestly the strongest, heaviest and most individual album of his lengthy career, »Condolences« promises to push WEDNESDAY 13 into heavy music's upper echelons once again. With determined plans to tour relentlessly in support of the new record, the future is looking dark, dangerous, exhilarating and wildly, unapologetically theatrical.


    "It's non-stop touring once the record comes out," WEDNESDAY concludes. "We just did our first video for 'What The Night Brings' and the visuals are really cool. I've incorporated a lot of stuff I've been doing live, like this devil character I've been transforming into at shows, and that got worked in. We're taking the music, the imagery and the entire stage show up a level. It's gonna be a full-on theatrical stage production, so I'll be busy as fuck on stage! I've been doing this shit for so many years, I started thinking 'How can I make this fun again?' (laughs)"

    1. Last Rites
    2. What The Night Brings
    3. Cadaverous
    4. Blood Sick
    5. Good Riddance
    6. You Breathe, I Kill
    7. Omen Amen
    8. Cruel To You
    9. Eulogy XIII
    10. Prey For Me
    11. Lonesome Road To Hell
    12. Condolences
    13. Death Infinity
    Wednesday 13
    $29.99
    Colored Vinyl LP - Sealed Buy Now
  • Condolences (Black & Red Vinyl) Condolences (Black & Red Vinyl) Quick View

    $29.99
    Buy Now
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    Condolences (Black & Red Vinyl)

    Pressed On Black & Red Colored Vinyl


    A grimly glamorous ghoul who first slithered from the cobwebbed shadows of Charlotte, North Carolina, in the early 90s, WEDNESDAY 13 has firmly established himself as the world's premier purveyor of balls-out horror punk insanity. With a vivid and vile imagination that has endeared him to countless fans of riff-driven macabre over the last two decades, he has been one of rock's most prolific protagonists, spreading his credo of grave-robbing rock 'n' roll and Hallowe'en debauchery around the globe and unleashing a seemingly endless stream of blood-spattered albums and EPs.


    "All my favorite stuff, like KISS and ALICE COOPER and TWISTED SISTER, those guys set the bar pretty high," he states. "I always wanted to do something in the worlds of those bands. That's the blueprint. It had to be as outrageous and crazy as that and I wanted to be on someone's wall one day and have their parents say 'Oh my god, what is that?' The formula's still there from when I started doing it as a kid and started wanting to be in a band. It's just GI Joe and Dracula!"


    After several years of sharpening his creative teeth, WEDNESDAY 13 emerged from the fetid crypt of obscurity with his band FRANKENSTEIN DRAG QUEENS FROM PLANET 13, those masters of snotty schlock rock that released an astonishing five studio albums and six EPs between 1996 and 2002. Always the leader of the revolting pack, WEDNESDAY 13 then became a bona fide international rock star as frontman for the MURDERDOLLS, his collaboration with SLIPKNOT's Joey Jordison. The band took the world by storm, with Europe and the UK, in particular, succumbing to the feral charms of 2002 debut album, »Beyond The Valley Of The Murderdolls«; a raucous eruption of big tunes and bad attitude that noisily redefined the horror punk genre. After MURDERDOLLS went on an extended hiatus in 2004, WEDNESDAY 13 embarked on a widely lauded solo career that again provided him with an outlet for his relentless outpouring of fiendish musical and lyrical ideas. Albums like »Transylvania 90210« (released by Roadrunner in 2005), »Fang Bang« and »Skeletons« all cemented our pallid hero's reputation as the bastard son of ALICE COOPER and THE MISFITS, while his outlaw country project, BOURBON CROW and one-off glam metal vehicle, GUNFIRE 76 proved that he had sufficient versatility to survive outside the graveyard and abattoir.


    MURDERDOLLS reconvened in 2010 for the vicious »Women And Children Last« album and another successful world tour before disappearing once more into the freezing midnight fog, leaving WEDNESDAY to revive his solo career with a few thousand volts of wicked electricity yet more highly praised albums and tours including 2014's scintillating acoustic opus »Undead Unplugged« and the following year's thunderous »Monsters Of The Universe: Come Out & Plague«. However, absolutely nothing that WEDNESDAY has created in the past has even touched upon the horrifying potency and allure of his brand new studio album, »Condolences«.


    Frustrated with the arduous process of releasing his own music, our favorite black-hearted freak has thrown himself and his music into a whirling maelstrom of reinvention. The result is not just the heaviest and most authentically disturbing record of the great man's career but also a huge creative leap forward, neatly encapsulated by the new album's simple and direct title.


    "It's more of a serious WEDNESDAY 13 record, I guess," he says. "The campiness has gone and it's taken a darker vibe. It's definitely not in the camp, sleazy world anymore. The band is visually stronger and that's taken things to a new level. Normally my album titles are parodies of something, like »Women And Children Last«, that's a VAN HALEN album title gone wrong! (laughs) So I wanted to make sure that this record came across as a brand new version of WEDNESDAY 13."


    In musical terms, »Condolences« showcases WEDNESDAY's growing obsession with the world of heavy metal and its endless possibilities for exploring tales of horror and violence. Produced by renowned studio guru Zeuss, new songs like anthemic first single 'What The Night Brings' and the pile-driving 'Blood Sick' still exhibit a dash of B-movie weirdness and are full of WEDNESDAY's trademark twisted lyrics, but where previous albums were rooted in the worlds of punk rock and glam metal, »Condolences« is a full-on modern metal record with gigantic balls and the attitude to match. From the glowering menace of 'Good Riddance' to the grandiose hellishness of the album's 7-minute title track, it's living, breathing, murdering proof that the WEDNESDAY 13 of 2017 means business. And business is mean.


    "The punk rock vibe has left the building and it's become a full-on metal vibe," WEDNESDAY agrees. "I've been the horror-punk guy for years, but this is horror metal. It's just evolution. Over the last ten years, I've become a metalhead for the most part. That second MURDERDOLLS record just amped the whole thing up, and the guys in the band have influenced me with so much other stuff. It's not just me with my SEX PISTOLS, ALICE COOPER and RAMONES records anymore! (laughs) Now I've got my band incorporating everything from death metal to rock'n'roll. It's all across the boards. There are no rules. We can do whatever we want, whatever fits."


    Manifestly the strongest, heaviest and most individual album of his lengthy career, »Condolences« promises to push WEDNESDAY 13 into heavy music's upper echelons once again. With determined plans to tour relentlessly in support of the new record, the future is looking dark, dangerous, exhilarating and wildly, unapologetically theatrical.


    "It's non-stop touring once the record comes out," WEDNESDAY concludes. "We just did our first video for 'What The Night Brings' and the visuals are really cool. I've incorporated a lot of stuff I've been doing live, like this devil character I've been transforming into at shows, and that got worked in. We're taking the music, the imagery and the entire stage show up a level. It's gonna be a full-on theatrical stage production, so I'll be busy as fuck on stage! I've been doing this shit for so many years, I started thinking 'How can I make this fun again?' (laughs)"

    1. Last Rites
    2. What The Night Brings
    3. Cadaverous
    4. Blood Sick
    5. Good Riddance
    6. You Breathe, I Kill
    7. Omen Amen
    8. Cruel To You
    9. Eulogy XIII
    10. Prey For Me
    11. Lonesome Road To Hell
    12. Condolences
    13. Death Infinity
    Wednesday 13
    $29.99
    Colored Vinyl LP - Sealed Buy Now
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