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RoomIn a 2013 Q&A with JazzTimes, Lage described the Cline-Lage duo sound
as "200 percent power," and that's exactly what comes through on ROOM:
an inspired collection of originals and collaborative pieces that runs the full
range from intricately composed and complex to free and spontaneous.
Cline builds on the strength of his previous duo work with the likes of
Elliott Sharp, Thurston Moore, Carla Bozulich, Marc Ribot and not
least of all the late West Coast bassist Eric Von Essen. Lage, for
his part, has worked in duo settings with David Grisman, Martin
Taylor, John Abercrombie, Taylor Eigsti and others.
Producers: Nels Cline & Julian Lage
Nels Cline - electric & acoustic guitars
Julian Lage - electric & acoustic guitars1. Abstract 12
3. The Scent Of Light
4. Whispers From Eve
5. Blues, Too
6. Odd End
7. Freesia/The Bond
8. Calder$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
MUSD-MFSL-478xJerry Garcia And David Grisman
A Natural, Acoustic Portrait of American Folk, Country, and Bluegrass Standards by Two Virtuosos: Jerry Garcia and David Grisman's Shady Grove Filled with Endearing Joy and Spirited Playing
Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity 180g 2LP Set Sounds Incredibly Realistic, Features Deluxe Booklet in Gatefold Jacket
Jerry Garcia began recording with longtime friend David Grisman at the beginning of the last decade of his life, the refreshing excursions marking a full-circle return to the roots fare the white-bearded virtuoso originally performed before co-founding the Grateful Dead. Garcia's dalliances with Grisman also served another equally important purpose given they provided a much-needed outlet from the demanding pressures, schedules, and business affairs associated with his main band. The endearing joy, contagious enthusiasm, and free-spirited playing on Shady Grove attest to the collection serving as not only the finest musical snapshot of Garcia's final years, but among the best of his storied career.
Mastered from the original master tapes, available on vinyl for the first time, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g 2LP set presents the 1996 collection in exquisite sound. Originally recorded at Dawg Studios between August 1990 and June 1993, Shady Grove bowed as the first release of Grisman-Garcia collaborations in the wake of the iconic guitarist's August 1995 death - and remains, by way of its genre-specific organization, a passionate albeit naturally relaxed portrait of folk, country, and bluegrass standards that provide the foundation of American songbook. To experience it all in such brilliant fidelity is to pull up a chair at the sessions themselves and enjoy a transparent view into lasting tradition and instrumental virtuosity.
Entirely unplugged, the material emerges in three-dimensional detail on this very special audiophile pressing, the wooden tones and organic textures unfolding with wondrous openness, ease, and realism. Nothing is forced, brittle, or exaggerated. What you hear is on par with the acoustics you'd encounter at a world-class hall. Garcia and Grisman's clean, rustic picking on guitar, banjo, mandola, and mandolin harbors a rare intimacy mirrored by an equally uncommon chemistry evident by the seamless interplay.
These traits remain in tact even when the soul mates are occasionally joined by pals such as Jim Kerwin (acoustic bass) and Joe Craven (fiddle and percussion). Garcia's singing, replete with the slight, graceful, dignified shakiness that forever defined his deliveries, comes across with utmost purity and transparency. Emotions and eagerness pour over every note. At the end of several tracks, Garcia and company exchange remarks and laughter - all indicative of the camaraderie, looseness, and spirit that carries through each tune here.
Mobile Fidelity's audiophile edition of Shady Grove also features the kind of deluxe packaging only the best physical media can provide. Sixteen 12-inch x 12-inch pages bound to the gatefold jacket provide extraordinary insight into the songs, atmosphere, and history. Images of artifacts and telling photos serve as a visual guide. New Lost City Ramblers member John Cohen pens extensive liner notes that reveal the lasting importance and timelessness of the tunes herein. Among his observations:
Jerry and David's performances of these traditional folk songs and ballads reconnect us all - folk singers, Deadheads, university students, hillbillies, country and western musicians - with the America [poet Kenneth] Rexroth wrote about; that [Carl] Sandburg wrote about; that the cynicism of American wars and politics, culture wars and culture politics just couldn't destroy.
Indeed, the versions of barn-dance tunes (Shady Grove), jug-band standards (Stealin', also performed in the early days of the Grateful Dead), Delta ballads (Louis Collins), Civil War era fare (The Sweet Sunny South), and campfire songs (Down in the Valley) here astound with depth, soulfulness, and warmth. Deadheads will also find Garcia and Grisman putting a spin on two more tracks - Casey Jones and Jackaroo - long part of the iconic group's repertoire. In countless ways, Shady Grove is not to be missed, particularly on this unsurpassed pressing.
This title is not eligible for discount.1. Shady Grove
3. Off to Sea Once More
4. The Sweet Sunny South
5. Louis Collins
6. Fair Ellender
8. The Ballad of Casey Jones
9. Dreadful Wind and Rain
10. I Truly Understand
11. The Handsome Cabin Boy
12. Whiskey in the Jar
13. Down in the Valley
14. Hesitation Blues$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
MUSD-MFSL-430xJerry Garcia And David Grisman
Jerry Garcia And David Grisman
Numbered Limited Edition 180g 2LP from Mobile Fidelity
Contemporary Interest in Roots Music Kick-Started by Stellar Grammy-Nominated 1991 Collaboration
Recording Now As Realistic, Natural, Close-Up, Intimate, and Enveloping as Any Acoustic Record Released: 1st Time-Ever on LP
Garcia and Grisman Put on Virtuosic Performance, Make Way Through Pop Standards, Blues Classics, Folk Staples, Bluegrass Jaunts, and More
Jerry Garcia achieved monumental accomplishments over a prolific career, yet the guitarist never sounded better than on his first official collaboration with longtime friend and fellow instrumental maestro David Grisman. Indeed, contemporary interest in roots music can be directly traced to this stellar Grammy-nominated 1991 collaboration. Putting distinctive rustic spins on pop standards, blues classics, and folk staples, the kindred musical spirits' earnest authenticity and relaxed intimacy are matched only by virtuosic playing and superb production. As realistic, warm, close-up, and immersive as any acoustic album, Mobile Fidelity's reissue raises the bar on the meaning of reference-standard.
Mastered from the original master tapes, Mobile Fidelity's 180g 2LP of Garcia/Grisman takes a record forever renowned for breathtaking sonics to another level. Originally released on Grisman's fabled Acoustic Disc label and recorded at his plush studios, the album now sounds even more realistic-with distinctive tones, palpable air, smooth vocals, three-dimensional soundstaging, balanced imaging, and timbral extension that mirror the feeling and experience of hearing live music in a small space.
Unadorned with any post-production tricks or overdubs, Garcia/Grisman breathes with naturalism and presence. You will effortlessly detect the full body of the instruments, witness the woody grain textures, and get lost in the surprisingly velvety qualities of Garcia's lullaby-like singing. Mobile Fidelity's meticulous pressing also marks the first time this delightfully joyous affair has been issued in analog form. You will never hear a better-sounding Americana-styled recording.
Pals since the mid-1960s, Garcia and Grisman bonded over their love for traditional folk and bluegrass. The two teamed up amidst what became a gold rush of top-notch productivity and creativity for Garcia. Partnering with bassist Jim Kerwin and percussionist/fiddler Joe Craven, the pair approaches every passage with innate ease, as if either musician could finish the others sentence. The affable chemistry and soothing interplay wash over a selection of songs as notable for their diversity as the way Garcia and "Dawg" turn them into the equivalent of old friends you haven't seen in years.
Exquisite melodies and jewel-shaped notes decorate the simple, convivial structures of tunes that hop, jump, skip, skitter, and bop. The atmosphere is reminiscent of the legendary gypsy-jazz exchanges between Django Reinhardt and Stephane Grappelli, and equally sharp. Swirling with Middle Eastern modality, the closing 16-minute-plus rendition of Grisman's rippling "Arabia"-complete with a section based on a Cuban fold theme-is alone enough worth the price of admission to this sensational session. But there's so much more.
The quartet delves into Celtic themes ("Two Soldiers"), jazz-grass ("Grateful Dawg"), old-world ballads ("Russian Lullaby"), and Appalachian flavors ("Walkin' Boss") with nonpareil skill and soulfulness. Garcia and Grisman's tandem picking throughout epitomize sublime. And for many listeners, the duo's revised version of the Grateful Dead staple "Friend of the Devil" ranks as the finest-ever recorded, the pace patient, the narrative vocals heartfelt, and the synchronous solos tailor-made for the enveloping progression. Better yet, it's all captured in astonishing fidelity.
This title is not eligible for discount.1. The Thrill Is Gone
2. Grateful Dawg
3. Two Soldiers
4. Friend of the Devil
5. Russian Lullaby
6. Dawg's Waltz
7. Walkin' Boss
8. Rockin' Chair
9. Arabia$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Live At KeystoneRecorded live on July 10 and 11, 1973, at the Keystone club in Berkeley, California, this recording beautifully captures the magical musical friendship of keyboardist Merl Saunders and guitarist Jerry Garcia. The sterling band featured Saunders on keyboards; Garcia, guitar and vocals; John Kahn, bass; and Bill Vitt, drums. Virtuoso David Grisman added mandolin to Bob Dylan's Positively 4th Street. The mix of songs ranged from Saunders originals to covers of songs by Jimmy Cliff, Junior Parker, Holland-Dozier-Holland, Rodgers & Hart, Blind Lemon Jefferson, Arthur Big Boy Crudup, Lightnin' Hopkins, Don Nix and Dan Penn and Dylan.LP 1
1. Finders Keepers, Losers Weepers
2. Positively 4th Street
3. The Harder They Come
4. It Takes A Lot To Laugh, It Takes A Train To Cry
6. It's No Use
1. That's All Right, Mama
2. My Funny Valentine
3. Someday Baby
4. Like A Road$24.99Vinyl LP - 2 LPs Sealed Buy Now
American BeautyThe Most American Folk-Rock Ever Made: Indelible Harmonies, Spare Playing, and Gorgeous Textures Surround Masterfully Crafted Songs
Close Your Eyes As the Dead Serenade You in Your Room: MoFi Edition of American Beauty Epitomizes Realistic Space, Vocals, Instrumentation, and Ambience
Ranked #261 on Rolling Stone's List of the 500 Greatest Albums of All Time: Includes "Truckin'," "Sugar Magnolia," "Friend of the Devil," "Ripple"
American Beauty is the most perfectly realized, superbly played, and openly natural folk-rock record ever released. They don't make albums like this anymore, but thankfully, Mobile Fidelity's extraordinary 180g 45RPM 2LP set allows you to experience this 1970 masterpiece with unrivaled intimacy, realism, detail, and perspective. The Dead might as well be sitting on a Persian carpet right in your living room.
The pinnacle of the Dead's studio output, American Beauty lives up to its name-as well as that of the "American Reality" ambigram on the iconic cover. Airy vocal harmonies blow like fresh breezes. Strummed acoustic guitars amicably intermingle with plaintive percussive beats. Warmth, relaxation, and poignancy envelop the performances and create sensations of bliss, peace, and honesty. Songs flower with majestic melodies and emotionally direct lyrics. It's a rare album that invites and makes you feel, restores one's faith, and renews one's appreciation for all life offers.
Mastered from the original master tapes and pressed on 180g LP at RTI, this deluxe analog set possesses seemingly limitless dynamics, reference-grade presence, and expansive soundstages. The seamless, effortless integration of the group's vocals has always been a high point of American Beauty, and when you hear it here, you'll want every record you own to sound half as good. Every member's distinctive singing resounds with tube-like clarity; the intended expressionism is as plain as day. Instruments, too, resonate in glorious Technicolor. The supple tension of Phil Lesh's bass lines, charismatic timbres of Jerry Garcia's pedal-steel fills, and interwoven dialogue between the pianos and percussion are rendered with lifelike scale and tone.
Made just months after its companion release, Workingman's Dead, the San Francisco legends' second 1970 masterpiece furthers the former work's close-knit relationship between country and folk while adding extra rock and bluegrass currents. Understated amplified passages, graceful melodies, layered singing, and old-time string flavors-including mandolin work from masterful guest David Grisman-bestow the material with easygoing, comfortable vibes. Again taking advantage of the best songwriting of Robert Hunter's career, the Dead turns in its most collective studio performance, with every individual contributing equally and focusing on nothing but the songs at hand.
Indeed, Garcia doesn't even indulge in a single guitar solo on the record. A majority of fare lacks any significant instrumental breaks. The Dead recorded the foundations (drums, bass, acoustic guitars) of nearly every track live, which helps explain why American Beauty sounds so powerfully rich and clear. Coupled with the band's personal reflections of the circumstances surrounding them-Bob Weir's parents had died, Garcia's mother and Lesh's father were in the process of passing, Ron "Pigpen" McKernan's health was in decline-these characteristics combined to yield a purity of heart that exceeds that managed by Dead peers (and roots revivalist leaders) The Band and Bob Dylan.
From Garcia's breathtaking gospel-laden homage to his mother ("Brokedown Palace") to Lesh's healing salve in the form of the groove-based "Box of Rain," from Weir's jaunty and free-wheeling summer escape "Sugar Magnolia" to McKernan's eloquently simple homespun plea "Operator," all the way to the closing autobiographical anthem "Truckin'," American Beauty feels like the warm, spirit-infusing embrace of a loved one after a long journey away. Welcome home.
This title is not eligible for discount.1. Box of Rain
2. Friend of the Devil
3. Sugar Magnolia
7. Brokedown Palace
8. Till the Morning Comes
9. Attics of My Life
10. Truckin'$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
Yerba Buena Bounce (Out Of Stock)Exceptional 200-gram deluxe vinyl pressing. Deluxe gatefold jackets crafted by Stoughton Printing. With Yerba Buena Bounce, its 10th album, The Hot Club of San Francisco confirms its reputation as America's longest-running and finest Gypsy Jazz ensemble. Inspired explorations of Django Reinhardt's tunes, originals and more, are captured in shimmering sound. The Hot Club of San Francisco is a quintet of accomplished and versatile musicians who celebrate Django Reinhardt's and Stephane Grappelli's renowned Hot Club de France. The ensemble borrows the all-string instrumentation of three guitars, violin and bass from the original Hot Club but breathes new life into the music with innovative arrangements of classic tunes and original compositions from the group's superb lead guitarist, Paul Mehling. Hearing the ensemble takes the listener back to the 1930s and to the small, smoky jazz clubs of Paris. Mandolinist David Grisman, father of Dawg music and good friend of The Hot Club, makes a special guest appearance on two tracks. The set is further enhanced by bandoneon virtuoso Seth Asarno. Two bonus tracks feature the quintet augmented by three Dixieland horns.
Recorded by multi-Grammy-nominated Prof. Keith Johnson at Fantasy Studios in Berkeley, California, the Yerba Buena Bounce sessions benefited from the historic ambience, scene of hundreds of classic jazz and rock recordings. Using his own custom-built microphones and electronics (as always), Johnson was able to utilize some of Fantasy's unique facilities, such as a legendary echo chamber, to add luster to his always life-like soundscapes.1. Mystery Pacific
2. Hot Lips
3. I'm Happy Just To Dance With You
5. Number Two
6. Souvenir de Villingen
7. Tickle Toe
8. Black and White
9. Rythme Futur
11. Yerba Buena Bounce
14. Georgia Cabin
15. Improvisation #2
16. JAM: Some Of These Days$49.99200 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Temporarily out of stock