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Empty Glass (Half-Speed Master)Import
Limited Edition Heavyweight 180-Gram Clear Vinyl
Remastered At Abbey Road With Half-Speed Mastering Process
Considered by Pete Townshend to be his first 'real' solo album 'Empty Glass' was also to become his most commercially successful. Whereas 'Who Came First' was a devotional album and 'Rough Mix' a collaboration, Townshend had no such restrictions on this 1980 release. Coming after Keith Moon's death the album sees Townshend at his most emotional and rawest as he publicly acknowledges his own addictions and exorcises his demons.
The album was written while Townshend was also trying to write new material for The Who and complaints were raised in some circles that he was keeping the best material for his solo work. The album certainly contains songs that would have worked for the band (a version of the title track was actually recorded by The Who) but the personal investment in the material by the composer shines through. The album spawned three singles including the top ten US smash 'Let My Love Open The Door' as well as 'Empty Glass' and 'A Little Is Enough'.1. Rough Boys
2. I Am An Animal
3. And I Moved
4. Let My Love Open The Door
5. Jools And Jim
6. Keep On Working
7. Cat's In The Cupboard
8. A Little Is Enough
9. Empty Glass
10. Gonna Get Ya$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Cars (Awaiting Repress)Ranked 282/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Let the Good Times Roll: Half-Speed Mastered LP Sounds Amazing!
The Cars Classic 1978 Debut a Veritable Greatest Hits Album: Nearly Every Song a Radio Staple
My Best Friend's Girl, Just What I Needed, You're All I've Got Tonight Among the Tunes on the Hit Parade
One of the most successful and enjoyable debuts in history, The Cars self-titled album doubles as a greatest-hits collection. Thats because not one song here is unrecognized or unknown. A huge reason why the Boston quintet became Americas most popular new-wave band, The Cars launched eight tracks still regularly heard on radio stations everywhere. Consider the hit list: Youre All Ive Got Tonight. Good Times Roll. Just What I Needed. Moving in Stereo. My Best Friends Girl. Dont Cha Stop. If youre a fan of pop music, this album is mandatory. Just call it the best new-wave rock album ever made.
Led by Ric Ocasek and Benjamin Orr, the Cars managed to unite then-disparate styles: bubblegum pop melodies, angular art rock, progressive arrangements, and terse minimalism. Orrs low, understated singing and Ocaseks cool, detached vocals lend shades of doubt and double meaning to the lyrics, which are further counterbalanced by orchestral keyboard flourishes and electronic beats. The brilliant arrangements also benefit from a laidback cool and understated irony that remain uncommon in the over-the-top world of mainstream music. Obsessed with incorporating the latest technologies and sounds into its palette, the band spiced its tunes with delightfully quirky accentscountry-tinged guitar fills, echoing Syndrums, reggae splashes, hard-rock tones, robotic pulses.
The results are the sounds of a creative landmark. At once accessible and eccentric, edgy and catchy, The Cars explodes with emotion, energy, and hooks. Its impossible not to get caught up humming and singing along to every song, an appeal that comes courtesy of Roy Thomas Bakers stellar production. The legendary producer, best known for his work with Queen, ensured that the record seamlessly packed a smooth midrange, spacious imaging, and call-and-answer choruses in one tight package. Bakers trademark touches with harmony vocals abound.
And now, The Cars sounds better than it has in any previous incarnation. Half-speed mastered from the original analog tapes, Mobile Fidelitys numbered limited-edition LP allows the musics oscillating rhythms, futuristic keyboard passages, panned stereo images, and rippling textures to be experienced like never before. The songs take on a surreal quality, the Cars manipulating the vibrant music at will to mesmerize the listeners senses and hold them at bay. Mobile Fidelitys unparalleled pressing epitomizes the sensation of moving in stereo!
This title is not eligible for discount.1. Good Times Roll
2. My Best Friend's Girl
3. Just What I Needed
4. I'm in Touch With Your World
5. Don't Cha Stop
6. You're All I've Got Tonight
7. Bye Bye Love
8. Moving in Stereo
9. All Mixed Up$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Candy-OHow did the Cars move beyond their smash 1978 debut (also available on Mobile Fidelity 180-gram LP) and secure their status as one of musics leading bands for years to come? Look no further than the quadruple-platinum Candy-O. Continuing along the streamlined pop paths of its predecessor, the sophomore effort is preoccupied with desirable women that are as mysterious, sexy, and cool as the groups musicand the records pin-up cover.
With rare exception, few new-wave artists enjoyed much of a career outside of a one-hit wonder. Candy-O proves the Cars were anything but. Its loaded with minimalist atmospherics, pulsing bass lines, catchy refrains, and labyrinthine synthesizers that stick in your mind for days. And while retaining a simplicity thats a Cars hallmark, the album also takes myriad stylistic detours: the glam-rock accents of Dangerous Type, a song whose title references the records mysterious and lusty matter; the percolating riffs of the contagious title track; the dizzying garage-rock nature of the upbeat Got a Lot on My Mind, complete with a tooting Farfisa organ. Nothing drags or feels out of place.
Through it all, vocalists Benjamin Orr and Ric Ocasek keep their heads about themselves, singing in direct albeit detached tones that convey the tension, excitement, and risky promise inherent in the lyrics. Hook-laced choruses abound. Yet all is not what it seems.
Hooks are mechanical by nature, but the affectlessness of these deserves special mention; only listeners who consider alienation is the craze a great insight will find much meaning here. On the other hand, only listeners who demand meaning in all things will find this useless. Cold and thin, shiny and hypnotic, it's what [the Cars] do best--rock and roll that is definitely pop without a hint of cuteness. Robert Christgau, The Consumer Guide
Half-speed mastered from the original analog tapes, Mobile Fidelitys numbered limited-edition LP brings the Cars distinctive melodies and exotic arrangements to the fore in ways that have never been heard outside of the recording studio. For the first time, Roy Thomas Bakers vocal production shines, with each members contributions rescued from a cold sonic murk that detracted from the musics impact on both vinyl and the extremely compressed CD. Once you hear the newly uncovered dynamics and rich textures, youll be wondering where they were all of these years. Chalk this up as an essential addition to your pop collection.
This title is not eligible for discount.1. Let's Go
2. Since I Held You
3. It's All I Can Do
4. Double Life
5. Shoo Be Doo
8. You Can't Hold On Too Long
9. Lust for Kicks
10. Got A Lot On My Head
11. Dangerous Type$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Passion For Vinyl Part II: An Ode To Analog (Book)252-Page Book With 7 Vinyl Single
Includes a Limited Edition White Vinyl 7 Single Feat. Hasil Adkins, Bloodshot Bill And Ellen Allien
Record stores are popping up again everywhere. New vinyl pressing plants are opening in America, Europe and Asia. Young vinyl enthusiasts - both male and female! - are swarming to record fairs looking for old and new records to build their collection. When Passion for Vinyl Part 1 came out, there was still some doubt about the comeback of vinyl. Wasn't it all just a hype? Now, five years later, even the biggest sceptic can't deny it: vinyl is back and it's here to stay!
In light of all these new and exciting developments, a follow-up to the successful and well-received first volume of the Passion for Vinyl book (four stars in Record Collector magazine) is more than viable. DJs, musicians, engineers, designers, shop managers, record label CEOs and collectors like Dischord's Ian MacKaye, Norton's Miriam Linna, singer-songwriter Ryley Walker, musician and producer T Bone Burnett, Abbey Road's half-speed maestro Miles Showell, DJs Sven VÄth and Ellen Allien, designer John Kosh and many others tell about the records that changed their lives, their love for vinyl and the impact its resurgence has had on them. Passion for Vinyl Part 2 also shows how analogue recording techniques are making a comeback in the recording and mastering studios.
In the last few years, countless music lovers have (re)discovered that nothing beats listening to a vinyl record on a proper stereo set. It makes the listener connect with the music like nothing else.
This book is a tribute to that unique experience.
Passion for Vinyl Part. 2 is written by Dutch author, music journalist and vinyl fanatic Robert Haagsma. With an introduction by Michael Kurtz, co-founder of Record Store Day.
This title is not eligible for discount.$41.99252-Page Book + 7 Colored Vinyl Single - Sealed Buy Now
Who Came First (Half-Speed Master)Import
Limited Edition Heavyweight 180-Gram White Vinyl
Remastered At Abbey Road With Half-Speed Mastering Process
This 1972 release was the first release by Pete Townshend outside of The Who. The album is a collection of music dedicated to Meher Baba, Townshend's spiritual master and follows on from the private pressings of 'Happy Birthday' another devotional album which Townshend put together to celebrate the first anniversary of the passing of Baba and its follow up 'I Am'. 'Who Came First' came about because of the bootlegging of these albums and Decca in the States pushing for an official release. In response Townshend decided to release a new album, with Decca promising $1 of every sale going towards Baba projects. The resultant album exposes Townshend's spiritual enlightenment and sees him perform with fellow Baba followers, including Ronnie Lane and Billy Nicholls.
The album includes Townshend's versions of Who Classics 'Let's See Action' and the sublime opener 'Pure and Easy' as well as cover versions of songs which were Baba favourites. The album closes with the epic 'Parvadigar', a rendition of Meher Baba's Universal Prayer, set to music by PeteTownshend.1. Pure and Easy
3. Forever's No Time At All
4. Let's See Action
5. Time Is Passing
6. There's A Heartache Following Me
7. Sheraton Gibson
9. Parvardigar$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Mothership (Very Best Of)Mothership is a compilation album by English rock group Led Zeppelin, released by Atlantic Records and Rhino Entertainment on 12 November 2007 in the United Kingdom, and 13 November 2007 in the United States. It was released on the same day that Led Zeppelin's entire catalog became available in digital stores, including the iTunes Store. The cover (designed by artist Shepard Fairey) is a graphical interpretation of the Beresford Hotel, Glasgow, Scotland.
The songs included were chosen by the surviving members of Led Zeppelin, Robert Plant, Jimmy Page and John Paul Jones, and represent eight of the band's nine studio albums.
The album debuted at #4 in the UK Albums Chart, with 58,000 units sold, and debuted at #1 on the Official New Zealand Albums Chart and stayed there for several weeks. The album also debuted at #7 on the US Billboard 200 chart, selling about 136,000 copies in its first week. The album has sold almost 1,7 million + copies in the U.S and 4 million + copies worldwide, it has been certified 2x Platinum by the RIAA.
4-180 Gram Vinyl LP Box Set
Remastered with band members' oversight
Half-Speed Mastered by Stan Ricker
Pressed at RTILP 1
1. Good Times Bad Times
2. Communication Breakdown
3. Dazed and Confused
4. Babe I'm Gonna Leave You
5. Whole Lotta Love
6. Ramble On
8. Immigrant Song
1. Since I've Been Loving You
2. Rock and Roll
3. Black Dog
4. When The Levee Breaks
5. Stairway To Heaven
6. The Song Remains The Same
1. Over The Hills and Far Away
2. D'Yer Maker
3. No Quarter
4. Trampled Under Foot
5. Houses of the Holy
1. Nobody's Fault But Mine
2. Achilles Last Stand
3. In The Evening
4. All Of My Love$79.99180 Gram Audiophile Virgin Vinyl LP Box Set - 4 LPs Sealed Buy Now
Peter Gabriel 1Half-Speed Remastered And Cut To Lacquers At 33 RPM On Heavyweight LP
Vinyl Cut By Matt Colton At Alchemy Mastering, Mastered By Tony Cousins At Metropolis And Overseen By Peter's Main Sound Engineer Richard Chappell
Having left Genesis in the summer of 1976, Peter's first solo album arrived in February 1977. He was 26. With legendary producer Bob Ezrin taking charge, the intention was to make a more direct and tougher record: something different from what had gone before. The record also provided one of Peter's most recognizable songs in the shape of Solsbury Hill. Half-Speed Remastered and cut to lacquers at 33RPM, on heavyweight LP. Vinyl cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter's main sound engineer Richard Chappell. These albums really have never sounded so good! They also look amazing with the gatefold sleeves utilizing imagery from the initial release, sourced and re-scanned from original artwork. Each are numbered limited editions - only 10,000 Worldwide.1. Moribund The Burgermeister
2. Solsbury Hill
3. Modern Love
4. Excuse Me
7. Waiting For The Big One
8. Down The Dolce Vita
9. Here Comes The Flood$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Carnegie Hall ConcertFrom-the-Vault Live Release Captures Iconic Singer-Songwriter at Height of Her Breakout Period
Half-Speed Mastered from the Original Tapes: Intimate Sonics Make It Seem Like King is Sitting Five Feet Away
Stripped-Down Songs Teem With Warmth, Nuance, Emotion; James Taylor Also Appears
Every so often, a from-the-vault release captures our hearts, minds, and attention in such a way that its impossible not to tell all family, friends, and neighbors about its existence. Originally issued to commemorate the 25th anniversary of Tapestry, Carole Kings The Carnegie Hall Concert: June 18, 1971 is such a record, a fortunate document of an absolutely magical period in the singer-songwriters legendary career and a revealing look at the then-stagefright artist turning in a commanding performance just as she was becoming a superstar.
Half-speed mastered from the original tapes, Mobile Fidelitys numbered limited-edition 180g LP of this compelling concert album brims with liveliness, depth, dimension, detail, and transparency. The nuances of Kings spare performances and warm vocals emanate as if shes sitting five feet away. Stripped down even further than they are on the studio albums, songs breathe with palpable earnestness and emotion, the subtle differences from their more polished studio brethren allowing listeners an insight into Kings creative genius.
At the time of its recording, King still suffered from shyness and who could blame her? She had been accustomed to penning lyrics for other artists and sitting behind a desk in the Brill Building. Only recently did King strike out on her own and enter the public realm. This set encapsulates this contrast in thrilling fashion. Disarmingly genuine and daringly honest, The Carnegie Hall Concert: June 18, 1971 benefits from the inclusion of Kings nervous between-song banter that exposes who she is as a person and performer. Most importantly, despite her anxiety, she turns out stirring renditions of tunes from 1970s Writer, Tapestry, and even a few from Music.
Her control is demonstrated on the records six opening cuts, which feature King alone at her piano. For the remainder of the program, shes accompanied by guitarist Danny Kortchman, bassist Charles Larkey, and a string quartet, which enter and exit according to arrangement. As such, the concert is profoundly intimate and personal, an unplugged session that predated the use of the term by nearly two decades. Longtime collaborator James Taylor joins her for a memorable medley of some of her biggest hitsWill You Love Me Tomorrow/Some Kind of Wonderful/Up on the Roofthe chemistry evident of why the duos 2010 tour was one of the most in-demand outings in years.
Mobile Fidelitys remastered sound ties everything together and is what makes this release extra special. By going to the original source, the audiophile label considerably opens up the sonic perspectives, revealing the spacious acoustics of the famed venue that act in concert with Kings music. In particular, the songs from Writer benefit from the no-nonsense production. You can literally picture Kings piano beside her, and her voice sincere, tender, melodic is rich, full-bodied, and penetrating. Listeners can even hear it crack on occasion, the results a consequence of her nerves. Unpolished and non-synthetic, the performance is better for it.
No, they don't make albums like this anymore. The Carnegie Hall Concert: June 18, 1971 as real as it gets. And so is the sound. Get your collectible copy now!
This title is not eligible for discount.1.I Feel the Earth Move
3.After All This Time
4.Child of Mine
5.Carry Your Load
6.No Easy Way Down
7.Song of Long Ago
10.So Far Away
11.It's Too Late
13.Way over Yonder
15.You've Got a Friend [Performed with James Taylor]
16.Will You Still Love Me Tomorrow?/Some Kind of Wonderful/Up on the Roof [medley; performed with James Taylor]
17.(You Make Me Feel Like) A Natural Woman$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
SPCO-TAC-209xWolfgang Amadeus Mozart
Mozart: Gran PartitaCan a small ensemble perform a monumental work? Absolutely, as is demonstrated so impressively by Mozart's Serenade for Winds in B flat major, K. 361. Just a handful of musicians - 13 in all - enchant us for well over 45 minutes with a superb and inimitable serenade of symphonic proportions. In this highly original composition one must constantly admire the thrilling presence of the players who perform brilliantly both as soloists and in pairs. Bowing to the traditions of the Viennese Divertimento, Mozart unfolds his artistic and entertaining ideas before his good-humoured audience, both those of then and of now. The small forms, such as the courtly Minuet and the cheerful Laendler, provide a marked contrast to the sanctified Adagio and the blithe Rondo-Finale in the manner of a drinking song.
The Stuttgart Winds perform with freshness and inspiration, and the sound is further enhances by Tacet's recording engineer Andreas Spreer, using half-speed mastering to achieve the best-possible sound. The contemporary author Johann Friedrich Schink would have had much pleasure from this deceleration of speed that improves the quality of sound; he described his pleasure at a concert in the following words: » every instrument was played by a maestro - oh what an effect - glorious and grandiose, inspired and sublime.«
Recording: October 2012 by Andreas Spreer
Production: Andreas SpreerWolfgang Amadeus Mozart: Serenade in B-flat major, KV 361 (Gran Partita) - Stuttgart Winds$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Ghost in the Machine (Half-Speed Master) (Awaiting Repress)HALF-SPEED MASTER : Reissue of 1981 album, mastered at Abbey Road Studios from the original tapes & pressed on 180-gram audiophile quality vinyl! Features 'Every Little Thing She Does Is Magic' & 'Invisible Sun'.1. Spirits In The Material World
2. Every Little Thing She Does Is Magic
3. Invisible Sun
4. Hungry For You (j'aurai toujours faim de toi)
5. Demolition Man
6. Too Much Information
7. Rehumanize Yourself
8. One World (Not Three)
10. Secret Journey
11. Darkness$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Head GamesHead Games on Numbered Limited Edition 180 Gram LP from Mobile Fidelity
Foreigner's 1979 Effort Its Edgiest, Heaviest, Hardest-Hitting Album
Band Pairs Synthesizers With Guitars on Record to Mesmerizing Effect
Head Games, Dirty White Boy Continue Group's Hit Streak
Half-Speed Mastered from the Original Master Tapes: Roy Thomas Baker's Original Production Shines Like Never Before
The moment Head Games begins, a nastier, grittier tone is established, and it becomes apparent that Foreigner is bringing something new to the table. Namely, an edgier, leaner sound built around stronger guitars and harder rhythms. The heaviest record of the bands career, the 1979 effort functions as irrefutable proof that the quintet rocked as hard as anybody in the mainstream and did so without losing sight of the melodies that put it at the top of the charts. And with Head Games, there Foreigner would stay.
Half-speed mastered from the original master tapes, Mobile Fidelitys collectible audiophile edition of this longtime favorite classic-rock staple bursts with tremendous dynamics, soaring vocal timbres, punchy dynamics, and newfound instrumental separation. With more emphasis placed on Mick Jones guitar riffs and meatier grooves, you may just find yourself investing in a new power amp to get every last degree of detail thats been uncovered! Longtime fans will be thrilled to hear the subtle nuances now fully discernible amidst a gargantuan soundstage.
Joined by new bassist Rick Wills, and guided by Queen producer Roy Thomas Baker, Foreigner goes for broke, ratcheting up the muscularity on hard-hitting fare such as the hit single Dirty White Boy, Seventeen, and the aptly titled Rev on the Red Line. However, the group maintains its trademark equilibrium, pushing the limits on toughness yet retaining a diamond-in-the-rough smoothness that allows the bands hummable choruses and winding hooks to take hold.
Moreover, the band expands its use of synthesizers to wonderful effect. The smash title track, through which mesmerizing keyboard passages coarse, is a prime example of Foreigners slight albeit thrilling sonic evolution, the net result upping the drama, fanfare, and color. At the time, the combination was a breakthrough idea. Is it any wonder Head Games sold more than 5 million copies?
None, however, sound anywhere near as lifelike, involving, and rich as Mobile Fidelitys remaster. Part of the reason why late 70s arena rock remains beloved, and why its so fun, owes to the go-for-broke nature of the arrangements, decibel-clearing volume levels, and free license to just let loose. By digging in and revealing all the musical information the master tapes provide, Mobile Fidelitys analog 180g LP amplifies the pleasure principle by tenfold!
This title is not eligible for discount.1. Dirty White Boy
2. Love on the Telephone
4. I'll Get Even with You
6. Head Games
7. The Modern Day
8. Blinded by Science
9. Do What You Like
10. Rev on the Red Line$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Captain And MeThis multi-platinum smash LP yielded the Doobie Brothers four major hit singles and has since become one of the most popular albums of all time in classic rock. Featuring Long Train Runnin', China Grove and other favorites, The Captain and Me has truly stood the test of time. Impeccably half-speed mastered using the original Warner vault tapes at Friday Music Studios by the award winning Joe Reagoso (Doobie Brothers, Yes, Boz Scaggs), and Capitol Records in Hollywood with Ron McMaster, this will be one of the most desired audiophile releases this new year! Packaged with the original gatefold cover, original art elements, protective poly record sleeve, and poly bag for the album cover.1. Natural Thing
2. Long Train Runnin'
3. China Grove
4. Dark Eyed Cajun Woman
5. Clear As The Driven Snow
6. Without You
7. South City Midnight Lady
8. Evil Woman
9. Busted Down Around O' Connelly Corners
11. The Captain And Me$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Fire And Water (Half-Speed Master)HALF-SPEED MASTER : 2016 reissue of 1970 album, mastered at Abbey Road Studios from the original tapes & pressed on 180-gram audiophile quality vinyl! Includes 'All Right Now'.1. Fire And Water
2. Oh I Wept
4. Heavy Load
5. Mr. Big
6. Don't Say You Love
7. All Right Now (Long Version)$44.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Excitable BoyThe Jackson Browne/Waddy Wachtel produced album Excitable Boy broke Warren Zevon's career wide open in 1978. Empowered by decadence and excess not to mention a gang of collaborators that included Linda Ronstadt, Jackson Browne, J.D. Souther, Mick Fleetwood and John McVie, Zevon turned out unforgettable classics like Werewolves Of London, Johnny Strikes Up the Band and Lawyers, Guns And Money among others. This 180g audiophile vinyl reissue features half-speed mastering from the original Asylum vault tapes by Joe Reagoso at Friday Music Studios and Ron McMaster at Capitol Mastering. Includes original graphics, lyrics and poly sleeve.1. Johnny Strikes up the Band
2. Roland the Headless Thompson Gunner
3. Excitable Boy
4. Werewolves of London
5. Accidentally Like a Martyr
6. Night Time in the Switching Yard
8. Tenderness on the Block
9. Lawyers, Guns and Money$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Disraeli Gears (Half-Speed Master)Ranked 112/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
HALF-SPEED MASTER : 2016 reissue of 1967 album, mastered at Abbey Road Studios from the original tapes & pressed on 180-gram audiophile quality vinyl! Includes 'Strange Brew' & 'Sunshine Of Your Love.1. Strange Brew
2. Sunshine Of Your Love
3. World Of Pain
4. Dance The Night Away
5. Blue Condition
6. Tales Of Brave Ulysses
8. Were Going Wrong
9. Outside Woman Blues
10. Take It Back
11. Mothers Lament$44.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Foreigner (Awaiting Repress)Blockbuster 1977 Debut Packed With Anthemic Classic Rock Hits and Heroic Guitar Riffs
Feels Like the First Time: You've Never Heard Foreigner Sound So Immediate, Detailed, Warm, and Dynamic in Analog
System-Testing Sonics: Half-Speed Mastered from the Original Master Tapes
Blissful feelings arise at the mere mention of 70s arena rock. It gives listeners the permission to have fun, sing along to aircraft-hangar-size choruses, play air guitar solos, forget about any troubles, recall the experience of a first kiss, and quite simply, rock out. Few albums better instill these pleasures than Foreigners 1977 self-titled debut album, a five-times platinum blockbuster chock full of salacious riffs, soaring vocals, edgy beats, and lyrics that practically demand to be shouted. And while the record has always boasted clean, immediate production, never before has it exploded with the dynamic intensity and rich transparency now made possible on Mobile Fidelitys dynamic 180g LP. This is what rock n roll dreams are made of.
Spearheaded by guitar hero Mick Jones, fresh off success with Spooky Tooth, Foreigner rallied around a talented collective pulled from the U.S. and U.K. Joining up with former King Crimson instrumentalist Ian McDonald and drummer Dennis Elliott, as well as keyboardist Al Greenwood and bassist Ed Gagliardi, Jones completed the puzzle with the addition of extraordinary singer Lou Gramm, whose vocal timbre and limitless pipes remain one of the most instantly identifiable combinations in music. Before long, two eternal radio classicsFeels Like the First Time and Cold As Ice, composed on a miniature piano and inspired by Hollywood star Joan Crawfordwere in the bag. Eight more tunes, each as solid as those that came before, followed, and Foreigner quickly became an overnight rock sensation.
In contrast to much of the eras angrier fare and crudely produced music, Foreigner stood out by way of its clean, muscular, professional production. Still, Mobile Fidelity believed that underneath the surfaces, an even fresher, bigger-sounding record loomed. Half-speed mastered from the original master tapes, MoFis 180g LP presents the sextets roof-raising anthems and scintillating blend of guitars, synths, and Gramms soulful vocals across a wider, deeper soundstage than ever before imagined. Instrumental separation, tonal balance, and imaging are absolutely superb. Better still, the songs come across with an assertive liveliness that adds to their enjoyment, structure, and melodic character. The accessory flutes, saxophones, and synthesizer solos have never sounded so enmeshed within the overall sonic fabric.
Get ready to hear your new favorite 70s rock album and push the limits of your systems dynamics.
This title is not eligible for discount.1. Feels Like the First Time
2. Cold as Ice
5. The Damage Is Done
6. Long, Long Way from Home
7. Woman Oh Woman
8. At War with the World
9. Fool for You Anyway
10. I Need You$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Exile On Main Street (Half-Speed Master) (Awaiting Repress)Ranked 7/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
HALF-SPEED MASTER : (2LP) reissue of 1972 album, mastered at Abbey Road Studios from the original tapes & pressed on 180-gram audiophile quality vinyl! Includes 'Tumbling Dice' & 'Happy'.1. Rocks Off
2. Rip This Joint
3. Shake Your Hips
4. Casino Boogie
5. Tumbling Dice
6. Sweet Virginia
7. Torn And Frayed
8. Sweet Black Angel
9. Loving Cup
11. Turd On The Run
12. Ventilator Blues
13. I Just Want To See His Face
14. Let It Loose
15. All Down The Line
16. Stop Breaking Down
17. Shine A Light
18. Soul Survivor$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Anthology - A Very British Synthesizer Group
A Very British Synthesizer Group is a deluxe 3-LP boxed anthology of multi-million-selling synth pioneers, The Human League. Bringing together all of the hits including 7 previously unreleased DJ edits, the package comes in a hardback slipcase with a 20-page booklet featuring a new essay by David Buckley plus rare memorabilia and photographs. Art direction and sleeve illustrations come from renowned Sheffield artist Pete McKee. These special vinyl discs were mastered at half-speed at Abbey Road Studios.LP 1
1. Being Boiled (Fast Version)
2. The Dignity Of Labour (Part 3)
3. Empire State Human
4. Only After Dark (Single Edit)
6. Boys And Girls
7. The Sound Of The Crowd (Instrumental Version)
8. Hard Times
9. Love Action (I Believe In Love) (7 Edit)
10. Open Your Heart
11. Don't You Want Me
1. Mirror Man
2. You Remind Me Of Gold
3. (Keep Feeling) Fascination (Extended Version)
4. The Lebanon (Single Version)
5. Louise (DJ Edit)
6. Life On Your Own (Single Version)
7. Human (Extended Version)
8. I Need Your Loving (DJ Edit)
9. Love Is All That Matters (DJ Edit)
10. Heart Like A Wheel (William Orbit Remix)
1. Soundtrack To A Generation (Edit)
2. Tell Me When (Radio Edit)
3. One Man In My Heart
4. Filling Up With Heaven
5. Stay With Me Tonight
6. All I Ever Wanted (Radio Edit)
7. Night People (Radio Edit)
8. Never Let Me Go
9. Sky (Radio Edit)$79.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
Kick (Half-Speed Remaster) (Awaiting Repress)2017 Half-Speed Master Pressed On 2x 180 Gram 45 RPM Vinyl
Cut By Half-Speed Mastering Pioneer, Miles Showell, At Abbey Road Studios
For vinyl enthusiasts, there will be a Half-Speed Remaster of the classic 1987 album cut over two heavyweight, 180g LPs at 45-RPM for supreme fidelity, cut by Abbey Road Studios Half-Speed Mastering pioneer, Miles Showell.
Half-speed mastering is a specialist process where the master recording is played back at half its normal speed, with the disc cutting lathe also running at half-speed - 22 1/2 RPM to be precise - giving the cutting head more time to carve a more detailed groove onto the master lacquer.LP 1
1. Guns in the Sky
2. New Sensation
3. Devil Inside
4. Need You Tonight
6. The Loved One
1. Wild Life
2. Never Tear Us Apart
5. Calling All Nations
6. Tiny Daggers$39.99180 Gram Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
USHalf-Speed Remastered And Cut To Lacquers At 33 RPM On Double Heavyweight Vinyl
Vinyl Cut By Matt Colton At Alchemy Mastering, Mastered By Tony Cousins At Metropolis And Overseen By Peter's Main Sound Engineer Richard Chappell
US is one of Peter's most personal and confessional records as he explored and dissected many of the relationship problems he was facing at that time. But US is far from being bleakly introspective featuring several songs that have gone on to be amongst the most cherished in the Gabriel songbook. Half-Speed Remastered and cut to lacquers at 33RPM, on double heavyweight LPs. Vinyl cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter's main sound engineer Richard Chappell.LP 1
1. Come Talk To Me
2. Love To Be Loved
3. Blood Of Eden
5. Only Us
1. Washing Of The Water
2. Digging In The Dirt
3. Fourteen Black Paintings
4. Kiss That Frog
5. Secret World$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
So (Awaiting Repress)Half-Speed Remastered And Cut To Lacquers At 33 RPM On Heavyweight LP
Vinyl Cut By Matt Colton At Alchemy Mastering, Mastered By Tony Cousins At Metropolis And Overseen By Peter's Main Sound Engineer Richard Chappell
The first of Peter's studio albums to have a proper title So was a watershed release with its perfect marriage of the artistic and the commercial. The album, produced by Daniel Lanois, features intriguing collaborations with the likes of Laurie Anderson, Kate Bush and Youssou N'Dour and contains some of Peter's most recognizable and popular songs. Half-Speed Remastered and cut to lacquers at 33RPM, on heavyweight LP. Vinyl cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter's main sound engineer Richard Chappell.1. Red Rain
3. Don't Give Up
4. That Voice Again
5. Mercy Street
6. Big Time
7. We Do What We're Told (Milgram's 37)
8. This Is The Picture (excellent birds)
9. In Your Eyes$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Four & MoreExhilarating and Immediate: Live Set Documents One of Davis Final Excursions With a Program of Standards
Hear the Interior of Philharmonic Hall at New Yorks Lincoln Center Come Alive: Mobile Fidelitys Fastidious Reissue Illuminates Venue Acoustics, Musicians Phrasings
Whirlwind Uptempo Pace Prodded by Tenor Saxophonist George Coleman and Drummer Tony Williams
Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and In a Silent Way Also Available from Mobile Fidelity
Given his gargantuan recorded output, Miles Davis seldom abandoned a conceptual vision in the studio, particularly after the turn of the 1960s. Which makes a live document such as Four & More all the more valuable for the manner in which it portrays the legendary trumpeter removed from thematic demands and interior confines, and instead letting loose onstage with a program of stellar material that hed soon abandon in favor of experimentalism.
Part of Mobile Fidelitys Miles Davis catalog restoration series, Four & More engages with electrifying speed and palpable punch, the effort now claiming vastly improved imaging, deeper soundstaging, and startling clarity. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed analog edition teems with the urgency demonstrated by Davis and his band notes flooding the listener with an attack only possible from sound featuring full frequency extension, tremendous spacing, and you-are-there immediacy.
Recorded on February 12, 1964 in Philharmonic Hall at New Yorks Lincoln Center, Four & More bookends My Funny Valentine. Whereas the latter spotlights ballads, this thrilling souvenir is all about quick tempos, rushing solos, left-hook rhythms, and hard-bop grooves. Drawing largely on mid- and late-1950s material, Davis accompanied by bassist Ron Carter, drummer Tony Williams, saxophonist George Coleman, and pianist Herbie Hancock approaches standards such as So What, Seven Steps to Heaven, and Four with biting tenacity and furious passion, the individual themes racing by as the collective barges in to take rapid, punctuation-asserting solos.
Few, if any, live Davis performances match the hurricane-generating intensity and dynamic aggressiveness captured here. One reason for the vigor? Davis waived he and his musicians fees for the concert, taking place under the auspices of a political benefit, a decision that angered some of his sidemen. Whatever the cause, Hancock swings, Coleman flexes muscles, Carter bows instructive passages, and the 19-year-old phenom Williams throws down with breathtaking agility. Amidst the melodic tangents and galloping exchanges, the quintet retains gripping control, with eight-bar dialogues between the instrumentalists and positive vamps supplying cues and endings.
At last, these historic recordings are afforded the breathing room and acoustic perspective they've always deserved. For listeners that may be unfamiliar with this title, prepare to be blown away literally and figuratively. Aficionados know what to expect on the music front, but Mobile Fidelitys 180g LP reissue ratchets up the thrills by several levels. Don't miss this gem.
This title is not eligible for discount.1. So What
6. Seven Steps to Heaven
7. There Is No Greater Love
8. Go-Go$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Roxy Music (Half-Speed Mastered) (Awaiting Repress)Roxy Music release a new limited-edition LP of their ground-breaking debut album to mark its 45th anniversary. Cut
from a half-speed master, experience the album on vinyl in a way never possible before.1.Re-Make/Re-Model
3.If There Is Something
5.The Bob (Medley)
7.Would You Believe?
9.Bitters End$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
In A Silent Way (Awaiting Repress)Float Into the Ether: Gorgeous 1969 Experimental Treasure Among the Most Atmospheric Jazz Albums Ever Recorded
Delicate, Immersing, Dynamic: Mobile Fidelity Reissue Magnifies the Bold Textures, Soothing Ambience, and Transcendent Moods
Davis First Fusion Album Features John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Wayne Shorter, Dave Holland, and Tony Williams
Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and Four & More Also Available from Mobile Fidelity
Shhh. The command to be quiet is no just part of the title of one of the two sprawling compositions on this pioneering album. Its also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis first full-on fusion effort and part of his electric era, the 1969 landmark claims a Whos Who lineup that sends the music into an ethereal stratosphere.
Part of Mobile Fidelitys Miles Davis catalog restoration series, In a Silent Way now immerses the listener in linoleate landscapes starlit by the intuition, suspension, and paradoxes wrought by a once-in-a-lifetime collective. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of jazz, rock, and ambience, following a loose theory Davis dubbed New Directions.
Few albums are so delicately textured. And on Mobile Fidelitys meticulous analog reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Hollands extrapolative bass, and the mosaic of keys.
If the records only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the groups members. The lineup is great on paper, but, if its even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.
Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis decorative spirals. And as color is the primary unit of currency on Davis Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the sets maverick reputation attained via musings on solitude rather than explosions of noise.
Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producers could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.
This title is not eligible for discount.1. Shhh/Peaceful
2. In a Silent Way/Its About That Time$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now