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Hannibal OST Season 3 Vol 1
Sicilian Vanilla Colored Vinyl
Hannibal Season 3 soundtrack is taken from the final Hannibal NBC TV series. Brian Reitzell is known for his work with Kevin Shields on the Lost In Translation Soundtrack, also being the drummer in 'Air', and previous soundtrack work including '30 Days Of Night' (film) and 'Watch Dogs' (game). The soundtrack features contributions from Siouxsie Sioux and Marc Almond.1. Bach Goldberg Variation Aria Pt 1
3. Primavera Pt 1
4. Primavera Pt 2
5. Primavera Pt 3
6. Secondo Pt 1
7. Secondo Pt 2
8. Secondo Pt 3
9. Snake Charmer feat. Marc Almond
11. Dolce Pt 1
12. Dolce Pt 2
13. Digestivo Pt 1
14. Digestivo Pt 2
15. The Great Red Dragon Pt 1
16. Allelujah (Mozart) From The Great Red Dragon
17. The Great Red Dragon Pt 2$46.99Colored Vinyl LP - Sealed Buy Now
Hannibal SoundtrackAcademy Award-winning composer Hans Zimmer has created a blood-pumping dramatic score for Hannibal that pulses with Wagnerian intensity. Sir Anthony Hopkins's monologue on three tracks adds a dimension of hair-raising eeriness to the already deeply affecting and suspenseful instrumental backing. (Just hearing him first enunciate on the opener Dear Clarice sets up the Pavlovian sense of dread.) Hopkins's Hannibal Lecter is still on the prowl 7 years after FBI agent Clarice Starling first interviewed the criminally insane doctor (and 10 years since The Silence of the Lambs hit the theaters). This sense of uneasiness is captured alternately by deep, sustained notes and the rapid attack of a full-throttle orchestra. Whether it's the dark, tonal clusters of Firenze Di Notte; the desperate, descending notes that punctuate Virtue; or the chorale solemnity of the 10-minute Let My Home Be My Gallows, the intent to horrify never waivers. -Rob O'Connor1. Dear Clarice (featuring Sir Anthony Hopkins)
2. Aria da Capo (From Goldberg Variations, BWV 988, Written by Johann Sebastian Bach--Performed by Glenn Gould)
3. The Capponi Library
4. Gourmet Vaise Tartare
6. For a Small Stipend
7. Firenze Di Notte
9. Let My Home Be My Gallows (featuring Sir Anthony Hopkins)
10. The Burning Heart (featuring Sir Anthony Hopkins)
11. To Every Captive Soul
12. Vide Cor Meum$24.99Vinyl LP - Sealed Buy Now
Hannibal OST Season 2 Vol 2 (Colored Vinyl)Hemochrome Red Colored Vinyl
Invada Records are proud to announce the vinyl release of two volumes of music from season 2 of hit NBC television series HANNIBAL by Brian Reitzell. Spread across two double gatefold LPs with each volume available as 140gm and colored variants. Accompanying the release, director David Slade has provided rare photos from his personal collection for the artwork. Each double LP is housed in a gatefold sleeve. The music has been sequenced in the chronological order they appears on the show itself, allowing for an essential listening experience as dictated by the music's creator. Over the last decade and a half, multi-instrumentalist, composer and producer Reitzell has created his own unique method of scoring films, drawing equally from his experience as a recording and touring musician with bands such as Redd Kross and Air, and his massive knowledge of recorded music. His vision is to create a seamless landscape of songs, score, and found music for each soundtrack. Brian's explorations of new sounds add unique character to visual images. Brian's past films include THE VIRGIN SUICIDES, LOST IN TRANSLATION (for which he received a BAFTA award nomination), CQ, FRIDAY NIGHT LIGHTS, STRANGER THAN FICTION, THUMBSUCKER, MARIE ANTOINETTE, THE BROTHERS BLOOM, 30 DAYS OF NIGHT, BEGINNERS, and RED RIDING HOOD. His video game credits include his critically acclaimed score for THQ's RED FACTION: ARMAGEDDON and the upcoming WATCH DOGS for Ubisoft.1. Su-Zakana
4. K No Mono
7. Bloodfest (From Mizumono)$33.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Hannibal OST Season 3 Vol 2
Atlantic Blue Colored Vinyl
Hannibal Season 3 soundtrack is taken from the final Hannibal NBC TV series. Brian Reitzell is known for his work with Kevin Shields on the Lost In Translation Soundtrack, also being the drummer in 'Air', and previous soundtrack work including '30 Days Of Night' (film) and 'Watch Dogs' (game). The soundtrack features contributions from Siouxsie Sioux and Marc Almond.1. And The Woman Clothed With The Sun Pt 1
2. And The Woman Clothed With The Sun Pt 2
3. And The Woman Clothed With The Sun Pt 3
4. And The Woman Clothed In Sun Pt 1
5. And The Woman Clothed In Sun Pt 2
6. And The Woman Clothed In Sun Pt 3
7. And The Woman Clothed In Sun Pt 4
8. And The Beast From The Sea
9. The Number Of The Beast Is 666
10. And The Woman Clothed With The Sun Pt 4
11. The Wrath Of Lamb Pt 1
12. Bach / Goldberg Aria Pt 2 / The Wrath Of Lamb Pt 2
12. Love Crime Film Version From The Wrath OF The Lamb (feat. Siouxsie Sioux)$46.99Colored Vinyl LP - Sealed Buy Now
Hannibal OST Season 1 Vol 1 (Awaiting Repress)Invada Records are proud to announce the vinyl release of two volumes of music from season 1 of hit NBC television series HANNIBAL by Brian Reitzell. Spread across two double gatefold LPs with each volume available as 140gm and colored variants. Accompanying the release, director David Slade has provided rare photos from his personal col-lection for the artwork. Each double LP is housed in a gatefold sleeve and comes with a download card. The music has been sequenced in the chronological order they appears on the show itself, allowing for an essential listening experience as dictated by the music's creator. Over the last decade and a half, multi-instrumentalist, composer and producer Reitzell has created his own unique method of scoring films, drawing equally from his experience as a recording and touring musician with bands such as Redd Kross and Air, and his massive knowledge of recorded music.1. ApCritif
7. Sorbet$33.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
The McGarrigle HourKate and Anna McGarrigle are Canadian songwriting sisters whose talents came to global recognition in 1974 when Linda Ronstadt recorded Annas Heart Like a Wheel. The McGarrigle sisters were signed to Warner Brothers and recorded three albums. The sisters then recorded two albums for Joe Boyds label, Hannibal, in the early 80s. During this time Kate and Anna raised families and toured on occasion. In 1998 the sisters rejoined Joe Boyd along with family and friends to record, The McGarrigle Hour.
Ryko, which became home to Hannibal in the early 90s, celebrates The McGarrigle Hour as part of the Ryko Analogue Vinyl Series. Ryko Analogue is committed to releasing classic albums, cult favorites, and audiophile titles on vinyl. The LP package for The McGarrigle Hour includes a set of liner notes from album producer, Joe Boyd, that he penned especially for this LP release.
Featuring appearances by family and friends: Emmylou Harris, Loudon Wainwright, Linda Ronstadt, Rufus Wainwright, Martha Wainwright, Chaim Tannenbaum
Jane McGarrigle and Lily Lanken.
1. Schooldays (Loudon Wainwright)
2. Skip Rope Song (Jesse Winchester)
3. Gentle Annie (Stephen Foster)
4. Alice Blue Gown (McCarthy & Tierney)
5. Porte En ArriÉre (D.L. Menard)
6. What'll I Do (Irving Berlin)
1. Dig My Grave (Traditional)
2. Cool River (Anna McGarrigle & Audrey Bean)
3. Heartburn (Rufus Wainwright)
4. NaCl (Sodium Chloride) (Kate McGarrigle)
5. Bon Voyage (J. Laure / Small)
6. Allez-Vous-En (Cole Porter)
1. Green Green Rocky Road (Traditional)
2. Young Love (Cartey & Joyner)
3. Year Of The Dragon (Martha Wainwright)
4. Forever And The Same (Phillippe Tatartcheff & Anna McGarrigle)
1. Talk To Me Of Mendocino (Kate McGarrigle)
2. Baltimore Fire (Traditional)
3. Johnny's Gone To Hilo (Traditional)
4. Time On My Hands (Chaim Tannenbaum)
5. Goodnight Sweetheart (Campbell, Connelly & Noble)$18.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Blues For SalvadorImport
Blues For Salvador was released in 1989. Dedicated to his wife, Deborah Santana, the record was released as a solo project, without the Santana band. It won the 1989 Grammy Award for Best Rock Instrumental Performance, his first Grammy ever.
On previous solo albums, Santana had made noticeable stylistic changes and worked with Jazz, Pop, and even Country musicians. On this, his fourth Carlos Santana release, the line between a "solo" and a "group" project is blurred; this record is really a catchall of Santana band outtakes and stray tracks.
Included are an instrumental version of "Deeper, Dig Deeper" from Freedom, and an alternate take of "Hannibal" from Zebop!, as well as "Now That You Know" from the group's 1985 tour. "Trane" features jazz drummer Tony Williams on drums.1a. Bailando
1b. Aquatic Park
3. I'm Gone
5. Deeper, Dig Deeper
7. Now That You Know
9. Blues For Salvador$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Auto Music (Discontinued)What better place to create the ultimate driving album than Los Angeles, where Brian Reitzell lives and works? You might not immediately recognise his name, but you'll certainly have stumbled across at least one corner of his massive portfolio, whether as the drummer in Redd Kross and with French electronica artists Air, or as one of Hollywood's most sought-after music supervisors and composers. That's his day job: Brian is the guy who gets to choose the music you hear in TV series and movies -- the last year alone, he's worked on Sofia Coppola's The Bling Ring, NBC's TV series Hannibal, Starz TV series Boss (starring Kelsey Grammer) and Ubisoft's mind blowing new video game Watch Dogs. Brian has turned the job into a creative practice (he thinks of himself as a 'music conceptualist'), not only using his impeccable music taste to select more eclectic and adventurous cuts than you normally hear on screen, but also commissioning and producing new music from some of rock and pop's most reticent geniuses. For Sofia Coppola's Lost In Translation, he persuaded My Bloody Valentine's Kevin Shields out of obscurity, and he also secretly commissioned new music from the reclusive former singer of Talk Talk, Mark Hollis -- a snippet of which was used on the Starz series Boss.1. Last Summer
2. Ozu Choral
5. Auto Music 1
9. Auto Music 2$21.99Vinyl LP - Sealed Buy Now
First International Release Of Alternative Super Group's Debut
Reissue Features 4 Bonus Tracks.
Translucent Yellow Double LP
Jason Falkner, Roger Joseph Manning, Jr. and Brian Reitzell have quite a
musical history. Manning and Falkner-once bandmates in Jellyfish-have
gone on to success as solo acts, or as members of groups including The
Three O'Clock, The Grays, Imperial Drag, and The Moog Cookbook. Brian
Reitzell, once the drummer for Redd Kross and Air, turned his talents to film
and television, supervising and composing music for several films directed
by Sofia Coppola, including The Virgin Suicides and the Academy Award
nominated Lost In Translation (for which he, along with Kevin Shields of My
Bloody Valentine, was nominated for a BAFTA award.) Currently, Reitzell
composes music for the NBC-TV drama Hannibal.
But, together, they were TV Eyes.
Their 2006 self-titled debut was only released in Japan, now out of print, and
commanding top dollar on the collector market. Omnivore Recordings is going
to rectify that situation with a CD and 2-LP expanded edition. The release
features nine tracks from TV Eyes, plus 3 bonus tracks from the Japanese
only EP Softcore-each of which is a song from TV Eyes, remixed by a
member of the band.
For its first ever issue on vinyl, the double LP will be pressed on translucent
yellow vinyl. The packaging will include photos and liner notes from the band's Jason Falkner.
It's time to turn on your ears by turning on TV Eyes!1. Over The City
3. She's A Study
4. The Party's Over
6. Love To Need
7. What She Said
8. Fade Away
9. Time's Up
10. Fascinating (Jason Falkner Remix)
11. She's A Study (Roger Joseph Manning Jr. "Malibu" Remix)
12. Time's Up (Brian Reitzell Remix)
13. She Gets Around$29.99Colored Vinyl LP - 2 LPs Sealed Buy Now