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  • A Hard Days Night A Hard Days Night Quick View

    $22.99
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    A Hard Days Night

    Ranked 388/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Pressed on 180g Vinyl



    Cut from the original master tapes at Abbey Road Studios!


    And for the first time, the North American LP debut in stereo



    A Hard Days Night is the 3rd studio album from The Beatles and was accompanied by a film of the same name. This album really showcases the bands Rock and Roll instrumentation and song structure and also spawned some of their most famous songs, A Hard Days Night, with its pulse pounding and recognizable opening chord, to the previously released "Can't Buy Me Love" .


    The album is a landmark for the band seeing as how it is the first Beatles record to feature all original songs, some of which ended up on the movie of the same name. With Lennon handling most of the songwriting doing a total of ten out of the thirteen tracks, this is also one of 3 albums to not feature a Ringo Lead song. The album is also considered as opening up the flood gates for more British rockers like the Rolling Stones and The Kinks to sweep there way to the U.S.


    A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. Treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs themselves, just polishing them up a bit.

    1. A Hard Day's Night
    2. I Should Have Known Better
    3. If I Fell
    4. I'm Happy Just To Dance With You
    5. And I Love Her
    6. Tell Me Why
    7. Can't Buy Me Love
    8. Any Time At All
    9. I'll Cry Instead
    10. Things We Said Today
    12. When I Get Home
    13. You Can't Do That
    14. I'll Be Back
    The Beatles
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • A Day At The Races A Day At The Races Quick View

    $29.99
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    A Day At The Races

    In every sense, A Day at the Races is an unapologetic sequel to A Night at the Opera, the 1975 breakthrough that established Queen as rock & roll royalty. The band never attempts to hide that the record is a sequel -- the two albums boast the same variation on the same cover art, the titles are both taken from old Marx Brothers films and serve as counterpoints to each other. But even though the two albums look the same, they don't quite sound the same, A Day at the Races is a bit tighter than its predecessor, yet tighter doesn't necessarily mean better for a band as extravagant as Queen. One of the great things about A Night at the Opera is that the lingering elements of early Queen -- the pastoral folk of 39, the metallic menace of Death on Two Legs -- dovetailed with an indulgence of camp and a truly, well, operatic scale. Here, the eccentricities are trimmed back somewhat -- they still bubble up on The Millionaire Waltz, an example of the music hall pop that dominated Night, the pro-Native American saga White Man is undercut somewhat by the cowboys 'n' indians rhythms -- in favor of a driving, purposeful hard rock that still could have some slyly hidden perversities (or in the case of the opening Tie Your Mother Down, some not-so-hidden perversity) but this is exquisitely detailed hard rock, dense with minutiae but never lush or fussy. In a sense, it could even function as the bridge between Sheer Heart Attack and Night at the Opera -- it's every bit as hard as the former and nearly as florid as the latter -- but its sleek, streamlined finish is the biggest indication that Queen has entered a new phase, where they're globe-conquering titans instead of underdogs on the make.

    - Stephen Thomas Erlewine (All Music)
    1. Tie Your Mother Down
    2. You Take My Breath Away
    3. Long Away
    4. The Millionaire Waltz
    5. You And I
    6. Somebody To Love
    7. White Man
    8. Good Old-Fashioned Lover Boy
    9. Drowse
    10. Teo Torriatte (Let Us Cling Together)
    Queen
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Night Songs Night Songs Quick View

    $31.99
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    Night Songs

    Night Songs is the debut studio album by American Rock band Cinderella, released in 1986. The album sold several million copies due to a combination of Cinderella's breakthrough single Nobody's Fool, MTV airplay, and an opening slot on labelmates Bon Jovi's tour, in support of their album Slippery When Wet.


    The album peaked at #3 on the US charts, and was eventually certified triple platinum for shipping 3 million copies. Leadoff single Shake Me failed to chart, but Nobody's Fool cracked the Top 20, reaching #13. The third single Somebody Save Me went to #66.


    Night Songs was criticized as one of the top five worst album covers on great albums. The cover was not that bad, it was just misleading, as it put forward a glam metal image, but the songs inside were classic Hard Rock and Heavy Metal.

    1. Night Songs
    2. Shake Me
    3. Nobody's Fool
    4. Nothin' For Nothin'
    5. Once Around The Ride
    6. Hell On Wheels
    7. Somebody Save Me
    8. In From The Outside
    9. Push, Push
    10. Back Home Again
    Cinderella
    $31.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Saturday Night Wrist Saturday Night Wrist Quick View

    $19.99
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    Saturday Night Wrist

    The Deftones' 2006 full-length Saturday Night Wrist is the band's fifth overall and first since their eponymous 2003 self-titled album. Produced by Bob Ezrin (Pink Floyd, Alice Cooper, Kiss, Jane's Addiction) and former Far guitarist Shaun Lopez, Saturday Night Wrist is bombastic yet vulnerable, aggressive yet thoughtful, combinations that have made the Deftones among the most respected and acclaimed bands in hard rock. Lead singer Chino Moreno considers Saturday Night Wrist, The most diverse record we've done.
    1. Hole In The Earth
    2. Rapture
    3. Beware
    4. Cherry Waves
    5. Mein
    6. U,U,D,D,L,R,L,R,A,B,Select,Start
    7. Xerces
    8. Rats!Rats!Rats!
    9. Pink Cellphone
    10. Combat
    11. Kimdracula
    12. Rivière
    Deftones
    $19.99
    Vinyl LP - Sealed Buy Now
  • Saturday Night Sweetheart Saturday Night Sweetheart Quick View

    $18.99
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    Saturday Night Sweetheart

    More street-grit than surfside, Thee Tsunamis are a rock'n'roll joyride
    with Tura Satana at the wheel. On their debut full-length Saturday Night
    Sweetheart, the trio (Betsy on guitar, Jenna on bass, and Sharlene on
    beats) blend girl-group bubblegum with feral punk, hugging every hairpen
    turn of Kim Fowley's twisted, trashbucket heart along the way. With
    jagged harmonies over fuzz-crusted pop hooks, theirs is the sound of
    Brill Building teen-sploitation with bloodier results. From
    heart-in-a-blender tales to drag-race party anthems, these 12 tracks are
    as catchy as they are cutting and together they tell a story as old as time:
    what the men don't know, the little girls understand. Like Thee Tsunamis'
    tape A Goodbad Man Is Hard To Find (2013) and horror-concept EP
    Delirium and Dark Waters (2014), Saturday Night Sweetheart (May,
    2015) was recorded to tape in the basement studio of Magnetic South
    and has all the signature fidelity of a subterranean rock'n'roll
    echo-chamber. So play it loud, and hold on to your seat!
    1. Female Trouble
    2. Trash Talk
    3. I Know
    4. Drag
    5. Dummy
    6. Cry Baby
    7. Kill, Kill, Kill
    8. Skip Tracer
    9. Shakee Jake
    10. Psycho
    11. Teenage Dream
    12. Saturday Night Love
    Thee Tsunamis
    $18.99
    Vinyl LP - Sealed Buy Now
  • The Beatles Stereo Box Set The Beatles Stereo Box Set Quick View

    $449.99
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    The Beatles Stereo Box Set


    All 14 albums pressed on 180 gram vinyl


    Includes an amazing LP sized, hardbound book.


    Sourced From the original master tapes


    Cut At the legendary Abbey Road studios.


    The entire Beatles catalogue has landed together in a beautiful box set. For the first time ever, each vinyl version will feature stereo mixes, including the first four albums which will also include their original U.K. packaging and sequencing. Another key feature is that each album will be pressed on 180 gram audiophile virgin vinyl and only 50,000 copies of the box set will be made. The set not only includes 14 albums, but also features an LP sized, 252 page hardbound book with photos, liner notes, back stories on the creation of each album and detailed information about the restoration process from original tapes to finished pressing.


    Each vinyl album is pressed from the full 24-bit,192KHZ digital masters that were released in 2009, so customers will enjoy the full spectrum of the original source material, and an added bonus comes the original Beatles producer George Martin, whose original 1986 remixes, were used only for "Help!" and "Rubber Soul".


    Box Set Contents:

    Please Please Me

    With The Beatles

    A Hard Day's Night

    Beatles For Sale

    Help!

    Rubber Soul

    Revolver

    Sgt. Pepper's Lonely Hearts Club Band

    Magical Mystery Tour

    The Beatles

    Yellow Submarine

    Abbey Road

    Let It Be

    Past Masters


    A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.



    Please Please Me

    1. Taste Of Honey

    2. I Saw Her Standing There

    3. Misery

    4. Anna (Go To Him)

    5. Chains

    6. Boys

    7. Ask Me Why

    8. Please Please Me

    9. Love Me Do

    10. I Love You

    11. Baby It's You

    12. Do You Want To Know A Secret

    13. There's A Place

    14. Twist And Shout


    With The Beatles

    1. It Won't Be Long

    2. All I've Got To Do

    3. All My Loving

    4. Don't Bother Me

    5. Little Child

    6. Till There Was You

    7. Please Mr Postman

    8. Roll Over Beethoven

    9. Hold Me Tight

    10. You've Really Got A Hold On Me

    11. I Wanna Be Your Man

    12. Devil In Her Heart

    13. Not A Second Time

    14. Money


    A Hard Day's Night

    1. I Should Have Known Better

    2. If I Fell

    3. I'm Happy Just To Dance With You

    4. And I Love Her

    5. Tell Me Why

    6. Can't Buy Me Love

    7. Hard Day's Night

    8. Anytime At All

    9. I'll Cry Instead

    10. Things We Said Today

    11. When I Get Home

    12. You Can't Do That

    13. I'll Be Back


    Beatles For Sale

    1. No Reply

    2. I'm A Loser

    3. Baby's In Black

    4. Rock 'n' Roll Music

    5. I'll Follow The Sun

    6. Mr Moonlight

    7. Kansas City

    8. Eight Days A Week

    9. Words Of Love

    10. Honey Don't

    11. Every Little Thing

    12. Don't Want To Spoil The Party

    13. What You're Doing

    14. Everybody's Tryin' To Be My Baby


    Help!

    1. Help

    2. Night Before

    3. You've Got To Hide Your Love Away

    4. I Need You

    5. Another Girl

    6. You're Going To Lose That Girl

    7. Ticket To Ride

    8. Act Naturally

    9. It's Only Love

    10. You Like Me Too Much

    11. Tell Me What You See

    12. I've Just Seen A Face

    13. Yesterday

    14. Dizzy Miss Lizzy


    Rubber Soul

    1. Drive My Car

    2. Norwegian Wood (This Bird Has Flown)

    3. You Won't See Me

    4. Nowhere Man

    5. Think For Yourself

    6. Word

    7. Michelle

    8. What Goes On

    9. Girl

    10. I'm Looking Through You

    11. In My Life

    12. Wait

    13. If I Needed Someone

    14. Run For Your Life


    Revolver

    1. Taxman

    2. Eleanor Rigby

    3. I'm Only Sleeping

    4. Love You To

    5. Here There And Everywhere

    6. Yellow Submarine

    7. She Said She Said

    8. Good Day Sunshine

    9. And Your Bird Can Sing

    10. For No One

    11. Dr Robert

    12. I Want To Tell You

    13. Got To Get You Into My Life

    14. Tomorrow Never Knows


    Sgt. Pepper's Lonely Hearts Club Band

    1. Sgt. Pepper's Lonely Hearts Club Band

    2. With A Little Help From My Friends

    3. Lucy In The Sky With Diamonds

    4. Getting Better

    5. Fixing A Hole

    6. She's Leaving Home

    7. Being For The Benefit Of Mr Kite

    8. Within You Without You

    9. When I'm Sixty Four

    10. Lovely Rita

    11. Good Morning Good Morning

    12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)

    13. Day In The Life


    Magical Mystery Tour

    1. Magical Mystery Tour

    2. Fool On The Hill

    3. Flying

    4. Blue Jay Way

    5. Your Mother Should Know

    6. I Am The Walrus

    7. Hello Goodbye

    8. Strawberry Fields Forever

    9. Penny Lane

    10. Baby You're A Rich Man

    11. All You Need Is Love


    Yellow Submarine

    1. Yellow Submarine

    2. Only A Northern Song

    3. All You Need Is Love

    4. Hey Bulldog

    5. It's All Too Much

    6. All Together Now

    7. Pepperland

    8. Sea Of Time

    9. Sea Of Holes

    10. Sea Of Monsters

    11. March Of The Meanies

    12. Pepperland Laid To Waste

    13. Yellow Submarine In Pepperland


    The White Album

    Disc One

    1. Back In The U.S.S.R.

    2. Dear Prudence

    3. Glass Onion

    4. Ob-La-Di, Ob-La-Da

    5. Wild Honey Pie

    6. The Continuing Story Of Bungalow Bill

    7. While My Guitar Gently Weeps

    8. Happiness Is A Warm Gun

    9. Martha My Dear

    10. Im So Tired

    11. Blackbird

    12. Piggies

    13. Rocky Raccoon

    14. Don't Pass Me By

    15. Why Don't We Do It In The Road

    16. I Will

    17. Julia


    Disc Two

    1. Birthday

    2. Yer Blues

    3. Mother Nature's Son

    4. Everybody's Got Something To Hide Except Me & My Monkey

    5. Sexy Sadie

    6. Helter Skelter

    7. Long Long Long

    8. Revolution 1

    9. Honey Pie

    10. Savoy Truffle

    11. Cry Baby Cry

    12. Revolution 9

    13. Good Night


    Abbey Road

    1. Come Together

    2. Something

    3. Maxwell's Silver Hammer

    4. Oh Darling

    5. Octopus's Garden

    6. I Want You (She's So Heavy)

    7. Here Comes The Sun

    8. Because

    9. You Never Give Me Your Money

    10. Sun King

    11. Mean Mr Mustard

    12. Polythene Pam

    13. She Came In Through The Bathroom Window

    14. Golden Slumbers

    15. Carry That Weight

    16. End

    17. Her Majesty


    Let It Be

    1. Two Of Us

    2. Dig A Pony

    3. Across The Universe

    4. I Me Mine

    5. Dig It

    6. Let It Be

    7. Maggie Mae

    8. I've Got A Feeling

    9. One After 909

    10. Long And Winding Road

    11. For You Blue

    12. Get Back


    Past Masters

    1. Love Me Do

    2. From Me To You

    3. Thank You Girl

    4. She Loves You

    5. I'll Get You

    6. I Want To Hold Your Hand

    7. This Boy

    8. Komm Gib Mir Deine Hand

    9. Sie Liebt Dich

    10. Day Tripper

    11. We Can Work It Out

    12. Paperback Writer

    13. Rain

    14. Lady Madonna

    15. Inner Light

    16. Hey Jude

    17. Revolution

    18. Get Back

    19. Don't Let Me Down

    20. Ballad Of John And Yoko

    21. Old Brown Shoe

    22. Across The Universe

    23. Let It Be

    24. You Know My Name (Look Up The Number)

    The Beatles
    $449.99
    180 Gram Audiophile Virgin Vinyl LP - 16 LPs Sealed Buy Now
  • The Beatles Mono Box Set The Beatles Mono Box Set Quick View

    $374.99
    Buy Now
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    The Beatles Mono Box Set


    Limited Edition 14-LP Box Set With Exclusive 108-Page Hardbound Book


    The Beatles' Original Mono Studio Albums Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz


    Lacquers Cut Using Neumann VMS-80 Lathe


    The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. The Beatles' nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork. Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.


    In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.
    Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.


    Manufactured for the world at Optimal Media in Germany, The Beatles' albums are presented in their original glory, both sonically and in their packaging. The boxed collection's exclusive 12-inch by 12-inch hardbound book features new essays and a detailed history of the mastering process by award-winning radio producer and author Kevin Howlett. The book is illustrated with many rare studio photos of The Beatles, fascinating archive documents, and articles and advertisements sourced from 1960s publications.


    Box Set contains the following:


    108 Page Hardback Book

    Please Please Me Mono Vinyl LP

    With The Beatles Mono Vinyl LP

    A Hard Days Night Mono Vinyl LP

    Help Vinyl Vinyl LP

    Rubber Soul Vinyl LP

    Revolver Vinyl LP

    Beatles For Sale Vinyl LP

    Sgt Pepper Vinyl LP

    Magical Mystery Tour Vinyl LP

    The Beatles (White Album) Vinyl 2xLP

    Mono Masters Vinyl 3xLP



    Via Michael Fremer (Analog Planet) on the mastering process:


    The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.


    It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.


    Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.

    Please Please Me

    1. Taste Of Honey

    2. I Saw Her Standing There

    3. Misery

    4. Anna (Go To Him)

    5. Chains

    6. Boys

    7. Ask Me Why

    8. Please Please Me

    9. Love Me Do

    10. I Love You

    11. Baby It's You

    12. Do You Want To Know A Secret

    13. There's A Place

    14. Twist And Shout


    With The Beatles

    1. It Won't Be Long

    2. All I've Got To Do

    3. All My Loving

    4. Don't Bother Me

    5. Little Child

    6. Till There Was You

    7. Please Mr Postman

    8. Roll Over Beethoven

    9. Hold Me Tight

    10. You've Really Got A Hold On Me

    11. I Wanna Be Your Man

    12. Devil In Her Heart

    13. Not A Second Time

    14. Money


    A Hard Day's Night

    1. I Should Have Known Better

    2. If I Fell

    3. I'm Happy Just To Dance With You

    4. And I Love Her

    5. Tell Me Why

    6. Can't Buy Me Love

    7. Hard Day's Night

    8. Anytime At All

    9. I'll Cry Instead

    10. Things We Said Today

    11. When I Get Home

    12. You Can't Do That

    13. I'll Be Back


    Beatles For Sale

    1. No Reply

    2. I'm A Loser

    3. Baby's In Black

    4. Rock 'n' Roll Music

    5. I'll Follow The Sun

    6. Mr Moonlight

    7. Kansas City

    8. Eight Days A Week

    9. Words Of Love

    10. Honey Don't

    11. Every Little Thing

    12. Don't Want To Spoil The Party

    13. What You're Doing

    14. Everybody's Tryin' To Be My Baby


    Help!

    1. Help

    2. Night Before

    3. You've Got To Hide Your Love Away

    4. I Need You

    5. Another Girl

    6. You're Going To Lose That Girl

    7. Ticket To Ride

    8. Act Naturally

    9. It's Only Love

    10. You Like Me Too Much

    11. Tell Me What You See

    12. I've Just Seen A Face

    13. Yesterday

    14. Dizzy Miss Lizzy


    Rubber Soul

    1. Drive My Car

    2. Norwegian Wood (This Bird Has Flown)

    3. You Won't See Me

    4. Nowhere Man

    5. Think For Yourself

    6. Word

    7. Michelle

    8. What Goes On

    9. Girl

    10. I'm Looking Through You

    11. In My Life

    12. Wait

    13. If I Needed Someone

    14. Run For Your Life


    Revolver

    1. Taxman

    2. Eleanor Rigby

    3. I'm Only Sleeping

    4. Love You To

    5. Here There And Everywhere

    6. Yellow Submarine

    7. She Said She Said

    8. Good Day Sunshine

    9. And Your Bird Can Sing

    10. For No One

    11. Dr Robert

    12. I Want To Tell You

    13. Got To Get You Into My Life

    14. Tomorrow Never Knows


    Sgt. Pepper's Lonely Hearts Club Band

    1. Sgt. Pepper's Lonely Hearts Club Band

    2. With A Little Help From My Friends

    3. Lucy In The Sky With Diamonds

    4. Getting Better

    5. Fixing A Hole

    6. She's Leaving Home

    7. Being For The Benefit Of Mr Kite

    8. Within You Without You

    9. When I'm Sixty Four

    10. Lovely Rita

    11. Good Morning Good Morning

    12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)

    13. Day In The Life


    Magical Mystery Tour

    1. Magical Mystery Tour

    2. Fool On The Hill

    3. Flying

    4. Blue Jay Way

    5. Your Mother Should Know

    6. I Am The Walrus

    7. Hello Goodbye

    8. Strawberry Fields Forever

    9. Penny Lane

    10. Baby You're A Rich Man

    11. All You Need Is Love


    The White Album

    Disc One

    1. Back In The U.S.S.R.

    2. Dear Prudence

    3. Glass Onion

    4. Ob-La-Di, Ob-La-Da

    5. Wild Honey Pie

    6. The Continuing Story Of Bungalow Bill

    7. While My Guitar Gently Weeps

    8. Happiness Is A Warm Gun

    9. Martha My Dear

    10. Im So Tired

    11. Blackbird

    12. Piggies

    13. Rocky Raccoon

    14. Don't Pass Me By

    15. Why Don't We Do It In The Road

    16. I Will

    17. Julia


    Disc Two

    1. Birthday

    2. Yer Blues

    3. Mother Nature's Son

    4. Everybody's Got Something To Hide Except Me & My Monkey

    5. Sexy Sadie

    6. Helter Skelter

    7. Long Long Long

    8. Revolution 1

    9. Honey Pie

    10. Savoy Truffle

    11. Cry Baby Cry

    12. Revolution 9

    13. Good Night


    Mono Masters
    LP1
    1. Love Me Do (Original Single Version)
    2. From Me To You
    3. Thank You Girl
    4. She Loves You
    5. I'll Get You
    6. I Want To Hold Your Hand
    7. This Boy
    8. Komm Gib Mir Deine Hand
    9. Sie Liebt Dich
    10. Long Tall Sally
    11. I Call Your Name
    12. Slow Down
    13. Matchbox
    14. I Feel Fine
    15. She's A Woman


    LP2
    1. Bad Boy
    2. Yes It Is
    3. I'm Down
    4. Day Tripper
    5. We Can Work It Out
    6. Paperback Writer
    7. Rain
    8. Lady Madonna
    9. The Inner Light
    10. Hey Jude
    11. Revolution


    LP3
    1. Only A Northern Song
    2. All Together Now
    3. Hey Bulldog
    4. It's All Too Much
    5. Get Back
    6. Don't Let Me Down
    7. Across The Universe
    8. You Know My Name (Look Up The Number)

    The Beatles
    $374.99
    180 Gram Audiophile Virgin Vinyl LP Mono + Book - 14 LPs Sealed Buy Now
  • All American Made All American Made Quick View

    $17.99
    Buy Now
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    All American Made

    A lot can change in a year: markets boom and bust, trends come and go, presidents
    get elected. In 2015, Margo Price was a country underdog just trying to keep
    enough gas in the tank to get to the next gig, but by the end of 2016, she was one
    of the genre's most celebrated new artists and a ubiquitous presence on late night
    television and at major festivals around the world.


    It's the kind of year most musicians can only dream of, and the arrival of Price's
    spectacular sophomore album, "All American Made," proves that she hasn't taken a
    moment of it for granted. Delivering on the promise of her debut and then some, the
    record finds Price planting her flag firmly in the soil as a songwriter who's here for
    the long haul, one with the chops to hang with the greats she so often finds herself
    sharing stages with these days.


    A prolific writer with a knack for candid self-reflection, Price has never had to look
    too far for inspiration, and on 'All American Made,' she and her songwriting partner/
    husband, Jeremy Ivey, continue to depict the trials of everyday life with unflinching
    honesty, painting poetically plainspoken portraits of men and women just trying to
    get by.


    Highs and lows, long nights and hard days, wild women and cocaine cowboys,
    politics and sexism, it's all in there, singularly filtered through Price's wry, no-bullshit
    perspective. Throughout the album, her contemporary take on classic sounds is at
    once familiar and daring, an infectious blend of Nashville country, Memphis soul,
    and Texas twang that tips its cap to everyone from Waylon and Willie (who makes
    a guest appearance) to Loretta and Dolly, all while flipping a middle finger to the
    cookie-cutter pop that dominates modern country radio. Rich with swirling pedal
    steel, honky-tonk rhythms, and Price's stop-you-in-your-tracks vocals, 'All American
    Made' is deeply reverent of tradition even as it challenges conventions, a nuanced
    exploration of conflicted emotions for our deeply conflicted times.

    1. Don't Say It
    2. Weakness
    3. A Little Pain
    4. Learning to Lose
    5. Pay Gap
    6. Nowhere Fast
    7. Cocaine Cowboys
    8. Wild Women
    9. Don't Say It
    10. Do Right By Me
    11. Loner
    12. Don't Say It
    Margo Price
    $17.99
    Vinyl LP - Sealed Buy Now
  • Tookah Tookah Quick View

    $18.99
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    Tookah

    Tookah is Emiliana Torrini's fourth album and it follows 2008's critically acclaimed Me And Armini. It sees Emiliana back in the studio with her long-time producer/collaborator Dan Carey.


    'Tookah' was written at different stages over a 3 year period, the oldest song being "When Fever Breaks" which was written having come off a tough two year tour which took it's toll in many ways.


    "The only way to deal with things is to go into the studio and do music, it is like brain scrambling. You come out of the session clearer as you get to step out of yourself take a look and deal with it."


    Other songs like 'Autumn Sun' were written in Iceland.


    "We had done that before, gone on a week's writing trip to Iceland, wrote five songs in that week which all made it onto ´Me and Armini´. We were kind of expecting the same to happen. It didn´t. We only wrote 'Autumn Sun'. It was extremely frustrating. Lyrics were hard to write for this album and I spent day and night trying to finish it - with Dan standing over me in military mode. The only time in my life I did not like him much."


    On the airplane we realized Dan had left his computer at the airport - it had the only copy of the song. He ran out to find it and just made it back just before the doors closed. We had a terrifying landing that almost ended badly. We grabbed each other and the only thing we said was "Nooo the song! It will be lost forever!"


    This record was my sound journey. I had not long had my baby and was getting my head around this huge love I had for him and then being absolutely devastated that I might have dragged him out of a world where he was wild and free, riding horses, swimming in rivers and eating over open fires, to this world where the bad is too much to handle. I had a new identity to figure out and the record was the tiger in the rowing boat. It was going nowhere. I did not like the music we were doing because we had done it before. We knew how to craft that. I needed a challenge, proof that something in me had shifted and it had to be musically as well. I was driving myself too hard.


    Dan told me I was not ready to make a record, that I should forget about it for a while, just hang out.


    So, we started hanging out, in the studio. In my head the difference was we were not making a record. I discovered the Oberheim on Youtube and that changed everything. That and the Swarmatron Dan had bought. We knew we would plaster it all over the record before we knew what the record was.


    I pulled some friends together I was writing with Simon Byrt, ("Blood Red", "Elísabet"), Ian kellett (´Elísabet) and Matt Robertson who are real synth nerds and we started playing around and having fun. We went to Dan´s and jammed and started doing some synth symphonies.


    After you have a baby there comes a time where you need to go out with your girlfriends and dance. I went to the studio with Dan and did a dance track "Speed of Dark." We danced. It had to be on the record it was a part of the journey. From that the sound of the record was born, it was a challenge bringing it all together.


    The sound was worked very visually. There are almost two stories to each song there is the lyrical visual and then there is a whole different visual that comes with the instrumental and that is how the sound was often directed. "Home" is a very good example of how the sound was built from a visual. When we were writing it, it was clear it had to have a very certain feeling. ´I wanted it to have the visual of you standing in snow blinding white, watching your breath in the cold, not feeling the cold. You look to your left and a lake stretches out frozen and huge. You walk over it to the other side into a forest, you lose direction. Completely lost and helpless. Fireworks start lighting up the sky and you feel a wave of relief. You walk towards them. In the king blue sky they start changing into jelly fish in neon flashing colours, leading the way to home.´ We did not stop until we saw that when playing it.


    'Tookah' is a made up word. It came when I was improvising and I connected with that word or name in a very deep blissful way. It is the core of you. The 'you' you were when you were born, before life decorated you like a Christmas tree with all the baggage. It is what connects us with everyone and everything.


    It is what the sufis spin for, what we are looking for all our lives. It is the sudden thankfulness you feel when doing nothing in particular, where everything is gently perfect for a moment. God has many names. I call mine 'Tookah'.


    - Emiliana Torrini

    1. Tookah
    2. Caterpillar
    3. Autumn Sun
    4. Home
    5. Elisabet
    6. Animal Games
    7. Speed of Dark
    8. Blood Red
    9. When Fever Breaks
    Emiliana Torrini
    $18.99
    Vinyl LP - Sealed Buy Now
  • NVM NVM Quick View

    $13.99
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    NVM

    Like a fluorescent-lit snack-aisle oasis in some desolate interstate road stop, brimming with Skittles and limited-edition Sno Balls, Tacocat's Easter-egg-hued pop-punk-pop is bubblegum-sticky with hooks, bound to brighten up the most drab stretch of bummer backroad.


    The band's four-person, seven-layer-burrito came together organically: Lelah Maupin (drums) and Eric Randall (guitar) met in their native Longview, WA-two hours south of Seattle, the very town that Green Day named their breakout debut single after. Lelah's family room was wallpapered with framed Magic Eye posters, hence Stereogram, the cross-eyed love letter to that bizarre '90s optical fad. She met lanky Eric while both worked at Safeway, wearing the chain's distinctive navy aprons before breaking north to Seattle. Eric's band The Trashies practiced and played in the basement of the 24/7 House in the Central District, where Long Beach, CA native Bree McKenna (bass) was living, amongst the dust, boxes, and spiders. Lelah met Butte, MT native Emily Nokes (voice, tambourine) in one excruciatingly early/boring graphic design class, slipping her a doodled-upon note; she soon noticed Emily's big voice while she sang along with R. Kelly on the radio. Emily and Bree hit it off one sloshy night at the Comet. Eric impressed Emily with his reenactments of scenes from Anaconda. Sometime around 2007, via countless raucous house party shows, the legend of Tacocat was born.


    The foursome would quickly make a name for themselves with their simply energizing power pop, drawing on classic Northwest energy with an uncommonly upbeat, surfy swag that could only come from gray skies and hydroponic sunshine. Their sly and unabashed '90s revivalism has, in the past, found the band pondering Evan Dando and Waterworld-and Bree herself explains finding about riot grrrl via Napster and Julia Stiles in 10 Things I Hate About You. They've described themselves variously as Feminist sci-fi and Equal parts Kurt and Courtney; oh well, whatever NVM.


    NVM-Tacocat's second full-length album and first for Hardly Art, opens up like some mystery shoebox, wistful, instantly nostalgic: snapshots of mortifying exes (You Never Came Back) and sketchy party situations (Party Trap), maybe a postcard with an alien smoking a joint. Cigarette cellophane-wrapped weed nugs, pain pill crumbs and wrapped tampons (all the girls are surfing the wave, surfing the crimson wave today"), all serve as a roadmap through Tacocat's bong-ripped reminiscences, scenarios all-too familiar and hilariously improbable. There's the notoriously inconsistent #8 Metro line (F.U. #8) and the accountability-allergic, black-clad brick-heavers of This Is Anarchy. The protagonist of Psychedelic Quinceañera-based on Bree-just wants to dance with rainbows, mind-expansion style, instead of having to wear a frilly dress in front of her whole family. Emily daydreams of a Bridge to Hawaii, where even the destitute could walk their asses to paradise-before being snapped out of it by cat-calls from construction workers, business dads, and drunk hobos (Hey Girl); sweaty jerks telling her that she should smile!


    NVM all that, though: you should, and will, smile-either a wry little corner-lifter or a big ear-to-ear equator-and shake what's yours, when you hear the whippet-smart latest album from the world's favorite palindromic band. Text a friend.


    --Larry Mizell

    1. You Never Came Back
    2. Bridge to Hawaii
    3. Crimson Wave
    4. Stereogram
    5. Pocket Full of Primrose
    6. Psychedelic Quinceañera
    7. Time Pirate
    8. This is Anarchy
    9. Hey Girl
    10. Party Trap
    11. F.U. #8
    12. Alien Girl
    13. Snow Day
    Tacocat
    $13.99
    Vinyl LP - Sealed Buy Now
  • I Used to Spend So Much Time Alone I Used to Spend So Much Time Alone Quick View

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    I Used to Spend So Much Time Alone

    I Used to Spend So Much Time Alone is Chastity Belt's third and finest full-length to date. Recorded live in July of 2016, at Jackpot! in Portland, Oregon, it's a dark and uncommonly beautiful set of mood-driven rock that's also unabashedly introspective. More personal and more direct than 2015's marvelous Time to Go Home, this one aims for the heart-from the shimmering insights of "Different Now" to the stunning clarity of "This Time of Night," this is a serious record but not a serious departure, a tangle of mixed emotions and haunting melody, a brave step forward.
    1. Different Now
    2. Caught in a Lie
    3. This Time of Night
    4. Stuck
    5. Complain
    6. It's Obvious
    7. What the Hell
    8. Something Else
    9. Used to Spend
    10. 5am
    Chastity Belt
    $16.99
    Vinyl LP - Sealed Buy Now
  • Navigated Like The Swan Navigated Like The Swan Quick View

    $18.99
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    Navigated Like The Swan

    Young Moon aka Trevor Montgomery is a craftsman. By day he's a skilled tile setter, a job taxing to both the mind and body. By night he's an equally meticulous and hard working musician, coaxing just the right tones out of his vintage drum machines and synths to carry his tales of love and redemption. As a tile setter and as a musician, his job is the same: assembling things of beauty to fill empty spaces. It's those exact skills that are employed to great effect on this 13-song collection entitled Navigated Like The Swan.
    1. The Crystal Text
    2. Walk in White
    3. Winds Light
    4. Northern Earth
    5. March
    6. A Reason
    7. Ages of Youth
    8. Cold Day Solstice
    9. On the Verge
    10. Summit and Blue Air
    11. Emma Jane
    12. The Ponds
    13. Painting on Waves
    Young Moon
    $18.99
    Vinyl LP - Sealed Buy Now
  • Long Players 92-99 (Box Set) Long Players 92-99 (Box Set) Quick View

    $188.99
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    Long Players 92-99 (Box Set)

    Limited To 1000 Copies


    Pressed By Gotta Groove On 150 Gram Vinyl


    Contains 5 Original LPs Released From 1992-1999


    Includes An Additional "Rarities" LP Only Available With This Box Set


    In 1992, Dean Wareham followed the posthumous buzz of Galaxie 500 by forming a new band: Luna. Initially joined by Justin Harwood (of the Chills) and Stanley Demeski (of the Feelies), the group went on to sign to Warner Brothers sub-label Elektra, tour with the Velvet Underground, collaborate with Tom Verlaine and Sterling Morrison and ultimately release five stunning albums over the course of the 90s.


    Deemed "the best band you've never heard of" by Rolling Stone, Luna remained under the radar for most of their career despite gathering a rabid cult following. It's not hard to see why this is the case, as the three albums featuring the original lineup (plus guitarist Sean Eden on the latter two) act as a perfect synthesis of the members past bands, blending the simplicity of Galaxie, the heavenly pop melodies of the Chills and the quick and intensely precise drumming of the Feelies into one fluid package. This is particularly evident on 1995's fan-favorite Penthouse, in which the band created a masterpiece of lush, late night music that's now considered one of the best of the 90s.


    Following Penthouse, the band saw the replacement of Stanley with Lee Wall on drums but no slump in quality. The psychedelic textures of 1997's Pup Tent and the clean and beautiful pop of 1999's Days of Our Nights proved that Luna was a consistently reliable band and not one that would wane with age. Elektra didn't feel the same way, though, and eventually decided not to release Days of Our Nights after paying for the recording.


    This box set gathers together those five albums from the 90s as well as a compilation of demos and B-sides recorded contemporaneously, all housed in a beautiful textured canvas box. Accompanying the records is a 12" x 12" book featuring archival imagery, an interview with Dean Wareham conducted by Noah Baumbach and an oral history with the band and their producers. As the majority of these records were never released on vinyl outside of limited pressings, this is a boon to longtime fans and new listeners alike.

    LP 1: Lunapark (1992)
    1. Slide
    2. Anesthesia
    3. Slash Your Tires
    4. Crazy People
    5. Time
    6. Smile
    7. I Can't Wait
    8. Hey Sister
    9. I Want Everything
    10. Time To Quit
    11. Goodbye
    12. We're Both Confused


    LP 2: Bewitched (1994)
    1. California (All The Way)
    2. Tiger Lily
    3. Friendly Advice
    4. Bewitched
    5. This Time Around
    6. Great Jones Street
    7. Going Home
    8. Into The Fold
    9. I Know You Tried
    10. Sleeping Pill


    LP 3: Penthouse (1995)
    1. Chinatown
    2. Sideshow By The Seashore
    3. Moon Palace
    4. Double Feature
    5. 23 Minutes in Brussels
    6. Lost in Space
    7. Rhythm King
    8 .Kalamazoo
    9. Hedgehog
    10. Freakin' And Peakin'


    LP 4: Pup Tent (1997)
    1. Ihop
    2. Beautiful View
    3. Pup Tent
    4. Bobby Peru
    5. Beggar's Bliss
    6. Tracy I Love You
    7. Whispers
    8. City Kitty
    9. The Creeps
    10. Fuzzy Wuzzy


    LP 5: The Days of Our Nights (1999)
    1. Dear Diary
    2. Hello, Little One
    3. The Old Fashioned Way
    4. Four Thousand Days
    5. Seven Steps To Satan
    6. Superfreaky Memories
    7. Math Wiz
    8. Words Without Wrinkles
    9. The Rustler
    10. U.S. Out Of My Pants!
    11. The Slow Song
    12. Sweet Child O' Mine


    LP 6: Rarities
    1. Egg Nog
    2. Indian Summer
    3. Ride Into The Sun
    4. That's What You Always Say
    5. Anesthesia (Demo)
    6. In The Flesh
    7. Bonnie And Clyde
    8. I Know You Tried (Demo)
    9. Roll In The Sand
    10. Dear Paulina

    Luna
    $188.99
    Vinyl LP Box Set + Book - 6 LPs Sealed Buy Now
  • Bloomed Bloomed Quick View

    $19.99
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    Bloomed


    Remastered


    Includes CD With Bonus Tracks


    The March entry in our 25th anniversary reissue series is Bloomed, the 1994 debut album
    from Richard Buckner. The album will be remastered and released on 180-gram
    vinyl and will include a CD containing 11 bonus tracks of radio sessions, live
    performances, and original recordings of songs that appeared on future releases.
    Spin magazine described Buckner as "equal parts Bay Area bohemian and dust bowl
    traditionalist" and named Bloomed one of its best albums of 1994, while Pitchfork
    wrote, "It's a traditional outsider-country record in the lineage of Townes Van Zandt.
    Buckner's voice is all honey and oak, his guitar style elaborately twanging, his constant
    subject matter heartache."


    Richard Buckner provides some background on the album:


    Bloomed was originally (erroneously?) released on an unnamable German label in 1994.
    I was living in San Francisco at the time, having just moved out of a residential hotel
    and into the 1906 hilltop prefab that adorns the cover. At the time, I was heading a
    band called The Doubters. We were playing high profile events such as The Covered
    Wagon Saloon's Musical Barstools, but weren't making much headway. We had been
    turned down consistently every year by SXSW, but I was somehow finagled in as
    an unannounced guest onto an already unofficial SXSW showcase created by Butch
    Hancock at his gallery in downtown Austin. There, I met up again with Lloyd Maines,
    who agreed to produce my first record.


    Maines and I met in Lubbock, TX, a few months later, where we worked with
    Lubbock musicians in a small recording studio walled in wooden shingles Sharpied
    with bible passages from various church groups that also enjoyed working there.
    It was 112°F the morning I arrived under the suspicious (Californians are merely
    B-grade yankees) gaze of downtown's Buddy Holly statue. That first night there, it
    hailed so hard that heaven's angry pellets were storming in under my motel door. It
    only let up for a few moments that first night, allowing me to run across the street to
    get a butter burger and fries to go. We finished four days later and I flew back to San
    Francisco, dismembered the band, and embarked on a tour that would last about 20
    years (or a few days, if you count what I actually remember).


    Nothing's changed. I'm still dodging the sky and busking to strangers.

    LP
    1. Blue and Wonder
    2. Rainsquall
    3. 22
    4. Mud
    5. Six Years
    6. This is Where
    7. Gauzy Dress in the Sun
    8. Daisychain
    9. Desire
    10. Up North
    11. Surprise, AZ
    12. Cradle to the Angel


    CD
    1. The Last Ride
    2. Settled Down
    3. The Worst Way
    4. Emma
    5. Hutchinson (Recorded in 1995 at Black Eyed Pig in San Francisco by Kyle Statham)
    6. Surprise, AZ (Recorded in 1996 at World CafÉ)
    7. Blue and Wonder (Recorded in 1997 at KCRW)
    8. Still Lookin For You-Townes Van Zandt (Recorded in 1997 at World CafÉ)
    9. Up North
    10. Six Years
    11. Gauzy Dress in the Sun (Recorded live at The Starry Plough, Berkeley CA 2/25/1995)

    Richard Buckner
    $19.99
    180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Buy Now
  • Spells Spells Quick View

    $18.99
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    Spells

    The Pharmacy's sound is hard to nail down: having been together for over a decade, the band has released countless singles, EPs, and full-lengths that range from basement power punk to lo-fi, psych-tinged garage rock. Due out August 12th on Old Flame Records, much of Spells was written in a cabin in Big Sur, informed by the rocky beaches and the fog rolling in from the Pacific. It was recorded in the basement of a used car museum in downtown Tacoma, with every track laid down live by Kyle Brunette, producer of Night Beats' S/T and Sonic Bloom LPs. Picking up where Stoned & Alone left off, Spells feels even more stripped-down and vulnerable, as if the members of The Pharmacy have allowed listeners an exclusive sneak peek into their collective brain.
    1. Dead Friend
    2. Coat Tails
    3. Anna Bella
    4. Spells
    5. Masten Lake Lagoon
    6. Cool/Calm
    7. Lizard Queen
    8. Peeling Back
    9. All My Reminders Of When
    10. Strange
    The Pharmacy
    $18.99
    Vinyl LP - Sealed Buy Now
  • 7800 Degrees Fahrenheit 7800 Degrees Fahrenheit Quick View

    $24.99
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    7800 Degrees Fahrenheit

    Bon Jovi's sophomore release found the New Jersey group continuing with its engaging mix of hard rock dynamics and blatant pop-metal overtones, and primed the pump for the coming popular explosion of Slippery When Wet. Ever since the keyboard call to arms of the breakthrough Runaway, Bon Jovi had understood that real success lay in a billowing smoke, soft-focus derivation of true metal, where Journey-style synthesizers and soft rock chorus vocals were the name of the game. To that end, 7800° Fahrenheit tempered its black-leather rock & roll with a rudimentary form of the sound that would make Bon Jovi superstars. They puffed out their chests for the groupie-groping, Mötley CrÜe-style catcalls of In and Out of Love and made sure King of the Mountain rumbled with boys-night-out bravado. But they seemed much more comfortable with the twittering ballad Silent Night or Price of Love, where arena-ready riffing met smoke machine keys and vocal trills. There was even Tokyo Road, a valiant attempt at the epic scope of Springsteen that featured a Japanese-language intro and full-on character development. It was in these moments -- when the tenets of metal tried on the hairstyles of pop -- that 7800° Fahrenheit burned its brightest; the professional songwriting and increased cash flow of Slippery When Wet just made the existing mercury burst.
    1. In And Out Of Love
    2. The Price Of Love
    3. Only Lonely
    4. King Of The Mountain
    5. Silent Night
    6. Tokyo Road
    7. The Hardest Part Is The Night
    8. Always Run To You
    9. To The Fire
    10. Secret Dreams
    Bon Jovi
    $24.99
    Vinyl LP - Sealed Buy Now
  • Good News For Modern Man Good News For Modern Man Quick View

    $16.99
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    Good News For Modern Man


    First Time On Vinyl For This 1999 Solo Album From Ex Husker Du Drummer/songwriter!


    No one has to ask what the hell happened to Grant Hart? anymore. When last heard from in 1994, he was releasing his second LP with Nova Mob. His absence since was perhaps atypical, but here he is again, resuming his solo career for the first time in ten years. The good news is that Good News doesn't sound like Nova Mob or 1991's visceral Last Days of Pompeii, nor does it repeat his more introspective 1989 solo LP Intolerance or 1988's accomplished 2541 EP. Production-wise, this is the most pleasant Hart has come across. A sugar rush is added to his pronounced hooks, adding warmth without robbing the attack of vitality. It's hard to describe -- the first thought might be the exuberance of Cheap Trick on Surrender, only not so thumping. Songs such as Nobody Rides for Free and Seka Knows are not traditional power pop as much as vaguely restrained, crunchy-under-the-surface melodic rock songs with slight '60s influence. This steady, understated exhilaration is consistent with Hart's affable personality. You see it most on the lightest selection, Run Run Run to the Centre Pompidou, a jaunty pop romp to nowhere in gay Paris. But it's just as prevalent in the slower, demure tracks such as You Don't Have to Tell Me Now and, most unique of all, the Chills-like New Zealand hush of Teeny's Hair. Hart's control now is as impressive as when he was contrarily blistering the night with such incredible intensity behind the drums in 1984. His best LP since he parted company with Bob Mould and Greg Norton? Very likely!


    - Jack Rabid (All Music Guide)

    1. Little Nemo
    2. Think It Over Now
    3. Nobody Rides For Free
    4. Run Run Run To The Centre Pompidou
    5. You Don't Have To Tell Me Now
    6. Teeny's Hair
    7. A Letter From Anne Marie
    8. In A Cold House
    9. Seka Knows
    10. Remains to Be Seen
    11. Let Rosemary Rock Him, Laura-Louise
    Grant Hart
    $16.99
    Vinyl LP - Sealed Buy Now
  • The Cats (Pre-Order) The Cats (Pre-Order) Quick View

    $21.99
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    The Cats (Pre-Order)

    In 1957, the greatest year for recorded music including modern jazz, Detroit was a hot spot, a centerpiece to many hometown heroes as well as short-term residents like John Coltrane and Miles Davis. It was here that Trane connected with pianist Tommy Flanagan, subsequently headed for the East Coast, and recorded this seminal hard bop album. In tow were fellow Detroiters -- drummer Louis Hayes, bassist Doug Watkins, and guitarist Kenny Burrell, with the fine trumpeter from modern big bands Idrees Sulieman as the sixth wheel.

    From the opening number, the classic Minor Mishap, you realize something special is happening. Flanagan is energized, playing bright and joyous melody lines, comping and soloing like the blossoming artist he was. Coltrane is effervescent and inspired, hot off the presses from the Miles Davis Quintet and searching for more expressionism. The other hard bop originals, Eclypso and Solacium, easily burn with a cool flame not readily associated with East Coast jazz. Flanagan himself is the catalyst more than the horns -- dig his soaring, animated solo on Eclypso as he quotes Jeepers Creepers. The near 12-minute blues Tommy's Tune is the perfect vehicle for Burrell, a prelude for his classics of the same period All Day Long and All Night Long. The lone trio session, on the standard How Long Has This Been Going On?, is regarded as quintessential Flanagan, and quite indicative of the Midwestern Motor City flavor Flanagan and his many peers brought into the mainstream jazz of the day and beyond. One yearns for alternate takes of this session.

    The Cats is a prelude to much more music from all of these masters that would come within a very short time period thereafter, and cannot come more highly recommended. It's a must-buy for the ages.

    -Michael G. Nasto (All Music Guide)

    1. Minor Mishap
    2. How Long Has This Been Going On?
    3. Eclypso
    4. Solacium
    5. Tommy's Time
    Flanagan / Coltrane / Burrell / Sulieman
    $21.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Destroyer Destroyer Quick View

    $24.99
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    Destroyer

    Ranked 496/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The pressure was on Kiss for their fifth release, and the band knew it. Their breakthrough, Alive!, was going to be hard to top, so instead of trying to recreate a concert setting in the studio, they went the opposite route. Destroyer is one of Kiss' most experimental studio albums, but also one of their strongest and most interesting. Alice Cooper/Pink Floyd producer Bob Ezrin was on hand, and he strongly encouraged the band to experiment -- there's extensive use of sound effects (the album's untitled closing track), the appearance of a boy's choir (Great Expectations), and an orchestra-laden, heartfelt ballad (Beth). But there's plenty of Kiss' heavy thunder rock to go around, such as the demonic God of Thunder and the sing-along anthems Flaming Youth, Shout It Out Loud, King of the Night Time World, and Detroit Rock City (the latter a tale of a doomed concert-goer, complete with violent car-crash sound effects). But it was the aforementioned Peter Criss ballad, Beth, that made Destroyer such a success; the song was a surprise Top Ten hit (it was originally released as a B-side to Detroit Rock City). Also included is a song that Nirvana would later cover (Do You Love Me?), as well as an ode to the pleasures of S&M, Sweet Pain. Destroyer also marked the first time that a comic-book illustration of the band appeared on the cover, confirming that the band was transforming from hard rockers to superheroes.


    - Greg Prato (All Music Guide)

    1. Detroit Rock City
    2. King of the Night Time World
    3. God of Thunder
    4. Great Expectations
    5. Flaming Youth
    6. Sweet Pain
    7. Shout It Out Loud
    8. Beth
    9. Do You Love Me?
    10. Rock And Roll Party
    Kiss
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Strangers Almanac Strangers Almanac Quick View

    $24.99
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    Strangers Almanac

    Whiskeytown, a highly acclaimed founding band of the alt-country/No Depression scene, launched the solo career of four-time Grammy®-nominated singer-songwriter-guitarist Ryan Adams as well as that of fiddler-singer-songwriter Caitlin Cary. Now the groups 1997 major label debut album, an overlooked gem from a band considered one of the genres most promising, is being released for the first time ever on vinyl.


    1997's Strangers Almanac was Whiskeytown's major-label debut and the album that first introduced Ryan Adams to a wide audience, but at the same time it marked the beginning of the end for the group. When Whiskeytown went into the studio to record Strangers Almanac, the band had undergone the first of what would become a long line of personnel shakeups, and in addition to Ryan Adams, the only proper members of the group on hand for the sessions were violinist and vocalist Caitlin Cary and guitarist Phil Wandscher; session musicians filled out the lineup, while the new rhythm section, Jeff Rice (bass) and Steve Terry (drums), was hired only two weeks before recording began. Despite its chaotic creation, Strangers Almanac sounds stronger and more cohesive than its ragged but forceful indie predecessor, Faithless Street, and there's a deeper resonance in Ryan Adams' tales of wasted nights and wasted lives, such as Inn Town, Losering, and Dancing with the Women at the Bar. Strangers Almanac doesn't rock as hard as Whiskeytown's earlier material, but when the guitars kick into high gear on Yesterday's News and Waiting to Derail, it reveals just how good a match Ryan Adams and Wandscher were, and Excuse Me While I Break My Own Heart Tonight and 16 Days are as strong and moving as their country gestures got. Strangers Almanac captures Whiskeytown when they still had some business calling themselves a band rather than just Ryan Adams' backing musicians, and the glorious world-weariness of its best moments makes it a far more satisfying listen than most of what would follow once Ryan Adams struck out on his own.

    1. Inn Town
    2. Excuse Me While I Break My Own Heart Tonight
    3. Yesterdays News
    4. 16 Days
    5. Everything I Do
    6. Houses on the Hill
    7. Turn Around
    8. Dancing with the Women at the Bar
    9. Waiting to Derail
    10. Avenues
    11. Losering
    12. Somebody Remembers the Rose
    13. Not Home Anymore


    Live in the Studio Radio Performances September 1997 Houses on the Hill*
    14. Nurse with the Pills*
    15. I Dont Care What You Think About Me*
    16. Somebody Remembers the Rose*
    17. Turn Around*


    *previously unreleased
    Whiskeytown
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • MTV Unplugged - Summer Solstice MTV Unplugged - Summer Solstice Quick View

    $45.99
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    MTV Unplugged - Summer Solstice

    In the land of the midnight sun, the clocks tick slightly different than they do elsewhere. This is especially true during the summer solstice, when the sun hardly sets at all, bathing the small Norwegian island of Giske - where a-ha played their first ever two acoustic concerts - in an eerie twilight.


    Giske is a tiny island in close proximity to the city of Ålesund on the shore of the North Atlantic Ocean - a popular city much frequented by day trippers arriving on huge cruise ships during Norway's short yet intense summer season. But a-ha's audience didn't get to Giske on such boats. Coming from destinations all over the world, for them getting to Giske meant embarking on a plane to Oslo and from there to Ålesund. And from there you finally have to drive through a series of seemingly endless and frighteningly deep undersea tunnels to reach Giske, an island so beautiful and, well, remote, that one immediately wonders why a-ha handpicked this specific location to play their long awaited first MTV Unplugged shows on the night of the 2017 summer solstice, right where the world seems to end.


    Pål Waaktaar-Savoy: "Choosing Giske is like most of the things we do: It's been 50% chance and 50% planned. We were discussing many different places to play these special shows - among them Manaus in the Amazon jungle, Berlin, London and New York. At the end of the day it was the Ocean Sound Recordings studio in Giske that made the difference. We knew that we could rehearse undisturbed in an extremely good sounding facility."


    a-ha booked the Ocean Sound Recordings studio, which looks out onto the ocean, to revisit their own back catalogue for two weeks together with producer Lars Horntveth, who had already been working on the acoustic arrangements for more than half a year. The nearby Øygardshallen (Giske Harbour Hall) turned out to be the perfect venue to stage their two first ever acoustic shows: They simply had to lay cables from A to B and then were able to use the studio at Ocean Sound Recordings to capture the shows perfectly. a-ha performed in front of an audience of just 250 people - the Øygardshallen's glass front allowed the audience to gaze out into the pale night and onto a number of LED video steles that had been set up behind the band, serving as a minimalist backdrop to the concert. Suffice to say, the concerts were sold-out within minutes, as a-ha were to play "concerts so close to our audience like never before". As Magne Furuholmen puts it: "These were by far the most intimate concerts we've ever given."


    Yet the beauty of the North Atlantic Ocean, the light of the midnight sun and the exclusivity of the concerts are only one half of the story. The other half is that the idea of a-ha playing their vast catalogue of world hits stripped down to their very essence is indeed a promising endeavor.


    Pål: "We've talked about this idea for so many years. And in many of our concerts we've also played some acoustic songs. But if you consider that we don't use much technology at all when we write the songs, the idea an entirely acoustic show makes total sense. Playing all these songs now in their acoustic versions is like returning to their origins."


    Magne expands the thought in a more universal direction: "Most of our songs draw inspiration from a childhood directly exposed to Norwegian culture, even the folk music tradition, perhaps more so than we thought. We were constantly faced with questions from journalists implying how our 'Norwgian-ness' was a unique part of our sound, even though we lived and worked in London.


    As a creative person it is almost easier to tap into this nordic mindest from a distance. History is full of good examples of how iconic Norwegians in the past did their best work away from home; The writer Henrik Ibsen wrote on universal topics with a strong Norwegian tone while living in Italy, Edvard Munch's melancholic force defined expressionism while living in Berlin - yet he simply couldn't be from anywhere but this country. And of course there is Edvard Grieg, who took a lot of inspiration directly from folk music. His music always felt particularly resonant in our ears growing up. With such strong figures and influences defining what it is to be a Norwegian, it becomes part of what you are. Our darker, melancholic streak definitely harks back to these early influences. We feel connected to all that, which is why we thought returning home for this project was a very natural step.


    Morten Harket stresses the fact how crucial it was to have arranger/producer Lars Horntveth on board as a catalyst and fearlessly driving force behind the scenes: "He confronted our music by presenting completely new arrangements, also taking out 'untouchable' parts, which easily came across as being disrespectful. I say this as a compliment, by the way... And of course we hated it! But we also needed it! This was exactly what we had asked of him. We needed someone who would boldly question everything that we stood for as a band - someone who could stand up to us. Of course it led to shouting matches. It's part of the creative process. Lars deserves the credit for bringing the band closer together than we have been for a very long time."


    For the MTV Unplugged shows, a-ha played 17 songs in completely new arrangements as well as two new songs and two cover versions on vintage acoustic instruments, accompanied by a backing band featuring Karl Oluf Wennerberg on drums, Even Ormestad on acoustic bass, Morten Qvenild on piano and various acoustic keyboards, Lars Horntveth on multiple instruments and Madeleine Ossum on violin and vocals, Tove Margrethe Erikstad on cello and Emilie Heldal Lidsheim on viola and backing vocals. Furthermore, a total of four guest stars served as duet partners for Morten Harket. Most notably, Echo & The Bunnymen's Ian McCulloch had been invited by Magne Furuholmen to sing "Scoundrel Days" and Ian's very own "The Killing Moon" on the first of the two shows. On the second night, a-ha were joined by Alison Moyet of Yazoo fame to duet with Morten on "Summer Moved On". Highasakite's Ingrid Helene Håvik guested on "The Sun Always Shines on TV" on both nights, while, last but not least, American singer Lissie did the same on "I've Been Losing You".


    "In the cacophonic world of popular music, with its high-impact effects and productions, the music is often somewhat lost as it ends up being premeditated." Morten Harket addresses the subject of subtlety: "The world of pop is a world where everything always has to be more than anything else."


    Attending the concerts and the last full day of the rehearsals, you could tell that the whole group and especially Morten did indeed try to reveal the soul of each and every song performed. During the last run-through on the day before the first night the band took things extremely seriously. Songs were started, stopped and deconstructed. Discussions between Morten and the group as well as with the recording engineers dealt with the tiniest details of sound, cohesiveness and attitude. As a result, the two shows benefited profoundly, both in terms of microstructure (the new arrangements reveal so much of the songs' essences), as well as in that the overall dramaturgic arc of the concerts, which steadily built towards a climax that would astound even the most dedicated follower of the group. During the encore, a-ha would play - "as usual" - their first and biggest hit to date, "Take On Me". But an unexpected chord change in the chorus and the skeletal arrangement not only allowed a new perspective on the song's lyrics, it also left the audience with tears in their eyes.


    Magne: "When you rearrange songs for an acoustic rendition it is also an opportunity to do more than to just simplify them. I especially like what happened when we took a fresh look at Take on me, which went from being an uptempo syntheziser-driven popsong to a much more melancholic, yearning ballad in this slowed down arrangement, it shows with much more clarity how the song at its core is not some standalone upbeat track, but belongs squarely inside our catalogue alongside more thoughtful, darker songs like scoundrel days etc.


    There are only a few bands in the world who can look back on similarly close ties with the music channel MTV as a-ha. Alongside the likes of Duran Duran and Yello, in 1985 a-ha were worldwide pioneers who immediately understood the power of the music video as both a narrative and commercial tool. Steve Barron's classic "Take On Me" clip is still a milestone of music video and in 2003 was voted by the MTV audience as one of the top ten best videos ever made. There have long been efforts by a-ha and MTV to organize an Unplugged concert.


    The fact that the two MTV Unplugged concerts in June 2017 actually took place on Giske also left a deep impression on a-ha themselves. Like every other band that has been successful on a worldwide scale for over three decades, a-ha have had their share of problems, split-ups and re-unifications. A thoughtful Magne reflects: "After such a long time, a-ha have now become a band that simply continues from project to project. This turned out to be a very healthy approach for the three of us, because going acoustic also had the taste of a new project."


    Pål: "When we recorded our last few albums, we were sometimes working pretty isolated from each other. We should do this again - sitting and recording in the same room together for a couple of weeks or months and see what comes out as a result. We may argue about a lot of things, but we are also a band that has very close ties."


    After the closing applause that seemed would never end, the band left the stage and walked out of Øygardshallen into the living daylights. Having performed two triumphant concerts together, the three band mates climbed into three separate vehicles and headed off into the sunlit night. But everybody in the audience had a feeling that a-ha had now just opened a brand new chapter in their unparalleled career. To quote a line from one of the highlights of these unplugged shows: "Cause I've been told / Stay on these roads / We shall meet, I know."


    -Max Dax

    LP 1
    1. This Is Our Home (Live from MTV Unplugged, Giske / 2017)
    2. Lifelines (Live from MTV Unplugged, Giske / 2017)
    3. I've Been Losing You (Live from MTV Unplugged, Giske / 2017)
    4. Analogue (All I Want) (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    5. The Sun Always Shines on TV (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    6. A Break in the Clouds (Live from MTV Unplugged, Giske / 2017)
    7. Foot of the Mountain (Live from MTV Unplugged, Giske / 2017 / LP Edit)


    LP 2
    1. Stay on These Roads (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    2. This Alone Is Love (Live from MTV Unplugged, Giske / 2017)
    3. Over the Treetops (Live from MTV Unplugged, Giske / 2017)
    4. Forever Not Yours (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    5. Sox of the Fox (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    6. Scoundrel Days (Live from MTV Unplugged, Giske / 2017)
    7. The Killing Moon (Live from MTV Unplugged, Giske / 2017 / LP Edit)


    LP 3
    1. Summer Moved on (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    2. Memorial Beach (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    3. Living a Boy's Adventure Tale (Live from MTV Unplugged, Giske / 2017)
    4. Manhattan Skyline (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    5. The Living Daylights (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    6. Hunting High and Low (Live from MTV Unplugged, Giske / 2017)
    7. Ake on Me (Live from MTV Unplugged, Giske / 2017)

    A-ha
    $45.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Chicago 17 Chicago 17 Quick View

    $31.99
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    Chicago 17


    Mastered From Original Chicago Records Master Tapes


    Mastered by Friday Music's Joe Reagoso With Chicago's Lee Loughnane


    Ballads were a big part of 17 -- in fact, these hits and album cuts like Remember the Feeling are among the first power ballads, ballads that were given arena rock flourishes and dramatic arrangements but never took the focus off the melody, so housewives and preteens alike could sing along with them. Power ballads later became the province of hair metal bands like Bon Jovi and Poison, but Foster's work with Chicago on 17 really helped set the stage for them, since he not only gave the ballads sweeping rock arrangements, but the harder, punchier tunes here play like ballads.


    Even when the band turns up the intensity here -- Stay the Night has a spare, rather ominous beat that suggests they were trying for album-oriented rock; Along Comes a Woman has a stiff drum loop and a hiccupping synth bass that suggests dance-pop -- the music is still slick, shiny, and soft, music that can appeal to the widest possible audience. 17 did indeed find the widest possible audience, as it ruled radio into late 1985, by which time there were plenty of imitators of Foster's style. There may have been plenty of imitators -- soon, solo Cetera was one of them, making music that was indistinguishable from this -- but nobody bettered Foster, and Chicago 17 is his pièce de rÉsistance, a record that sounded so good it didn't quite matter that some of the material didn't stick as songs; as a production, it was the pinnacle of his craft and one of the best adult contemporary records of the '80s, perhaps the best of them all.


    Certainly, it's hard to think of another adult contemporary album quite as influential within its style as this -- not only did it color the records that followed, but it's hard not to think of Chicago 17 as the place where soft rock moved away from the warm, lush sounds that defined the style in the late '70s and early '80s and moved toward the crisp, meticulous, synthesized sound of adult contemporary pop.

    1. Stay the Night
    2. We Can Stop the Hurtin'
    3. Hard Habit to Break
    4. Only You
    5. Remember the Feeling
    6. Along Comes A Woman
    7. You're the Inspiration
    8. Please Hold On
    9. Prima Donna
    10. Once In A Lifetime
    Chicago
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Spreading Rumours Spreading Rumours Quick View

    $20.99
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    Spreading Rumours

    Spreading Rumors is Grouplove's second full-length album.


    Hannah Hooper met Christian Zucconi late one evening on the lower east side of Manhattan. They had both been living in New York for years and had never crossed paths before. But from that night forward the two could hardly be pulled apart. Soon after their connection Hooper was invited to an art residency in Greece on the island of Crete and Hooper insists without any hesitation she invited Zucconi to join her on this journey. Seriously, we had only known one another for a few days but are both so inspired and alive when we are together that going to Greece seemed like a magical and natural thing to do recalls Zucconi.


    On Crete, in a small remote mountain village, Hooper and Zucconi met the members of their future band Grouplove a year before it was officially formed. Sean Gadd, a natural songwriter and guitar player, born and bred in London instantly bonded with the two eccentric New Yorkers. Their relationship became apparent through the music they were making day in and day out. Andrew Wessen, a pro surfer and musician from Los Angeles and his childhood friend Ryan Rabin, an accomplished drummer and producer, were also at the residency and quickly joined in with the musical trio. These five musicians make up the members of what we now know as Grouplove.


    Like all good things, the summer and the residency came to an end and the five friends scattered back to their homes all over the globe. With Sean in London, Christian and Hannah in Brooklyn and Ryan and Andrew in Los Angeles Grouplove was faced with the challenge of what to do now. We all understood how rare it is for five strangers to feel as close as family and create passionate music together. We couldn't just return to Brooklyn and let the music we all made fade into a memory of that summer we had in Greece, explains Zucconi. Everyone pulled their funds together and Sean, Christian and Hannah made their way to Ryan Rabin's studio in LA to record their album. We seriously had the best time of our lives doing that record, says Zucconi. And the result is an incredibly special album where soaring harmonies coupled with sweeping anthems lead you through their powerful journey. Like the members of Grouplove, their music is diverse in influence and style but bonded together by an undeniably creative kinship.


    Their experience back together and recording together was so potent that Hooper and Zucconi packed up their lives in Brooklyn and moved to LA to live and play their music.


    We never could have dreamt this up says Zucconi, but at the same time we're not at all surprised - GROUPLOVE is meant to be. Our story a testament to fate, and our music is something we are ready to share.

    1. I'm With You
    2. Borderlines And Aliens
    3. Schoolboy
    4. Ways To Go
    5. Shark Attack
    6. Sit Still
    7. Hippy Hill
    8. What I Know
    9. Didn't Have To Go
    10. Bitin' The Bullet
    11. News To Me
    12. Raspberry
    13. Save The Party For Me
    Grouplove
    $20.99
    Vinyl LP - Sealed Buy Now
  • Love From With The Dead Love From With The Dead Quick View

    $29.99
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    Love From With The Dead

    With the Dead - Love From With the Dead


    Doom is all around us. The optimism of a new millennium has steadily disintegrated. The light at the end of the tunnel turned out to be a burning tower block and the powers-that-be are dancing in the smouldering ruins. Humanity is eating itself and we're all terminally fucked. As a result, it makes perfect sense that the emergence of British doom metal mavens With The Dead would strike a dissonant chord with so many people. Formed in 2014 by former Cathedral/Napalm Death frontman and Rise Above Records boss Lee Dorrian and ex-Electric Wizard/Ramesses bassisit/guitarist Tim Bagshaw, the band coalesced in a monetary burst of spontaneity and shared fury, resulting in the release of their eponymous debut album in 2015: one of that year's most widely acclaimed releases and a welcome shot in the arm for fans of merciless, unrelenting sonic despair.


    "We were very happy with the way the first album was received," says Lee. "To be honest, there were no real expectations with the first LP. It's hard to explain. We just got together and did it. There was no big anticipation. We knew it was going to be well received by certain people, just because of the sheer heaviness of it, but we didn't think it would get the reaction it did. It sold really well and got a good response all around. It came together so strangely and so fast. We hadn't gone round, sweating in the clubs, although we've all done that previously. The record came out on Rise Above so it was easy and there were no demands from anyone except ourselves. The important thing is, we didn't want it to be seen as some novelty project band."


    Hell-bent on staking a further claim to be doom metal's most intense and remorseless practitioners, With The Dead have now completed work on their second album, Love From With The Dead. Comprising tracks recorded during two separate sessions with celebrated studio guru Jaime Gomez Arellano, the new material represents the first fruits of the band's recently retooled line-up. Joining Lee and Tim are bassist Leo Smee and drummer Alex Thomas, who replaces the departed Mark Greening. As Lee explains, the band's new incarnation generated great chemistry from the start.


    "Tim came over from New Jersey, where he still lives, and we booked four nights' rehearsals with Leo and Alex to see how it was going to work. Literally, on the first night, they had the whole set nailed within three or four hours. It sounded better than ever before, too. So the next three nights were pointless and we didn't need them, so we spent the time going over ideas for new songs and by the end we had four brand new songs. It was crazy. Then we thought 'While Tim's over, let's go in the studio and record them ' Luckily, Gomez was free and we went over to his studio and recorded the four new tracks, they're the last four on the album, and it was all done just like that. The other three tracks were recorded nearly a year later, again with just one night's rehearsal. It was all done super quick."


    For those who flinched at the sheer, unforgiving brutality of With The Dead's first record, the songs on Love From With The Dead are liable to cause major emotional trauma. Darker, denser, more despondent and sickeningly heavy in numerous senses of the word, this is an album that re-establishes doom as a genre that embraces the extreme and not just some cosy, nostalgic reimagining of the early '70s. From opener Isolation's slithering howl of torment and the crushing, schizophrenic barrage of Egyptian Tomb through to the expansive, drone-driven horrors of the closing CV1 (a mournful lament to Lee Dorrian's home city of Coventry that features a guest appearance by home-town comrade and electro-noise maverick Russell Haswell), Love From With The Dead grimly extinguishes the light of hope and hammers home the hatred and futility that plagues our brief and brittle lives.


    "The thinking was that the first LP was meant to be the heaviest we could possibly make, but then what do you next?" Lee muses. "Well, the only thing you can do is make the next one even heavier. So that was the ambition and the intention, to make it even more crushing. But to be able to do that you have to be crushed yourself. This last couple of years have been quite soul-destroying. There's been a lot of personal shit going on, and during this whole process so much fucking bad shit has happened in my personal life and other people's personal lives. Everything you hear on this LP, the angst is very real. I've never felt so disillusioned with life and the world around me, not since the first Cathedral album!"


    Irrefutable evidence that With The Dead are a formidable and substantial proposition, the quartet's second album could hardly provide a more apposite soundtrack to the deeply fucked up and irrevocably dysfunctional state of the world in 2017. Both a fine example of the simple, savage power of the riff and an authentic outpouring of anger, bitterness, bile and vivid existential dread, it is the living, breathing, screaming embodiment of heaviness itself. Cometh the hour, cometh the bringers of doom


    "I'm 50 next year and you're supposed to mellow out when you get older, but why?" Lee asks. "I don't feel like mellowing out. The world's getting worse, the atmosphere is getting heavier, people treat each other like shit and there's so much negativity, how are you supposed to chill out when all that's going on? I'm in a privileged position to be able to be in a band like this, so why fuck around? The band's called With The Dead and it's a doom band, why would you want to mellow out? It's got to be pure nihilism or nothing."


    Dom Lawson, July 2017.

    1. Isolation
    2. Egyptian Tomb
    3. Reincarnation of Yesterday
    4. Cocaine Phantoms
    5. Watching the Ward Go By
    6. Anemia
    7. CV1
    With The Dead
    $29.99
    Vinyl LP - Sealed Buy Now
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