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  • Harry Styles Harry Styles Quick View

    $27.99
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    Harry Styles

    Debut Album By Harry Styles, Formerly Of One Direction


    Pressed On 180-Gram Vinyl


    Includes 12 x 12 Booklet


    Harry Styles, is the highly anticipated self-titled debut album from the global superstar. The ten track album features the lead single "Sign of the Times," which topped the charts in over 80 countries upon its release day.

    1. Meet Me in the Hallway
    2. Sign of the Times

    3. Carolina

    4. Two Ghosts

    5. Sweet Creature

    6. Only Angel

    7. Kiwi

    8. Ever Since New York
    9. Woman
    10. From the Dining Table
    Harry Styles
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Greatest Hits (Awaiting Repress) Greatest Hits (Awaiting Repress) Quick View

    $42.99
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    Greatest Hits (Awaiting Repress)

    180 Gram Translucent Gold Colored Vinyl With Gatefold Cover


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Midwestern area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Shining Star

    2. That's The Way Of The World
    3. September

    4. Can't Hide Love

    5. Got To Get You Into My Life
    6. Sing A Song

    7. Gratitude

    8. Serpentine Fire

    9. Fantasy


    LP 2
    1. Kalimba Story
    2. Mighty Mighty

    3. Reasons

    4. Saturday Nite

    5. Let's Groove

    6. Boogie Wonderland ( with The Emotions)
    7. After The Love Has Gone

    8. Getaway

    Earth, Wind & Fire
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs AWAITING REPRESS Buy Now
  • I Created Disco I Created Disco Quick View

    $39.99
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    I Created Disco

    Import


    180 Gram Audiophile Vinyl


    Insert


    Over the past years, Calvin Harris has had number 1 hit after number 1 hit with his EDM-style songs (most recently with Summer) and collaborations with the likes of Rihanna, Kelis, Dizzy Rascal, Florence Welch, Example, Ellie Goulding.


    His debut album I Created Disco (2007) is much more funky and not so much EDM, but contained a handful of chartbusters as well. Acceptable In The 80s, Colours, Vegas, The Girls and Merrymaking At My Place were very successful in the European charts. Harris combined all the right ingredients on I Created Disco; 80's Wave, Soul, Disco, House, Electro and Pop.

    LP 1
    1. Merrymaking At My Place
    2. Colours
    3. This Is The Industry

    4. The Girls
    5. Acceptable In The 80s
    6. Neon Rocks


    LP 2
    1. Vegas
    2. I Created Disco
    3. Disco Heat
    4. Certified
    5. Love Souvenir
    6. Electro Man

    Calvin Harris
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Introducing The 3 Sounds Introducing The 3 Sounds Quick View

    $49.99
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    Introducing The 3 Sounds

    What's remarkable about Introducing The 3 Sounds is how the trio's lightly swinging sound arrived fully intact. From the basis of this album, it sounds as if pianist Gene Harris, bassist Andrew Simpkins and drummer William Dowdy have been playing together for years. There's empathetic, nearly intuitive interplay between the three musicians and Harris' deft style already sounds mature and entirely distinctive.


    Bill Dowdy, drums
    Gene Harris, piano, celeste
    Andrew Simpkins, bass


    This title is not eligible for discount.

    1. Tenderly
    2. Willow Weep for Me
    3. Both Sides
    4. It's Nice
    5. O Sole Mio
    6. Blue Bells
    7. Goin' Home
    8. Woody 'N You
    The 3 Sounds
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Dunkirk Soundtrack Dunkirk Soundtrack Quick View

    $43.99
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    Dunkirk Soundtrack

    Import

    180 Gram Audiophile Vinyl


    PVC Protective Sleeve


    Gatefold Sleeve


    Music Composed By Hans Zimmer


    Brand New Movie, Directed By Christopher Nolan


    Dunkirk is a 2017 English-language war film written, co-produced and directed by Christopher Nolan. The film stars Fionn Whitehead, Tom Hardy, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard and James D'Arcy. The movie focusses on the evacuation of Allied soldiers from Belgium, the British Empire, Canada, and France, who were cut off and surrounded by the German army from the beaches and harbor of Dunkirk, France, between May 26- June 04, 1940, during the Battle of France in World War II.


    The score is composed by multiple award winner Hans Zimmer. On 5 April 2017, Zimmer revealed that he was nearly finished with the score and that it would be complete by the start of his Hans Zimmer Live on Tour shows in May.


    For the purpose of intensity, the script was written to accommodate the auditory illusion of a Shepard tone, which had previously been explored in Nolan's 2006 film The Prestige. This was coupled with the sound of a ticking clock, that of Nolan's own pocket watch, which he recorded and sent to Zimmer to be synthesized.


    The collaborative careers of Christopher Nolan and Hans Zimmer have proven to be a success in the last decade, with examples such as Interstellar, The Dark Knight, and Inception. This score turns out to be epic once again.

    LP 1
    1. The Mole

    2. We Need Our Army Back
    3. Shivering Soldier

    4. Supermarine

    5. The Tide

    6. Regimental Brothers


    LP 2
    1. Impulse

    2. Home

    3. The Oil

    4. Variation 15 (Dunkirk)
    5. End Titles

    Hans Zimmer
    $43.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Belafonte Sings The Blues (Awaiting Repress) Belafonte Sings The Blues (Awaiting Repress) Quick View

    $59.99
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    Belafonte Sings The Blues (Awaiting Repress)

    Impex's line of classic RCA Living Stereo releases includes the inimitable vocal stylings of Harry Belafonte singing the timeless words and music of American blues in truly breath-taking sound.


    Impex Records offers Harry Belafonte's ground-breaking blues set available for the first time on 45rpm 180g Vinyl, featuring exclusive historical essay insert on an elegant 84 lb pearlized paper stock and gorgeous high resolution mastering by Kevin Gray at AcousTech Mastering.


    Belafonte Sings the Blues was recorded over four sessions during the first half of 1958, and released by RCA later that year. The album features performances of numerous Billie Holiday, Johnny Mercer, and Ray Charles songs performed in a way that only Belafonte can.


    The blues are close to Belafonte's heart and it shows in the way he delivers such tunes as "One For My Baby", "Cotton Fields" and "God Bless the Child" among others.


    Recorded in New York, January 29, 1958, March 29, and in Hollywood June 5 and 7, 1958.



    Features:



    • Individually Numbered

    • Strictly Limited to 2500 Copies!

    • 45rpm 180 Gram Vinyl

    • Double LP

    • Mastered by Kevin Gray at AcousTech Mastering

    • Historical essay on 84# Pearlized paper stock





    This title is not eligible for discount

    1. A Fool For You
    2. Losing Hand
    3. One For My Baby
    4. In the Evenin' Mama
    5. Hallelujah I Love Her So
    6. The Way That I Feel
    7. Cotton Fields
    8. God Bless the Child
    9. Mary Ann
    10. Sinner's Prayer
    11. Fare Thee Well
    Harry Belafonte
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Stardust (45 RPM) Stardust (45 RPM) Quick View

    $54.99
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    Stardust (45 RPM)


    45 RPM 200-Gram Double LP


    Willie's 1978 Take On His Favorite Pop Standards


    Includes His Classic Versions Of "Stardust" And "Georgia On My Mind"


    Mastered From The Original Analog Tapes By Bernie Grundman


    200-Gram Vinyl Plated And Pressed At Quality Record Pressings


    Heavyweight Gatefold Tip-On Old-Style Jacket From Stoughton Printing




    Willie Nelson has long been honored as a genuine legend,
    and his songs and concerts are loved worldwide. Though
    his roots are in country, Willie's musical influences are as
    broad as the Texas skies, unlimited to any one genre.


    "These are my favorite songs. My favorite all-time songs,"
    Willie says. "I knew there were millions of people who liked
    these songs and would love to hear them again. I grew up
    with them... they're some of the first songs I learned to play."
    We bring you this distinctive reissue housed in a heavyweight
    tip-on, old style gatefold jacket from Stoughton Printing.
    Unmatched quality, unmatched sound - that's the way
    Analogue Productions rolls.


    Willie ultimately scored big-time with this quintessential
    addition to his album catalog. The songs - "Moonlight in
    Vermont," "All of Me," "Don't Get Around Much Anymore"
    - are lovingly arranged here by Booker T. Jones of Green
    Onions fame and recorded in Nelson's inimitable style in
    Emmylou Harris' house.


    Booker T's trademark sound set the mood for the sessions.
    Willie and cohorts mine a mellow groove here, sounding
    as if Willie is at home, sitting on his porch overlooking the
    beautiful Texas hill country.


    Nelson's Stardust remains a genius-level creation as well
    as the icon's most commercially successful release, a
    truly gorgeous record infused with ultimate respect for
    composers and lyrics and many of the finest performances
    of Willie's career.


    This title is not eligible for discount.

    LP 1
    1. Stardust
    2. Georgia On My Mind
    3. Blue Skies
    4. All Of Me
    5. Unchained Melody


    LP 2
    1. September Song
    2. On The Sunny Side Of The Street
    3. Moonlight In Vermont
    4. Don't Get Around Much Anymore
    5 Someone To Watch Over Me

    Willie Nelson
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs - Sealed Buy Now
  • Nilsson Sings Newman Nilsson Sings Newman Quick View

    $34.99
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    Nilsson Sings Newman


    Cut By Kevin Gray At Cohearent Audio And Pressed And Plated At RTI


    Housed In A Stoughton Old Style Tip-On Jacket


    1st vinyl reissue of this lost classic entirely recorded by Harry Nilsson and Randy Newman. Over 250,000 copies
    sold during SoundScan era. 1970 Record of the Year awarded by Stereo Review. Limited edition audiophile
    pressing.

    1. Vine St.
    2. Love Story
    3. Yellow Man
    4. Caroline
    5. Cowboy
    6. The Beehive State
    7. I'll Be Home
    8. Living Without You
    9. Dayton, Ohio 1903
    10. So Long Dad
    Harry Nilsson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Colours Colours Quick View

    $18.99
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    Colours

    Ashley Eriksson (darling to many for her work with LAKE) has achieved a status few artists ever know: her song Island Song can be hummed by almost any teenager in the United States (a surprising discovery she made while teaching Portland's
    Rock Camp for Girls last summer). Used as the closing theme for Cartoon Network's cult sensation Adventure Time, Island Song has over a million views on Youtube and has generated dozens of cover videos, making Ashley Eriksson the equivalent of a household name to the youth of America.


    Now Ashley Eriksson has recorded Colours [KLP245], her inspired solo debut on K, and a collection of piano pieces, ballads and songs for her fans around the world. Tucker Martine (producer of LAKE, Decemberists) planted the idea that Ashley should make a solo record after they worked together in 2011, but it wasn't until returning from a trip to Sweden that Ashley was motivated to create Colours, and her vision for a solo piano album quickly evolved to include songs with her beloved '70s style of instrumentation and pop sensibility (most strikingly her cover of Ett Stilla Regn a song by the tragic Swedish pop team Ted and Kenneth GÄrdestad, adapted in the style Me and My Arrow by Harry Nilsson). Because Ashley engineered and recorded the album herself (using the same 8-track she's been recording with since she was a teenager), she was able to capture her collection of songs in a variety of old haunts, including favorite grange halls and churches, her tiny shed in northern Sweden, friends' houses, and in the Whidbey Island studio-trailer where she lived with husband (and LAKE collaborator) Eli Moore.


    It's the emotional space Ashley reserved for herself while recording Colours that makes it such a personal and vivid statement. Of writing the beautiful, lead ballad Why Are You So Helpless?" Ashley says "I dreamt this song while I was sleeping in the little shed behind my dad's house in northern Sweden. I was in a record store and a John Lennon song came on I'd never heard before. It was a 70's 'super group' album, like the Band or CSNY or something like that. When I woke up I was anxious
    to capture the song. I recorded the demo on my phone and sang with an acoustic guitar I had with me." In a similar way, all the songs on Colours are collected from her dreams, expanded by graceful piano notes and the peaceful echoes of fire-lit
    evenings.

    01. March of the Conch
    02. Why Are You So Helpless?
    03. West of the Mountain
    04. Arguably
    05. Ett Stilla Regn
    06. Good Storm
    07. Colours
    08. Bury the House
    09. Mother Nature's Promise
    10. Sunset
    11. Humming in the Dark
    12. Organ Music
    13. In The Stubborn Eyes of a Demon
    Ashley Eriksson
    $18.99
    Vinyl LP - Sealed Buy Now
  • Belafonte At Carnegie Hall (Speakers Corner) Belafonte At Carnegie Hall (Speakers Corner) Quick View

    $49.99
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    Belafonte At Carnegie Hall (Speakers Corner)

    To perform in Carnegie Hall must surely be the greatest ambition of every artist, regardless of his or her style of music. But it also presents an enormous challenge, because on such an evening 'good' isn't good enough. The artist is not merely expected to perform to his or her usual high standard - the evening must be exceptional. Harry Belafonte, the charismatic and highly experienced performer, certainly managed to fulfil such expectations, as is testified to by the present double album, which has retained its place as a best-seller at the top of the charts over many years.
    This performance contains three acts, as it were: Afro-American moods, Caribbean songs and excursions into music of the world. Belafonte is in top form and celebrates an exciting, sparkling festival of song, including spontaneous comic interludes, which arise from direct interaction with his enthralled and enthusiastic audience. He is brilliantly supported by Bob Corman and his 47-man orchestra, an ensemble which is reduced to a small combo when the maestro raises his husky voice. It goes without saying that all the favourites are there such as Jamaica Farewell, Day-O and Mama Look A Boo Boo, making this Carnegie Hall event one of the most mesmerizing live performances of all time, which captures the essence of the performer in his prime (All Music Guide). With this double album you too can sit in the audience and enjoy this great event.



    Musicians:



    • Harry Belafonte (vocal)

    • Millard Thomas, Raphael Boguslav (guitar)

    • Norman Keenan (bass)

    • Danny Barrajanos (percussion)

    • & orchestra conducted by Robert Corman




    Recording: April 1959 live at Carnegie Hall, New York, by Bob Simpson

    Production: Bob Bollard





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Introduction/Darlin'
    2. Sylvie
    3. Cotton Fields
    4. John Henry
    5. The Marching Saints
    6. The Banana Boat Song (Day-O)
    7. Jamaica Farewell
    8. Mama Look a Boo Boo
    9. Come Back Liza
    10. Man Smart (Woman Smarter)
    11. Hava Nagila (Traditional)
    12. Danny Boy
    13. Cucurrucucu Paloma
    14. Shenandoah
    15. Matilda
    Harry Belafonte
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Belafonte Sings The Blues Belafonte Sings The Blues Quick View

    $34.99
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    Belafonte Sings The Blues

    200 Gram LP Plated And Pressed At Quality Record Pressings


    Mastered By Kevin Gray At Cohearent Audio


    Old-Style Tip-On Heavyweight Jacket By Stoughton Printing


    A favorite off the recommended list by The Absolute Sound magazine, and, as expressed in the liner notes, Harry Belafonte's favorite recording. Belafonte has never before sung on records as he does in this album. He is freer, more earthy, more exultantly identified with his material than ever before. He has always communicated an often ferocious power as well as lyrical sensitivity, but in this collection he achieves a unity of emotional strength in and understanding of his material that marks an important stage in his evolution as an artist.


    Includes classic songs Cotton Fields, God Bless' The Child, Hallelujah I Love Her So. Recorded in New York City in January and March 1958, and in Hollywood, California, in June 1958.


    As the liner notes by Nat Hentoff state, there is not much to say about the individual performances that is not entirely clear on hearing them. Truly a classic for discerning audiophiles, Belafonte Sings The Blues was the first Belafonte album recorded in stereo. The sound is incredible, and the dead-silent backgrounds of QRP 200-gram vinyl preserve every exquisite detail! This is one of Belafonte's most satisfying set of performances.


    This title is not eligible for discount.

    1. A Fool For You
    2. Losing Hand
    3. One For My Baby
    4. In The Evenin' Mama
    5. Hallelujah I Love Her So
    6. The Way That I Feel
    7. Cotton Fields
    8. God Bless' The Child
    9. Mary Ann
    10. Sinner's Prayer
    11. Fare Thee Well
    Harry Belafonte
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Many Moods of Belafonte (Awaiting Repress) The Many Moods of Belafonte (Awaiting Repress) Quick View

    $59.99
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    The Many Moods of Belafonte (Awaiting Repress)


    Presented For The First Time Ever On 45-RPM LP By Impex Records And Audio International In Germany


    All-Analog Mastering From Original Master Tapes By Kevin Gray & Robert Pincus


    New Deluxe Gatefold Jacket With Original Lyrics


    Individually Numbered And Strictly Limited To 2,500 Copies


    Harry Belafonte has always been a musical chameleon. Using a thick base of folk music, he added blues, soul, jazz, pop and a plethora of various Caribbean styles to create albums that were unique, socially relevant and just plain fun.


    Nowhere is his broad, encompassing vision more in effect than on his 1962 release The Many Moods of Belafonte. From the Appalachian miner ballad Dark as a Dungeon through Hebrew lullaby Lyla, Lyla and even a Broadway ballad (Try To Remember from The Fantastiks), there's a little something for everyone. Belafonte himself seems inspired by these tunes, singing with gusto on the fun tracks and with reverential tact on the darker, more emotional material.


    Impex Records now presents in association with Audio International in Germany The Many Moods of Belafonte in an exclusive all-analog 45-rpm 2-LP set. Cut by Kevin Gray from original analog tapes and pressed at RTI, every nuance of RCA's Bob Simpson big stage recording shines through your system.


    This title is not eligible for discount

    1. Tongue Tie Baby
    2. Who's Gonna Be Your Man
    3. Long About Now
    4. Bamotsweri
    5. I'm On My Way To Saturday
    6. Betty An' Dupree
    7. Summertime Love
    8. Lyla, Lyla
    9. Zombie Jamboree
    10. Try To Remember
    11. Dark As A Dungeon
    Harry Belafonte
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Sweetenings (Pure Pleasure) Sweetenings (Pure Pleasure) Quick View

    $34.99
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    Sweetenings (Pure Pleasure)

    Harry 'Sweets' Edison, a smooth and suave trumpeter, was a cohort of orchestra leader Count Basie, a favourite of bandleader Nelson Riddle, and a noted backup artist for the most prominent vocalists of his time. Edison, with his energetic yet reticent blowing style, bridged a genre gap between the early classic jazz sound of Louis Armstrong and modern bebop modes. Edison, who played equally well in both styles, had a special talent for sustaining his trumpet notes and injecting each single tone with expression and soul never heard before or after.


    The special quality of his trumpet playing earned him the nickname 'Sweets' because of the sweetness of the tones. Likewise his ability to control the tone of his trumpet brought him to the forefront as a session musician, playing accompaniments for the most respected vocalists of his time.


    Edison was a true pioneer of jazz. An old-time homespun boy, born in Columbus, Ohio, he never knew with certainty even the year of his birth. According to his best knowledge, he was born in 1919, although some sources list the date as early as 1915. Edison knew even less about his own father, a Native American of the Hopi (Apache) tribe and a drifter who stayed only a few weeks with Edison's mother before taking to the road and was rarely heard from afterward. Edison spent his early years with an uncle, who was a coal miner and a farmer, in Louisville, Kentucky. It was Edison's uncle who taught the boy to play the pump organ and to play scales on an old cornet. Edison, who also listened to his uncle's records, was especially inspired by the music of Louis Armstrong and Bessie Smith.


    Harry Sweets Edison added something special to any date in which he took part, but these 1958 sessions he led for Roulette are especially enjoyable. Joined by either Jimmy Jones or Kenny Drew on piano and Joe Benjamin or John Simmons on bass, along with tenor saxophonist Jimmy Forrest and drummer Charlie Persip, Edison's trumpet swings effortlessly through a batch of standards and originals.


    The loping blues Centerpiece became a classic jazz composition, recorded by numerous jazz artists, but this was its debut appearance on LP. Jive at Five dates from his years with Count Basie and finds the band sticking to an accompanying role in this swinging but brief arrangement. Edison utilizes a mute in the gently swinging Louisiana, while he showboats just a bit in a brief take of It Happened in Monterey. While this record might have offered a little more variety by giving solo space to some of the talented sidemen present, this long out of print LP is well worth acquiring.



    Musicians:



    • Harry Edison (trumpet)

    • Jimmy Forrest (tenor saxophone)

    • Jimmy Jones (piano)

    • Joe Benjamint (bass)

    • John Simmons (bass)

    • Charlie Persip (drums)



    Recording: November 1958 in New York
    Production: Teddy Reig




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Centerpiece
    2. Candy
    3. Jive At Five
    4. Imagination
    5. Louisana
    6. Harriet
    7. It Happened In Monterey
    8. If I Had You
    9. Paradise
    10. Indiana
    11. Pussy Willow
    12. Sweetenings
    Harry Sweets Edison
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Aerial Ballet (Speakers Corner) Aerial Ballet (Speakers Corner) Quick View

    $34.99
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    Aerial Ballet (Speakers Corner)

    To define in a nutshell the music of Harry Nilsson in accordance with his personality can easily become a fiasco. The American singer-songwriter might well share his reputation as a multi-talented eccentric with a number of other musicians. However, his highly unusual style and his »satirical catchy pop songs [composed] with the sparkling eye of a cynic and the tearful eye of a nostalgic« (rororo Rock Lexicon) cannot be pigeonholed. Nilsson packaged derisive lines, spiced with a pinch of self-irony, in suspiciously pleasing yet carefully selected tunes. His cultivated and astonishingly supple voice basked to the full in bittersweet phrases, aided by elaborate, melting, slushy arrangements with strings and winds. Several of the wonderfully fresh numbers from Aerial Ballet reached top places in the charts. Everybody's Talkin' became world-famous through its use in the film Asphalt Cowboy and brought Nilsson his first Grammy award. The song One soared to the top ten of the charts. The other light and airy songs now invite you to create your very own hit list. Every single number makes great listening!


    This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.


    Musicians:



    • Harry Nilsson (vocal)

    • Plas Johnson (woodwinds)

    • Dennis Budimir (guitar)

    • Al Casey (guitar)

    • Michael Melvoin (harpsichord, organ, piano)

    • Larry Knechtel (bass, piano)

    • Jim Gordon (drums)

    • Milt Holland (percussion)




    Recording: 1967 and 1968 in RCA Victor's Music Center Of The World, Hollywood

    Production: Rick Jarrad





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Daddy's Song
    2. Good Old Desk
    3. Don't Leave Me
    4. Mr. Richland's Favorite Song
    5. Little Cowboy
    6. Together
    7. Everybody's Talkin'
    8. I Said Goodbye To Me
    9. Little Cowboy
    10. Mr. Tinker
    11. One
    12. The Wailing Of The Willow
    13. Bath
    Harry Nilsson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Extraordinary Light Extraordinary Light Quick View

    $19.99
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    Extraordinary Light

    Ben Fields is bringing a style of introspective songwriting pioneered by artists like Nick Drake and Van Morrison back into the mainstream. A stylistic homogeny of Harry Nilsson, The Beatles, Curtis Mayfield, and Lowell George gives his debut album, Extraordinary Light (out on June 17), a sound that defined an era.
    1. Extraordinary Light
    2. Matilda
    3. Swede
    4. Fragile Little Heart
    5. Worry
    6. Mostly, He Says
    7. Everything
    8. See You In the Morning Caroline
    9. Sleep Through December
    10. So Stolen By Your Ghost
    Ben Fields
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Head Full Of Dreams A Head Full Of Dreams Quick View

    $32.99
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    A Head Full Of Dreams

    This is the seventh studio album from multi-platinum, Grammy Award winning artist Coldplay. Front man Christ Martin stated it might be the band's final album and compared it to Harry Potter; It's our seventh thing, and the way we look at it, it's like the last Harry Potter book or something like that. He added that, unlike their promotion efforts for Ghost Stories, the band will tour for the seventh record. In an interview with Jo Whiley on BBC Radio 2, Martin hinted at the style of the album by saying that the band was trying to make something colourful and uplifting, yet not bombast. He also stated that it will be something to "shuffle your feet" to!
    1. A Head Full Of Dreams
    2. Birds
    3. Hymn For The Weekend
    4. Everglow
    5. Adventure Of A Lifetime
    6. Fun
    7. Kaleidoscope
    8. Army Of One
    9. Amazing Day
    10. Colour Spectrum
    11. Up&Up
    Coldplay
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Blue Chips 7000 Blue Chips 7000 Quick View

    $19.99
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    Blue Chips 7000

    Featuring old friends and FTD regulars Big Body Bes and Mayhem Lauren along with Rick Ross and others (more to be announced soon) Bronsolino is getting back to basics with the style of Queens rap that brought him to the forefront of hip-hop 5 years ago. In that vein Bronson worked with some of his most frequent and trusted producers for the project in Alchemist, Harry Fraud and of course no Blue Chips project would be complete without the talents of BC OG Party Supplies.
    1. Wolfpack
    2. La Luna
    3. The Chairman's Intent
    4. Hot Pepper (feat. Meyhem Lauren and Jah Tiger)
    5. Bonzai
    6. Let It Rain
    7. My Right Lung
    8. TANK (feat. Big Body Bes)
    9. Let Me Breathe
    10. 9-24-7000 (feat. Rick Ross)
    11. The Choreographer
    12. Chop Chop Chop
    13. Durag vs. Headband (feat. Big Body Bes)
    Action Bronson
    $19.99
    Vinyl LP - Sealed Buy Now
  • Jazz Party In Stereo Jazz Party In Stereo Quick View

    $54.99
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    Jazz Party In Stereo

    Mastered by Bernie Grundman from the Original Analog Master Tapes!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!


    The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever.


    Features:

    Numbered Deluxe Laminated Double Gatefold Jackets

    Only 2500 Numbered Limited Edition Copies Worldwide!

    Audiophile 180 gram, 45rpm Vinyl

    Double LP

    Pressed at RTI


    Musicians:

    Dizzy Gillespie, trumpet

    Ray Nance, trumpet

    Clark Terry, trumpet

    Cat Anderson, trumpet

    Shorty Baker, trumpet

    Andres Ford, trumpet

    Johnny Hodges, saxophone

    Paul Gonzalves, saxophone

    Harry Carney, saxophone

    Jimmy Hamilton, saxophone

    Russell Procope, saxophone

    Britt Woodman, trombone

    Quentin Jackson, trombone

    John Sanders, trombone

    Duke Ellington, piano

    Jimmy Jones, piano

    Jimmy Woode, bass

    Sam Woodyard, drums

    Jimmy Rushing, vocalist

    Morris Goldenberg, percussionist

    George Gaber, percussionist

    Elden C. Bailey, percussionist

    Chauncey Morehouse, percussionist

    Harry Breuer, percussionist

    Robert M. Rosengarden, percussionist

    Walter E. Rosenberger, percussionist

    Bradley Spinney, percussionist

    Milton Schlesinger, percussionist


    This title is not eligible for discount.

    1. Malletoba Spank
    2. Toot Suite:
    Red Garter - Red Shoes - Red Carpet (Part 1)
    Red Carpet (Part 2)
    Red Carpet (Part 3)
    3. Satin Doll
    4. U.M.M.G. (Upper Manhattan Medical Group)
    5. All Of Me
    6. Tymperturbably Blue
    7. Fillie Trillie
    8. Hello Little Girl
    Duke Ellington
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Louisiana Blues (Colored Vinyl) Louisiana Blues (Colored Vinyl) Quick View

    $21.99
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    Louisiana Blues (Colored Vinyl)


    Limited Edition Of 600 On Bottleneck Brown Vinyl


    Comes With A 8 Page Booklet


    Over 50 years since his discovery by ethnomusicologists Dr. Harry Oster and Richard Allen in the prison farm of Angola, Louisiana, what is it that makes the blues as sung and picked by Robert Pete Williams such a singular listening experience, unequaled elsewhere in that musical form? As Peter Guralnick, in his Feel Like Going Home book writes: "It's difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. More than anyone else he shatters the conventions of the form and refuses to rely upon any of the clichÉs, either of music or of lyric, which bluesman after bluesman will invoke. Instead he sings blues which reflect a unique and personal vision; he makes each song unmistakably his own."


    Unfamiliar keys, clichÉ-free lyricism, spontaneity, an individualistic style in invoking his particular blues, all make Robert Pete Williams an idiosyncratic entry into the canon. It's impossible to listen to blues artists before him and hear strains of his particular style. None have matched it since. Louisiana Blues contains 10 songs recorded in the month of July 1966 out in Berkeley, California for John Fahey's Takoma imprint.

    1. Somebody Help Poor Me
    2. Freight-Train Blues
    3. It's Hard To Tell
    4. I'm Going Down Slow
    5. Motherless Children Have A Hard Time
    6. Ugly
    7. So Long Boogie
    8. This Is A Mean Old World To Me
    9. High As I Want To Be
    10. It's A Long Old Road
    Robert Pete Williams
    $21.99
    Colored Vinyl LP - Sealed Buy Now
  • Chet Baker Sings Chet Baker Sings Quick View

    $27.99
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    Chet Baker Sings

    Import


    Chet Baker made his musical debut in 1952 as an integral member of Gerry Mulligan's modernist piano-less quartet, by all accounts marking the beginning of the post-bop West Coast style. So it came as quite a surprise when Baker made his singing debut on this seminal 1954 release at the age of 24. Baker's sideline singing here reveals his songful roots in the swing of Harry James and other formative influences while the innocence of his All-American vocals make for an eerily cool listening experience as well as an authentically satisfying one. Throughout, pianist Russ Freeman's warm, solid touch serves as the perfect foil for Baker's affectless romanticism as heard to stunning affect on the definitive version of My Funny Valentine found herein.

    1. That Old Feeling
    2. It's Always You
    3. Like Someone In Love
    4. My Ideal
    5. I've Never Been In Love Before
    6. My Buddy
    7. But Not For Me
    8. Time After Time
    9. I Get Along Without You Very Well
    10. My Funny Valentine
    11. There Will Never Be Another You
    12. Thrill Is Gone
    13. I Fall In Love To Easily
    14. Look For The Silver Lining
    Chet Baker
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Girl From Bossa Nova The Girl From Bossa Nova Quick View

    $44.99
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    The Girl From Bossa Nova

    Jacintha picks up the tempo in her first bossa nova session. Featuring a program of some of the most well known classics of the genre including several Jobim favorites like So Nice, Desafinado, Dindi, Corcovado, as well as less familiar tunes like O Ganso and So Danco Samba, The Girl From Bossa Nova is a striking change of pace for Jacintha that will enthrall all of her fans. With superb solos from tenor Harry Allen and acoustic guitar from John Pisano (ex-Diane Krall), the album is given the supreme finishing touch by the magical playing of Brazilian master percussionist P. D Costa who's recorded and performed with all the legends - Jobim, J Gilberto, Gilberto Gil, Astrid etc. His contribution truly gives the entire album it's authentic bossa nova vibe. And yes, there are a couple of classic Jacintha ballads done bossa style -- This Masquerade and Dindi. A must buy for Jacintha fans and all bossa nova lovers.


    This title is not eligible for discount

    1. O Ganso
    2. So Danco Samba

    3. Dindi

    4. Once I Loved

    5. Desafinado

    6. So Nice

    7. Wave

    8. How Insensitive

    9. Corcovado

    10.Waters Of March
    Jacintha
    $44.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Pandemonium Shadow Show Pandemonium Shadow Show Quick View

    $28.99
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    Pandemonium Shadow Show

    180 Gram Pressed At RTI


    Mono


    Nilsson's first true album, 1967's Pandemonium Shadow Show, is an astonishing collection that announces the artist's unique vaudevillian take on 1960s pop music-a style that brought him to the attention of the Beatles by way of their press agent Derek Taylor. Produced by Rick Jarrard (Jefferson Airplane, JosÉ Feliciano) and primarily arranged by George Tipton, the set strikes a balance between Harry's breathtaking originals (the autobiographical "1941," the melancholy "Without Her" and the playful "Ten Little Indians") and a tasteful array of covers (the Beatles' "You Can't Do That" and "She's Leaving Home," as well as Phil Spector's gargantuan "River DeepMountain High"), all the while showcasing the vocal prowess of the True One. Plus, the usual benefits of a vintage mono mix are here-a louder rhythm section, more present bass, and an overall sense of ensemble that stereo of the era could rarely capture. A stunning work, pressed at R.T.I., now available from Sundazed in a 180 gram edition with restored artwork.

    1. Ten Little Indians
    2. 1941
    3. Cuddly Toy
    4. She Sang Hymns Out Of Tune
    5. You Can't Do That
    6. Sleep Late, My Lady Friend
    7. She's Leaving Home
    8. There Will Never Be
    9. Without Her
    10. Freckles
    11. It's Been So Long
    12. River Deep Mountain High
    Nilsson
    $28.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Phase Four Stereo Concert Series (Box Set) Phase Four Stereo Concert Series (Box Set) Quick View

    $139.99
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    Phase Four Stereo Concert Series (Box Set)


    Limited-Edition, Numbered LP Set With A Detailed Booklet


    Original LP Front And Back Covers


    Cover Art In Style Of The 40 CD Box Set


    Lift-off Rigid LP Box


    Full-Colour Booklet


    The Pressings From Record Industries Will Be On 180 Gram Vinyl Stock


    Lacquers Cut By Sean Magee At Abbey Road Studios


    In the 1960s Decca pioneered the use of a multi 10-channel console mixer which created recordings with an unprecedented sense of spatial realism and
    movement - Phase 4 Stereo. Following in the footsteps of Decca's highly-successful label heritage sets (The Decca Sound, Mercury Living Presence),
    this generous selection of the very best of Phase 4 promises to amaze a new generation of fans.


    Two of the titles included in the set are on the TAS List - the Holy Grail of vinyl fidelity. This is a list of recordings recommended by The Absolute Sound
    magazine under the direction of Harry Pearson.


    Box Set Includes:

    Hermann: Fantasy Film World (PFS 4309)

    Rozsa: Music From Ben Hur (PFS 4394)

    Mozart: Yellow River Concerto (PFS 4299)

    Rimsky-Korsakov: Scheherazade (PFS 4062)

    Bizet: Carmen & L'Arlesienne Suites (PFS 4127)

    Dvorak: New World Symphony (PFS 4128)

    LP 1 - Dvorák: Symphony No.9 in E minor "From the New World"
    1. Adagio - Allegro molto
    2. Largo
    3. Scherzo (molto vivace)
    4. Allegro con Fuoco


    LP 2 - The Fantasy Film World of Bernard Hermann
    1. Journey to the Centre of the Earth
    2. The Seventh Voyage of Sinbad
    3. The Day the Earth Stood Still
    4. Fahrenheit 451


    LP 3 - Bizet: Carmen & L'ArlÉsienne Suites
    1. Les toreadors
    2. Aragonaise
    3. Intermezzo
    4. Les dragons d'Alcala
    5. Habanera
    6. La garde montante
    7. Danse bohème
    8. PrÉlude
    9. Minuetto
    10. Adagietto
    11. Carillon
    12. Farandole


    LP 4 - Rósza: Music from Ben Hur
    1. Fanfare To Prelude
    2. Star Of Bethlehem And Adoration Of The Magic
    3. Friendship
    4. The Burning Desert
    5. Arrius's Party
    6. Rowing Of The Galley Slaves
    7. Parade Of The Charioteers
    8. The Mother's Love
    9. Return To Judea
    10. Ring For Freedom
    11. Lepers' Search For The Christ
    12. Procession To Calvary
    13. Miracle And Finale


    LP 5 - Rimsky-Korsakov: Scheherazade
    1. The Sea and Sinbad's Ship
    2. The Story of the Calender Prince
    3. The Young Prince and the Young Princess
    4. Festival at Bagdad - The Sea - The Shipwreck against a rock surmounted by a bronze warrior (The Shipwreck)


    LP 6 - Yellow River Concerto; Mozart: Piano Concerto No. 21
    1. Prelude: The Song Of The Yellow River Boatmen
    2. Ode To The Yellow River
    3. The Yellow River In Wrath
    4. Defend The Yellow River
    5. Allegro
    6. Andante
    7. Allegro vivace assai

    Various Artists
    $139.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • Fiddler On The Roof (Original Broadway Cast) Fiddler On The Roof (Original Broadway Cast) Quick View

    $34.99
    Buy Now
    x

    Fiddler On The Roof (Original Broadway Cast)


    Cut From The Original Stereo Tapes By Ryan Smith At Sterling Sound


    Legendary 1964 Stereo Recording On 180-Gram Vinyl For The First Time


    Housed In A Stoughton Old Style Tip-on Jacket


    180-Gram Vinyl Pressed And Plated At RTI


    Revival Of Musical Is Currently Playing On Broadway At The Broadway Theatre


    Based on Sholom Aleichem's stories about a poor milkman in late 19th century Russia, and the five daughters for whom he seeks significant weddings, this great musical, which opened at the Imperial Theatre on September 22, 1964, benefited from the portrayal of Zero Mostel as Tevye, and Jerome Robbins' splendid choreography in Boris Aronson's sets inspired by the paintings of Marc Chagall. In the profuse score created by Jerry Bock and Sheldon Harnick, If I Were A Rich Man stands out as the anthem of everyone looking for a better life. Before she became Mame's bosom buddy and a television Golden Girl, Bea Arthur played Yente, the matchmaker; and Maria Karnilova traded her stripper's outfit in Gypsy for the torn dress worn by Golde, Tevye's long-suffering and silent wife. Others who shone in the cast included Julia Migenes as Hodel; Bert Convy as Perchik, the student; Austin Pendleton, as Motel, the tailor; and Leonard Frey, as Mendel, the rabbi's son. Even though several actors (Herschel Bernardi, Luther Adler, Harry Goz, among others) played the milkman during the show's long run of 3,242 performances, Mostel's portrayal remains its supreme incarnation.

    1. Prologue: Tradition
    2. Matchmaker
    3. If I Were a Rich Man
    4. Sabbath Prayer
    5. To Life
    6. Miracle of Miracles
    7. The Dream
    8. Sunrise, Sunset
    9. Wedding Dance
    10. Now I Have Everything
    11. Do You Love Me?
    12. The Rumor
    13. Anatevka
    Various Artists
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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