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The MugicianGrammy Award winner, Keyon Harrold, one of the world's most sought-after genre-bending trumpeters, will release The Mugician via Legacy Recordings/Mass Appeal Records.
Long known as the artist's artist - he has worked with Maxwell, Common, BeyoncÉ, Jay-Z, Rihanna, Eminem and a long list of the world's top musical icons - The New York-based musician now takes center stage with a captivating LP that ponders the fears and frustrations of a divided country while yearning for justice and peace.
As the word "Mugician" is an impromptu hybrid of words, this album is an accumulation of Keyon's eclectic tastes, with stylistic twists and turns everywhere taking cues from jazz, hip-hop, blues, rock, reggae, and rap. The new LP features an all-star list of collaborators, including Gary Clark Jr., Big K.R.I.T., Bilal, Pharoahe Monch and Robert Glasper. From spiritual chants and soulful singing to bombastic expressions of frustration and melodic pleas for understanding, Keyon's arrangements color the different ways to hear the world in 2017.
If there are echoes of Miles Davis in Keyon's style and sound, it's no mere coincidence; Keyon played the trumpet sound of Don Cheadle playing Davis in his 2015 biopic Miles Ahead and on its Grammy-winning soundtrack. Don reflects on this and the birth of The Mugician, the nickname that came from that project, in the liner notes, which he contributed to the album.
Ferguson holds a large presence throughout The Mugician. The instrumental "MB Lament" is a tribute to Michael Brown as strings echo a smoking gun while the bass line repeats over and over, reminiscent of the frequency of gun violence and systemic police brutality. "When Will It Stop" answers the calling of "MB Lament" as actor and comedian Guy Torry, also from the St. Louis area, uses humor to confront bigotry, sexism, racism, and more while Keyon leads a driving groove. And on "Circus Show," Keyon and Gary Clark Jr. trade verses and hooks while trying to make sense of America's "Broken" newscast over the repeated phrase "What's going on?"
Themes of home and family loom large on The Mugician. With nine brothers and seven sisters, several of whom are also accomplished musicians, Keyon considers family essential; the album opener "Voicemail" features Keyon's own mother encouraging her son to stay true to himself and to never give up in the face of trials and tribulations. The Mugician is Keyon upholding his mother's wisdom.
Keyon Harrold has become one of the most sought-after trumpeters in the world having been featured on nearly 100 albums spanning jazz, R&B, pop, gospel, blues, and hip-hop. Harrold has recorded with the world's leading artists from Maxwell to Keith Richards and has toured with music's most bold-faced names including BeyoncÉ, Jay-Z, Rihanna, Common, Maxwell, Mary J. Blige, Eminem, D'Angelo and the Vanguard, and more. In 2016, Keyon released "Running (Refugee Song)" in collaboration with songwriting partner Andrea Pizziconi as part of their initiative Compositions for a Cause. The song, also featuring Grammy Award-winning rapper Common and Grammy Award-winning singer Gregory Porter was included on Billboard's list of "6 Songs Offering Hope & Perspective During Immigration Ban" this past January.
Legacy Recordings and Mass Appeal Records have combined their creative and marketing resources in a first-of-its-kind collaboration on behalf of Keyon Harrold's, The Mugician. "We couldn't be more proud of signing Keyon Harrold and of the album he's made," said Adam Block, President of Legacy Recordings."We're especially excited by the record's range of repertoire and the broadness of Keyon's appeal. Working with Mass Appeal, who've long been champions of Keyon's, exponentially expands our ability to reach fans with Key's music and the creativity and channels with which we'll do that."1. Voicemail (feat. Shirley Harrold)
2. The Mugician (feat. Josh David Barrett)
3. MB Lament
4. When Will It Stop? (feat. Guy Torry)
5. Wayfaring Traveler (feat. Jermaine Holmes, Georgia Anne Muldrow, and Robert Glasper)
6. Stay This Way (feat. Bilal and Big K.R.I.T.)
8. Her Beauty Through My Eyes (feat. Pharoahe Monch)
9. Ethereal Souls
10. Broken News (feat. Andrea Pizziconi)
11. Circus Show (feat. Gary Clark Jr.)
12. Bubba Rides Again$19.99Vinyl LP - Sealed Buy Now
Comin' Through (Pure Pleasure)This is an outstanding example of Funk-Jazz from the Funk Surgeon Eddie Henderson, which is a classic. The funk starts straight away with the exciting "Say You Will", orthodox but compelling, a hunk of funk featuring subtle string machine riff from Ms. Rushen with sterling trumpet solo work from the Surgeon himself. With a slower rhythm, there's a deliberate funk in "Open Eyes", though it is far more controlled and also features a chant vocal from Diane Reeves. A more mellow "Morning Song" follows - penned by featured keyboard maestro, George Cables, - Eddie is right to the fore throughout. Eddie closes side one out via the mid tempo but quite gritty "Movin' On" it takes a little time to settle in, building into something of a climax - and again Eddie's solo work is superlative.
As with side one, side two opens with a Mtume creation - this time, you'll find "Source" a controlled yet irresistibly funky track built around some eerie but effective sound effects as Eddie solos the simple melody. But it's funky! "The Funk Surgeon" lives up to it's name, a very compelling piece of music that is second only to "Say You Will" in terms of uninhibited excitement on the album. "Beyond Forever", another George Cables creation, is the nearest this album comes to the old-style, orthodox jazz of yesteryear. As would be expected, "Connie" is a wistful, gentle little ditty that ends the album on a sentimental note and with Eddie showing his natural ability to play something mellow.
- Eddie Henderson (trumpet, fluegel horn)
- Patrice Rushen (keyboards, bass, percussion, vocal)
- Mtume (keyboards, conga, percussion, vocal)
- Philip Bailey (conga, vocal)
- Diane Reeves (vocal)
- Lee Ritenour (guitar)
- Howard Locksmith King (drums)
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Say You Will
2. Open Eyes
3. Morning Song
4. Movin' On
6. The Funk Surgeon
7. Beyond Forever
8. Connie$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
In Paris: The ORTF RecordingsLimited Edition 180 Gram Vinyl Pressing Of 2,000
Gatefold LP Includes Booklet With Essays, Unpublished Photos, Collector Postcards
Mastered By The Legendary Engineer Bernie Grundman
Resonance Records, in partnership with the National Audiovisual Institute (INA) of France, is pleased to announce the release of Larry Young In Paris/The ORTF Recordings. Presenting groundbreaking performances by jazz organist and pianist, Larry Young, these studio and live recordings from 1964 and 1965 made for French Radio and never before issued on record will be released in a limited edition 2-LP set.
Producer Zev Feldman notes, It's particularly exciting because none of this music has ever been heard before except on its initial broadcast in France five decades ago. I think that's something to celebrate and a call for us all - as we often do with the archival recordings we at Resonance Records uncover - to revisit and discuss this legendary artist's legacy.
Musicians featured on these recordings include trumpet legend Woody Shaw, tenor saxophonist and bandleader Nathan Davis and drummer Billy Brooks. An international cast of supporting players: French pianist Jack DiÉval tenor saxophonist Jean-Claude Fohrenbach and bassist Jacques B. Hess; Italian drummer Franco Manzecchi, Jamaican trumpet player Sonny Grey and Guadaloupean percussionist Jacky Bamboo round out the personnel. This album marks the first new release of Larry Young music in thirty-eight years.
This project came about in 2012 when Resonance Records producer Zev Feldman traveled to France to explore the ORTF (Office of French Radio and Television) archives (the media vaults overseen by the French National Audiovisual Institute (INA) in the hope of finding undiscovered treasures, which he suspected he might find there. Feldman asked INA executives about specific artists and was stunned to learn that the vaults contained recordings documenting some of the greatest American jazz musicians who lived in - or visited - Paris in the 1960's, including Larry Young. Resonance Records presents in this album tapes that had been sitting idly in the vaults for nearly 50 years, scrupulously maintained by INA. Resonance will also be releasing other future projects from the INA vaults. More details to come soon. Producer Feldman states, It's been a thrill of the lifetime working with Christiane Lemire, Laure Audinot and Pascal Rozat at INA France to find this great music and shepherd this release. No question about it, this project represents jazz through diplomacy and the greater good of a mission. These recordings showcase American artists who found their home and voice in Europe at a time when the American landscape wasn't always as supportive. Feldman continues, When we started to explore the vaults of ORTF and search for recordings to release, we had a wish list of various artists we were on the hunt for, but Larry was the one artist whom I personally felt we needed to look extra hard for. I couldn't be more thrilled with what we found and which we are now releasing. I hope we'll all revisit this genius's legacy and appreciate why he mattered so much.
While in France, Larry Young recorded at the ORTF Studios in Paris (now Maison de Radio France) as a sideman with the Nathan Davis Quartet, the Jazz aux Champs-ÉlysÉes All-Stars and with his own piano trio which included bassist Jacques B. Hess drummer and Franco Manzecchi. Larry Young In Paris/The ORTF Recordings includes selections from the original tapes, which were recorded specifically to be broadcast on French Radio. As noted, the only time these recordings have been shared with the public were on their original broadcasts on two iconic monthly French radio programs: Musique aux Champs-ÉlysÉes, hosted by French musician and producer Jack DiÉval; and Jazz sur scène, hosted by producer and jazz scholar AndrÉ Francis. Shortly after these recordings were made, Larry Young returned to New York to record the classic album Unity, his second album for Blue Note.
Larry Young died at the tragically young age of 38 in 1978. Larry Young In Paris: The ORTF Recordings is a tribute to his memory and endorsed by the estate of Larry Young. Produced by Zev Feldman with Executive Producers George Klabin and Michael Cuscuna. Sound Restoration by Fran Gala and George Klabin. Mastering by Fran Gala at Resonance Records Studios.LP 1
1. Trane of Thought
2. Talkin' About J.C.
3. Mean to Me
4. La Valse Grise
1. Luny Tune
2. Beyond All Limits
3. Black Nile
5. Larry's Blues$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Miles Davis - A Tribute To Jack Johnson (Out Of Stock)Audiophile Reference Sonics: Mobile Fidelity LP Presents Lean, Stripped-Back, and Open Sound With Startling Immediacy and Realism
Soundtrack Merges Electric Fusion, Slashing Rock, and Aggressive Funk Via Astounding Lineup: Guitarist John McLaughlin and Trumpeter Davis Turn In Blistering Performances
Powerhouse 1971 Album the Greatest Jazz-Rock Record Ever Made
The album cover to Trust speaks volumes: Elvis Costello, bathed in shadows, his eyes nervously peering out from behind his sunglasses, his face conveying a combination of edgy noir purpose and guilt-ridden anxiety. Indeed, the tension-rich songs within largely convey the opposite meanings of the record's title, with the British icon musing on what lies beyond arrogant youth and immediate success with a jaundiced, scarred perspective informed by his country's political climate and his own experiences.
Miles Davis' A Tribune to Jack Johnson is the best jazz-record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard" as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio. Mobile Fidelity's sterling reissue brings it all to fore with unsurpassed realism.
Mastered from the original master tapes and pressed at RTI, this collectable audiophile vinyl version of A Tribute to Jack Johnson joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. The most prominent difference longtime fans will notice is how much more aggressive and immediate the music sounds, aspects central to the composer's desires. Amazing degrees of instrumental separation and imaging allow you to focus on singular musicians and the roles they play.
Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz. Davis puts both feet in the former camp and permanently erasing any gap. In addition to highlighting McLaughlin's ripping performances, Mobile Fidelity's 180g LP showcases the headliner's white-hot trumpet solos like never before. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and three-dimension bass lines emerge amidst an ink-black background.
This title is not eligible for discount.1. Right Off
2. Yesternow$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
Bringin' It (Out Of Stock)Iconic bassist Christian McBride has been doing what the title of his upcoming big band album implores for years: Bringin' It. This highly anticipated release, which follows the Christian McBride Big Band's 2011 Grammy® Award-winning debut, The Good Feeling, puts his status and skills as an all-around entertainer on full display. With a list of growing accolades including his recent appointment as Artistic Director at the Newport Jazz Festival, hosting shows on SiriusXM ("The Lowdown: Conversations with Christian") and NPR ("Jazz Night in America," as well as frequent online contributions to various programs including "All Things Considered"), speaking engagements, and occasional DJ performances under the alias DJ Brother Mister, he's more than just a bandleader: Christian McBride is transcending that title to something more complete.
If it is true that jazz is a sponge for musicians to absorb and then squeeze out what they hear to produce their own sound, McBride has been "bringin' it" for quite a long time. From his amazing quintet, Inside Straight, to his avant-garde leaning quartet, New Jawn, the contemporary sound of his fusion group, A Christian McBride Situation, to the critically acclaimed music he's made with his trio, the bassist has always disseminated his own unique 360-degree view of jazz.
While the music played by the Christian McBride Big Band is on the cutting edge of 21st century large ensemble music, the orchestra's presentation, like its sound, respects the past while looking forward. Danny Ray, the legendary stage announcer for James Brown, travels with the group to give the leader an old-school intro before playing his thoroughly modern music. "I love having the show aspect of it as well, with Danny Ray there, and being able to create somewhat of a show while also having Melissa there as our vocalist."
That would be Melissa Walker, who graces Bringin' It on two tracks: "Upside Down," originally done by Brazilian superstar Djavan, and the unlikely slick arrangement of "Mr. Bojangles." In addition to maintaining a career in jazz, Walker is also the co-founder of Jazz House Kids, the award winning jazz education center and she's Mrs. Christian McBride.
Only two tracks on this 11-song set were not arranged by the leader: the "Upside Down" arrangement was contributed by Norman Simmons, while "Optimism" is from the person he's known the longest in his band, trombonist Steve Davis. Davis has the distinction of being the very last Jazz Messenger that Art Blakey hired before he died in 1990.
"I saw that last Jazz Messengers band that Steve was in," McBride remembers. "Blakey was a huge influence on me and because of that, Steve and I share the same compositional and arranging DNA. You see, even though I've been influenced by every great big band and every great arranger I've ever heard, three of my greatest influences - not just as composers but also as improvisers - are Freddie Hubbard, Wayne Shorter and Cedar Walton. I mean before, after and during the period when they were with Art Blakey & the Jazz Messengers."
McBride played bass for Freddie Hubbard's quintet for nearly three years starting when he was 18. One of the songs he loved to play with the legendary trumpeter was "Thermo." A few years ago he brought this arrangement to a gig with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. When the four trumpeters had to work hard to go over the riffs in the tune, McBride felt a certain pride. "I just thought that Freddie was somewhere up in heaven laughing," says McBride.
Perennial poll-topping arranger Maria Schneider has also been an influence on McBride. He cites times when he'd just bug her for hours, peppering her with questions, particularly on a recent trip to Europe. He honors her with his rendition of "I Thought About You." "She has an arrangement of 'Giant Steps' where she arranged the melody over a D pedal so I said let me try something like that," McBride recounts. "That's where that came from. She really gave me a lot of information and has been a great influence on me."
Another aspect that has helped the bassist find his voice as an arranger is the fact that, except for drummer Quincy Phillips, this is the exact same band that recorded with him six years ago. "These guys know my sound. They know my style. They know what my compositional and arranging DNA is. I've been able to keep the exact same unit, so like Duke Ellington used to do, I can write for my guys because I know their sound and style.
"As for my originals, they all have been recorded with my small groups," he continues on about the tracks "Gettin' To It," "Youthful Bliss," and "Used'ta Could." "As an arranger I'm still in the early stages of my development so it seems to me the best way to really make my hopeful ascension into a better arranger is to obviously take a song I've already written and try to add to that and make it a worthy large ensemble song."
While the Wes Montgomery smoker "Full House" isn't a McBride original, it is part of his development as an arranger - it's a big band chart he first created for guitarist Russell Malone at Jazz Aspen in 2009. He says he's tweaked it since then for his go-to guitarist Rodney Jones. For the McCoy Tyner classic "Sahara," the bassist channeled his 20+ years of playing with the legendary Chick Corea, for which McBride won two of his five Grammys. Another one of his Grammys came from a co-op project with Tyner. "I always thought of Chick, in his early years, as being a branch from the tree of McCoy Tyner, if you will," he commented.
McBride's work ethic is evident in the challenge he set for himself on the steamy old ballad "In The Wee Small Hours of the Morning." "I decided to torture myself by writing that arrangement in the key of B. To me that's a very pretty key, but it is a very hard key for a double bass because I get to play no open strings," McBride explains. "When I play it live, every bass player in the house comes to me and says, 'is that in B? Why do you do that?' Maybe it's because I'm crazy, but I really wanted to do something difficult and keep myself on my toes."
Planning to keep this group simmering while he simultaneously resurrects his Inside Straight band and introduces his new trio, Tip City, McBride is most excited to embrace the golden age of big bands while they continue bringin' it with more gigs and their first European tour. "With my big band I try to combine all of my journeys and goals as a musician and then try to put it in a wrapper of show business," the five-time Grammy® Award-winner comments. "I really think in that sense I'm following something of a big band tradition."1. Gettin' To It
3. Youthful Bliss
4. I Thought About You
6. Upside Down
7. Full House
8. Mr. Bojangles
9. Used 'ta Could
10. In The Wee Small Hours Of The Morning
11. Optimism$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock