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Here Come The Warm Jets

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  • Taking Tiger Mountain (By Strategy) (Half-Speed Master) Taking Tiger Mountain (By Strategy) (Half-Speed Master) Quick View

    $35.99
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    Taking Tiger Mountain (By Strategy) (Half-Speed Master)

    'Taking Tiger Mountain (By Strategy)' Is Presented Over Two 180-Gram Discs Which Play At 45 RPM For Optimum Sound Quality

    High-Resolution Mastering From The Best-Known Sources And Half-Speed Cutting Were Supervised By Miles Showell At Abbey Road Studios

    Housed In A Gatefold Jacket

    Contains An Obi And Abbey Road Half-Speed Master Certificate

    Originally released by Island Records in November 1974, 'Taking Tiger Mountain (By Strategy)' picks up stylistically where its trailblazing predecessor 'Here Come The Warm Jets' left off earlier in that same year. Here, a more assured Eno is at the helm, enlisting the help of his friends The Winkies, former Roxy Music band members Phil Manzanera and Andy MacKay, Robert Wyatt from Soft Machine and Phil Collins of Genesis / Brand X.

    This new gatefold 2LP vinyl edition of 'Taking Tiger Mountain ' is presented over two 180GM discs which play at 45rpm for optimum sound quality. High resolution mastering from the best-known sources and half-speed cutting were supervised by Miles Showell at Abbey Road Studios. Each album contains an Obi and Abbey Road Half Speed Master certificate.

    LP 1
    1. Burning Airlines Give You So Much More
    2. Back In Judy's Jungle
    3. The Fat Lady of Limbourg
    4. Mother Whale Eyeless
    5. The Great Pretender


    LP 2
    1. Third Uncle
    2. Put A Straw Under Baby
    3. The True Wheel
    4. China My China
    5. Taking Tiger Mountain

    Brian Eno
    $35.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2LPs Sealed Buy Now
  • Here Come The Warm Jets Here Come The Warm Jets Quick View

    $18.99
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    Here Come The Warm Jets

    First released in January 1974, 'Here Come The Warm Jets' was Brian Eno's debut solo release following his departure from Roxy Music. The album draws on both his glam and prog roots but its experimental nature also made it quite unlike anything that'd ever come before. It was also to prove a huge influence on the best of the British punk and post-punk bands that followed it.
    1. Needles In The Camel's Eye
    2. The Paw Paw Negro Blowtorch
    3. Baby's On Fire
    4. Cindy Tells Me
    5. Driving Me Backwards
    6. On Some Far Away Beach
    7. Blank Frank
    8. Dead Finks Don't Talk
    9. Some Of Them Are Old
    10. Here Come The Warm Jets
    Brian Eno
    $18.99
    Vinyl LP - Sealed Buy Now
  • Taking Tiger Mountain (By Strategy) Taking Tiger Mountain (By Strategy) Quick View

    $18.99
    Buy Now
    x

    Taking Tiger Mountain (By Strategy)

    Originally released by Island Records in November 1974, 'Taking Tiger Mountain (By Strategy)' picks up stylistically where its trailblazing predecessor 'Here Come The Warm Jets' left off earlier in that same year. Here, a more assured Eno is at the helm, enlisting the help of his friends The Winkies, former Roxy Music band members Phil Manzanera and Andy MacKay, Robert Wyatt from Soft Machine and Phil Collins of Genesis / Brand X.
    1. Burning Airlines Give You So Much More
    2. Back In Judy's Jungle
    3. The Fat Lady of Limbourg
    4. Mother Whale Eyeless
    5. The Great Pretender
    6. Third Uncle
    7. Put A Straw Under Baby
    8. The True Wheel
    9. China My China
    10. Taking Tiger Mountain
    Brian Eno
    $18.99
    Vinyl LP - Sealed Buy Now
  • New Masses For Squaw Peak New Masses For Squaw Peak Quick View

    $16.99
    Buy Now
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    New Masses For Squaw Peak

    New Masses for Squaw Peak gifts unto us bold, surprising new textures and denser, cheekier ideas and themes. Its packed tight with style: gauze-flange experimentation; jazz-chord death-pop; shifty proto-prog; historical and personal mythologies weaved through its passages. Yet, claustrophobic it is not. New Masses for Squaw Peak is as wide-open of a landscape as its title may suggest. It is also a well-traveled collection of songs: laid to tape in the belly of an abandon Philadelphia textile factory; run through three mixing boards by three separate sets of hands; and ultimately sculpted into its final form by the gentlemen to conjured it in the first place. And oh joy, what conjuring.


    Mystics Pharaohs (Masc. Pharaohs) begins with a big, fat wink to Enos Here Come the Warm Jets (a hallmark of Squaw Peak) before descending into its own purply blackhole of dark, dissonant whitefunk. A metallic sonic fog allows guitar stabs and squalls, and the pings of ringleader Nathan Pembertons vocal calls, to hit you twice then thrice, then unravel out into the cosmos. All players here (multi-instrumentalists Josh Martin and Brian Forfa; and drummer John Frank) are using both sides of the brain at every turn, the instinctual, tribal rhythm with which we are born and the semi-learned, nervy way we manipulate that instinct. The instinct that tells us to stay and play inside our comfort zone, and the secret instinct to see what lies just beyond its boundary. Cor-Du-Roi, another standout, is almost perpendicular to Mystics Pharoahs with its shambling, assured pace and melodies all tinny and distant. Its a risky number for Holiday Shores in its maturity and subtle composition. It also just might be their most inspired, beautiful piece to date. We find this kind of maturity and patience again with deep-cut Coming to Shores, an ambient-pop sci-fi wash that almost falls into the new classical phylum.


    Pemberton and Martin prove time and again that they share more than just a keyboard table in the live setting; they share an endlessly searching, creative brain. Pembertons jazz keyboards are often interlocked with Martins plinkety-plankety lyrical guitar. On Shadie Spun Gold and in other spots, like pulsing leadoff track Airglow their separately played parts are hocketed to create the larger melody, with notes falling just left of where Steely Dan might drop them (which sounds awesome). Holiday Shores might be prog-rock in the way that Ariel Pink might be prog-rock. Its shape-shifting pop songcraft that will slip from your fingers like a sea cucumber the very second you think you have hold.

    1. Airglow
    2. We Couldn't Be Together
    3. Threepeat Got Old
    4. Ocotillo Dripping
    5. Spells
    6. Squaw Peak
    7. Mystic Pharaohs (Mas Pharaohs)
    8. Coming To Shores
    9. Cord-Du-Roi
    10. New Masses
    11. Injun
    12. Shadie Spun Gold
    Holiday Shores
    $16.99
    Vinyl LP - Sealed Buy Now
  • Scorpion Child Scorpion Child Quick View

    $24.99
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    Scorpion Child

    Black Double-LP in Gatefold

    Includes Bonus Track and Poster. Side D: Etched!


    Hooks: a musical idea or short riff, passage, or phrase that catches the ear of the listener. Some bands have 'em, most don't. Austin-based five-piece SCORPION CHILD have 'em in spades. Whether it's an extended blues jam or a short slice of bombastic heavy rock "The Child" lay a hook so tasty everyone bites. SCORPION CHILD come from lots of different places, not only logistically but musically. Their sound heralds back to early 70's kraut and psych-rock with a modern twist and lists PENTAGRAM, HAIRY CHAPTER and LUCIFER'S FRIEND as influences. They originally formed in 2006 and have spent the last few years perfecting both their songwriting and stage presence. Aryn Jonathan Black fronts the outfit with a siren-like voice reminiscent of a young Robert Plant. Guitarists Christopher Jay Cowart and Tom Frank layer high-energy twin-guitars over the band's driving rhythm section fueled by Shaun Avants (bass) and Shawn Alvear (drums). "Our influences are diversified as classic 80's thrash metal to the old school southern blues of Blind Willie Johnson, Lemon Jefferson and Willie McTell," says Black. "We came to Austin to form a band with a single vision and though we've played in different bands with a range of styles, after jamming together, we found our footing in what we do best." Balancing full-time jobs at coffee shops and bars around town forced the group to be very disciplined. "Austin's a great city to develop and hone your skills musically," admits Black. "Every genre can be found here from blues and jazz to punk and hardcore." In 2010, after years of slogging it out in the Austin scene, SCORPION CHILD gained peer recognition with critical praise from local and regional press while selling out high profile gigs at SXSW. The stage was set for the band's recording debut. After songwriting sessions in Nashville, the band spent last year recording their self-titled album with Grammy-nominated producer Chris "Frenchie" Smith known for his work with THE ANSWER, JET, AND YOU WILL KNOW US BY THE TRAIL OF DEAD, DAX RIGGS, and many others). The result is a hybrid of nine, hook-filled heavy-psych classics that breathe new life into a stale hard rock market. Their music erupts with big drums, thunderous guitar riffs and dangerous soul ridden bass lines. Black's powerful rock vocals convey a sexiness and swagger not heard since the days of FREE and HUMBLE PIE. A surge of electricity bursts from the first notes of "Kings Highway" to the pummeling drive of "The Secret Spot" and the highly addictive open-chord "Liquor". Built for the big stage is "Salvation Slave" which hearkens back to a time when guitar rock ruled the airwaves and made going to a concert the ultimate main event. Building on dynamic tension comes the acid-infused "Antioch", a progressive number with hypnotic beats and subtle shades of light that build into a blinding guitar duet. A galloping pulse distinguishes "In The Arms of Ecstasy" as a celebration of groove that is followed by the raw unchained riffage of "Paradigm". The album concludes with the slow building "Red Blood (The River Flows)" which continues to attract comparisons to LED ZEPPELIN. "We do have this whole acoustic side that sounds very ZEPPELIN III with a lot of gospel", says Black. "ZEPPELIN were very innovative and not afraid to go outside the usual confines of electric blues. I guess that's where the comparison comes from." Recently signed to legendary metal label Nuclear Blast the band has pulled "Polygon of Eyes" as their lead single. A nod to DIO-era RAINBOW, the song is four minutes of power-heavy rock plowing through an ancient storyline of swords and mystics. Says Black, "I've always wanted to hear new musical ingredients within a classic heavy sound. We want to maintain spontaneity while putting special emphasis into integral hooks." As vinyl continues to gain momentum, SCORPION CHILD with Nuclear Blast have plans to release their debut in June 2013 as a glorious gatefold edition with different colored vinyl in each pressing. Building up to the debut release was a large-scale tour with CLUTCH and UK's ORANGE GOBLIN the perfect event to introduce SCORPION CHILD to the masses. Several summer festivals are to follow including Rock The Range and Rocklahoma. The band join an elite few including THE SWORD, GRAVEYARD, WOLFMOTHER and RIVAL SONS who celebrate a warm Marshall and liquid feedback while still pushing boundarie

    1 Kings Highway
    2 Polygon Of Eyes
    3 The Secret Spot
    4 Salvation Slave
    5 Liquor
    6 Antioch
    7 In The Arms Of Ecstasy

    8 Paradigm
    9 Red Blood (The River Flows)
    10 Keep Goin' (LUCIFER'S FRIEND cover)
    Scorpion Child
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
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