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The Boy Who Died WolfPressed On Opaque Blue Colored Vinyl
The Boy Who Died Wolf is the sophomore LP from Highly Suspect, a Bed-Stuy, Brooklyn-based rock trio comprised of Johnny Stevens (guitars/vocals), Rich Meyer (bass/vocals) and Ryan Meyer (drums/vocals).1. My Name Is Human
2. Look Alive, Stay Alive
3. Little One
4. For Billy
7. Send Me An Angel (Real Life cover)
8. Viper Strike
11. Wolf$22.99Colored Vinyl LP - Sealed Buy Now
Mister AsylumHot Pink Colored Vinyl
Debut album Mister Asylum produced and mixed by Joe Hamilton (Black Keys, Elvis Costello, Tom Waits). Band drawing comparisons to Queens of the Stone Age, Royal Blood, Band of Skulls and early Kings of Leon.1. Mister Asylum
4. Bath Salts
5. 23 (feat. Sasha Dobson)
8. F**k Me Up
10. Claudeland$17.99Colored Vinyl LP + CD - Sealed Buy Now
Silver KobaltIn between work for Björk, The Cinematic Orchestra and Anoushka Shankar, the prodigious Hang player and percussionist Manu Delago has inked a deal with Tru Thoughts to release his own new album, 'Silver Kobalt'. The ambitious LP draws lines from pop to the avant-garde.
Aged just 30, Manu Delago is the world's leading Hang player (with 5 million YouTube views for his DIY performance video "Mono Desire") and possesses equally virtuosic skills as a percussionist and drummer alongside ever maturing instincts as a songwriter and producer. The accessible yet startlingly original sound of 'Silver Kobalt' draws on the experience and ideas built up by the London based Austrian native across a high-flying and diverse career to date. From overachieving teenaged rock bands, through extensive classical training; from his exploits at the cutting edge of art pop as the lynchpin of Björk's band, to a London Symphony Orchestra commission which saw him playfully subverting their expectations; this endlessly curious artist has been honing his own style rich in melody, wit and invention.
The title, 'Silver Kobalt', plays on the strangely linked themes of magnets, goblins and human behaviour. Throwing a pair of small magnets in the air one day, Delago recorded their frantic, thrumming sound for the track "Plus Minus"; he also experimented with the detuning effect of a magnet on the Hang. Magnet fascination deepening, he read that some rare elements are permanently magnetised, of which one is cobalt. Then, up popped the pleasing story that cobalt was actually named after the German word for 'goblin' ('kobold') by hapless silver miners who suspected little kobolds had taken all the silver and left them with this substance. Further reading revealed also that all humans contain cobalt which we need to survive. "I really enjoyed this string of information", he says. "As well as this fun idea of little goblins within us, it really struck a chord because I had been thinking a lot about attraction and repulsion - what makes people magnetically drawn to some things, away from others - and that is a strong theme in the music. 'Silver Kobalt' tied it all together."
Tying together the many sonic threads is co-producer Matt Robertson (Björk, The Prodigy, The Streets, Bat For Lashes), following his work on Delago's acclaimed 2013 LP 'Bigger Than Home', the record on which he began to truly develop his current sound. This is a sound that revolves around the unique timbre of the Hang, but encompasses much more, from acoustic percussion, bassoon, piano and chimes to multi-layered beats and a variety of synths.
The hypnotic, nursery rhyme-like Hang melody of lead single "Disgustingly Beautiful" feat. Isa Kurz opens the album; the affecting vocals of Kurz (also the pianist and violinist on record and in the live outfit Manu Delago Handmade) ride a bass-heavy undercurrent, with added beats from Grammy nominated producer j.viewz. On the spiky yet melodically catchy "Plus Minus", the aforementioned magnet theme is extended into the composition, with two main lines that are pulled together and pushed apart. "Drumheart feat. Anil Sebastian" is pristine bassy pop lifted onto another plane by the haunting, androgynous vocals of the up-and-coming singer.
Stealthily moving into a fascinating instrumental section, "Down to the Summit" (which, unusually, uses the Indian drone instrument Surpeti for harmony) leads to the punchy, subby Hang sound and four-handed piano tinkering of "Wandering Around" and on to the joyful "Simon is Psychling", which calls to mind a DJ with speakers on a bike, circling a big field, one lap bringing a bassoon solo, another an industrial noise-fest. Restoring calm, "Sun In The North feat. Isa Kurz" is a potent lyrical snapshot from a day on the beach on Reunion Island in the Indian Ocean, its rhythms inspired by playing with Indian musicians there. Cobalt gets its glory in the shape-shifting "Chemical Reaction feat. Rahel", and the lovelorn "Dearest" was conceived on tour in Australia where Delago captured the fairytale vocals of celebrated Australian folk singer Katie Noonan. "Almost Thirty", in Delago's words, "draws a bow from Eurotrash Dance Music to Austrian folk music, with some brainy immature rhythm ejaculations in between"; a banger that skirts the border between strange-town and club-land, it is a thrilling way to see out both his third decade on Earth and the album.
Having been given his first drum kit aged two, also learning the accordion and piano in childhood, Manu Delago was a professional performer by his teens, but it was in 2003, when he began playing the Hang - an enchanting new sound sculpture from Switzerland - that he discovered his passion for writing music. On graduating from the university Mozarteum in Innsbruck, he moved to London and studied at Guildhall School of Music & Drama and Trinity College of Music. With this pedigree, the lessons learned from collaborating with his heroes, and influences from The Prodigy to Bon Iver, Michael Jackson to Stravinsky and Beyonce to Rage against the Machine, his music is as impeccably realised as it is impossible to classify. Delago has featured heavily in the world's media, having toured on six continents and played festivals including Shambala, Green Man, Haldern Pop, Reeperbahn, Eurosonic and Popfest Vienna.1. Disgustingly Beautiful feat. Isa Kurz
2. Plus Minus
3. Drumheart feat. Anil Sebastian
4. Down to the Summit
5. Wandering Around
6. Simon is Psychling [sic]
7. Sun in the North feat. Isa Kurz
8. Dearest feat. Katie Noonan$14.99Vinyl LP - Sealed Buy Now
Power GamesPressed On Brown And Green Camo Vinyl
First-Ever Vinyl Reissue
Limited To 700 Copies
This lost 1982 NWOBHM classic foretold the emergence of speed and thrash metal with high RPM work-outs like Coldheart, No Lies, and Dutch Connection. Was it a coincidence that Metallica's Kill 'Em All came out the following year? Maybe, but one could easily suspect that Power Games was on the Metallica turntable.
Jaguar along with Bronze label-mates Raven was definitely the most balls-out outfit in the New Wave of British Heavy Metal scene, and this record, aside from one mid-tempo track (Rawdeal) is pure pedal-to-the-metal metal.
Our first-ever vinyl reissue comes in green and brown camo vinyl limited to 700 copies!1. Dutch Connection
2. Out Of Luck
3. The Fox
4. Master Game
5. No Lies
6. Run For Your Life
8. Ain't No Fantasy
9. Raw Deal
10. Cold Heart$22.99Colored Vinyl LP - Sealed Buy Now
Debussy - Nocturnes / Ravel - Daphnes et Chloe (Speakers Corner)
With his Nocturnes, Debussy's vision of music inspired by Nature enters a new sphere. His first multi-part orchestral work the composition was originally conceived for violin but was published as a vocal-symphonic work offers a wealth of subtleties as regards melody and sound coloring, the likes of which had never been heard before in Debussy's oeuvre. Unlike traditional orchestral writing, the woodwinds here provide vitality with a wide spectrum of tonal coloring while the strings unroll a dynamically finely graded carpet of sound. Absolutely innovative is the wordless female chorus in the third movement whose voices combine with the instruments to produce a mysterious tonal concoction.
Debussy's compatriot, Ravel, went to even greater lengths in his Daphnis and Chloe Suites. As the instrumental distribution leads one to suspect full orchestra plus 15 percussion instruments, chorus and wind machine the work is a full-fledged modern-age French choreographic symphony and one of the greatest compositions of its time. It is almost superfluous to mention that a thrilling performance of both works can only be achieved by the very best of symphony orchestras.
Recording: March 1961 at Cass Technical High School Auditorium, Detroit (MI), USA,
by Robert Eberenz / Production: Wilma Cozart-Fine
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.
and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Claude Debussy: Nocturnes: Nuages, Fêtes, Sirènes
2. Maurice Ravel: Daphnis et ChloÉ Suite Nr. 2
3. Claude Debussy: Nocturnes: Nuages (Clouds), Fêtes (Festivals), Sirènes (Sirens)
4. Maurice Ravel: Daphnis and ChloÉ Suite No. 2$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Royal Albert HallIn May 2014 EELS embarked on an ambitious fifty-three show world tour. Starting in Phoenix, Arizona and crossing The United States and Canada before rolling through mainland Europe and Great Britain, the band performed spine-tingling shows at New York's Apollo, Chicago's Vic Theater, Los Angeles' Orpheum Theater, The Montreux Jazz Festival and The Amsterdam Concert Hall among many others. On the night of June 30th EELS returned to London's legendary Royal Albert Hall for the first time in nine years to play a stunning show that was filmed and recorded.
In sharp contrast to the previous EELS tour that found the band in track suits playing high octane electric rock & roll, this EELS show was a gentlemen's EELS concert, as EELS leader Mark Oliver Everett, aka E, puts it. Filmed by nine cameras in the gorgeously-lit Royal Albert Hall, the new film and album find the EELS dapperly dressed in suits and ties, and all five band members stretching their musical capabilities past new boundaries, playing songs from 2014's critically-acclaimed THE CAUTIONARY TALES OF MARK OLIVER EVERETT for the first time along with songs spanning the EELS' 19 year career. When they played Royal Albert Hall in 2005 they were accompanied by a string section. This time there are only the five core members of the band on stage throughout the concert, splitting their time between guitar, piano, pedal steel guitar, trumpet, upright and bowed bass, melodica, vibraphone, timpani, drums, concert chimes and glockenspiel. And the results are stunning.
The film features the band backstage preparing for the big night and captures the entire show from start to finish, as it happened, including Everett kissing the spot where John Lennon once stood on the stage, making his way to hug fans all the way around Albert Hall's massive floor, returning for several encores, as well as a surprise phantom encore where Everett's dream of playing the massive Albert Hall pipe organ for some spooky EELS classics finally comes true.
Perhaps as a result of this fantastic show, EELS were quickly invited back for a second 2014 London show and Everett, once heavily-bearded and mistakenly suspected by London police to be a terrorist (while taking a break from press interviews in Hyde Park), was made an honorary citizen of London in a ceremony granting him Freedom of the City.1. Where I'm At
2. When You Wish Upon a Star
3. The Morning
5. Addressing the Royal Audience
6. Mansions of Los Feliz
7. My Timing Is Off
8. A Line in the Dirt
9. Where I'm From
10. It's a Motherf**ker
11. Lockdown Hurricane
12. A Daisy Through Concrete
13. Introducing the Band
14. Grace Kelly Blues
15. Fresh Feeling
16. I Like Birds
17. My Beloved Monster
18. Gentlemen's Choice
19. Mistakes of My Youth/Wonderful, Glorious
20. Where I'm Going
21. I Like the Way This Is Going
22. Blinking Lights (For Me)
23. Last Stop: This Town
24. The Beginning
25. Can't Help Falling in Love
26. Turn On Your Radio
28. The Sound of Fear$37.99Vinyl LP + DVD Box Set - 3 LPs Sealed Buy Now