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Highwayman180 Gram Audiophile Vinyl
Four Legendary Country Artists In One Super-group: Johnny Cash, Willie Nelson, Waylon Jennings And Kris Kristofferson
Featuring The Hit-Singles Highwayman And Desperados Waiting For A Train
The Highwaymen were a country music super-group composed of four of the biggest outlaw country artists: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson. The band was active as a group between 1985 and 1995.
In 1984, Glen Campbell first played the song Highwayman for Johnny Cash. The four were all together in Switzerland doing a television special and decided that they should do a project together. While the four were recording their first album, Marty Stuart again played the song for Cash, saying it would be perfect for them-four verses, four souls, and four of them.
Campbell then played the song and the quartet had the name for their new super-group The Highwaymen, the name of their first album, Highwayman, and the name of their first single. The four thought it was a perfect name for them because they were always on the road and all four had the image of being outlaws in country music.
Both the album and the single eventually reached the top spot on the country music charts.
Their remake of Guy Clark's Desperados Waiting for a Train reached the Top 20. (Clark is frequently referred to as The Fifth Highwayman.)
The four original members starred together in the 1986 film Stagecoach.1. Highwayman
2. The Last Cowboy Song
3. Jim, I Wore A Tie Today
4. Big River
5. Committed To Parkview
6. Desperados Waiting For A Train
7. Deportee (Plane Wreck At Los Gatos)
8. Welfare Line
9. Against The Wind
10. The Twentieth Century Is Almost Over$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Highwayman 2Pressed On180 Gram Audiophile Vinyl
Nominated For A Grammy In The Category 'Best Country Vocal Collaboration'
The Highwaymen was a country music supergroup composed of four of the genre's biggest artists well known for their pioneering influence on the outlaw country subgenre: Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson.
Whenever you combine the greatest men in their trade, you get genius. The album is an amazing compilation of talent and songwriting. These men are legendary country music singers on their own, and when you combine them, you get something special.
Highwayman 2 is the second studio album released by American country supergroup The Highwaymen, which reached #4 on the country album chart. The Lee Clayton- penned song Silver Stallion was the first single and made the country Top 40. The album was nominated for a Grammy for 'Best Country Vocal Collaboration'. Highwayman 2 was produced, once again, by Moman. Six of the songs were written or co-written by members of the group.1. Silver Stallion
2. Born and Raised in Black and White
3. Two Stories Wide
4. We're All in Your Corner
5. American Remains
6. Anthem '84
7. Angels Love Bad Men
8. Songs That Make a Difference
9. Living Legend
10. Texas$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
FainRecorded in a beautiful and isolated house in the Yorkshire Dales, Fain is the sound of a band at the peak of their creative powers. It's an honest and natural album that allows its stories, its melodies, its themes and structures to breathe. The album draws on more traditional English and Scottish folk melodies than anything they've done before, but not straying from the drop-out fuzz-rock route they've made their own, the influences are vast - British rock bands like Groundhogs, Dark, Mighty Baby and Peter Green's Fleetwood Mac are evident in the swirling and distorted guitars throughout Fain, along with the 60s revival folk of Fairport Convention, Nic Jones, and Trees. Additionally they have looked towards Scandinavian's rich psychedelic tradition both new and old - you can hear the likes of Mecki Mark Men, Mikael Ramel and contemporaries Dungen. You can even hear the band's teenage forays into Hip-Hop in the drums of 'Thief' and 'Athol'.
It rained constantly throughout the recording process and the house was so packed with gear and recording equipment the band were forced to sleep in tents and caravans parked outside. Whilst performing, they could look out into the vast countryside and catch sight of buzzards, hares, curlews and hundreds upon hundreds of crows and gulls. The fire was on permanently, overnight and throughout the day. A serene experience that informs every track on the album. It was mixed and finished in the equally rainy London, with additional performances from Olivia Chaney on piano and backing vocals, plus Nic Kearey and Rachel Davies of Stick in the Wheel and Various (XL). Jace Lasek (Besnard Lakes) recorded backing vocals in Vancouver remotely for All Returns.
As evidenced by the first single All Returns, Fain is more lyrically focused than anything they've previously recorded.. The song tells the story of a dream Jack Sharp (guitars/vocals) had during which an acquaintance had looked into his eyes and seen into his soul whilst calmly describing his faults and inner demons, a truly cathartic experience. However, says Sharp, his life is largely too banal for material and he largely draws upon snapshots of history to furnish him with the ideas for lyrics. Stand out track Thief is taken from various stories of highwaymen that had been made famous by broadsheet ballads and plays - the likes of Charles Peace, William Nevison, Jonathan Wild and Jack Sheppard. He delivers this story in first person, almost as if he is playing the part of a complete degenerate with little or no conscience or morals. As Sharp says, It's like a form of tourism. You can visit but not live in the mind of an appalling human being.Empty Vessels
When the Fire is Dead in the Grate
NRR$17.99Vinyl LP - Sealed Buy Now
Joan Baez (Pure Pleasure)At the time of its release, Joan Baez's debut album was something of a revelation. The folk music revival was beginning to gather steam, stoked on the popular side by artists such as the Kingston Trio and the Easy Riders, as well as up-and-coming ensembles such as the Highwaymen, and on the more intense and serious side by the Weavers. The female singers on the scene were mostly old-time, veteran activist types like Ronnie Gilbert and Malvina Reynolds, who was in her sixties. And then along comes this album, by a 19-year-old who looked more like the kind of co-ed every mother dreamt her son would come home with, displaying a voice from heaven, a soprano so pure and beguiling that the mere act of listening to her - forget what she was singing - was a pleasure. Baez's first album, made up primarily of traditional songs (including a startling version of House of the Rising Sun), was beguiling enough to woo even conservative-leaning listeners. Accompanied by the Weavers' Fred Hellerman and a pair of session singers, Baez gives a fine account of the most reserved and least confrontational aspects of the folk revival, presenting a brace of traditional songs (most notably East Virginia and Mary Hamilton) with an urgency and sincerity that makes the listener feel as though they were being sung for the first time, and opening with a song that was to become her signature piece for many years, Silver Dagger. The recording was notable at the time for its purity of sound, and Baez's voice soars with an awesome purity of Fare Thee Well, House of the Rising Sun, and All My Trials, and the guitar accompaniment on Wildwood Flower, among other tracks, comes through with richness and clarity.
- Joan Baez (vocal, guitar)
- Fred Hellerman (guitar)
Production: Maynard Solomon
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
This title is not eligible for discount.Silver Dagger
Fare Thee Well
House Of The Rising Sun
All My Trials
Rake And Rambling Boy
El Preso Numero Nueve$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now