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Horace Parlan

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  • Exultation! Exultation! Quick View

    $34.99
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    Exultation!

    Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3.


    All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom


    Deep groove label pressings, tip-on jackets on thick cardboard stock


    Intensity marked everything that Booker Ervin played. In his harmonic concept, slashing attack, and broad Texas sound, Ervin demanded attention and constantly built improvisations of searing drama and epic sweep. His primary legacy is a series of albums recorded for Prestige in the 1960s, of which this was his first, a riveting quintet recital where the alto saxophone of Frank Strozier supplies an urgent complement and the rhythm section is piloted by Horace Parlan, Ervin's longtime compatriot from their days together in the Charles Mingus Jazz Workshop and in a cooperative quartet that worked at Minton's Playhouse. In addition to four inspiring originals by Ervin and drummer Walter Perkins, the session features an eloquent reading of Fats Waller's immortal Black and Blue and an exploration of the show tune Just in Time. Both the latter and No Land's Man are included in two versions, the shorter of which were cut for release as a 45 single.


    This title is not eligible for discount.

    1. Mooche Mooche
    2. Black and Blue
    3. Tune In
    Booker Ervin
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • That's It (Pure Pleasure) That's It (Pure Pleasure) Quick View

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    That's It (Pure Pleasure)

    A very distinctive tenor with a hard, passionate tone and an emotional style that was still tied to chordal improvisation, Booker Ervin was a true original. He was originally a trombonist, but taught himself tenor while in the Air Force (1950-1953). After studying music in Boston for two years, he made his recording debut with Ernie Fields' R&B band (1956). Ervin gained fame while playing with Charles Mingus (off and on during 1956-1962), holding his own with the volatile bassist and Eric Dolphy. He also led his own quartet, worked with Randy Weston on a few occasions in the '60s, and spent much of 1964-1966 in Europe before dying much too young from kidney disease. Ervin, who is on several notable Charles Mingus records, made dates of his own for Bethlehem, Savoy, and Candid during 1960-1961, along with later sets for Pacific Jazz and Blue Note.



    Booker Ervin, who always had a very unique sound on the tenor, is heard in prime form on this quartet set. In virtually all cases, the jazz and blues musicians who recorded for Candid in 1960-61 (during its original brief existence) were inspired and played more creatively than they did for other labels. That fact is true for Ervin, even if he never made an indifferent record. In addition to Poinciana and Speak Low, Ervin's quartet (which was a regular if short-lived group) performs four of the leader's originals; best known is Booker's Blues.




    Musicians:



    • Booker Ervin (tenor saxophone)

    • George Tucker (bass)

    • Horace Parlan (piano)

    • Al Harewood (drums)




    Recording: January 1961 at Nola Penthouse Studios, New York City, by Bob d'Orleans

    Production: Nat Hentoff




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    1. Mojo
    2. Uranus
    3. Poinciana
    4. Speak Low
    5. Bookers Blues
    6. Boo
    Booker Ervin
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Movin' and Groovin' (45RPM) Movin' and Groovin' (45RPM) Quick View

    $49.99
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    Movin' and Groovin' (45RPM)

    This 1960 trio date was pianist Parlan's first of many great releases for Blue Note. The Pittsburgh native, who overcame polio as a child that left his right hand crippled, had gained some serious props with his contributions on two of Charles Mingus' best albums the year prior (Mingus Ah Um, Blues And Roots), and was now ready to step out on his own. Choosing to tackle mostly standards, Parlan channels his idol Bud Powell's classic trio dates with the able assistance of Blue Note regulars Sam Jones, bass and drummer Al Harewood. The result is an eclectic mix, interpreting the works of Tadd Dameron, Duke Ellington, Milt Jackson and Burke-Van Heussen plus a Parlan original, Up In Cynthia's Room, which became one of his signature pieces.


    Horace Parlan, piano
    Al Harewood, drums
    Sam Jones, bass


    This title is not eligible for discount.

    1. C Jam Blues
    2. On Green Dolphin Street
    3. Up in Cynthia's Room
    4. Lady Bird
    5. Bags' Groove
    6. Stella By Starlight
    7. There is No Greater Love
    8. It Could Happen to You
    Horace Parlan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Up at Minton's Volume 1 Up at Minton's Volume 1 Quick View

    $49.99
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    Up at Minton's Volume 1

    This is a perfectly solid record featuring tenor saxophonist Stanley Turrentine, guitarist Grant Green, pianist Horace Parlan, bassist George Tucker and drummer Al Harewood during a frequently exciting live set. Although recorded early in the careers of Turrentine and Green, both lead voices are easily recognizable with Green actually taking solo honors on several of the tracks. Standards and a couple of blues make up the repertoire, giving listeners a definitive look at the soulful Mr. T. near the beginning of his productive musical career.



    This title is not eligible for discount.

    1. Come Rain or Come Shine
    2. Love for Sale
    3. Summertime
    Stanley Turrentine
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Sunny Side Up Sunny Side Up Quick View

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    Sunny Side Up

    In the late fifties and early sixties, alto saxophonist Lou Donaldson recorded primarily with his own quartet with pianist Herman Foster or with organ trios. Occasionally, he'd break the mold as he did on this February, 1960 session that was strictly a hard bop affair which includes trumpeter Bill Hardman and pianist Horace Parlan. There's still plenty of funk in evidence as Goose Grease bears out, but Hardman's Politely, Softly As In A Morning Sunrise and The Man I Love find Lou digging deep into his bop roots.


    Lou Donaldson, trumpet, alto sax
    Bill Hardman, trumpet
    Al Harewood, drums
    Laymon Jackson, bass
    Sam Jones, bass
    Horace Parlan, piano


    This title is not eligible for discount.

    1. Blues for J.P.
    2. The Man I Love
    3. Polietly
    4. It's You or No One
    5. The Truth
    6. Goose Grease
    7. Softly, As in a Morning Sunrise
    Lou Donaldson
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Blues & Roots Blues & Roots Quick View

    $27.99
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    Blues & Roots

    Import


    The 1998 reissue of BLUES & ROOTS contains all the original tracks and liner notes, plus additional tracks and rare photos. Personnel: Charles Mingus (bass); Jackie McLean, John Handy (alto saxophone); Booker Ervin (tenor saxophone); Pepper Adams (baritone saxophone); Jimmy Knepper, Willie Dennis (trombone); Horace Parlan, Mal Waldron (piano); Dannie Richmond (drums). Recorded at Atlantic Studios, New York, New York on February 4, 1959. Originally released on Atlantic (1305). Includes liner notes by Charles Mingus. All tracks have been digitally remastered.Mingus goes to church. A thrilling album of blues and spirituals Mingus style. This 1959 Atlantic recording certainly ranks among his very best. Memorable performances of some of the bassist's most soulful tunes such as Wednesday Night Prayer Meeting and E's Flat Ah's Flat Too. Mingus is joined by an exuberant ensemble including a stellar saxophone section of Jackie McLean, John Handy, Booker Ervin, and Pepper Adams.

    1. Wednesday Night Prayer Meeting
    2. Cryin' Blues
    3. Moanin'
    4. Tensions
    5. My Jelly Roll Soul
    6. E's Flat Ah's Flat Too
    7. We Got Blue*


    * Bonus Track

    Charles Mingus
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Goin' Home (Out Of Stock) Goin' Home (Out Of Stock) Quick View

    $24.99
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    Goin' Home (Out Of Stock)

    Archie Shepp's two duet albums with pianist Horace Parlan on SteepleChase (the other one is 1980's Trouble in Mind) both find the innovative avant-garde tenor in relaxed and melodic form, respectfully interpreting music of the 1920s and before. Goin' Home features Shepp (who doubles on soprano) and Parlan playing tasteful versions of nine ancient black folk melodies including Swing Low, Sweet Chariot, Nobody Knows the Troubles I've Seen and Deep River. Those listeners only familiar with Shepp's earlier Fire Music will find these compelling performances to be a revelation. - All Music Guide
    1. Deep River
    2. My Lord What A Morning
    3. Amazing Grace
    4. Sometimes I Feel Like A Motherless Child
    5. Swing Low, Sweet Chariot
    6. Goin' Home
    7. Nobody Knows The Troubles I've Seen
    8. Go Down Moses
    9. Steal Away To Jesus
    Archie Shepp & Horace Parlan
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Movin' & Groovin' (Mono) (Out Of Stock) Movin' & Groovin' (Mono) (Out Of Stock) Quick View

    $24.99
    x

    Movin' & Groovin' (Mono) (Out Of Stock)

    This 1960 trio date was pianist Parlan's first of many great releases for Blue Note. The Pittsburgh native, who overcame polio as a child that left his right hand crippled, had gained some serious props with his contributions on two of Charles Mingus' best albums the year prior (Mingus Ah Um, Blues And Roots), and was now ready to step out on his own. Choosing to tackle mostly standards, Parlan channels his idol Bud Powell's classic trio dates with the able assistance of Blue Note regulars Sam Jones, bass and drummer Al Harewood. The result is an eclectic mix, interpreting the works of Tadd Dameron, Duke Ellington, Milt Jackson and Burke-Van Heussen plus a Parlan original, Up In Cynthia's Room, which became one of his signature pieces.


    Horace Parlan, piano
    Al Harewood, drums
    Sam Jones, bass

    1. C Jam Blues
    2. On Green Dolphin Street
    3. Up in Cynthia's Room
    4. Lady Bird
    5. Bags' Groove
    6. Stella By Starlight
    7. There is No Greater Love
    8. It Could Happen to You
    Horace Parlan
    $24.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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