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Burgers (Speakers Corner)The exploration of psychedelic depths did not appear to suffice the founders of Jefferson Airplane - Jorma Kaukonen and Jack Casady - when searching for their musical salvation. So why not amalgamate their hippy-like simple lifestyle and folksy music with the formation of a second band called Hot Tuna, emotional yet not so synthetically hotted-up? Even in the very first number, True Religion, whose airy, bubbling folksy finger-picking soars up into powerful waves of rock, the message of this first studio album comes over loud and clear. Growling bass melodies and the representation of a life on the road (Keep On Truckin') conjure up a down-to-earth country feeling, with an off-key fiddle tune (Let Us Get Together Right Down Here) accentuating the rough yet cordial get-together. The purely instrumental Water Song is a stroke of genius - this humming, buzzing guitar mix doesn't only demonstrate the players' instrumental dexterity but also their keen sense of melody and ear for sound colouring. No matter whether gruff Hillbilly, cool blues rocker, or square and nostalgic former hippy - they'll all love this album. Just think: for whom else does Hot Tuna still go on tour ...?
- Jorma Kaukonen (guitar, vocal)
- Jack Casady (bass, vocal)
- Papa John Creach (violin, vocal)
- Sammy Piazza (drums, percussion, vocal)
- Nikki Buck (organ, piano)
- Richmond Talbott (vocal, guitar)
- David Crosby (vocal)
Recording: 1972 by 'The Unknown Engineer' at Wally Heider Studios, San Francisco
Production: Fisohobay Production
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.
This title is not eligible for discount.1. True Religion
2. Highway Song
3. 99 Year blues
4. Sea Child
5. Keep on Truckin'
6. Water Song
7. Ode for Billy Dean
8. Let Us Get Together Right Down Here
9. Sunny Day Strut$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Jake Xerxes FussellThe Southern half of the Georgia-Alabama border follows the Chattahoochee River, which cleaves Columbus, Georgia from its decidedly less reputable neighbor, Phenix City, Alabama. Georgia's second city is the hometown of "Mother of the Blues" Ma Rainey and novelist Carson McCullers, but it was local hillbilly duo Darby and Tarlton's 1927 hit "Columbus Stockade Blues" that first immortalized Columbus in popular culture. Back in their day, if you ended up in lockup in Columbus, chances are you did your dirtiest deeds across the river. Historically rife with vice of every conceivable variety-gambling, prostitution, moonshining, and endemic corruption and violence perpetrated by both gangs and police-the notoriously anarchic Phenix City was once known as "The Wickedest City in America."
A similar frontier liminality and skewed sense of place characterize the music of Durham, North Carolina singer and guitarist Jake Xerxes Fussell, whose self-titled debut record, produced by and featuring William Tyler, transmutes ten arcane folk and blues tunes into vibey cosmic laments and crooked riverine rambles. Jake Xerxes (yes, that's his real middle name, after Georgia potter D.X. Gordy) grew up in Columbus, son of Fred C. Fussell, a folklorist, curator, and photographer who hails from America's Wickedest City. Fred's fieldwork took him, often with young Jake in tow, across the Southeast documenting traditional vernacular culture, which included recording blues and old-time musicians with fellow folklorists and recordists George Mitchell and Art Rosenbaum (which led Jake to music, and to some of the songs herein) and collaborating with American Indian artists (which led Jake eventually to his graduate research on Choctaw fiddlers.)
As a teenager Jake began playing and studying with elder musicians in the Chattahoochee Valley, apprenticing with Piedmont blues legend Precious Bryant ("Georgia Buck"), with whom he toured and recorded, and riding wild with Alabama bluesman, black rodeo rider, rye whiskey distiller, and master dowser George Daniel ("Rabbit on a Log"). He joined a Phenix City country band who were students of Jimmie Tarlton of Darby and Tarlton; he accompanied Etta Baker in North Carolina; he moved to Berkeley, where he hung with genius documentary filmmaker Les Blank and learned from Haight folkies like Will Scarlett (Jefferson Airplane, Hot Tuna, Brownie McGhee) and cult fingerstyle guitarist Steve Mann ("Push Boat"); he appeared on A Prairie Home Companion. He did a whole lot of listening, gradually honing his prodigious guitar skills, singing, and repertoire. In 2005 he moved to Oxford, Mississippi, where he enrolled in the Southern Studies department at Ole Miss, recorded and toured with Rev. John Wilkins, and, last year, met up with acclaimed artist William Tyler to begin recording his first solo album.
Collaborating with Tyler and engineer Mark Nevers in Nashville was a conscious decision to depart cloistered trad scenes and sonics for broader, more oblique horizons. Tyler, a guitar virtuoso known for his own compositions that untether and reframe traditional six-string forms and techniques, helmed the push boat in inimitable fashion, enlisting crack(ed) Nashville session vets Chris Scruggs (steel guitar, bass, fiddle: Bonnie "Prince" Billy, Marty Stuart), Brian Kotzur (drums: Silver Jews), and Hoot Hester (fiddle: Bill Monroe, Ray Charles) to crew.
So it's no accident that Jake approaches the songs and styles represented here with both interpretive respect and unfussy irreverence, imbuing them with equal parts vaporish, percolating atmosphere and academic rigor, honoring the folksong headwaters by emphasizing their liquid mutability, alien strangeness, and sly humor above preconceived notions of static authenticity. Fussell recognizes that folk revivalist preciousness about spurious genre boundaries often feels absurdly at odds with the unruliness and restlessly inventive practices of tradition bearers-no revival or reenactment gear is necessary when the music lives and breathes and throws around hips and knees like these. Likewise, when you examine their lyrical content, ostensibly linear tales about rivers and work (labor of the hands, as in "Boat's up the River" and "Man at the Mill" and labor of the heart, as in "Star Girl" and "Pork and Beans") reveal themselves as fractured, riddled with narrative lacunae that open up the texts as squirrelly riddles or gentle metaphysical jokes.
For Fussell, these odd disjunctures demonstrate the way that verses and choruses, the stories we tell, disintegrate and erode over time, worn smooth as river stones and transmogrified by their repeated telling, more lovely for their fissures and absences than for any imaginary original integrity. (Aptly, "Chattahoochee" may mean something like "writing on rocks" in Muscogee or Yuchi.) Each song rendered here contains its own twinned inversion-its own Columbus, its own Phenix City-and Jake navigates their shoals with intuitive grace and authority.1. All in Down and Out
2. Let Me Lose
3. Star Girl
4. Raggy Levy"
5. Rabbit on a Log
6. Boat's up the River
7. Man at the Mill
8. Push Boat
9. Georgia Buck
10. Pork and Beans$21.99Vinyl LP - Sealed Buy Now
Climbing!Mastered Impeccably from the Original Windfall Records Tapes by Joe Reagoso at Friday Music Studios with Kevin Gray and Pressed at R.T.I., This 1970 Masterpiece is Seeing its First Time Audiophile Vinyl Mastering as well as Seeing the Vinyl Format in Almost Four Decades!
Includes the Original LP Cover Gatefold Cover Graphics, Including the Stunning Artwork and Photography not Seen in Years and the Unique Windfall LP Label Artwork Which was also a Part of the Whole Package.
Climbing! also referred to by fans as Mountain Climbing! was released in 1970, went gold immediately and began a very successful partnership albeit brief for this arena packing quartet. Consisting of guitar shredder/vocalist extraordinaire Leslie West, the late great Felix Pappalardi on bass, keys and vocals, the explosive Corky Laing on drums and the masterful Steve Knight on organ/piano, Mountain was the band of choice for many hard rock fans throughout the seventies.
Gaining mass momentum from their appearance at Woodstock in 1969, the band got in the studio and cut this masterwork with mega producer and Mountain bassist Felix Pappalardi (Cream, Hot Tuna, Jack Bruce), churning out soon to be smash hits that would be forever played on classic rock stations globally. Since Cream was no longer an entity, the great Felix Pappalardi's affiliation with this groundbreaking trio surely paid off with his studio skills, production techniques and knowledge of working with sounds and elements that surely changed the way a lot of us listen to albums these days.
Tracks like Jack Bruce and Pete Brown's Theme For An Imaginary Western and For Yasgur's Farm would show not only the studio wizardry of the great Felix Pappalardi but also his unique vocal prowess and artillery like bass playing, which today is emulated by many, and made this album the masterpiece it is.
More burners like Leslie West's delivery on Never In My Life and Sittin' On A Rainbow showcase the brilliance of the man, the guitar and the voice which is equally important whenever discussing the talents of this superstar blues rock master. Corky Laing and Steve Knight propel the band into realms not heard in years with their never tiring percussive drum and keyboard interplay. Just check out the hard work driving sounds of Silver Paper and Boys In The Band.
Even an acoustic side of Mountain enhances the masterwork with a pair of exceptional tunes To My Friend and The Laird, highlighting the acoustic and folk roots of both Leslie West and Felix Pappalardi.1. Mississippi Queen
2. Theme For An Imaginary Western
3. Never In My Life
4. Silver Paper
5. For Yasgur's Farm
6. To My Friend
7. The Laird
8. Sittin' On A Rainbow
9. Boys In The Band$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Pair A Dice FoundIn 1969 Jefferson Airplane members Jorma Kaukonen and Jack Casady formed Hot Tuna. Begun as an acoustic spinoff of the Jefferson Airplane, the American blues rock band eventually became the full-time focus of founding members Casady and Kaukonen, emerging as a popular touring act of the 70s.
The album Pair a Dice Found was originally released in 1990 and was Hot Tuna's first new album release in more than a decade.
The song Eve of Destruction, a protest song originally written by P. F. Sloan in mid-1964, was released as a single.1. It's Alright With Me
2. Parchman Farm
3. Urban Moon
4. Eve Of Destruction
6. Shot In The Act
7. Brand New Toy
8. To Be With You
9. Flying In The Face Of Mr. Blue
10. Love Gone Flat
11. Bulletproof Vest
12. Ken Takes A Lude
13. San Francisco Bay Blues
14. Happy Turtle Song$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
After Bathing At Baxter's
First Time 180 Gram Sterophonic Clear Vinyl
Mastered By Joe Reagoso
Pressed At R.T.I.
1967 was an amazing year for rock music, and San Francisco was the place to be for legendary classic rock bands like Jefferson Airplane. After their groundbreaking Takes Off and Surrealistic Pillow LPs (both on Friday Music), Jefferson Airplane continued their gold and platinum magic and delivered the monumental classic After Bathing At Baxter's.
Featuring the brilliant musicianship of Paul Kantner, Grace Slick, Marty Balin, Jorma Kaukonen, Jack Casady and Spencer Dryden, this new LP would become one of their most important albums, as well as further developing the Airplane into the superstar act they are to this day. With a groundswell of support from the hip record buying public to major airplay at both underground FM and pop radio stations, the LP was received incredibly well. Featuring stellar radio and fan favorites like The Ballad Of You & Me & Pooneil, Won't You Try/ Saturday Afternoon, and several other tunes which would go on to become rock music anthems for the turbulent 60's. Even more stellar album tracks like Martha and Watch Her Ride soon became standard Airplane classics in the years to follow. "Jam bands" began with groups like Jefferson Airplane. Therefore it's no surprise to hear the wonderful workouts by dual guitarists Jorma Kaukonen and Paul Kantner along with Grace Slick and Marty Balin's power vocals plus the bass of Jack Casady and Spencer Drydens' drum work on this masterwork.
Friday Music is honored to present another exciting installment in our Jefferson Airplane 180 Gram Audiophile Vinyl Series with their masterpiece After Bathing At Baxter's LP. Their third RCA album showcases a very hip band that has stood the test of time now for over five decades. Mastered impeccably by Joe Reagoso (Jefferson Airplane/Hot Tuna/ Grateful Dead), this first time audiophile stereophonic vinyl release will become one of the more important albums in your classic rock collection.
To enhance your Airplane listening pleasure, the LP will be pressed for a short time on CLEAR vinyl at RTI, featuring new liner notes from Jorma Kaukonen and Jack Casady in a first time gatefold cover, including a 12 by 24 graphic insert art, which truly help make this an even more rewarding event for 2016.1. The Ballad of You and Me and Pooneil
2. A Small Package of Value Will Come to You, Shortly
3. Young Girl Sunday Blues
5. Wild Tyme
6. The Last Wall of the Castle
8. Watch Her Ride
9. Spare Chaynge
10. Two Heads
11. Won't You Try
12. Saturday Afternoon$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Larry Campbell & Teresa WilliamsTwo of the most in-demand artists in roots music, Larry Campbell and Teresa Williams, take center stage with their self-titled debut album on Red House Records. After decades of marriage and seven years working closely with the late Levon Helm - Campbell as bandleader and producer (winning three Grammys for his work) and wife Williams as singer - their first album together features eight originals and three covers honed at Helm's legendary Midnight Rambles. Levon himself even drums on one track, `You're Running Wild,' recorded before his passing. Other guests include his daughter Amy Helm singing, and Little Feat keyboardist Bill Payne on piano, augmenting Campbell and Williams' core band of Justin Guip (drums) and Byron Isaacs (bass). In addition to Helm, Campbell and Williams have played with a Who's Who of Music Icons: Bob Dylan (Rolling Stone called Larry's 8-year tenure `the greatest period of the Never Ending Tour'), Paul Simon, Phil Lesh, Emmylou Harris, Sheryl Crow, Keith Richards, Cyndi Lauper, Hot Tuna and Mavis Staples. In addition to his Grammy wins, Campbell has won the Lifetime Achievement Award (2008) and Instrumentalist of the Year Award (2013) from the Americana Music Association.1. Surrender to Love
2. Bad Luck Charm
3. Another One More Time
4. Down on My Knees
5. You're Running Wild
6. Everybody Loves You
7. Did You Love Me at All
8. Ain't Nobody For Me
9. Midnight Highway
10. Keep Your Lamp Trimmed and Burning
11. Attics of My Life$24.99Vinyl LP - Sealed Buy Now
Red OctopusMastered by Joe Reagoso and Kevin Gray at RTI from the Original RCA/Grunt Records Tapes
When Jefferson Airplane morphed successfully into Jefferson Starship in the mid-'70s, their musicianship, and recorded output was enthusiastically received and was a very important career move in the continuing story of these Bay Area superstars.
Red Octopus surely helped award them fame even further as this amazing Jefferson Starship LP went to #1 and soon became one of the many platinum plus ventures for this much loved and respected band. Their new formula worked tremendously as this watershed release featured a plethora of chart topping hits like Miracles, Play On Love, Fast Buck Freddie and There Will Be Love.
The band was rich with rock and roll history, consisting of Airplane mainstays Paul Kantner, Grace Slick, Marty Balin, plus later Airplane alumnus David Freiberg (Quicksilver), Papa John Creach, and Johnny Barbata (CSN+Y, Turtles), as well as new additions Craig Chaquico and Pete Sears. Jefferson Starship truly delivered the goods with Red Octopus as this album went on to quickly become a classic rock masterpiece!
Friday Music is no stranger to releasing some of the greatest music ever recorded by Jefferson Airplane, Jefferson Starship, Starship and Hot Tuna, so it is with much honor they have announced the release of the masterwork Red Octopus on 180 Gram Audiophile Vinyl. This limited edition masterpiece has been impeccably mastered by Joe Reagoso and Kevin Gray at RTI from the original RCA/ Grunt Records tapes.
In honor of their continuing 180 Gram Audiophile Vinyl series on the Jefferson Airplane/Jefferson Starship franchise, Friday Music is also issuing this wonderful album with a very limited gatefold cover, which includes the original artwork elements, plus the lyrics and photos as you remember them from the original 1975 release. As usual, you will also get a poly sleeve to protect your vinyl investment, as well as a poly bag to protect the stunning album cover.1. Fast Buck Freddie
3. Git Fiddler
4. Al Garimasu (There Is Love)
5. Sweeter Than Honey
6. Play on Love
8. I Want to See Another World
10. There Will Be Love$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Crown Of Creation180 Gram Translucent Orange Marble Vinyl
Mastered Impeccably By Joe Reagoso At Friday Music & Capitol Mastering
Featured In First Time Gatefold Cover With 12 x 24 Rare Poster Of Brumus
New Liner Notes From Jorma Kaukonen & Jack Casady
When you listen to this album, you just don't get 'peace and love man'... Jack Casady
1968 was an amazing year for rock music, and San Francisco was the place to be for legendary classic rock bands like Jefferson Airplane.
After stunning success with three gold and platinum Lps under their belts, the classic quintet of Paul Kantner, Marty Balin, Jorma Kaukonen, Jack Casady, Grace Slick and Spencer Dryden delivered their masterwork Crown Of Creation. The Lp would become one of the most important albums of their long career featuring one of the most artistic and sobering covers of our time.
With a groundswell of support from the hip record buying public to major airplay at both underground FM and pop radio stations, the Lp was received incredibly well. Featuring two hit singles with Crown Of Creation and Greasy Heart, both tunes would go on to become rock music and social anthems for the turbulent 60's. Even more stellar album tracks like If You Feel, Lather and Triad (written with David Crosby) would all become standard Airplane classics in the years to follow.
"Jam bands" began with groups like Jefferson Airplane. Therefore it's no surprise to hear the wonderful workouts by dual guitarists Jorma Kaukonen and Paul Kantner along with Grace Slick and Marty Balin's power vocals plus the bass of Jack Casady and Spencer Drydens' drum work on this watershed release.
Friday Music is honored to present another exciting installment in our Jefferson Airplane 180 Gram Audiophile Vinyl Series with their masterpiece Crown Of Creation Lp. Their fourth RCA album showcases a very hip band that has stood the test of time now for over five decades.
Mastered impeccably by Joe Reagoso (Jefferson Airplane/Hot Tuna/Grateful Dead), this first time audiophile vinyl release will become one of the more important albums in your classic rock collection. To enhance your Airplane listening pleasure, the Lp will be pressed for a short time on TRANSLUCENT ORANGE MARBLE vinyl at RTI, featuring new liner notes from Jorma Kaukonen and Jack Casady in a first time gatefold cover, as well as including the rare 12 x 24 poster of Brumus and photo insert, which truly make this an even more rewarding event for the fans.1. Lather
2. In Time
4. Star Track
5. Share a Little Joke
6. Chushingura (Instrumental)
7. If You Feel
8. Crown of Creation
9. Ice Cream Phoenix
10. Greasy Heart
11. The House at Pooneil Corners$30.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Last Stand At Winterland (Out Of Stock)Rare Jefferson Airplane Radio Broadcast From 1970 Capturing Marty Balins Last Appearance For Almost 20 Years. This KSAN radio broadcast marks a pivotal moment in the convoluted history of one of the West Coast's foremost bands, Jefferson Airplane. On this particular evening, Sunday 4th October 1970, San Francisco's Winterland Ballroom played host to the very cream of the city's psychedelic pioneers - playing alongside the Airplane were The Grateful Dead, Quicksilver Messenger Service, Hot Tuna and the New Riders of the Purple Sage. The Airplane's set this evening draws most heavily of their fourth and fifth albums, 'Crown Of Creation' (1968) and 'Volunteers' (1969).LP1
1. Have You Seen The Saucers
2. Crown Of Creation
3. Somebody To Love
5. Up Or Down
6. Whatever The Old Man Wants
1. Wooden Ships
2. Bludgeon Of A Bluecoat
3. Greasy Heart
4. You Wear Your Dresses Too Short
5. We Can Be Together
6. Volunteers$34.99Vinyl LP - Sealed Temporarily out of stock
Ain't In No Hurry (Out of Stock)Revered blues, folk, roots rock and Americana music legend Jorma Kaukonen returns with his first solo album in 5 years. A member of the Rock and Roll Hall of Fame and cofounder of both the Jefferson Airplane and classic roots band Hot Tuna, Jorma was named one of Rolling Stone Magazine's Top 100 Guitarists of All Time. He has followed his creative muse during a music career spanning more than 50 years, which befits the title of this 2015 release, "Ain't In No Hurry". Backed by the A-Team and Grammy winning production of Larry Campbell and recorded at Kaukonen's Fur Peace Ranch, the new album features a mix of classic American songs, blues, Jorma originals and rockers - all of which frame his life, development as an artist and where he stands today. Special guests include Jorma's longtime Hot Tuna partner Jack Casady, mando wizard Barry Mitterhoff, Larry Campbell on all matter of strings, Teresa Williams on backing vocals,Myron Hart and Justin Guip.1. Nobody Knows You When You're Down and Out
2. The Other Side of the Mountain
3. Suffer Little Children to Come Unto Me
4. In My Dreams
5. Sweet Fern
6. Ain't in No Hurry
7. Brother Can You Spare a Dime
8. Where There's Two There's Trouble
9. The Terrible Operation
10. Bar Room Crystal Ball
11. Seasons in the Field$19.99Vinyl LP - Sealed Temporarily out of stock