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House PartyHouse Party is the soundtrack to the 1990 film of the same name, staring the popular hip hop duo Kid 'n Play. Upon its initial release, the film garnered critical acclaim and has since become a cult classic. The soundtrack is made up of popular hip hop and R&B music of the late 1980s. Continuing with it's Respect The Classics campaign UMe will be reissuing this classic soundtrack back on vinyl for the first time since it's original pressing in 1990.1. Why You Get Funky On Me
2. What A Feeling
3. Jive Time Sucker
4. House Party
5. Can't Do Nuttin' For Ya, Man!
6. Fun House
7. To Da Break Of Dawn
8. Kid Vs. Play (The Battle)
9. This Is Love$19.99Vinyl LP - Sealed Buy Now
Mastered By Bernie Grundman From The Original Analog Tape
Housed In A Tip-On Gatefold Jacket (From Stoughton Printing) For The First Time!
Plated And Pressed At Quality Record Pressings!
Ellington Soars To Unmatched Artistic Heights Alongside Impressive Jazz Stars Including Dizzy Gillespie, Johnny Hodges And Jimmy Rushing!
The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it!
Duke Ellington called his music American Music rather than jazz, and liked to describe those who impressed him as beyond category. He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.
Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!
So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200-gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection!
This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow. - AllMusic
This title is not eligible for discount.1. Malletoba Spank (Duke Ellington, Billy Strayhorn)
2. Red Garter (Toot Suite, Pt. I)
3. Red Shoes (Toot Suite, Pt. II)
4. Red Carpet (Toot Suite, Pt. III)
5. Ready, Go! (Toot Suite, Pt. IV)
6. U.M.M.G. (Upper Manhattan Medical Group)
7. All of Me
8. Tymperturbably Blue
9. Hello Little Girl$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dreams In The Rat HouseHailing from the Bay Area of California, somewhere next to Hammer Time mansion, dwell Shannon and the Clams. A throw back doo wop, rock n roll trio that features Shannon (of Hunx and His Punx) and Cody (aka King Lollipop) on songwriting duty and shared vocals. The Clams have a large following that grows by the day as they tour the planet and bring their child like sense of humor, gorgeous vocals, and true to the game Animal House style garage rock n roll to the dance party. Production is raw, like Hazel Adkins raw, while the songs are sweet like honey poured from an Etta James shaped bottle.1. Hey Willy
2. Rip Van Winkle
3. Bed Rock
5. Into the River
6. If I Could Count
7. Rat House
8. The Rabbit's Nose
9. Heads or Tails
11. Into a Dream
12. I Know$14.99Vinyl LP - Sealed Buy Now
National Lampoon's Animal House SoundtrackNo toga party would be complete without this classic soundtrack from one of the most popular comedies of all time,
National Lampoon's Animal House, the 1978 American comedy film directed by John Landis. The soundtrack is a
mix of rock and roll and rhythm and blues with the original score created by film composer Elmer Bernstein. Universal will
be reissuing this classic back on vinyl in over 10 years.1. Faber College Theme
2. Louie, Louie
3. Twistin' The Night Away
4. Tossin' and Turnin'
5. Shama Lama Ding Dong
6. Hey Paula
7. Animal House
9. Money (That's What I Want)
10. Let's Dance
11. Dream Girl
12. (What a) Wonderful World
13. Shout!$24.99Vinyl LP -Sealed Buy Now
REDI-SUN-5437xThe Shirelles & King Curtis
The Shirelles and King Curtis Give a Twist PartyIn 1962, the twist was EVERYWHERE. Artists from Joey Dee to Frank Sinatra (?!) were all chasing the craze, feverishly recording twist-able platters to meet the dance floor demand. Saxophone great King Curtis didn't sleep on the trend, scoring a major hit with "Soul Twist" along with several other twist-themed singles. Thus, it was only natural that he should team up with the country's #1 girl group, The Shirelles, themselves in the middle of an incredible run of chart-topping singles. This inspired pairing resulted in the Shirelles' second LP release of 1962, The Shirelles and King Curtis Give a Twist Party.
And what a party it is! The album's eleven tracks mix scorching instrumentals with vocal numbers, never once stopping for air. Curtis' gritty sax tone combines with The Shirelles' dulcet harmonies for a one-of-a-kind sound that will have everyone in the house on their feet, wearing through shoe leather. Sourced from the original Scepter analog master, this Sundazed reissue is destined to become a "go to" LP for your next soirÉe. Because when The Shirelles and King Curtis Give a Twist Party, the only acceptable RSVP is YES!!!"1. Mama, Here Comes The Bride
2. Take The Last Train Home (Instrumental)
3. Welcome Home Baby
4. I've Got A Woman
5. I Still Want You
6. Take The Last Train Home (Vocal)
7. Love Is A Swinging Thing
8. Ooh Poo Pah Doo
9. New Orleans
10. Mister Twister
11. Potato Chips$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
REDD-MOM-2216xJon Spencer Blues Explosion
Freedom Tower - No Wave Dance Party 2015New York City is a big place. A loud place. Some of that noise is music. And some of the music is noise.
Sucking it all in and turning it loose with prejudice, the Jon Spencer Blues Explosion takes a ferocious bite out of the Big Apple with their new long-player, Freedom Tower - No Wave Dance Party 2015, the first record of the new era that demands to be stopped and frisked!
Like the best sides that percolated up from the Bronx, the Lower East Side, and Greenwich Village across the 1970s and '80s - Freedom Tower is more than a high-octane dance party record, it is a document of New York City, a chronicle of grit and terror and love!
It's all here: The Hustler and The Trust Fund Baby, the Mosh Pit Casualty, the Celebrity Chef, the Crooked Cop, the Struggling Artist, the Sucker MC, the forgotten Sex Workers and Last-Chance Cinderellas. Within these grooves are cold-water tenements, blue-chip galleries, dingy Avenue B studios, and the last real warrior poet whose dark magick brings garage rock ghosts back from the grave!
Freedom Tower is a radical portrait of New York City set to the savage funkacide of the Blues Explosion, locked and loaded with the most deadly, predatory guitar riffs that primitive magnetic tape can handle . From start to finish, Freedom Tower is overmodulated, cooked with dirt, and finished in acid rain! Freedom Tower is packed with the kind of beats and rhymes that will make even the most reserved Walter Mitty jump back and say "damn!"
For nearly a quarter-century the Blues Explosion have been sweating, freezing, eating, drinking, fucking, fighting, winning, and losing in New York City, perpetrating some of the most timeless moments of musical mayhem in the history of Manhattan and beyond. As ever, Jon Spencer tells the tales, Judah Bauer plays the blues, and Russell Simins smashes things to bits... And as always Blues Explosion stomp on the faux underground oasis peddled by bourgeois hipsters and marketing jocks to deliver the real deal - rock'n'roll that is unapologetically nasty and strong.
Rehearsed and polished in a string of secret gigs and unannounced opening slots in theaters, hotel bars, and dives (often under assumed names), and then recorded at the legendary Daptone House Of Soul in Bushwick and mixed with hip-hop cult legend Alap Momin at the cutting edge of Harlem, Freedom Tower is the most provocative statement of urban pathos and panache ever recorded.
Play this record at all-night rent parties, picnics, discotheques, and protests!
There are eight million stories in the Naked City - but there is only one Blues Explosion!
Freedom Tower - dig it now, while you still can!1. Funeral
2. Wax Dummy
3. Do The Get Down
4. Betty vs. the NYPD
5. White Jesus
6. Born Bad
7. Down and Out
8. Crossroad Hop
9. The Ballad Of Joe Buck
10. Dial Up Doll
11. Bellevue Baby
12. Tales of Old New York: The Rock Box
13. Cooking for Television$19.99Vinyl LP - Sealed Buy Now
Brought To You By NebraskafishThis debut is as much an homage to basement shows and house parties as it is to the indie pop tradition. Nebraskafish is a nice snapshot of the group's evolution from early minimal folk to darker, more atmospheric pieces. Music meant to be heard in a close setting with friends.1. JFK's Eggnog
2. Oh My Mod
3. Social Security Number
4. Elephant Of Surprise
5. A Liar In Texas In A Green Room In Memphis
7. Adorable Doorsteps
9. A Talentless Tragic Kid's Cattle List
10. My Tears Cure Cancer
11. Bobby Chops And The Do-Gooders
12. Uh Huh
13. Blood, Sweat And Sex
14. Huch Finn
15. Embalmed Tasting Lip Balm$13.99Vinyl LP - Sealed Buy Now
REDI-BAR-160xRa Ra Riot
Need Your LightNeed Your Light, the fourth full-length album from Syracuses Ra Ra Riot, is the sound of a bands reinvigoration. Correspondingly, the album sees the band getting back to their house party roots without abandoning the more heady soundscapes they explored with 2013s Beta Love.
The band pulled in producer Dennis Herring (Modest Mouse, Elvis Costello) in order to start fleshing out ideas. Shortly afterward a writing trip to Milwaukee, the band soon found themselves crafting Need Your Light with a host of previous collaborators including Ryan Hadlock (who produced 2008s The Rhumb Line) and Andrew Maury (who is a longtime friend, collaborator and live sound engineer also co-produced 2010s The Orchard). Also in the mix is Vamprire Weekends Rostam which despite a long history of working with the band (including the Discovery project) this marks the first time hes actually produced a track (Water and Need Your Light).1. Water
3. Foreign Lovers
4. I Need Your Light
5. Bad Times
6. Call Me Out
7. Instant Breakup
8. Every Time I'm Ready To Hug
9. Bouncy Castle
10. Suckers$17.99Vinyl LP - Sealed Buy Now
Ryou CannonPalo Duro's forthcoming LP, Ryou Cannon, is set for release via Columbia Records.
Previously known for fronting the band Gold Beach, Palo Duro's Michael J. Winningham has created a pulsating, technicolor universe with Palo Duro. A project that began in July 2012, Michael reached out to his childhood friend, producer Sam Cohen (Kevin Morby, Benjamin Booker) to continue work on a new Gold Beach record. At 16 years old, Sam helped Michael arrange his first song at a house party in Houston TX. Fast forward many years later and this creative synergy proved to be strong-Instantly, in the studio, exciting and bold ideas emerged. Collaboration and endless possibilities informed the arrangements between Sam, Michael, and keyboardist Carlos Orozco, and a new spirit was born. This was no longer Gold Beach.1. Darken the Glow
2. No Witness
4. True Fade
5. Indian Ocean
8. Kill the Night
9. Ryou Cannon
10. Impression$22.99Vinyl LP - Sealed Buy Now
UNIM-GEF-4585xEric B. & Rakim
Don't Sweat The TechniqueDon't Sweat the Technique is the fourth & final studio album by American hip hop duo Eric B. & Rakim, originally released on June 23, 1992, by MCA Records. It was recorded and produced by Eric B. & Rakim at The Hit Factory in New York City. The album builds on the sounds of 1990's Let the Rhythm Hit 'Em, with Rakim sounding more aggressive on Eric B.'s jazzy, soulful production.
The album debuted at #22 on the Billboard 200 chart in the week of July 11, 1992. It also charted at number nine on Top R&B Albums. The title track was a minor radio hit. Casualties of War was also released as a single and contains some of Rakim's most political lyrics. The single What's on Your Mind originally appeared on the soundtrack to the 1991 film House Party 2, while Know the Ledge first appeared in the film Juice under the title Juice (Know the Ledge).1. What's On Your Mind
2. Teach The Children
3. Pass The Hand Grenade
4. Casualties Of War
5. Rest Assured
6. The Punisher
7. Relax With Pep
8. Keep The Beat
9. What's Going On
10. Know The Ledge
11. Don't Sweat The Technique
12. Kick Along$24.99Vinyl LP - 2 LPs Sealed Buy Now
Mama Says I'm CrazySince no one could copyright Mississippi, two major blues performers, Fred McDowell and John Hurt, adopted the state as part of their name. To confuse matters more, both performers made comebacks during the late '50s/early '60s and both specialized in prewar acoustic blues. While a blues novice might find such similarities confusing, the two men's singing and guitar styles are polar opposites. Whereas Hurt's smooth, deep vocals and Piedmont fingerpicking made him easily accessible to the folk revival crowd, McDowell's soulful vocals and forcefully rhythmic guitar represented something more primitive. In 1967, producer George Mitchell brought together McDowell and harp player Johnny Woods for an off-the-cuff session not unlike what one might have heard at a Como, MS, house party. Interestingly, the two men hadn't played together in eight years, but on songs like Standing at the Backdoor and the title track, one would never guess it. This isn't a polite affair, with one player holding back while the other solos. Instead, McDowell and Woods trade notes, overlap, and rush forward on Long Haired Doney and Shake Em' on Down as though they had an unlimited supply of energy. While McDowell's vocals and slashing guitar propel Goin' Away and I Got a Woman forward, Woods' harp adds pizzazz. Acoustic blues fans will warmly embrace Mama Says I'm Crazy and be thankful that Mitchell went to the trouble required to track down Woods for this earthy set.
- Ronnie D. Lankford, Jr., Allmusic1. Shake Em' On Down
2. Goin' Away
3. Mama Says I'm Crazy
4. I Got A Woman
5. Red Cross Store
6. Going Down To The River
7. Standing at the Back Door
8. What's Going to Become of Men
9. Long Haired Doney
10. John Henry
11. I Walked All Night Long$16.99Vinyl LP - Sealed Buy Now
I Love YouLia Mice is the experimental pop project of Eleanor C Mice (nÉe Logan). After spending her teens touring Australia in punk and soul groups she lurked the Brooklyn noise scene for half a decade. In late 2012 at the end of a European tour in support of her debut solo album (originally released under the moniker Happy New Year) she became stranded in France when her return flight to Brooklyn was cancelled due to Hurricane Sandy. Waiting for her replacement flight, she passed the time in Lyon penning songs in a friend's living room. Within a week she had decided to relocate to France for good. The songs became the genesis of 'I Love You', out October 7 on Old Flame Records - LiaMice's second solo album, and first experiment in danceable tempos, inspired by new music uncovered during in her first year living in France: in the grooves of yÉ-yÉ singles; on the dancefloors of converted boat-venues; in the theme songs of classic French cinema and on the iPods of neighborhood house parties.1. Our Heavy Heart
2. Lucky Bamboo
3. We Live Out Of Sight
4. Memory Maps
5. All The Birds
6. Saint - Malo
7. Everything's Sailing
8. The Nights Were For Exploring
9. That Spanish Spring$18.99Vinyl LP - Sealed Buy Now
409Purple play pop music. Messy, dirty, raucous, grit-spitting, tequila-glugging pop music. They do not apologise for this. They have a big streak of it running skunk-like up their backs and through urgent tunes full of indie-punk snarl and piss and vinegar, but driven by grooves deep enough to rival any hop-hop classics. They are wrestling pop away from the world of vocoders, slick dance routines and coquettish airheads and bringing back to where it belongs: to the beach, to the house party, dancing on the table in that bar you need a fake ID to get into. They like to bare flesh and play until they bleed. Good things followed: a huge local following, two managers and endless touring.
'(409)' is the name of the area code for their East Texas neighbour and the name of Purple's debut album produced by Chris 'Frenchie' Smith (...Trail Of Dead, Jet ). Recorded in El Paso, '(409)' is an album that's borne out of endless jams and no shortage of live shows where Purple offer a combination of the explosive and the celebratory. Instruments are abused and crowds are surfed; their shows are somewhere between the wild, fleshy abandonment of early White Stripes. "We're positive people," shrugs Busby. "We're always looking for the party somewhere. Or maybe we are the party."
Pop is there in the 60s garage-influenced brilliance of 'Beach Buddy', a song propelled by a dual girl/boy vocal and the same endless summer joie de vivre of Ramones, Black Lips and Weezer . The chorus is an earworm that burrows deep. It's there too in 'Wallflower', a joyously uplifting song that flips the usual script and sees a girl ardently - some might say aggressively - pursuing an admirer through the upended bottles, overflowing ashtrays and tangled limbs of a party: "I'm a girl - you're supposed to be chasing me!" With definite shades of Bikini Kill and No Doubt it's the best femme-punk song we've heard in an aeon. 'Head On The Floor' meanwhile is a proto-grunge song that swings like early Hole and has a whole of soul.
'(409)' is certainly an album with sand in its shoes and a rocket up its ass. It transports you to a better place. Listening to Purple quickens your pulse. Gives you the sweats. Has you reaching for a cold one. And then another. And then ten more. They make you feel alive. They are good for you.1. Wallflower
2. Double Nickels
3. Leche Loco
4. Beach Buddy
7. Head On The Floor
9. New Born
10. DMT$22.99Vinyl LP - Sealed Buy Now
DungeonesseDungeonesse, the pop project of Jenn Wasner (Wye Oak, Flock of Dimes) and Jon Ehrens
(White Life),willrelease itsself-titled debut album May 14, 2013 on Secretly Canadian.
Shucks, which premiered with Pitchfork, is an apt lead-off for the album, a funk-influenced
track full of bass that Wasner's voice surfs like a wave. The band's first single and video (also
released as a standalone 12),Drive You Crazy, premiered with The FADER. On it, Wasner's
Ciara-like breathy coo comes to the fore over Ehrens' gigantic production-Top 40 with a
connoisseur's touch. Wasner & Ehrens know we want to party and the songs on Dungeonesse
are the perfect soundtrack: bangers (Cadillac, Drive You Crazy), slow jams (Nightlight,
Wake Me Up), synthy house (Private Party), and carefully crafted beats that make you
Born of a mutual admiration for Top 40 and R&B and the mechanics of what makes a hitsong,
the Baltimore natives and longtime friends Wasner & Ehrens began putting jams together
remotely. Ehrens would send tracks from LA to Wasner on tour, and they'd bounce ideas back
and forth. The charming strength of the resulting Dungeonesse restsin the dichotomy formed
by of a bold re-introduction of the beautiful imperfections of the human voice into a landscape
of what is an increasingly mechanized process of music making.The fun residesin the listen.Shucks
Drive You Crazy
This Could Be Home (Featuring TT
Wake Me Up
Cadillac (Featuring DDm)
Anywhere You Are
Soon$17.99Vinyl LP - Sealed Buy Now
Ernie Chambers V. GodLast wave punks Virgin Islands have been making waves in their home city of Seattle and beyond since their inception in the fall of 2009. Ernie Chambers V. God, their debut full-length, is a politically provocative and musically bold rock album with 11 socially charged manifestos that could be the perfect house music for the last party on earth. Arguably post punk and definitely post modern, its an intense and sincere statement from a band whos not afraid to buck the status quo, much like Ernie Chambers himself. Virgin Islands usher in the last wave of rock with conviction.1. No Doctor
2. Smells Like Gold
3. Ernie Chambers v. God
4. I Come Correct
5. Buried in the Sand
6. Colony Collapse
7. Lets Talk
8. Apocalypse Drug
9. Kat Named Katastrophe
10. Concrete Me
11. Sweet Sweat$13.99Vinyl LP - Sealed Buy Now
Sky SwimmingAmelia Rivas and Christian Pinchbeck don't just sing about feverish, frayed and fractured romances - in the three years since forming elephant, they've been living one.
It's fitting that sky swimming, their debut full length release is a seductive, night time delight of an album. After all, it was in the twilight hours of a may morning three years ago that Pontefract native Amelia Rivas and Bristolian Christian Pinchbeck met at a house party and in alcohol-soaked all-nighter sessions that sky swimming was written.
A fibrous collection of songs about relationships - their own included, which broke down during the making of the album - hazy memories, twisted dreams, the metaphysical bleeding in to the physical - sky swimming - all trilling keyboards, swooping melodies, broken hip hop beats, looped strings and Amelia's uniquely curvy vocals - that makes you want to clamp your headphones tighter on your ears, letting you swim in its every detail and emotion. Influenced by everything from Toro y Moi to composer Angelo Badalamenti, everything but the girl to rap originators arrested development and Joe Meek's productions, it's an intensely varied listen.
"the first time we worked together, I went round to his house in Peckham and didn't leave for 3 days. I barely knew him," Amelia remembers. "She turned up with some £10 casio she bought from a charity shop in France and the whole demo EP was made on that," recalls Christian. Elephant have grown beyond their lo-fi roots since then, with Andy Dragazis being drafted in on co-production duties, while retaining the emotional rawness of those early songs. Tracks vary from psyche-delving ballads about growing up - torn tongues and skyscraper ("I want to understand what's wrong with my brain," Rivas laughs), to the thrilling pop of elusive youth, a eulogy to a friend who "wears a city crown", to the everyday trials of being young and poor in London (see ants about Amelia's crumbling tooting bedsit and TV dinner, a paean to rubbish telly and cheap booze) and the heartbreaking title track sky swimming written in the eye storm of their relationship meltdown with the refrain "do your eyes turn blue before you cry, I see the blue in you".
With winning appearances at Primavera and Eurosonic festivals behind them, not to mention support slots with cult hero Matthew E. White, under their belts, Elephant have in Sky Swimming one of the year's most seductive sounds. . "I flew to the moon to mirror you" sings Amelia on album closer Shapeshifter, with the sort raw melancholy that could only be cribbed from a blue valentine romance. "I saw the future." It should be a very bright future ahead for Elephant indeed.1. Assembly
5. Elusive Youth
7. Torn Tongues
8. Come To Me
9. TV Dinner
10. Sky Swimming
12. Shapeshifter$17.99Vinyl LP - Sealed Buy Now
Cribbing as much from Brian Wilson's lyrical topics as they take
from Dick Dale's reverb-soaked guitar tone"
- Noisey / Vic
[The music of the Tijuana Panthers] sounds something like they had
spent an afternoon with Jan and Dean sharing fish tacos with Quentin Tarantino, before laying down some 4-track recordings with The
Cramps in a sunlit garage."
- LA Weekly
the polished punx in vintage pop-snarlers like the Only Ones, the
Real Kids, or Generation X."
Live and on record, the Tijuana Panthers are a great band. You
could say garage, punk or surf while describing their sound, but
they're harder to pin than that. The truth is that they write classic
songs that don't depend on tropes from any genre. They craft perfect
pop and deliver it with energy and immediacy. However, the real
magic of this band is in their weirdness.
Behind their picturesque portraits of daily life is an aching despair.
This subtle contrast creates an eerie tension between the ideal, the
real and the surreal. You suddenly realize they're not the happy-golucky beach boys you tried to pin them as, but more akin to sexually
frustrated soda jerks in a David Lynch film. And this all makes sense
with the fact that they come from Southern California's shadier city
of Long Beach, not exactly the fun in the sun that California dreamers might expect.
For Wayne Interest, the Panthers team up with producer Richard
Swift. The recordings took place at Swift's studio in Oregon where
the band decidedly took risks in performance and production. The
risks paid off. With Swift's direction and upgrade in fidelity, Wayne
Interest sounds just as compelling in headphones as it would at a
house party in East LA. It also gives the listener a closer look at the
idiosyncrasies of the Tijuana Panthers, only making it clearer that
there's something off about these creeps. Their weirdness, or boldness to be whoever they may be, is what makes this band great. It's
a rare quality. The more you listen to the Tijuana Panthers the more
you wonder about them.1. Four Horsemen
3. Cherry Street
4. Dark Matter
5. Sooner Or Later
9. 7th Seal
10. Everybody's Happy Nowdays
12. Wayne Interest
13. Money Jar
14. Car Crash$17.99Vinyl LP - Sealed Buy Now
ADAD-NET-0914xOld Crow Medicine Show
Deluxe Vinyl Gatefold Package Includes Bonus Red Colored 7" Vinyl
Featuring The Platinum Single "Wagon Wheel" Plus Two Previously Unreleased Tracks
Two-time Grammy Award winners and Grand Ole Opry members Old Crow Medicine Show release Best Of, which features
12 of the most memorable and beloved songs from O.C.M.S. (2004), Big Iron World (2006), Tennessee Pusher (2008) - as well
as two previously unreleased tracks: "Black Haired Quebecoise" and "Heart Up In The Sky." The album will be made
available on vinyl, a format on which none of these songs are currently available and many have never been.
Over the past 15 years, Old Crow Medicine Show has cultivated a diverse fan base that thrives on the band's energetic
performances. They have earned the respect of both their peers and influences while also influencing the new guard of
folk rock revivalists. While trends have come and gone, Old Crow Medicine Show continues to be a strong and steady
force in roots music. The Best Of is a nostalgic walk down memory lane for those who have been with the band since
the beginning, and a nice overview for those fans who have only discovered the band recently.
Old Crow Medicine Show got their start by busking on street corners up and down the east coast and Canada, eventually
catching the attention of folk icon Doc Watson while playing in front of a pharmacy in Boone, North Carolina. He invited
them to play Merlefest and helped set the course of their successful career.
Similarly, just a few years later, Nettwerk discovered the band by crashing a house party in Nashville. The band was signed
shortly after, and in 2004, Nettwerk released O.C.M.S., which featured the now Platinum-selling anthem "Wagon Wheel," one
of the most covered recordings in recent history, most famously by Darius Rucker who got the track to #1 on the Hot Country
Songs chart in 2013.
Old Crow Medicine Show has won over audiences across the world with their boundless energy and spirit, playing renowned
festivals like Bonnaroo, Coachella, New Orleans Jazz Fest, the Newport Folk Festival, and many more. They've also shared
the stage with such artists as Mumford & Sons, The Lumineers, Willie Nelson, John Prine and The Avett Brothers and others.
The Best Of features "Wagon Wheel" along with other live show fan favorites like "Tell It To Me," "Down Home Girl," "CC Rider"
and "I Hear Them All." The two previously unreleased tracks, "Black Haired Quebecoise" and "Heart Up in the Sky" were
recorded in 2006 while the band was making Big Iron World.1. Wagon Wheel (from O.C.M.S. album)
2. Tell It To Me (from O.C.M.S. album)
3. Down Home Girl (from Big Iron World album)
4. Alabama High-Test (from Tennessee Pusher album)
5. Big Time In The Jungle (from O.C.M.S. album)
6. CC Rider (from O.C.M.S. album)
7. Take 'em Away (from O.C.M.S. album)
8. Humdinger (from Tennessee Pusher album)
9. Fall On My Knees (from Down Home Girl EP)
10. My Good Gal (from Big Iron World album)
11. I Hear Them All (from Big Iron World album)
12. Caroline (from Tennessee Pusher album)
1. Heart Up In The Sky (previously unreleased)
2. Black Haired QuÉbÉcoise (previously unreleased)$24.99180 Gram Audiophile Virgin Vinyl LP + 7 Single - Sealed Buy Now
Black BubblegumBlack Bubblegum is the newest LP from Eric Copeland,
and we are not kidding when we emphasize it sounds like
nothing he has done in the past. The title of the record
says it all: chewy, sticky pop that doesn't taste quite like
any chewy, sticky pop you've had before.
Recorded at Copeland's old practice space in South
Williamsburg, Black Bubblegum contains songs with
more conventional sounds and songwriting than any of
his previous releases. While there are similarities with
Copeland's earlier work in the drum patterns, major
scales and vocals, Black Bubblegum moves away from
his trademark psychedelic dub towards strange and
fantastical pop; imagine Arthur Russell going into the
studio with the Ramones. Wanting to take a more "handson"
approach to these recordings, Copeland exchanged
sample-driven tech and hardware for keyboards, guitars
and effect pedals, creating a new sound that is oddly
easy to digest despite its rejection of melody in favour of
discord and dissonance.
For a long time, Copeland considered this collection of
songs to be recordings which would never be heard. This
invariably influenced certain decisions made during the
creation of Black Bubblegum, blessing Copeland with
the unique freedom that comes from making music never
intended to be heard, let alone released.
When asked to please jot down what influenced this new
album and sound, Eric replied "glam holes, glitter dreams,
money troubles, apocalypse paranoia, one hit wonders,
manifest destiny, my family's westward migration, body
troubles (was passing kidney stones almost the entire
time), LGBT disco parties, Jonathan Richman, Missing
Foundation, Neil Diamond, New Orleans, poverty, getting
pushed out of another Brooklyn neighbourhood... No
Beach Boys, no Beatles, no Buddha... More Bad News
Eric Copeland has been sound clashing at full volume for
over twenty years, first carving out a named for himself as
one third of the legendary NY-via-Providence band Black
Dice. A wildly prolific solo artist, Copeland has played
shit houses, party palaces and seemingly everything in
between all over the world.
A long time Brooklyn, resident, Eric recently relocated
to where the L Train does not run - Palma de Mallorca,
Spain. While maintaining a relatively humble and low key
presence in a highly competitive musical world, he has
releases a prolific amount of music every year through
indie labels such as L.I.E.S., Escho (Iceage), PPM (No Age), Paw Tracks (Animal Collective) and DFA.1. Kids In A Coma
2. Rip It
3. Fuck It Up
4. Honorable Mentions
5. Blue Honey
7. Cannibal World
8. Don't Beat Your Baby
9. Radio Weapons
10. Get My Own$19.99Vinyl LP - Sealed Buy Now
Jekyll/HydeJekyll / Hyde is the debut EP from Taryn Blake Miller who records under the name Your Friend.
Written and recorded over a two year period in her adopted hometown of Lawrence, Kansas, Miller used
live performances to develop the songs gradually both as a solo performer as well enlisting the help of a
rotating cast of supporters from the town's music community.
Fusing warm atmospheric guitars with a focused and emotionally rich sense of song craft, Your Friend
presents a keen balance of experimentation and structure. Momentum carries these creations through
dramatic shifts that feel surprising, inevitable and always authentic. Fragmentary and evocative, Miller's
lyrics are a collage of details taken from her life as well as her friends and family. Born in her bedroom and
developed on stage, Miller describes the record as "deeply personal. For a long time it was hard to play
these songs out because they were written for myself."
Miller and co-producer Jordan Geiger (bandleader for Hospital Ships), set out to capture her intimate live
energy but with refinements. Though her bare-bones stage show was in high demand, eventually going
from playing Lawrence house parties and clubs to opening for national acts who passed through locally,
she wanted the songs to be more fleshed out for the record. Bringing in bass, drums and keyboards, as
well as layered guitars and vocals, Miller self-released Jekyll/Hyde in August 2013 to an already devoted
fan base that quickly multiplied. For the Domino release, Miller ahas added even more depth with freshly
recorded live drums and vocals. The result is a captivating debut that sounds fully realized in its ideal
When asked for the significance of the name Your Friend, Miller gets to the fundamental core of her
music: That there is power in leaving yourself exposed, to trusting a part of yourself with people who
don't know you. "I really like the risk in being vulnerable to someone," Miller says. "There's risk in music
that way; I feel that at every show. It could go terribly wrong but that's what I thrive on."1. Bangs
4. Tame One
6. Expectation/Reality$14.99Vinyl EP - Sealed Buy Now
Nude Beach IIGrowing up in the bucolic waterfront village of Northport, NY, Chuck Betz, Ryan Naideau and Jimmy Shelton played punk rock together since high school, in a succession of bands more than happy to set up at any house party, BBQ or makeshift venue that would have them. The familiar strain of classic rock is the go-to sound on the North Shore of Long Island, but they lived in an alternate universe where Ryan convinced his parents to let him turn the family basement into an occasional all-ages show space, hosting touring groups, and rounding out the bill with whatever band he and his friends were in at the time.
Fast forward to 2008, the boys had based themselves in Brooklyn and Nude Beach was born; the group slowly integrated themselves into the local DIY community, performing in dive bars and warehouse lofts, often several times a week, playing more than 100 shows in less than four years together. They self-released cassettes and vinyl LPs, they booked their own tours, and played in infinite side-projects and spin-off bands at every punk venue in North Brooklyn and beyond.
But while Nude Beach is very much a part of the Brooklyn DIY scene, it's always been more in spirit than in sound; sure, they're as beer-soaked, overdriven and raw as any group around, yet as hard as they've tried to ignore it, the trio could never quite shake the rock & roll of Tom Petty and Bruce Springsteen which sound-tracked their Long Island youth, and battered vinyl from the Byrds, the Replacements and the Jam sits side by side in their record collections with the hardcore and indie LPs and 7"s that brought the friends together in the first place.
In an increasingly fractured music scene, Chuck, Ryan and Jimmy play against fashion and deliver straight up rock & roll, and moreover, they do it better than anyone has in a long time. They've got the songs, they've got the sound, and they've got the fuck-all attitude that just can't be faked. Nude Beach will rock you if you let them. Turns out it's still more fun than just about anything else going on. Just check out their most recent full-length, II, if you don't believe us!1. Radio
2. walkin' Down My Street
3. Some Kinda Love
4. You Make It So Easy
5. Keep It Cool
6. Love Can't Wait
7. Cathedral Echoes
8. Don't Have To Try
9. The Endless Night
10. Loser in the Game$16.99Vinyl LP - Sealed Buy Now
ADAD-AWE-0816xAby Ngana Diop
LiitalSenegalese griot Aby Ngana Diop was famous for her taasu, a form of oral poetry spoken to the rhythmic accompaniment of sabar and tama drums. Taasu is typically created and performed by griot women (a class of poets, storytellers and/or musicians), with a lead taasukat (practitioner of taasu) performing her distinct style of heightened, rhythmically declaimed speech in call-and-response with a small chorus of female vocalists. (Taasu is seen by some to be a predecessor to rap.) Throughout the 1980s and 1990s, Diop developed a reputation for being one of the most sought-after taasukats in Dakar, performing with her backup singers, dancers and drummers at parties, weddings and baptisms of the Dakar elite, including government officials and dignitaries. Aby Ngana Diop was undisputedly the best taasukat of her generation.
In 1994, the Dakar diva released her one and only studio cassette recording, Liital, to the Senegalese market. Liital was groundbreaking in the history of Senegalese music because it was the first commercial recording to feature a traditional female taasukat performing to the modern accompaniment of mbalax, Senegal's quintessential pop genre. The combination of Diop and her backup vocalists with their powerful taasu, along with the driving, complex rhythms of the sabar and tama drums, mixed with key elements of mbalax (such as the syncopated, polyphonic marimba sounds played on the Yamaha DX7 keyboard) was something the Senegalese public had never heard before. But it wasn't only because of the fusion of taasu with mbalax; unlike in other mbalax tunes, the musical arrangements on this cassette are instead peculiarly minimalist and almost trance-like, with static harmonies and melodic figures
playing more of an atmospheric role. The cassette became a huge hit, propelling Diop to a new level of superstardom. It could be heard blasting from taxis and from loudspeakers at house parties, weddings and baptisms for years to come. Liital bridged the gap between the more traditional taasu and the modern mbalax sound, thus appealing to all generations of the Senegalese public - and they simply couldn't get enough of it.
When Aby Ngana Diop died unexpectedly on July 4, 1997, the country mourned her passing, but continued to celebrate her music. Other artists such as Cheikh Lô, Thio Mbaye and Lamine TourÉ released recordings based on some of Diop's taasu and accompanying drum phrases, paying further tribute to her musical legacy. Although this cassette has caught the attention of some African music aficianados who have stumbled upon it in recent years, it remains largely unknown to the wider world. Hopefully this re-release from Awesome Tapes From Africa will change that.1. Dieuleul-Dieuleul
3. Yaye Penda Mbaye
6. Ndadje$19.99Vinyl LP - Sealed Buy Now
NVMLike a fluorescent-lit snack-aisle oasis in some desolate interstate road stop, brimming with Skittles and limited-edition Sno Balls, Tacocat's Easter-egg-hued pop-punk-pop is bubblegum-sticky with hooks, bound to brighten up the most drab stretch of bummer backroad.
The band's four-person, seven-layer-burrito came together organically: Lelah Maupin (drums) and Eric Randall (guitar) met in their native Longview, WA-two hours south of Seattle, the very town that Green Day named their breakout debut single after. Lelah's family room was wallpapered with framed Magic Eye posters, hence Stereogram, the cross-eyed love letter to that bizarre '90s optical fad. She met lanky Eric while both worked at Safeway, wearing the chain's distinctive navy aprons before breaking north to Seattle. Eric's band The Trashies practiced and played in the basement of the 24/7 House in the Central District, where Long Beach, CA native Bree McKenna (bass) was living, amongst the dust, boxes, and spiders. Lelah met Butte, MT native Emily Nokes (voice, tambourine) in one excruciatingly early/boring graphic design class, slipping her a doodled-upon note; she soon noticed Emily's big voice while she sang along with R. Kelly on the radio. Emily and Bree hit it off one sloshy night at the Comet. Eric impressed Emily with his reenactments of scenes from Anaconda. Sometime around 2007, via countless raucous house party shows, the legend of Tacocat was born.
The foursome would quickly make a name for themselves with their simply energizing power pop, drawing on classic Northwest energy with an uncommonly upbeat, surfy swag that could only come from gray skies and hydroponic sunshine. Their sly and unabashed '90s revivalism has, in the past, found the band pondering Evan Dando and Waterworld-and Bree herself explains finding about riot grrrl via Napster and Julia Stiles in 10 Things I Hate About You. They've described themselves variously as Feminist sci-fi and Equal parts Kurt and Courtney; oh well, whatever NVM.
NVM-Tacocat's second full-length album and first for Hardly Art, opens up like some mystery shoebox, wistful, instantly nostalgic: snapshots of mortifying exes (You Never Came Back) and sketchy party situations (Party Trap), maybe a postcard with an alien smoking a joint. Cigarette cellophane-wrapped weed nugs, pain pill crumbs and wrapped tampons (all the girls are surfing the wave, surfing the crimson wave today"), all serve as a roadmap through Tacocat's bong-ripped reminiscences, scenarios all-too familiar and hilariously improbable. There's the notoriously inconsistent #8 Metro line (F.U. #8) and the accountability-allergic, black-clad brick-heavers of This Is Anarchy. The protagonist of Psychedelic Quinceañera-based on Bree-just wants to dance with rainbows, mind-expansion style, instead of having to wear a frilly dress in front of her whole family. Emily daydreams of a Bridge to Hawaii, where even the destitute could walk their asses to paradise-before being snapped out of it by cat-calls from construction workers, business dads, and drunk hobos (Hey Girl); sweaty jerks telling her that she should smile!
NVM all that, though: you should, and will, smile-either a wry little corner-lifter or a big ear-to-ear equator-and shake what's yours, when you hear the whippet-smart latest album from the world's favorite palindromic band. Text a friend.
--Larry Mizell1. You Never Came Back
2. Bridge to Hawaii
3. Crimson Wave
5. Pocket Full of Primrose
6. Psychedelic Quinceañera
7. Time Pirate
8. This is Anarchy
9. Hey Girl
10. Party Trap
11. F.U. #8
12. Alien Girl
13. Snow Day$13.99Vinyl LP - Sealed Buy Now
The Black Parade / Living With Ghosts (10th Anniversary Edition)My Chemical Romance will release The Black Parade / Living With Ghosts (The 10th Anniversary Edition) via Warner Bros. Records.
The set contains a reissue of My Chemical Romance's genre-defining album, The Black Parade, which was originally released by Reprise in October 2006.
The new edition also includes 11 previously unreleased demos and outtakes from the original recording session with producer Rob Cavallo. Among them are 'The Five of Us Are Dying', an early version of 'Welcome To The Black Parade'; demos of the album tracks 'Mama' and 'Disenchanted'; and two versions of 'House of Wolves'. Five tracks - 'Party At The End Of The World', 'My Way Home Is Through You', 'Not That Kind of Girl', 'Emily' and 'All The Angels' - have never been released in any form.LPs 1+2: The Black Parade
1. The End
3. This Is How I Disappear
4. The Sharpest Lives
5. Welcome to the Black Parade
6. I Don't Love You
7. House of Wolves
13. Famous Last Words
LP 3: Living With Ghosts
1. The Five of Us Are Dying (rough mix)
2. Kill All Your Friends (live demo)
3. Party At The End Of The World (live demo)
4. Mama (live demo)
5. My Way Home Is Through You (live demo)
6. Not That Kind Of Girl (live demo)
7. House of Wolves, Version 1 (live demo)
8. House of Wolves, Version 2 (live demo)
9. Emily (rough mix)
10. Disenchanted (live demo)
11. All The Angels (live demo)$31.99Vinyl LP - 3 LPs Sealed Buy Now