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Love RemainsSince the release of his debut Love Remains in 2010, Tom Krell has crafted a reputation as one of America's most original, focused and beguiling young songwriters with his releases: the haunting, glacial neo-soul of 2012's Total Loss; 2014's sensual but sincere What Is This Heart?; and most recently with the beaming pop evident on 2016's Care.1. You Hold the Water
2. Ready for the World
3. My Body
4. Suicide Dream 2
5. You Won't Need Me Where I'm Goin'
6. Can't See My Own Face
7. Walking This Dumb
8. Date of Birth
9. Escape Before the Rain
10. Endless Rain
11. Lover's Start
12. Mr. By & By
14. Suicide Dream 1$21.99Vinyl LP - Sealed Buy Now
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What Is This Heart?Arriving two years after the haunting, glacial neo-soul of 2012's much-loved Total Loss, Tom Krell - under
the moniker How To Dress Well - will release his third album "What Is This Heart?". Since the
release of his debut Love Remains in 2010, Krell has crafted a reputation as one of America's most original,
focused and beguiling young songwriters and "What Is This Heart?" nds How To Dress Well at the top of
Merging ever surprising production choices and aesthetic detail with a sensual but sincere R&B inuence
and a deep, grounded emotionality, "What Is This Heart?" is the next step in Tom Krell's unique and
searching artistic trajectory and asserts him as an artist of great courage, taste and craft. Its twelve songs
were conceived and written during months of grueling international touring and realized with producer
Rodaidh McDonald (Vampire Weekend, The xx, Savages, Adele) in Berlin, and the result is an ambitious
21st century pop album that takes inuence from artists as varied as Prince, Lou Reed, Burial and Tracy
More condent, daring and open than any How to Dress Well release thus far, "What Is This Heart?" is at
once Krell's most deeply personal work and also his most universal in resonance. It is a record that delves
into the core of the psyche and touches on themes of isolation, loss and existential anguish, but in the end
nds redemption in the innite possibilities of love. The songs tackle ideas of anxiety, fear, lack of control,
nightmare, death, pain, pleasure, pride and shame, trust and commitment with an honesty and intimacy
that is rare in the modern age.1. 2 Years On (Shame Dream)
2. What You Wanted
3. Face Again
4. See You Fall
5. Repeat Pleasure
6. Words I Don't Remember
7. Pour Cyril
8. Precious Love
9. Childhood Faith In Love (Everything Must
Change, Everything Must Stay The Same)
10. A Power
11. Very Best Friend
12. House Inside (Future Is Older Than The Past)$21.99Vinyl LP - 2 LPs Sealed Buy Now
Wild SongsEstasy is the musical alias of Rome, Italy-based installation and performance artist Emiliano Maggi.
After a few cassettes and CD-Rs, Estasy is releasing its full-length debut, Wild Songs, on Acephale (SALEM, Elite Gymnastics, How To Dress Well).1. Daymoves
2. Buried Me
4. I Saw A Chapel Of Gold
5. It's A Hard World For Little Things
7. Locus Solus
8. Wild Wants
9. Haunted Love$21.99Vinyl LP - Sealed Buy Now
Oh, YuckIt's alt-pop in the same world as Flume or How to Dress Well, morose and triumphant and serene all at once. - PopMatters
Damien Verrett was never comfortable with one single identity. As So Much Light, his nom de production, the Sacramento-based musician is able to assume multiple personas, elegantly weaving all of his skills and interests into one project that brings self-fulfillment musically but also ideologically.
Verrett has created a socially conscious full-length debut, Oh, Yuck. Utilizing both organic and electronic sounds, Oh, Yuck is wrought with textural soundscapes grounded by programmed orchestral compositions, sprightly guitar lines and thrashing drums--productions that are never overambitious or dense, but purposeful with each synth layer, each woodwind arrangement.
So Much Light unites the electronic indie charms of Toro Y Moi and Flume with the courage and swagger of R&B stars like Neyo and The Weeknd. By seamlessly combining soul with exceedingly intelligent and thoughtfully-arranged production and textures, Verrett has expanded the boundaries of conventional genres. Part observational poet, emotive melodist, inventive sound designer and detail-oriented perfectionist, So Much Light is without a doubt the total package.1. New Game
2. Little Fanfare
3. Full Body Mirror
4. Love That Never Fades
5. Stomping Ground
6. Be Afraid
7. Idiot Soul
8. Artificial Sweeteners
10. Deep Down
11. Ultra Sunrise
13. Game Over
14. Let it Absorb You$19.99Vinyl LP - Sealed Buy Now
Feel InfiniteLuckyMe proudly present the debut album from Jacques Greene - "Feel Infinite". At its heart, 'Feel Infinite' is a world of music connected to the utopian idea of club culture - music about the club, rather than specifically club music in and of itself. Written over the course of two years, this debut album is the purest, most personal expression of the Jacques Greene sound and emotion created by the born and raised Montreal artist, renowned for collaborating and remixing Tinashe, Radiohead, Sampha and Shlohmo.
Jacques Greene is the enigmatic, young artist who broke out of a generation of independent electronic labels Uno, 3024, Night Slugs and LuckyMe as a genre-defining producer and DJ (via 2011's 'Another Girl' - one of Pitchfork's Songs of the Decade, 2013's underground favorite 'On Your Side' ft. How To Dress Well and 2016's undeniable summer anthem 'You Can't Deny'). Jacques Greene crafted a musical blueprint that inspired a generation who were raised on, and looked to bring together the intersection of contemporary music growing up in the 90s: hip hop, RnB, house and techno.
"The essence of the record is to draw emotions and moments that above all, feel human within the context of dance music," says Jacques Greene of his highly anticipated debut album, 'Feel Infinite'. "I want it to be celebratory of all that we feel and do and experience - the beautiful, the good, and the bad."
In 2016, Jacques Greene released the surprise single 'You Can't Deny' to acclaim and adulation, a beautifully undeniable, soulful techno record, followed up with 'Afterglow', a euphoric club record - both of which are included on the album alongside a further nine stunning tracks.
Includes a fold out poster with new & exclusive artwork by Hassan Rahim1. Fall
2. Feel Infinite
3. To Say
4. True ft. How To Dress Well
5. I Won't Judge
6. Dundas Collapse$27.99Vinyl LP - 2 LPs Sealed Buy Now
6 Feet Beneath The MoonSix Feet Beneath The Moon is the long-anticipated debut album from Southeast London's King Krule.
Archy Marshall aka King Krule broke out two years ago, at the tender age of 16 with his eponymous
EP released on True Panther. King Krule's sound, a
hypnotic mixture indebted to working class British
song-smiths like Billy Bragg as much as NY No-Wave
and hip hop carries a maturity and depth far beyond
his years. The EP's lead single, "Noose of Jah City"
found a great deal of success on BBC's Radio 1,
and brought Archy praise from Pitchfork, The NY
Times, FADER and numerous other publications. His
music has also won him fans among today's young
music elite - Mac Miller, Frank Ocean and Tyler, The
Creator are all supporters, collaborators and fans.
Six Feet Beneath The Moon takes the potential
evident in the EP and blows it out of the water.
Across 14 tracks Archy expertly weaves incredible
stories of London life, his own relationships and
experiences with the swagger of a street poet, all in his incredibly distinct smoky baritone. The album, recorded mostly near Archy's South London
home with producer Rodaidh McDonnell (The XX,
Savages, How To Dress Well) is stark but incredibly
rich - painting with a palate full of hip hop, jazz, no-wave and poetic influences.
The album shares the electric confidence of some of last decade's most important debuts - Arctic
Monkeys' Whatever People Say I Am, That's What
I'm Not', The Streets' Original Pirate Material and
Dizzee Rascal's Boy In Da Corner. It is somehow
both a perfect summary of a young man's life in a
particular part of London and a universal, deeply
moving and compelling statement. Most importantly,
it is the flag ushering in a new and important musical voice that is sure to be with us for quite some time.1. Easy Easy
3. Has This Hit
6. Baby Blue
8. Lizard State
9. 'William, Here I Come
10. Ocean Bed
11. Neptune Estate
13. Out Getting Ribs
14. What Is There To Say?$27.99Vinyl LP - 2 LPs Sealed Buy Now
Nights In Vienna180 Gram Audiophile Vinyl Cut from the Original Analogue EMI Master Tapes at Abbey Road Studios
Rudolf Kempe has the true and significant gift of the truly great conductor. He is able and willing to lavish the same care and affection on good light music as on that of the supreme masters. So enthused W. A. Chislett on the 48 years old Kempe, who, by the time this recording of operatic overtures and waltzes was made, had gained a reputation as an opera conductor, having directed the Dresden Opera, the Vienna State Opera, the Bavarian State Opera (succeeding Solti) and conducted at Bayreuth. He was a favourite at Covent Garden but declined the director's job. Kempe was a conductor of international repute, with long associations with the Royal Philharmonic, Zurich Tonhalle and Munich Philharmonic, as well as his last, short-lived appointment as chief conductor of the BBC Symphony Orchestra. Kempe died on 12 May 1976 aged 65.
Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional 'advance' playback head, making the cut a totally analogue process. Pressed on 180 gram vinyl to audiophile standards using the original EMI presses by The Vinyl Factory in Hayes, England. Featuring the original album artwork, this recording is not otherwise generally available in any format. It contains rarely heard or recorded pieces by Heuberger and Reznicek.
In the original December 1958 review of the mono release W. A. Chislett of the GRAMOPHONE concluded: ... This is superb in every way, warm, intimate, beautifully phrased and poised and very finely recorded. How good in particular it is to hear Lehar's charming waltz given a full dress performance complete with prelude and postlude. ..and on the stereo release the following August, Chislett added: ...they all sound richer and warmer in the two-channel version.
Recorded on 20-22 February 1958 at the Grosser Saal, Musikverein, Vienna. Produced by the legendary Victor Olof and engineered by Harold Davidson.
Hi-Q Records Supercuts 180g Vinyl
Cut from the Original Analogue EMI Master Tapes at Abbey Road Studios!
Superior Audiophile Pressing
Features Original Album Artwork
This recording is not otherwise generally available in any format
Rudolf Kempe, conductor
Vienna Philharmonic Orchestra
This title is not eligible for discount.1. Morning, Noon and Night in Vienna (Suppe)
2. Overture Der Opernball (Heuberger)
3. Overture Die Fledermaus (Johann Strauss II)
4. Gold und Silber - Waltz (Lehar)
5. Overture Donna Dianna (Reznicek)
6. Spharenklange Waltz (Josef Strauss)
7. Radetzky March (Johann Strauss I)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Phantom Thread (Original Motion Picture Soundtrack) (Pre-Order)Jonny Greenwood's score to Paul Thomas Anderson's new feature film, Phantom Thread, is releasing via Nonesuch Records.
Phantom Thread is set in the glamour of 1950s post-war London, where renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.
With Phantom Thread, Oscar-nominated filmmaker Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey and the women who keep his world running. Phantom Thread is Anderson's eighth movie, and his second collaboration with Daniel Day-Lewis. The film's soundtrack includes eighteen compositions by Greenwood. It was recorded in London with a sixty-member string orchestra conducted by Robert Ziegler and is featured more prominently in the film than any of Greenwood's scores have been before. The Phantom Thread score was nominated for Golden Globe and BAFTA awards and has received the Best Score prizes from film critics' associations in Boston, Chicago, Los Angeles, Phoenix, San Francisco, Seattle, and St. Louis.
The composer spoke to Variety about the process of creating a score that reflected the film's romance and glamour: We talked a lot about '50s music, what was popularly heard then as well as what was being written and recorded. Nelson Riddle and Glenn Gould's Bach recordings were the main references. I was interested in the kind of jazz records that toyed with incorporating big string sections; Ben Webster made some good ones. Greenwood continues, The smaller groups, and solo players, work like close-ups [and] not necessarily to accompany [a] visual, but rather, to focus your attention on and make you feel directly engaged with the characters. The bigger orchestral things often worked best for drawing you back to see the bigger situation.
Anderson and Greenwood's previous collaborations include the soundtrack for Academy Award-winning There Will Be Blood (2007), The Master (2012), and Inherent Vice (2014), all released by Nonesuch. Indiewire says of their collaboration: Paul Thomas Anderson fans are well accustomed to how instrumental Jonny Greenwood's music is to the auteur's body of work. Whether it's the foreboding strings in There Will Be Blood or the discordant percussion in The Master, Greenwood's original scores expertly capture Anderson's tones. This fact is especially true in Phantom Thread, which marks the fourth collaboration between Anderson and Greenwood.
Widely known as the guitarist for Radiohead, Jonny Greenwood is also a highly respected composer. In addition to the Anderson film soundtracks, Nonesuch also released his score for Norwegian Wood, his collaboration with Polish composer Krzysztof Penderecki, and his performance of Steve Reich's Electric Counterpoint. Most recently, the label released Junun-a collaboration between Greenwood, composer/musician Shye Ben Tzur, and a group of Indian musicians called the Rajasthan Express that was recorded in the fifteenth-century Mehrangarh Fort in Jodhpur, India. Paul Thomas Anderson came along to document the sessions. The resulting impressionistic film, also entitled Junun, debuted at the New York Film Festival, before screening at several other international festivals.1. Phantom Thread I
2. The Hem
3. Sandalwood I
4. The Tailor of Fitzrovia
6. Boletus Felleus
7. Phantom Thread II
8. Catch Hold
9. Never Cursed
10. That's As May Be
11. Phantom Thread III
12. I'll Follow Tomorrow
13. House of Woodcock
14. Sandalwood II
15. Barbara Rose
16. Endless Superstition
17. Phantom Thread IV
18. For the Hungry Boy$32.99Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
Moody CoupCo La is the primary project of musician and producer Matt Papich, whose
explorations of sample-based electronic music have culminated in Moody
The emotional palette of Moody Coup, Papich's second album and rst for
Software Recording Co., is more complex than its exuberant predecessor
Daydream Repeater (NNA Tapes 2011). Where that record's relentlessly
bucolic tone drew from the saccharine core of reggae, exotica, and 60s girl
groups, the bedrock of Moody Coup is elusive and abstract.
The various genre coinages that have been tagged to Co La's music before
- new exotica, Avant-luxury, furniture music, etc. - fail to accommodate the
brainier obsessions behind Moody Coup's genesis. A new brand of alchemy
occurs in the album, where cryptic sources are enhanced and embellished
to a point of transcendence. This departure is the brilliant process o of Co
La's unpredictable electronic music.
Highlights of Moody Coup include Remarkable Features, which
consolidates the prior seismic scope of Daydream Repeater into a dance
oor standout. Deaf Christian transforms a Neil Sedaka doo-wopper into
a mesmerizingly dark House cut, complete with synth chasms and haunting
voice chants (supplied here and throughout the record by Angel
Deradoorian). The meticulously crafted Suspicious ventures into more
calming pastures -- an extra dimensional, dubbed-out take on the Psychic
TV gem by the same name.
At the outset of Moody Coup, Sukiyaki (To Die For) melodically alludes
to the Kyu Sakamoto song Sukiyaki." The original was penned as a
mournful assessment of post-war Japan's relationship to the US, albeit
dressed by Sakamoto as a love song. Ironically, Sukiyaki became a hit
oversees in the US and was later covered by A Taste of Honey. Rather than
translating the lyrics, A Taste of Honey set new words to the original
melody. (Stranger still, the word Sukiyaki itself refers to a Japanese hot
It's important to note that the wide range of reference sources does not
serve Moody Coup as a supercial demonstration of Papich's eclectic taste.
Instead, all of the micro pieces function mosaically, creating an impression
at a macro level that is extremely potent as music as well as concept. Co
La's intellectual obsessions are rooted in questions about how music is
dilated by the cultures who created it and the power structures that shape
those cultures (see Sukiyaki), while his musical obsessions are always
rooted in the sensual, the beautiful and the immediate.
Papich describes the working Co La method on Moody Coup as
"employing the hegemony of delete." He likes to be interrupted, and is
fond of working in places where domestic concerns are on equal terms with
studio practice. Much of Moody Coup was made in the kitchen of Papich's
Baltimore home -- a place where he describes having the "best
interruptions." Assistant to Papich's production was friend Joe Williams,
who programmed and performed all synths. Tracks were additionally
consolidated from eld recordings, samples and composed in Ableton Live
and mixed in Brooklyn at Gary's Electric Studio, located at the Software HQ.1. Sukiyaki To Die For
2. Melter's Delight
3. Remarkable Features
4. Deaf Christian
6. Suspicious (Sandman Fix)
7. Baby's Breath
8. Head in Hole in Space
9. Sympathy Flinch
10. Make it Slay (Barbershop Solo)$13.99Vinyl LP - Sealed Buy Now