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  • Groovy! Groovy! Quick View

    $22.99
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    Groovy!

    Import


    A very rare entry in the Hubbard discography. This 1961 LP was scheduled with the little-known trombonist Willie Wilson as leader but was then released under the name of the group's bestselling artist, the 23-year-old Freddie Hubbard.

    Side 1

    1 Minor Mishap

    2 Blues For Alvina

    3 The Nearness Of You

    4 Number Five


    Side 2
    1 Lex

    2 Time After Time

    3 Apothegm

    4 Number Five (Bonus Track)

    Freddie Hubbard
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • First Light (Pure Pleasure) First Light (Pure Pleasure) Quick View

    $34.99
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    First Light (Pure Pleasure)

    Freddie Hubbard was one of the most prolific jazz trumpeters in the business. He played a hot and sassy horn! When he was teamed up with George Benson, Jack DeJohnette and Ron Carter (just to name a few) on this one of many Creed Taylor-produced collaborations, he most deservedly won the Grammy!


    The opening title song First Light has an ethereal beginning with a diverse arrangement. An unusual arrangement of Paul McCartney's Uncle Albert/Admiral Halsey is most satisfying. Henry Mancini's Moment To Moment has a hauntingly sweet sound. Lonely Town is darkly complex.


    There are many sides and moods to each of the songs within this original work. With stylish jazzy rhythms and rich orchestrations, this is THE Freddie Hubbard album to have!


    Musicians:


    • Freddie Hubbard (trumpet, flugelhorn)
    • Richard Wyands (piano)
    • Hubert Laws (flute)
    • Ron Carter (bass)
    • Phil Kraus (vibraphone)
    • Jack DeJohnette (drums)
    • Airto Moreira (percussion) and strings



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    1. First Light
    2. Uncle Albert/Admiral Halsey
    3. Moment to Moment
    4. Yesterday's Dreams
    5. Lonely Town
    Freddie Hubbard
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Straight Life Straight Life Quick View

    $29.99
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    Straight Life

    Limited Edition of 1,000 Copies


    Pressed on 180 Gram Audiophile-Grade Vinyl at Pallas Group in Germany


    Mastered from Original Analog Tapes By Grammy Award Winner Bernie Grundman


    Features Joe Henderson, Herbie Hancock, George Benson, Ron Carter, and Jack DeJohnette


    Straight Life, arguably trumpeter Freddie Hubbard's greatest recording, features an all-star group that includes tenor saxophonist Joe Henderson, keyboardist Herbie Hancock, guitarist George Benson, bassist Ron Carter, and drummer Jack DeJohnette. Recorded in 1970 between Hubbard's better-known CTI releases, Red Clay and First Light, the album was also engineered by Rudy Van Gelder and produced by Creed Taylor. This 180gram audiophile-grade vinyl reissue, which was mastered from original tapes by Bernie Grundman and pressed at Pallas in Germany, shines new light on this amazing, underrated recording.

    1. Straight Life
    2. Mr. Clean
    3. Here's That Rainy Day
    Freddie Hubbard
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • J.J. Inc. (Speakers Corner) J.J. Inc. (Speakers Corner) Quick View

    $34.99
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    J.J. Inc. (Speakers Corner)

    He was a shining example for many European modern-jazz trombonists: J. J. Johnson, the man from Indianapolis, and the swinging half of the pair Jay and Kai. (Kai Winding was the white guy with the "cool" sound.) On this Columbia LP, recorded in August 1960, we can experience J. J. in three ways - as a soloist, composer, and arranger. To this is added a superbly well-rehearsed combo consisting of Freddie Hubbard, Clifford Jordan and one of the very best rhythm groups of late hard bop: Cedar Walton, Arthur Harper, and Albert Heath on the drums.



    Thanks to having performed the works over the previous eight months in concerts before the recording, all the works sound wonderfully homogeneous, and the improvisations never once become stereotyped. The theme tune of In Walked Horace well illustrates Jay Jay's musical background, which lies somewhere between Thelonious Monk, Bud Powell and Horace Silver.
    On the reverse side of the LP cover, J. J. Johnson describes his feelings during the recording session: »Wow! What a pleasure!« And the listener will certainly go along with that for the whole length of the LP!



    Musicians:



    • J.J. Johnson (trombone)

    • Clifford Jordan (tenor saxophone)

    • Freddy Hubbard (trumpet)

    • Cedar Walton (piano)

    • Arthur Harper (bass)

    • Albert Heath (drums)




    Recording: August 1960 in New York

    Production: Teo Macero




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Mohawk
    2. Minor Mist
    3. In Walked Horace
    4. Fatback
    5. Aquarius
    6. Shutter-Bug
    The J.J. Johnson Sextet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ready For Freddie Ready For Freddie Quick View

    $19.99
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    Ready For Freddie


    Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    Ready For Freddie by jazz trumpeter Freddie Hubbard features Grammy®-winner Wayne Shorter on tenor sax, McCoy Tyner on piano, Art Davis on bass,
    Elvin Jones on drums and Bernard McKinney on euphonium. Released in 1961, Ready For Freddie, Hubbard's fourth album includes his most well-known
    compositions, "Birdlike" and "Crisis." This hard bop essential will be re-released as part of the overall Blue Note 75th anniversary vinyl reissue campaign
    spearheaded by current Blue Note Records President, Don Was.

    1. Arietis
    2. Weaver Of Dreams
    3. Marie Antoinette
    4. Birdlike
    5. Crisis
    Freddie Hubbard
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Hub-Tones Hub-Tones Quick View

    $49.99
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    Hub-Tones

    Already the most formidable new trumpeter in jazz in 1962, Freddie Hubbard came into his own as a composer with this album with great originals that range from the complex, ferocious swinger Hub-Tones to his poignant Lament For Booker, written for the later Booker Little. James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis are all at their peak, bringing the brilliant music to life with artistry and feeling.


    Freddie Hubbard, trumpet
    Herbie Hancock, piano
    Clifford Jarvis, drums
    James Spaulding, flute, alto saxophone
    Reggie Workman, bass


    This title is not eligible for discount.

    1. You're My Everything
    2. You're My Everything (alternate take)
    3. Prophet Jennings
    4. Hub-Tones
    5. Hub-Tones (alternate take)
    6. Lament for Booker
    7. For Spee's Sake
    8. For Spee's Sake (alternate take)
    Freddie Hubbard
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • The Artistry Of Freddie Hubbard The Artistry Of Freddie Hubbard Quick View

    $49.99
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    The Artistry Of Freddie Hubbard

    Trumpeter Freddie Hubbard leads a particularly talented sextet (with trombonist Curtis Fuller, a rare outing away from Sun Ra for tenor-saxophonist John Gilmore, pianist Tommy Flanagan, bassist Art Davis and drummer Louis Hayes) on three of his originals and strong versions of Summertime and Caravan.


    This title is not eligible for discount.

    1. Caravan
    2. Bob's Place
    3. Happy Times
    4. Summertime
    5. The 7th Day
    Freddie Hubbard
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Blue Spirits Blue Spirits Quick View

    $19.99
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    Blue Spirits


    Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    Hubbard says in the albums original liner notes: I tried to get that dark sound... which characterizes much of the rest of the music in the album. All of the compositions featured in the set are Hubbard's originals. Hubbard intended for the album to be a spiritual one, but not in the religious sense. In a sense that I consider music to be spiritual experience because you can get at your deepest feeling... .

    1. Soul Surge
    2. Blue Spirits
    3. Outer Forces
    4. Cunga Black
    5. Jodo
    Freddie Hubbard
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Hub Cap Hub Cap Quick View

    $49.99
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    Hub Cap

    Freddie Hubbard arrived in New York in 1960 and set the jazz scene on its ear with a gorgeous tone, perfect technique and great ideas. This was his third album in less than a year and it yielded several masterpieces including the title tune and a powerful reading of Randy Weston's Cry Me Not.


    Freddie Hubbard, trumpet
    Julian Priester, trombone
    Jimmy Heath, tenor saxophone
    Cedar Walton, piano
    Larry Ridley, bass
    Philly Joe Jones, drums


    This title is not eligible for discount.

    1. Hub Cap
    2. Cry Me Not
    3. Luana
    4. Osie Mae
    5. Plexus
    6. Eearmon Jr.
    Freddie Hubbard
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Red Clay Red Clay Quick View

    $49.99
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    Red Clay


    Hubbard's First Affair WithCreed Taylor's CTI Label


    Group Includes Joe Henderson, Herbie
    Hancock, Ron Carter, And Lenny White
    Recorded At Van Gelder Studios, Engineered
    By Rudy Van Gelder


    Mastered From The Original Master Tapes At 45RPM
    By Bernie Grundman


    Pressed On 180 Gram Audiophile-Grade Vinyl At Pallas In Germany


    "This may be Freddie Hubbard's finest moment as
    a leader, in that it embodies and utilizes all of his
    strengths as a composer, soloist, and frontman. on
    red Clay, Hubbard combines hard bop's glorious
    blues-out past with the soulful innovations of
    mainstream jazz in the 1960s, and reads them through
    the chunky groove innovations of 1970s jazz fusion.
    This session places the trumpeter in the company
    of giants such as tenor saxophonist Joe Henderson,
    pianist Herbie Hancock, bassist ron Carter, and
    drummer lenny White. Hubbard's five compositions all
    come from deep inside blues territory; these shaded
    notions are grafted onto funky hard bop melodies
    worthy of Horace silver's finest tunes, and are layered
    inside the smoothed-over cadences of shimmering,
    steaming soul. This is a classic, hands down."


    - Thom Jurek (All Music Guide)

    1. Red Clay
    2. Delphia
    3. Suite Sioux
    4. The Intrepid Fox
    Freddie Hubbard
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Breaking Point Breaking Point Quick View

    $19.99
    Buy Now
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    Breaking Point

    Part Of The Blue Note 75 Anniversary LP Reissue Campaign


    A Blue Note essential, Breaking Point is part of the Blue Note 75 anniversary LP reissue campaign.
    Key to the initiative is high quality audio at affordable prices. Recorded in 1964, this is Freddie Hubbard's ninth album.

    1. Breaking Point
    2. Far Away
    3. Blue Frenzy
    4. D Minor Mint
    5. Mirrors
    Freddie Hubbard
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • First Light First Light Quick View

    $29.99
    Buy Now
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    First Light


    Numbered, Limited Edition of 2,000 Copies


    Pressed on 180 Gram Audiophile-Grade Vinyl at Pallas Group in Germany


    Mastered from Original Analog Tapes by Bernie Grundman


    Features Herbie Hancock on Rhodes


    Freddie Hubbard entered Creed Taylor's studio for the
    third time in 1971 with the express purpose of making
    a record radically different from anything he'd cut
    before; he was looking for it to use electricity and to be
    out of the soul-jazz mold, but was also more ambitious
    and wanted to push that envelope and himself. Taylor
    and Hubbard assembled a band that included Herbie
    Hancock , Eric Gale, George Benson, Ron Carter,
    Jack DeJohnette, Airto Moreira, and Richard Wyands.
    The album is part of a loose trilogy including his two
    previous records, Red Clay and Straight Life. Now
    available in its essential form, First Light was mastered
    from original analog tapes and pressed on 180gram
    audiophile-grade vinyl at Pallas.

    1. First Light
    2. Uncle Albert/Admiral Halsey

    3. Moment to Moment
    4. Yesterday's Dreams
    5. Lonely Town
    Freddie Hubbard
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Backlash (Speakers Corner) Backlash (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Backlash (Speakers Corner)

    After his great success as a new discovery through playing on tour and in the studio with Art Blakey's creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
    It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled Backlash, is still until today the best of the bunch.


    Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is Little Sunflower. The sound colouring of the flute harmonizes particularly well with Hubbard's brass, and Ray Barretto's contribution is more than mere decoration. You're certainly on the right track with this LP, no matter whether it's the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.


    This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

    Musicians:



    • Freddie Hubbard (fluegel horn, trumpet)
    • James Spaulding (alto saxophone, flute)
    • Albert Dailey (piano)
    • Bob Cunningham (bass)
    • Ray Appleton (drums)
    • Ray Barretto (percussion)



    Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber

    Production: Arif Mardin




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Backlash
    2. The Return Of The Prodigal Son
    3. Little Sunflower
    4. On The Que-Tee
    5. Up Jumped Spring
    6. Echoes Of Blue
    Freddie Hubbard
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Straight Life (Pure Pleasure) Straight Life (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Straight Life (Pure Pleasure)

    Recorded between trumpeter Freddie Hubbard's better-known classics Red Clay and First Light, Straight Life is actually arguably Hubbard's greatest recording. Hubbard, joined by an all-star group that includes tenor saxophonist Joe Henderson, keyboardist Herbie Hancock, guitarist George Benson, bassist Ron Carter, and drummer Jack DeJohnette, is frequently astounding on Straight Life (check out that introduction) and Mr. Clean, constructing classic solos. The very memorable set is rounded off by the trumpeter's duet with Benson on a lyrical version of the ballad Here's That Rainy Day. This exciting album is essential for all serious jazz collections.



    Musicians:



    • Freddie Hubbard (trumpet, fluegel horn)

    • Joe Henderson (tenor saxophone)

    • Herbie Hancock (piano)

    • George Benson (guitar)

    • Ron Carter (bass)

    • Jack DeJohnette (drums)

    • Richard Pablo Landrum (percussion)

    • Weldon Irvine (tambourine)



    Recording: November 1970 at Van Gelder Studios, Englewood Cliffs, NJ (USA), by Rudy Van Gelder

    Production: Creed Taylor



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Straight Life
    2. Mr. Clean
    3. Here's That Rainy Day
    Freddie Hubbard
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ascension Ascension Quick View

    $24.99
    Buy Now
    x

    Ascension

    Trane is joined by Pharoah Sanders, Freddie Hubbard and four other horn players for an explosion of fiery solos and free improvisation on this famous 1965 session. Recorded with three tenors (Trane, Pharoah Sanders, Archie Shepp), two altos (Marion Brown, John Tchicai), two trumpet players (Freddie Hubbard, Dewey Johnson), two bassists (Art Davis, Jimmy Garrison), the lone McCoy Tyner on piano, and Elvin Jones on the drums, this large group is both relentless and soulful simultaneously.
    1. Ascension [Pt. 1]
    2. Ascension [Pt. 2]
    John Coltrane
    $24.99
    Vinyl LP - Sealed Buy Now
  • True Blue True Blue Quick View

    $19.99
    Buy Now
    x

    True Blue

    With a strong, smooth tone and an amazing flow of fresh ideas every time he soloed, tenor saxophonist Tina Brooks should have been a major jazz artist, but his legacy is confined to a series of dates that he did for Blue Note as a sideman and leader. True Blue is the only album under his own name to come out in his lifetime. He and Freddie Hubbard had recorded Hubbards Open Sesame a week earlier. True Blue also features Hubbard on trumpet along with Duke Jordan on piano, Sam Jones on bass and Art Taylor on drums. Brooks made the best out of this opportunity here as it is a phenomenal set containing five of his originals.
    1.Good Old Soul
    2.Up Tight's Creek
    3.Theme For Doris

    4.True Blue
    5.Miss Hazel
    6.Nothing Ever Changes My Love For You

    Tina Brooks
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Outward Bound Outward Bound Quick View

    $21.99
    Buy Now
    x

    Outward Bound

    Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound, he was not overturning his idol, Charlie Parker; he was building on Bird's legacy. So deep was Dolphy's musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles Mingus. Partnering in this collection with the brilliant trumpeter Freddie Hubbard and a stunning rhythm section, Dolphy is at a peak of energy and creativity on alto saxophone, bass clarinet, and flute. He and Hubbard work with empathy reminiscent of the young Parker and Dizzy Gillespie. Pianist Jaki Byard, bassist George Tucker, and drummer Roy Haynes were ideal accompanists and co-conspirators in this widely influential work.
    G.W.
    Green Dolphin Street
    Les
    245
    Glad To Be Unhappy
    Miss Toni
    Eric Dolphy
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Empyrean Isles Empyrean Isles Quick View

    $19.99
    Buy Now
    x

    Empyrean Isles

    Recorded in 1964, Herbie Hancock's "Empyrean Isles," will be reissued as part of an overall Blue Note 75th anniversary vinyl initiative spearheaded by current Blue Note Records President, Don Was. "Empyrean Isles" was Hancock's fourth album for Blue Note and features Freddie Hubbard on cornet. This release debuts two of Hancock's most treasured songs, "One Finger Snap" and "Cantaloupe Island."
    1. One Finger Snap
    2. Oliloqui Valley
    3. Cantaloupe Island
    4. The Egg
    Herbie Hancock
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Here's To The Good Times...This Is How We Roll (Deluxe) Here's To The Good Times...This Is How We Roll (Deluxe) Quick View

    $24.99
    Buy Now
    x

    Here's To The Good Times...This Is How We Roll (Deluxe)

    Available For The First Time On Vinyl!


    2012 album from the hot Country Rock duo. Comprised of Tyler Hubbard from Monroe, Georgia and Brian Kelley from Ormond Beach, Fonda - Florida Georgia Line brings a fresh combination of electrifying, hard-driving rock and honest, expressive lyrics to the genre. Producer Joey Moi (Jake Owen, Nickelback) showcased their unique sound throughout the album.

    1. Cruise
    2. Round Here
    3. Get Your Shine On
    4. Here's To The Good Times
    5. It's Just What We Do
    6. Stay
    7. Hell Raisin' Heat Of The Summer
    8. Tell Me How You Like It
    9. Tip It Back
    10. Dayum, Baby featuring Sarah Buxton
    11. Party People featuring Jaren Johnston of The Cadillac Three
    12. This Is How We Roll featuring Luke Bryan
    13. Take It Out On Me
    14. People Back Home
    15. Headphones
    16. Hands On You
    17. Cruise (Remix) featuring Nelly
    18. What Are You Drinking About
    19. Country In My Soul
    Florida Georgia Line
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Free For All Free For All Quick View

    $19.99
    Buy Now
    x

    Free For All


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Free for All is a 1964 jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Now, celebrating its 50th anniversary, the album will be
    newly-remastered for vinyl as part of the overall Blue Note 75th anniversary vinyl reissue campaign. It is the first of many to come. Blakey, the Jazz
    Messenger's leader and drummer, recorded Free for All with Freddie Hubbard on trumpet, recent Grammy®-winner Wayne Shorter on tenor sax, Curtis
    Fuller on trombone, Cedar Walton on piano and Reggie Workman on bass. Free for All features "Free For All" and "Hammer Head" both by Wayne
    Shorter as well as "The Core" by Freddie Hubbard and "Pensativa" by Clare Fischer. This new reissue was mastered by Alan Yoshida at Dunning-Kruger
    in Los Angeles as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Free For All
    2. Hammer Head
    3. The Core
    4. Pensativa
    Art Blakey
    $19.99
    Vinyl LP - Sealed Buy Now
  • Mosaic Mosaic Quick View

    $19.99
    Buy Now
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    Mosaic

    Originally released by Blue Note Records in 1961, "Mosaic" by Art Blakey & The Jazz Messengers, will be reissued as part of an overall Blue Note 75th anniversary vinyl initiative spearheaded by current Blue Note Records President, Don Was. Performing with Blakey, "Mosiac" features critically-acclaimed jazz greats like Wayne Shorter, Freddie Hubbard and Curtis Fuller. This version of The Jazz Messengers performed together from 1961 through 1964.
    1. Mosaic
    2. Down Under
    3. Children of the Night
    4. Aarbia
    5. Crisis
    Art Blakey
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Caravan Caravan Quick View

    $27.99
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    Caravan

    Import


    Includes 1 Bonus Track


    By the time that jazz icon/bandleader/percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the spiritual center of the group for nearly 15 years. The unprecedented caliber of performers who had already passed through the revolving-door personnel reads like a who's who of 20th century jazz. On Caravan -- his first of several notable sides for the venerable label -- he is joined by a quintet of concurrent and future all-stars. Likewise, it could be argued that each has never again been presented in such a fresh or inspired setting as on these recordings. In order to establish with any authority just how heavy (even for purveyors of hard bop) the players in this band are, they need only to be named: Curtis Fuller (trombone), Freddie Hubbard (trumpet), Wayne Shorter (tenor sax), Cedar Walton (piano), and Reggie Workman (bass). With Blakey (drums) firmly at the helm, these Jazz Messengers deliver a scintillating synergy that doesn't sacrifice intensity for the sake of cadence. The trademark give-and-take that graces the laid-back and sophisticated pop and jazz standards Skylark and In the Wee Small Hours of the Morning likewise is responsible for the palpable energy brought to the sizeable contributions from Shorter and Hubbard -- which make up half of the album's material. The title and leadoff track liquefies Duke Ellington's original arrangement and ignites it, fueling this extended fiery interpretation. Hubbard's first solo harks back to his own recording of Caravan, which can be heard on the Impulse release Artistry of Freddie Hubbard and was recorded earlier the same year. Coincidentally, that disc also features Curtis Fuller as well as a rare non-Sun Ra-related appearance from John Gilmore (tenor sax). Blow for blow, however, this reading has more than just an edge -- it possesses the entire blade. The melody snakes in and out of Blakey's strident flurry of syncopation. Another highlight is Shorter's interjectory solo, recalling his ability to succeed John Coltrane in Miles Davis' coterie. Among the original compositions, Shorter's upbeat Sweet 'n' Sour stands out as the most cohesive and ensemble-driven, although the singular group dynamic is well applied to the lively This Is for Albert as well. By contrast, Hubbard's Thermo is more angular -- taking full advantage of the musicians' aggressive chops. The 2001 20-bit remaster from Fantasy contains two bonus tracks: take four of Sweet 'n' Sour and take two of Thermo. This release can be considered definitive Blakey, bop, and Jazz Messengers.

    - Lindsay Planer (All Music)

    1. Caravan
    2. Sweet 'n' Sour
    3. In The Wee Small Hours Of The Morning
    4. Sweet 'n' Sour [Alternate Take] *
    5. This Is For Albert
    6. Skylark
    7. Thermo


    *Bonus Track (From The Same Sessions. Not On The Original LP)

    Art Blakey
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Maiden Voyage Maiden Voyage Quick View

    $19.99
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    Maiden Voyage


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Arguably one of Herbie Hancock's greatest album from the '60s, Maiden Voyage is his fifth album, recorded by Rudy Van Gelder in 1965. Featuring five
    original Hancock compositions, Maiden Voyage features Freddie Hubbard on trumpet, George Coleman on tenor sax, Hancock on piano, Ron Carter on
    bass and Anthony Williams on drums. In 1999 Maiden Voyage was inducted into the Grammy® Hall of Fame. Remastered by Alan Yoshida, Maiden
    Voyage will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records
    President, Don Was.

    1. Maiden Voyage
    2. The Eye Of The Hurricane
    3. Little One
    4. Survival Of The Fittest
    5. Dolphin Dance

    Herbie Hancock
    $19.99
    Vinyl LP - Sealed Buy Now
  • Lush Life Lush Life Quick View

    $19.99
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    Lush Life


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Released in 1967, Lush Life by jazz saxophonist, Lou Donaldson, features a truly superstar jazz band. Considered an enchanting album, Lush Life
    includes performances by Freddie Hubbard on trumpet, Garnett Brown on trombone, Jerry Dodgion on alto sax and flute, Wayne Shorter on tenor sax,
    Pepper Adams on baritone sax, McCoy Tyner on piano, Ron Carter on bass and Al Harewood on drums. Lush Life will be reissued as part of the overall
    Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Sweet Slumber
    2. You've Changed
    3. The Good Life
    4. Stardust
    5. What Will I Tell My Heart
    6. It Might As Well Be Spring

    7. Sweet And Lovely
    Lou Donaldson
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
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