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  • Hope (200 Gram) (Pre-Order) Hope (200 Gram) (Pre-Order) Quick View

    $54.99
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    Hope (200 Gram) (Pre-Order)

    Now On 33 1/3 As Originally Recorded With All Tracks Included


    Mastered By Kevin Gray At Cohearent Audio From The Original Analog Tape


    Plating And 200-Gram Pressing By Quality Record Pressings



    ...Hope is one of those intensely visceral, large as life, and immediately present recordings that will make pretty much any system sound at least very good, and will cause better ones to raise goose bumps. - Wayne Garcia, The Absolute Sound, August 2008


    ...The high-quality original mix plus Analogue Productions' superb mastering has resulted in a terrific, very transparent sonic with great impact. - John Henry, Audiophile Audition


    The Analogue Productions reissue of Hugh Masekela's masterpiece Hope, now available on 33 1/3 LP. Mastering from Kevin Gray at Cohearent Audio; 200-gram knock-your-socks-off silent heavyweight vinyl plated and pressed by Quality Record Pressings. The ultimate.


    A longtime audiophile demonstration disc. Hope will show off your system's dynamic range as well as any record ever released. Hugh Masekela, the outstanding South African trumpeter, assembled a seven-piece group and recorded this great set live at Washington, D.C.'s Blues Alley. The songs stretch over a period of nearly five decades and serve as an informal guided tour of Masekela's life. The songs are honest and bare, and as for the sound - WOW!


    This title is not eligible for discount.

    1. The Abangoma (The Healers)
    2. Uptownship
    3. Mandela (Bring Him Back Home)
    4. Grazing in the Grass
    5. Lady
    6. Until When
    7. Languta
    8. Nomali
    9. Market Place
    10. Ntyilo Ntyilo (The Love Bird)
    11. He le Se (The Dowry Song)
    12. Stimela (Coal Train)
    Hugh Masekela
    $54.99
    200 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Younger Than Yesterday (MONO) Younger Than Yesterday (MONO) Quick View

    $28.99
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    Younger Than Yesterday (MONO)

    Ranked 124/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Younger Than Yesterday, the Byrds' fourth albumand in some people's eyes, the pinnacle of their artwastes no time, bursting out of the gates with still another national smash, So You Want To Be A Rock 'N' Roll Star. Spotlighting the jazzy trumpet of Hugh Masekela, this paean to outrageous rock stardom was a highlight of the Byrds' appearance at the Monterey Pop Festival, possibly the most thrilling gathering of the musical tribes, ever. Every bit as exciting was Have You Seen Her Face, the album's second radio hit. A return to space-rock, C.T.A.-102, should have been nominated for a Hugo, the annual prize for the best work in science fiction. The standout track ofYesterday, nevertheless, is My Back Pages, a good bet as the best-ever blend of lush Byrds harmonies and jangling guitar with Bob Dylan at his Finnegan's Wake lyrical best.


    Unavailable for over 40 years, we're proud to present the first ever reissue of this monumental recording in its original, highly-sought-after mono incarnation, cut directly from the original Columbia Recordings analog mono masters, with perfect artwork restoration and meticulously faithful mastering.

    1. So You Want To Be A Rock 'N' Roll Star
    2. Have You Seen Her Face

    3. C.T.A. - 102
    4. Renaissance Fair
    5. Time Between
    6. Everybody's Been Burned
    7. Thoughts And Words
    8. Mind Gardens
    9. My Back Pages
    10. The Girl With No Name
    11. Why
    The Byrds
    $28.99
    Vinyl Mono LP - Sealed Buy Now
  • The Columbia Years 1968-1969 The Columbia Years 1968-1969 Quick View

    $25.99
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    The Columbia Years 1968-1969

    All Tracks Previously Unreleased (Except Track B5/8)


    Production By Miles Davis & Teo Macero


    Featuring Performances From Hugh Masekela, Mitch Mitchell (Jimi Hendrix Experience), John Mclaughlin, Herbie Hancock, Harvey Brooks, Wayne Shorter, Billy Cox (Band Of Gypsys), Larry Young, And Members Of The Jazz Crusaders


    Remastered From The Original Analog Master Tapes


    New Interviews, Rare Photos, And Unseen Historical Documents From The Teo Macero Archive


    One can hardly imagine Prince, Erykah Badu, or Outkast without the influence of Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can't be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli have rhymed over her intensely strong but sensual music. Betty penned the song ''Uptown'' for The Chambers Brothers and wrote the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty's career would be her unbending DIY ethic, which made her quickly turn down anyone who didn't fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal. In 1968, she married Miles Davis and quickly influenced him on the magic of psychedelic rock along with introducing him to Jimi Hendrix-personally inspiring the classic album, Bitches Brew.


    Miles and Betty fans have long debated the truth of a near mythological session recorded in Studios B and E at Columbia's 52nd Street Studios on May 14th and 20th, 1969. The landmark session was produced by Miles and Teo Macero and featured Betty on vocals, accompanied by Jimi Hendrix Experience drummer Mitch Mitchell, guitarist John McLaughlin, Herbie Hancock on keys, and Dylan/Miles session bassist Harvey Brooks. Other players included bassist Billy Cox (Band of Gypsys), saxophonist Wayne Shorter, and organist Larry Young. Now, Light In The Attic, with full support from Betty herself, presents these recordings to the public for the very first time. These historic sessions-never heard, never bootlegged-predate Miles' revolutionary album, Bitches Brew, and are the true birth of Miles' jazz-rock explorations, along with the roots for Betty's groundbreaking funk that came years later, starting with her self-titled debut in 1973. While, ultimately, these recordings would go unreleased for nearly half a century, they would greatly shape each of their careers.


    The vibe is intrinsically unique, fresh, and futuristic-jazz heavyweights playing psychedelia, rock, and jazz-fusion long before the term became commonplace. The songs include Betty originals and covers of classics by Creedence and Cream. The concepts explored on these previously unheard sessions fueled concepts that wouldn't be fully realized until years later with Miles' seminal On The Corner.


    Additionally, included here is the first time rerelease of a 1968 Columbia single, recorded in October 1968 at Columbia Studios in Los Angeles. The session was produced by Jerry Fuller and featured South African maverick Hugh Masekela on trumpet and arrangements, plus members of jazz-funk pioneers The Crusaders-including trombonist Wayne Henderson and pianist Joe Sample. Two of the three tracks included here from this session are previously unreleased.


    This deluxe package is a treasure trove for both Betty and Miles fans, including rare documents from the pen of co-producer Teo Macero, rarely seen photos from legendary photographer Baron Wolman, and new interviews with Mrs. Davis herself, Harvey Brooks, and Hugh Masekela-the entire project overseen with Betty's full blessing.

    1. Hangin' Out
    2. Politician Man

    3. Down Home Girl

    4. Born On The Bayou

    5. I'm Ready, Willing & Able (Take 1)

    6. I'm Ready, Willing & Able (Take 9)

    7. It's My Life (Alternate Take)

    8. Live, Love, Learn

    9. My Soul Is Tired
    Betty Davis
    $25.99
    Vinyl LP - Sealed Buy Now
  • Hope (45 RPM) (Out Of Stock) Hope (45 RPM) (Out Of Stock) Quick View

    $54.99
    x

    Hope (45 RPM) (Out Of Stock)

    A longtime audiophile demonstration disc. Hope will show off your system's dynamic range as well as any record ever released. Hugh Masekela, the outstanding South African trumpeter, assembled a seven-piece group and recorded this great set live at Washington, D.C.'s Blues Alley. The songs stretch over a period of nearly five decades and serve as an informal guided tour of Masekela's life. The songs are honest and bare, and as for the sound, WOW!


    This title is not eligible for discount.

    1. Abangoma (The Healers)
    2. Languta
    3. Grazin' In The Grass
    4. Nomali
    5. Marketplace
    6. Ntyilo Ntyilo (The Love Bird)
    7. Stimela (The Coal Train)
    Hugh Masekela
    $54.99
    200 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Temporarily out of stock
  • Howard Tate (Out Of Stock) Howard Tate (Out Of Stock) Quick View

    $24.99
    x

    Howard Tate (Out Of Stock)

    Singer Howard Tate cracked the R&B Top 20 three times in the late 1960s, left music and endured hardship and anonymity for nearly 30 years and beginning in the early 2000s returned to his rightful place as one of America's most revered soul performers.


    Tate was born in Macon, Georgia, in 1939 and moved with his family to Philadelphia as a young boy. In his teens, he joined a north Philadelphia gospel group, the Gainors, that also featured to-be star Garnet Mimms. The group recorded in the early 1960s for Mercury Records and Cameo Records before Tate left to become the featured singer of organist Bill Doggett's group.


    In the mid-'60s, Mimms urged producer Jerry Ragovoy to check out Tate, and from 1966 to 1969 Tate and Ragovoy recorded about 10 singles, the first for the Utopia label, the rest for Verve. Ain't Nobody Home (1966), Look At Granny Run Run (1966) and Stop (1967), all written or co-written by Ragovoy, each charted R&B Top 20. But to rock audiences, Tate was best known as the original performer of Get It While You Can, which became one of Janis Joplin's signature tunes. Tate's debut album, Get It While You Can, was released in 1966 to tremendous acclaim. Rolling Stone called the album a spectacular showcase of suave, muscular good-powered singing, heavily influenced by Sam Cooke, with a joyous, shrieking falsetto that became Tate's trademark.


    Tate recorded a few more singles for Lloyd Price's label, Turntable, before reuniting briefly with Ragovoy for sessions on Atlantic. After one more single on Epic in 1974, Tate all but vanished. Despite his success, he was unhappy with how the music business was treating him, never having seen any royalties.


    Tate sold securities in the New Jersey and Philadelphia areas into the 1980s when he succumbed to substance abuse and endured a very tumultuous period of homelessness and personal loss. He turned his life around and began work as a minister and counselor in the early 1990s. Then in 2001, a musician Tate had toured with back in the 1960s saw him in a supermarket and within hours Tate's old producer, Jerry Ragovoy, was calling, resulting in a return to the studio for the Grammy-nominated Rediscovered. He followed up with Howard Tate Live in 2006, A Portrait Of Howard - with guests Lou Reed, Carla Bley and Larry Goldings - in 2007 and Blue Day in 2008.


    Music luminaries have recognized and celebrated Tate's trademark voice throughout the years, with Elvis Costello calling him the missing link between Jackie Wilson and Al Green. Among the well-known musicians that have covered songs originally recorded by Tate are Joplin (Get It While You Can), Jimi Hendrix (Stop), Hugh Masekela (Stop), B.B. King (Ain't Nobody Home), Ry Cooder (Look At Granny Run Run) and Grand Funk Railroad (Look At Granny Run Run).

    1. Look At Granny Run Run
    2. Sweet Sixteen
    3. Louisiana 1927
    4. Ill Be Home
    5. Dear Lord
    6. Aint Nobody Home
    Howard Tate
    $24.99
    180 Gram Audiophile Virgin Vinyl LP D2D -Sealed Direct to Disc (D2D) Temporarily out of stock
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