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  • Underneath The Rainbow Underneath The Rainbow Quick View

    $15.99
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    Underneath The Rainbow

    Atlanta's favorite sons Black Lips have announced the impending release of their first full length in three years, Underneath the Rainbow on longtime label Vice Records.


    Recorded at a variety of locations over the course of 2013, the twelve songs boast a stable of studio collaborators whose pedigree speaks to how much the band has grown and sonically matured over the course of their 15 year long career.

    1. Drive By Buddy
    2. Smiling
    3. Make You Mine
    4. Funny
    5. Dorner Party
    6. Justice After All
    7. Boys in the Wood
    8. Waiting
    9. Do the Vibrate
    10. I Don't Wanna Go Home
    11. Dandelion Dust
    12. Dog Years
    Black Lips
    $15.99
    Vinyl LP - Sealed Buy Now
  • The Babe Rainbow (Aus) The Babe Rainbow (Aus) Quick View

    $23.99
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    The Babe Rainbow (Aus)

    Australia's The Babe Rainbow are happy to announce they have signed to 30th Century Records, the label spearheaded by Danger Mouse. The band are set to release their debut self-titled album.

    Recorded in magicland Byron Bay where the band is based, and produced by Stu Mackenzie of King Gizzard and the Lizard Wizard, The Babe Rainbow's first LP is a think piece, stories from the dreamtime, all the colors of the rainbow. As with the album's teaser track Losing Something (Is Finding Something Else) and Peace Blossom Boogy, expect timeless swirling sound and endless good vibes, cool cat vibes, and similar whirly-birding up and on.

    The seeds of The Babe Rainbow were sown when Jack Cool-Breeze and Angus Darling The Hothouse Flower started a song writing partnership in middle school, but the band didn't fully-bloom until late in 2015 when, travelling through France, the duo met Venezuelan pianist Lu-Lu-Felix Domingo and became a trio. The band has previously released a self-titled EP featuring the single Secret Enchanted Broccoli Forest.

    This title is not eligible for further discount

    1. Losing Something
    2. Peace Blossom Boogy
    3. Monky Disco
    4. Johny Says Stay Cool
    5. Sunflower Sutra
    6. Fall in Love
    7. Superstition Shadow Walk
    8. Blue Hour
    9. Survival Into the 21st Century
    10. Charms Travel
    11. Cosmic Now
    12. Half a Kiss
    The Babe Rainbow (Aus)
    $23.99
    Vinyl LP - Sealed Buy Now
  • Ritchie Blackmore's Rainbow Ritchie Blackmore's Rainbow Quick View

    $21.99
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    Ritchie Blackmore's Rainbow


    Group's 1975 Debut Includes Signature Man on a Silver Mountain and Heralds Beginning of Powerful Combination of Ritchie Blackmore and Ronnie James Dio


    Wax Cathedral Reissue Comes Replete With Faithful Replication of Original Gatefold Sleeve; Pressed at RTI, America's Best Record Plant


    In 1974, Ritchie Blackmore's bandmates in Deep Purple refused his request to cut a cover of Quatermass' Black Sheep of the Family. Demonstrating impressive commitment to the song, Blackmore set out to record it with the help of then-emerging vocalist Ronnie James Dio and members of his band Elf. To have enough material to release this as a single, Blackmore and Dio collaborated on Sixteenth Century Greensleeves. Pleased with the results, the two fleshed out a full album and Blackmore formally parted ways with Deep Purple. Blackmore and Dio named their new band after the location where they initially discussed their collaboration: the legendary Rainbow Bar and Grill on West Hollywood's Sunset Strip. Rainbow was born.


    Drawing on medieval classical progressions for inspiration, Blackmore paired textured playing paired with Dio's fantastical lyrical imagery and inimitable vocals. The combination set Rainbow apart from its hard rock contemporaries. Featuring what would prove to be Rainbow's signature tune, Man on the Silver Mountain, Ritchie Blackmore's Rainbow is a dynamic voyage. Blackmore's somber, melodic playing weaves a mystical tapestry over which Dio's tales of drawbridges, crossbows, and kings settle like a knight on his steed. This influential classic concludes with a flourish, as a cover of the Yardbirds' Gregorian chant-influenced instrumental Still I'm Sad proves a perfect pulpit for Blackmore's rhapsody-like soloing.


    Complete with a faithful replication of the original gatefold sleeve and featuring dead-quiet surfaces, this Wax Cathedral reissue is pressed at RTI, America's best record plant. Even better, it's on colored vinyl.

    1. Man on the Silver Mountain
    2. Self Portrait
    3. Black Sheep of the Family
    4. Catch the Rainbow
    5. Snake Charmer
    6. The Temple of the King
    7. If You Don't Like Rock 'n' Roll
    8. Sixteenth Century Greensleeves
    9. Still I'm Sad
    Rainbow
    $21.99
    Colored Vinyl LP - Sealed Buy Now
  • Rainbow Bridge (Soundtrack) Rainbow Bridge (Soundtrack) Quick View

    $24.99
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    Rainbow Bridge (Soundtrack)


    Remastered By Bernie Grundman From The Original Analog Masters


    Rainbow Bridge is being reissued on vinyl, reintroduced with original album art and track orders and remastered by Bernie Grundman from the original analog masters.


    Rainbow Bridge was compiled and mixed by Eddie Kramer and Mitch Mitchell in 1971, with the help of Electric Lady Studios engineer John Jansen. Most of the tracks were recorded in 1969 and 1970, during the same sessions that spawned The Cry Of Love. Rainbow Bridge is often misconstrued as being an entirely live album, being that the film of the same name features excerpts of a live Jimi Hendrix performance in Maui. However, Hendrix had no role in the creation of the rambling, unfocused 1971 film which was directed by Chuck Wein. The film was not a Hendrix project in any way but instead an independent vision of his manager Michael Jeffery. After Hendrix's death in September 1970, Jeffery scrapped Hendrix's original vision of a double studio album titled First Rays Of The New Rising Sun and called for Kramer, Mitchell and Jansen to compile two posthumous albums-including one that would that would serve as a soundtrack for the Rainbow Bridge film.


    Mitchell, Kramer and Jansen drew upon Hendrix's rich trove of studio recordings that the guitarist had been developing at Electric Lady Studios. Songs such as ''Dolly Dagger'' and ''Room Full Of Mirrors'' were bright examples of Hendrix's new creative direction. Other standouts on the album included a studio rendition of ''Star Spangled Banner'' as well as the majestic ''Hey Baby (New Rising Sun).'' The one live track on the album, an extraordinary rendition of Hendrix's original blues composition ''Hear My Train A Comin''' is taken from a performance at Berkeley Community Theatre in May of 1970, and not in the film at all. Buddy Miles and Noel Redding both appear on one track each, and the Ronettes provide backing vocals on ''Earth Blues.''


    After Hendrix's death in September 1970, First Rays Of The New Rising Sun was scrapped and instead two posthumous albums were created from the sessions, including one that would serve as a soundtrack for the Rainbow Bridge film.

    1. Dolly Dagger
    2. Earth Blues
    3. Pali Gap
    4. Room Full of Mirrors
    5. Star Spangled Banner (studio version)
    6. Look Over Yonder
    7. Hear My Train A Comin' (live)
    8. Hey Baby (New Rising Sun)
    Jimi Hendrix
    $24.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Follow The Rainbow (Speakers Corner) Follow The Rainbow (Speakers Corner) Quick View

    $34.99
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    Follow The Rainbow (Speakers Corner)

    The fusion movement has a lot in common with a tropical storm: it rages fiercely in its early phases but becomes less wild later on, yet still blows a gale. In the eye of the storm that tore its path through the various musical styles and genres as from 1960 is George Duke, who entered into creative and stormy partnerships with such artists as Frank Zappa, Miles Davis and Jean-Luc Ponty. The rainbow colours with which Duke chose to tint this album are taken less from the paintpots of fusion jazz and rock, and rather more from the black, natural colours of rhythm and blues. Next to a relaxed love groove (Say That You Will) we find a polyphonic vocal number with solos (Sunrise), which conjures up the nostalgic atmosphere of Motown, now on the decline. Then there is snappy funk in all manner of variations, such as Party Down, which swings trendily along but then comes over unfiltered and dry as a bone.
    In Follow The Rainbow, genial musicianship, expert arrangements and a special feeling for resonance amalgamate to create a tightly-knit sound which is ever fresh and easy-going.



    Musicians:



    • George Duke (vocal, keyboard)

    • Larry Williams (tenor saxophone, flute)

    • Eric Culver (trombone)

    • Charles Icarus Johnson (guitar)

    • Byron Miller (bass)

    • Leon 'Ndugu' Chandler (drums)

    • Sheila Escovedo (percussion, vocal)

    • Napoleon Murphy Brock (vocal)




    Recording: 1979 at Westlake Recording, Los Angeles, by Kerry McNabb and Electric Lady Studios, New York, by Dave Palmer

    Production: George Duke





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Party Down
    2. Say That You Will
    3. Funkin' For The Thrill
    4. Sunrise
    5. Festival
    6. I Am For Real (May The Funk Be With You)
    7. Straight From The Heart
    8. Corine
    9. Pluck
    10. Follow The Rainbow
    George Duke
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Can Spin A Rainbow I Can Spin A Rainbow Quick View

    $32.99
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    I Can Spin A Rainbow

    I CAN SPIN A RAINBOW is the fulfillment of a lifelong dream for Amanda Palmer, an avowed fan of Edward Ka-Spel and the Legendary Pink Dots since discovering their psycho-theatrical, multi-textural work in her teens. As noted in her best-selling 2014 memoir, The Art of Asking, the LPD have long been an inspiration to Palmer, their deeply connected relationship with fans as important to her life and work as their fearless autonomy and impossible-to-pigeonhole musical approach.


    The two musicians first met in 1992 when Palmer, then 16, attended a Legendary Pink Dots show in her hometown of Boston. In 1995, having found that the Pink Dots were looking for lodging with fans to save money on the road, Palmer hosted five members of the band and crew at her childhood home. Ten years later, Palmer's internationally acclaimed punk cabaret duo, The Dresden Dolls, had achieved enough success that they were able to invite the Dots to support them on a German tour, and it was then that Palmer and Ka-Spel vowed to carve out time to collaborate on an original recording. A decade passed and in July 2015 a very pregnant Palmer flew to London to start the long-discussed project but was informed on the first day of recording that her dear friend Anthony was losing his battle with cancer and had been given less than a week to live. Heartbroken, she assured Ka-Spel she would be back within the year. Indeed Palmer made good on her promise, returning in the spring of 2016 with her eight-month-old son, Anthony, in tow.


    Palmer and Ka-Spel's search for a London recording studio was interrupted by an incredibly generous offer from Palmer's friend Imogen Heap, who suggested they make use of her Essex home recording studio, The Hideaway, conveniently located near Ka-Spel's own home in Hornchurch. With Palmer traveling between London, Hornchurch, and Heap's home studio, the pair spent just under a month composing and cutting an album entirely from scratch.


    Recorded largely on Ka-Spel's computer, I CAN SPIN A RAINBOW is a truly collaborative effort, "a spiritual experience," says Palmer, in which both artists' stories, song fragments, poems, and lyrics became wholly meshed with loops, melancholy piano playing, melodic beds, and strange rhythms. The results range from the enchantingly minimal "The Clock at the Back of the Cage" and the album-opening "Pulp Fiction," mysterious and strange with a luxurious theatricality that conjures both of its creators' prior oeuvres while also opening a curtain into a heretofore unheard shared sonic world. Sensing the need for strings, the pair enlisted frequent LPD collaborator Patrick Q Wright, who contributed violin tracks from his studio in Italy. Alexis Michallek, Heap's longtime studio assistant, contributes singing saw to "Beyond The Beach."


    "We merged our songwriting heads and poetic worlds to make a new universe," Palmer says. "We would sit in Imogen's house drinking cups of tea, bemoaning the state of the upcoming election, binge drinking in the UK, the refugee crisis, our internet addictions, frightening news we had read, our relationships and then we'd compost all of the ingredients of our fears and conversations into song form. The Rainbow metaphor - which is also a nod to the 'spinning beach ball of death' on a Mac - was a wide-open image that kept popping up as a recurring theme on the record. It's both dark and light at the same time. To me, the songs are simultaneously frightening and comforting, like a thunderstorm heard from a living room."


    "Making this record with Amanda felt a little like discovering a twin you didn't know you had," says Ka-Spel, "until a mysterious email lands in your inbox at a particularly auspicious moment. Some things are just meant to be "

    1. Pulp Fiction
    2. Shahla's Missing Page
    3. The Shock of Kontakt
    4. Beyond The Beach
    5. The Clock at the Back of the Cage
    6. The Changing Room
    7. The Jack of Hands
    8. Prithee: Liquidation Day
    9. Rainbow's End
    10. The Sun Still Shines
    11. Subway
    Amanda Palmer and Edward Ka-Spel
    $32.99
    Vinyl LP - Sealed Buy Now
  • Kaleidoscope of Rainbow (Pure Pleasure) Kaleidoscope of Rainbow (Pure Pleasure) Quick View

    $44.99
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    Kaleidoscope of Rainbow (Pure Pleasure)

    This album became infamous for it's supremely original music, but also for it's impeccable engineering by Martin Levan. On the original single LP the sound quality had to be compromised to enable the inclusion of 27 minutes of music per side. Much of the bass and stereo effect was removed.



    Now as a double LP and mastering from the original master analogue tapes all of the 'missing' bass and stereo effect is here for all to savour and enjoy.
    At the time of it's original release in September 1976 it received critical acclaim across the full spectrum of the days music aficionados.



    Listening to it today there is no reason to doubt it's continuing worth as an outstanding work of art and a lasting testament to Neil Ardley who sadly passed away.



    Musicians:



    • Neil Ardley (keyboards)

    • Geoff Castle (keyboards)

    • Ian Carr (trumpbet, fluegel horn)

    • Barbara Thompson (alto saxophone, soprano saxophone, flute)

    • Paul Buckmaster (cello)

    • Ken Shaw (guitar)

    • Roger Sutton (bass)

    • Trevor Tomkins (percussion, vibraphone)

    • Roger Sellers (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    1.Prologue/Rainbow One (soloist Ian Carr and Brian Smith) 10.26
    2.Rainbow Two (soloist Dave Macrae and Geoff Castle) 7.34
    3.Rainbow Three (soloist Paul Buckmaster) 3.28
    4.Rainbow Four (soloist Barbara Thompson) 6.15
    5.Rainbow Five (soloist Tony Coe) 4.25
    6.Rainbow Six (soloists Ken Shaw and Bob Bertles) 7.39
    7.Rainbow Seven/Epilogue 14.56
    Neil Ardley
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Live In Munich 1977 Live In Munich 1977 Quick View

    $34.99
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    Live In Munich 1977

    The concert was recorded in Munich on October 20, 1977, originally filmed to air on the German TV Rockpalast show. Repeated airings have led to numerous bootleg video and audio tapes of the show being available through the 80's and 90's. Although some fans believed that this set came from the same tour as the previously released On Stage (which was mostly culled from their 1976 Japanese tour), the performance on this release is actually from their 1977 European tour, a few months prior to the release of Long Live Rock n' Roll, and thus features a different bass-player and keyboardist.
    1. Kill The King
    2. Mistreated
    3. Sixteenth Century Greensleeves
    4. Catch The Rainbow
    5. Long Live Rock 'n' Roll
    6. Man On The Silver Mountain
    7. Do You Close Your Eyes
    8. Still I'm Sad
    Rainbow
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Live In Munich 1977 Live In Munich 1977 Quick View

    $37.99
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    Live In Munich 1977


    Import


    The concert was recorded in Munich on October 20, 1977, originally filmed to air on the German TV Rockpalast show. Repeated airings have led to numerous bootleg video and audio tapes of the show being available through the 80's and 90's. Although some fans believed that this set came from the same tour as the previously released On Stage (which was mostly culled from their 1976 Japanese tour), the performance on this release is actually from their 1977 European tour, a few months prior to the release of Long Live Rock n' Roll, and thus features a different bass-player and keyboardist.

    1. Kill The King
    2. Mistreated
    3. Sixteenth Century Greensleeves
    4. Catch The Rainbow
    5. Long Live Rock 'n' Roll
    6. Man On The Silver Mountain
    7. Do You Close Your Eyes
    8. Still I'm Sad
    Rainbow
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Miles In The Sky Miles In The Sky Quick View

    $49.99
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    Miles In The Sky

    Numbered, Limited Edition


    1968 Record Marks First Time Davis Uses Electric Piano, Bass, and Guitar: Second Half is Acoustic


    Mastered from the Original Master Tapes: Seminal Proto-Fusion Effort Explodes With Color and Vibrancy


    Final Effort With Davis' Classic Second Quintet Finds the Leader Looking to the Past and the Future


    Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader's first venture into what would become fusion, it's historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort. Laden with rich textures and style-bridging elements, Mobile Fidelity's 45RPM pressing brings the aural magic into focus.


    Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Miles in the Sky joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Afforded the benefits provided by the record's wider grooves, Davis' burnished trumpet resounds with utmost clarity, and the soundstage seems to extend for days. Reference-caliber separation and imaging give each musician their own space, allowing every passage to come across without any sonic limitations.


    The album's wide-open soundscapes soar. As do the fluid contributions of Davis' mates. Tony Williams' percussion, central to every composition here, transpires before your eyes. Herbie Hancock's piano hovers and fades with sublime purity. And George Benson, who sits on Paraphernalia, blows the equivalent of smoke rings with his bluesy guitar, which here takes on brilliant tonality and definition. The acoustic material that occupies the second half of the record is equally transparent and full-bodied.


    Granted enhanced production and a greater field of audible information, Miles in the Sky can finally be perceived as belonging to the same upper echelon as Davis' ubiquitously acclaimed Nefertiti and Filles de Kilimanjaro--the albums that precede and follow, respectively, this watershed title. Commonly branded a transitional work, Miles in the Sky showcases Davis already at ease with electric instruments and eager to venture into uncharted territories. Doubling as organized jams and bridges between jazz and rock, both the rhythmically challenging Stuff and frisky Paraphernalia glancing toward the future while keeping solid footing in the past.


    Similarly, so do Country Boy and Black Comedy. In his original review for jazz authority DownBeat, Larry Kart observes: Davis takes material from his earlier days and darkens its emotional tone. His opening phrase on 'Country Boy' recalls a fragment from his Summertime solo on the Porgy and Bess album, but here it is delivered with a vehemence that rejects the poignancy of the earlier performance. Even on 'Black Comedy,' his most straight ahead solo here, the orderly pattern of the past is displaced and fragmented.


    Flavored with humor, bossa nova, country, and even ballroom phrases, the compositions on Miles in the Sky explodes with creativity, purpose, and color.


    This title is not eligible for discount.

    1. Stuff
    2. Paraphernalia
    3. Black Comedy
    4. Country Son
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • A Fire In The Sky A Fire In The Sky Quick View

    $44.99
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    A Fire In The Sky

    3xLP Set Featuring 27 Songs Selected From Deep Purple's 19 Studio Albums Recorded Between 1968 And 2013

    Deep Purple stands alongside Led Zeppelin and Black Sabbath as part of the Holy Trinity of British hard rock. The list of the band's classic songs is legion, and the influence it's had on successive generations of musicians is both enduring and remarkable. Rhino will celebrate Deep Purple's history with three definitive collections.

    A FIRE IN THE SKY will be available as a three-LP set that includes a selection of 27 songs chosen from the 19 studio albums that Deep Purple recorded between 1968 and 2013. Among the highlights are the single edit version of Woman From Tokyo, the U.S. single edit for Burn, and the radio edit of Bad Attitude.

    In 2016, past and present members of Purple (being Blackmore, Coverdale, Evans, Gillan, Glover, Hughes, Lord and Paice) were finally inducted into the Rock & Roll Hall Of Fame; it was long-overdue recognition of all they'd achieved in a near half-century career. But in truth, this was merely affirmation for what millions already knew. Deep Purple have sold over 100 million records, were once acknowledged by the Guinness Book Of Records as the loudest band on the planet (for a show at the Rainbow in London during 1972).

    LP 1
    1. Hell To Pay (Radio Edit)

    2. Vincent Price
    3. Rapture Of The Deep
    4. Sun Goes Down
    5. Any Fule Kno That
    6. Sometimes I Feel Like Screaming
    7. The Battle Rages On
    8. Bad Attitude (Radio Edit)
    9. Perfect Strangers


    LP 2
    1. You Keep On Moving (Single Edit)
    2. Soldier Of Fortune
    3. Stormbringer
    4. Burn (U.S. Single Edit)
    5. Might Just Take Your Life
    6. Woman From Tokyo (Single Edit)
    7. Highway Star
    8. Smoke On The Water
    9. Demon's Eye
    10. Fireball


    LP 3
    1. Strange Kind Of Woman
    2. Speed King (U.S. Album Edit)
    3. Child In Time
    4. Black Night
    5. Kentucky Woman
    6. Wring That Neck (aka Hard Road)
    7. Mandrake Root
    8. Hush

    Deep Purple
    $44.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • I Left My Heart In San Francisco I Left My Heart In San Francisco Quick View

    $34.99
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    I Left My Heart In San Francisco

    Can there really be a definitive album from a singer whose voice is one of the most immediately recognized and internationally cherished, and whose command of songs is akin to the manner in which an able-bodied masseuse handles delicate muscle tissues? If so, then I Left My Heart In San Francisco is that record, the 1962 effort a turning point for the great Tony Bennett and an all-time pop standard. Winner of two Grammy Awards, the record contains Bennetts signature track as well as eleven other indelible classics.



    Half-speed mastered from the original master tapes, Mobile Fidelitys numbered limited-edition 180g LP presents Bennett in the finest sound hes ever enjoyed. Amazingly, this landmark recording has lavished in the vaults over the years and longed for the restoration that meticulous engineering can bring. Gone is the veiled haze that hung over the orchestrations, artificial ceiling that held back the highs, and cloudiness that obscured the entire range of Bennetts vocals. Previously unheard levels of warmth, expressiveness, and detailing are just some of the hallmarks of this terrific audiophile delight.



    At the time of the albums sessions, Bennett found himself caught between the need to sing thin uptempo numbers in order to appease the marketplace and the desire to move beyond the jazzier material he tackled in the late 50s. Unwilling to compromise his will to sing ballads and swing, Bennett, along with producer Ernest Altschuler and arranger/pianist Ralph Sharon, found the perfect combination on I Left My Heart In San Francisco, replete with expansive orchestration, period echo, anthemic ballads, and lush pop arrangements that still leave plenty of room for intimacy and delicacy.



    Theres little left to say about the timeless title track, amidst the most definitive songs ever recorded. Similarly, the closing The Best Is Yet to Come ranks equally high, with Bennetts rendition coming a full two years before Frank Sinatras version. Its no wonder why The Voice deemed Bennett his favorite singer. The proof is everywhere, whether on the brassy Rules of the Road, big-band bossa nova send-up of Cole Porters Love for Sale, tender Have I Told You Lately?, or the white-gloves treatment of the Broadway tune Once Upon a Time. Bennetts charismatic personality and refined singing ring true throughout, his burnished baritone as clear as spring water.



    Now, hear this triumphant performance as if Bennett is singing to you on a private stage. Witness every breath, and experience the thrill of the singer holding a note for what seems like eternity on I'm Always Chasing Rainbows without flinching. Seldom, if ever, has a vocalists singing sounded so effortlessly natural and innate. Mobile Fidelitys 180g LP is simply unmatched in terms of sonics, spaciousness, and sensation.



    One of the five-best vocal albums ever made. Order your collectors copy today!


    This title is not eligible for discount.

    1. I Left My Heart in San Francisco
    2. Once Upon a Time
    3. Tender Is the Night
    4. Smile
    5. Love for Sale
    6. Taking a Chance on Love
    7. Candy Kisses
    8. Have I Told You Lately?
    9. Rules of the Road
    10. Marry Young
    11. I'm Always Chasing Rainbows
    12. The Best Is Yet to Come
    Tony Bennett
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Legend Live in Santa Barbara The Legend Live in Santa Barbara Quick View

    $39.99
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    The Legend Live in Santa Barbara

    1st Time Ever On LP - The Legendary 1979 Santa Barbara County Bowl Concert


    3x 180 Gram Vinyl Housed In A Triple Gatefold


    Special Colored Vinyl Release: 1x LP Red / 1x LP Yellow / 1x LP Green


    One of the last Bob Marley live performances
    committed to film before his untimely death in May
    1981, THE LEGEND LIVE features the Tuff Gong in his
    full pomp, performing 21 of his most popular works
    at the Santa Barbara County Bowl on the 25th of
    November 1979.


    Now widely considered an equal of the now
    legendary LIVE AT THE RAINBOW show from 1977,
    the concert includes superb versions of such major
    hits as "I Shot The Sheriff," "One Drop," "Exodus,"
    "Jamming," "Is This Love," "Stir It Up" and the
    anthemic "Get Up Stand Up."

    LP 1
    1. Introduction
    2. Positive Vibration
    3. Wake Up And Live
    4. I Shot The Sheriff
    5. Ambush In The Night
    6. Concrete Jungle
    7. Running Away
    8. Crazy Baldheaded


    LP 2
    1. Them Belly Full (But We Hungry)
    2. Heathen
    3. Ride Natty Ride
    4. Africa Unite
    5. One Drop
    6. Exodus
    7. So Much Things To Say


    LP 3
    1. Zimbabwe
    2. Jamming
    3. Is This Love
    4. Kinky Reggae
    5. Stir It Up
    6. Get Up Stand Up

    Bob Marley & The Wailers
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Long Island 1979 Long Island 1979 Quick View

    $29.99
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    Long Island 1979

    A superb double LP vinyl pressing of this vintage live performance by Mr. Blackmore's Rainbow, packaged in a gatefold jacket.
    1. Eyes Of The World
    2. Love s No Friend
    3. Since You Been Gone
    4. All Night Long
    5. Lost In Hollywood
    6. Man On The Silver Mountain
    7. Long Live Rock N Roll
    Rainbow
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Long Live Rock 'n' Roll Long Live Rock 'n' Roll Quick View

    $29.99
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    Long Live Rock 'n' Roll

    Long Live Rock 'n' Roll is the third studio album released by the British hard rock band Rainbow, released in 1978, and the last to feature American singer Ronnie James Dio.
    1. Long Live Rock 'n' Roll
    2. Lady of the Lake
    3. L.A. Connection
    4. Gates of Babylon
    5. Kill the King
    6. The Shed (Subtle)
    7. Sensitive to Light
    8. Rainbow Eyes
    Rainbow
    $29.99
    Vinyl LP - Sealed Buy Now
  • The King Of Limbs The King Of Limbs Quick View

    $22.99
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    The King Of Limbs

    Radiohead's highly anticipated eighth album, The King Of Limbs follows-up the artistic provocateurs' 7-time Grammy nominated 2007 release In Rainbows. The eight song collection was produced by longtime collaborator, Nigel Godrich and is arguably the most groove-oriented set of Radiohead's restless career.


    King Of Limbs was named in honor of one of Great Britain's oldest trees. Nicknamed 'Big Belly Oak' and located in the 4,000-acre Savernake Forest in Wiltshire, England, the tree is estimated to be around 1,000 years old and has a girth of over 36 feet. The album was recorded in a country home less than three miles from Big Belly.

    1. Bloom
    2. Morning Mr. Magpie
    3. Little By Little
    4. Feral
    5. Lotus Flower
    6. Codex
    7. Give Up The Ghost
    8. Separator
    Radiohead
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Holy Diver Live Holy Diver Live Quick View

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    Holy Diver Live

    Red Colored Vinyl


    Holy Diver is the debut album from American heavy metal band Dio. Released on May 25, 1983, the album has been hailed by critics as Dio's best work and a classic staple in the heavy metal genre. Dio has been hailed as one of the finest voices in Heavy Metal for over 30 years now and for good reason. Due to his stints in Rainbow, Black Sabbath and as a solo artist, Dio is one of the few people in the history of music that can honestly say they have played on three classic albums, each under a different moniker.

    LP1
    1. Stand Up And Shout
    2. Holy Diver
    3. Gypsy
    4. Caught In The Middle
    5. Don't Talk To Strangers
    6. Straight Through The Heart
    7. Invisible


    LP2
    1. Rainbow In The Dark
    2. Shame On The Night
    3. We Rock
    4. Sign Of The Southern Cross
    5. Long Live Rock 'N' Roll
    6. Man Of The Silver Mountain

    Dio
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Straight Between The Eyes Straight Between The Eyes Quick View

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    Straight Between The Eyes

    Straight Between the Eyes is the sixth studio album by the British hard rock band Rainbow, released in 1982. The band line-up was the same as had recorded the previous year's Difficult to Cure album, with the exception of David Rosenthal, who replaced Don Airey on keyboards.
    1. Death Alley Driver
    2. Stone Cold
    3. Bring on the Night (Dream Chaser)
    4. Tite Squeeze
    5. Tearin' Out My Heart
    6. Power
    7. MISS Mistreated
    8. Rock Fever
    9. Eyes of Fire
    Rainbow
    $29.99
    Vinyl LP - Sealed Buy Now
  • Gefion Gefion Quick View

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    Gefion


    Jakob Bro: guitars

    Thomas Morgan: double bass

    Jon Christensen: drums


    Gefion is Danish guitarist Jakob Bro's first ECM album as leader, following recordings for the label as sideman with Paul Motian and Tomasz Stanko. Like the work of those masters Bro's balladeering distils a sense of jazz history in its specific and highly personal atmospheres. The open forms of Bro's compositions leave plenty of space for his companions - drum legend Jon Christensen and creative bassist-of-the-moment Thomas Morgan - to make their statements, interactively and in parallel. And there is space too for the listener's imagination to follow the flow and the delicate melodic tracery of Bro's electric guitar in this thoughtful and poetic album. Gefion was recorded in Oslo's Rainbow Studio in November 2013 and produced by Manfred Eicher.

    1. Gefion
    2. Copenhagen
    3. And They All Came Marching Out of the Woods
    4. White
    5. Lyskaster
    6. Airport Poem
    7. Oktober
    8. Ending
    Jakob Bro, Thomas Morgan, Jon Christensen
    $25.99
    Vinyl LP - Sealed Buy Now
  • All Our Yesterdays All Our Yesterdays Quick View

    $29.99
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    All Our Yesterdays

    "All Our Yesterdays" is Blackmore's Night's 9th studio album. Despite Ritchie Blackmore's past as a guitar player in Deep Purple and Rainbow, he is now in another stage of his musical life, concentrating on modern Folk,
    Renaissance and Progressive Rock music. Besides Ritchie's talents, the other selling point for Blackmore's Night is
    vocalist Candice Night, the beautiful wife of Ritchie Blackmore who could be described as a younger, and folkier,
    version of Stevie Nicks
    1. All Our Yesterdays
    2. Allan Yn n Fan
    3. Darker Shade of Black
    4. Long Long Time
    5. Moonlight Shadow
    6. I Got You Babe
    7. The Other Side
    8. Queen's Lament
    9. Where Are We Going from Here
    10. Will O' the Wisp
    11. Earth Wind and Sky
    12. Coming Home
    Blackmore's Night
    $29.99
    Vinyl LP - Sealed Buy Now
  • Down To Earth Down To Earth Quick View

    $29.99
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    Down To Earth

    Ronnie James Dio's departure prior to the recording of this 1979 album didn't halt the band's success-in fact, this one brought them their first charting single, Since You Been Gone. Deep Purple bass man Roger Glover was now in the mix, and this is the only Rainbow album featuring the vocals of Graham Bonnet.
    1. All Night Long
    2. Eyes of the World
    3. No Time to Lose
    4. Makin' Love
    5. Since You Been Gone
    6. Love's No Friend
    7. Danger Zone
    8. Lost in Hollywood
    Rainbow
    $29.99
    Vinyl LP - Sealed Buy Now
  • Hairspray: Soundtrack To The Motion Picture Hairspray: Soundtrack To The Motion Picture Quick View

    $29.99
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    Hairspray: Soundtrack To The Motion Picture

    Vinyl edition of the platinum selling soundtrack to the 2007 film version of Hairspray. Tracks feature vocals from the stellar cast including John Travolta, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, James Marsden, Queen Latifah, Brittany Snow, Zac Efron, Elijah Kelley, Allison Janney and Nikki Blonsky. Pressed on black standard weight double LP and housed in a custom metallic rainbow foil gatefold package.


    *Cover art subject to change.

    LP 1
    1. Good Morning Baltimore
    2. The Nicest Kids In Town

    3. It Takes Two

    4. (The Legend Of) Miss Baltimore Crabs
    5. I Can Hear The Bells
    6. Ladies' Choice

    7. The New Girl In Town,
    8. Welcome To The 60s
    9. Run And Tell That
    10. Big, Blonde and Beautiful


    LP 2
    1. Big, Blonde and Beautiful (Reprise)
    2. (You're) Timeless To Me

    3. I Know Where I've Been

    4. Without Love

    5. (It's) Hairspray
    6. You Can't Stop The Beat
    7. Come So Far (Got So Far To Go)
    8. Cooties

    9. Mama, I'm A Big Girl Now

    Various Artists
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Sincerely, Future Pollution Sincerely, Future Pollution Quick View

    $20.99
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    Sincerely, Future Pollution

    Timber Timbre's music has always traced a shadowed path, using cues of the past to fuse the sound of a distant, haunted now. On its fourth record, Timber Timbre coats the stark, sensual sound of 2014's album „Hot Dreams" in an oil-black rainbow of municipal grime. It is the cinema of a dizzying dystopia, rattled by the science fiction of this bluntly nonfictional time. Sincerely, Future Pollution is Timber Timbre's document of this generation's degeneration and disarray. With Kirk as narrator, a party to the play, we get caught in the folly of the echo chamber, awed by the contrast of this gothic modern age.
    1. Velvet Gloves & Spit
    2. Grifting
    3. Skin Tone
    4. Moment
    5. Sewer Blues
    6. Western Questions
    7. Sincerely, Future Pollution
    8. Bleu Nuit
    9. Floating Cathedral
    Timber Timbre
    $20.99
    Vinyl LP - Sealed Buy Now
  • On Stage On Stage Quick View

    $35.99
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    On Stage

    The album was recorded live over several German and Japanese dates in late 1976 during the Rising world tour. Many of the tracks were spliced together from different dates by producer Martin Birch, and the running order was changed to more easily fit four sides of vinyl. The recording features the customary introduction to a Rainbow show - the classic quote from the The Wizard of Oz, Toto: I've a feeling we're not in Kansas anymore. We must be over the rainbow! with the last word repeated as an echo, then the actual band plays a musical phrase from the song Somewhere Over the Rainbow before breaking into Kill the King.
    LP1
    1. Over The Rainbow (Intro) - Kill The King
    2. Medley : Man On The Silver Mountain
    3. Catch The Rainbow


    LP2
    4. Mistreated
    5. Sixteenth Century Greensleeves
    6. Still I'm Sad

    Rainbow
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
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