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  • Potions (From The 50's) Potions (From The 50's) Quick View

    $49.99
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    Potions (From The 50's)

    180 Gram 45rpm Double Vinyl


    Mixed by Al Schmitt and Mastered by Bernie Grundman


    Pressed at RTI


    Gatefold Jacket


    All songs chosen for Lyn Stanley's album Potions were composed in the 1950s. This is a tribute to the composers of the '50s. All arrangements are jazz in orientation, and were arranged by Steve Rawlins, Lyn Stanley, Mike Lang, Bill Cunliffe, and Tamir Hendelman.


    Produced by Kenny Werner and recorded by Al Schmitt at Capitol Recording Studios in Hollywood and Avatar Studios in NYC, the album offers some of the finest jazz musicians on both East and West coasts supporting Lyn Stanley's captivating voice that is unique, haunting and mesmerizing.


    All tracks for this double LP 45rpm album were mixed and mastered in analog tape. Two of the 15 tracks are original ProTools recordings, one tracks is an analog/ProTools hybrid, and the other 12 tracks are pure analog tape. The musicians are stellar and the music is jazz reinvented in some Pop tunes of the '50s along with wonderful arrangements of jazz standard composed in the same decade - including Cry Me A River.


    Lyn Stanley, a unique sultry jazz vocalist from the Los Angeles area, became an international success with her debut standards album, Lost In Romance, released August 27, 2013. The album received several accolades in the hi-fi world of audiophiles including Album of Choice, Best of 2013 Albums, #6/100 Top Vinyl Albums the highest rated Chinese reviewer, Jack Lui in his 2014 book, All About Vinyl and awarded Top Rated Album by AnalogPlanet.com a must have album for any audiophile collector by renown international critic, Michael Fremer, who calls Lyn the Chanteuse Extraordinaire.


    A former USA amateur ballroom dance Pro/Am champion, Lyn Stanley's unique voice has been described as beautiful, Rich in low tones, with phrasing and storytelling that makes her music very personal. Her dancing background adds a feel few artists can deliver. LA Jazz radio personality, Bubba Jackson, describes her as the real deal - she has brought the songstress back to jazz! She was discovered by world-class jazz legend, pianist Paul Smith best known as Ella Fitzgerald's accompanist/conductor.


    Known for her lush low notes, beautiful intonation, rich interpretations and phrasing, Lyn has been described by Scott Yanow as a "superior singer " and Don Heckman stated she "..is a potentially significant new [jazz] talent. "


    This title is not eligible for discount.

    1. Lullaby of Birdland
    2. Cry Me A River
    3. Fly Me To the Moon
    4. Hey There
    5. I'm Walkin'
    6. You Don't Know Me
    7. In the Still of the Night
    8. The Thrill Is Gone
    9. A Summer Place
    10. Love Potion #9
    11. Teach Me Tonight
    12. After the Lights Go Down Low
    13. Misty
    14. The Party's Over
    15. The Man I Love (bonus track)
    Lyn Stanley
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Lost Legends of Surf Guitar Lost Legends of Surf Guitar Quick View

    $36.99
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    Lost Legends of Surf Guitar

    It's hard to think of a musical style that's more quintessentially American than surf music. Springing up along the California coast in the early 1960s, the surf sound-characterized by wet-sounding guitar reverb that echoed the sound of the sea and pummeling rhythms that emulated the ocean's currents-was originally inspired and nurtured by the culture that surrounded the sport. Despite its provincial origins, the surf genre captured the imagination of teenagers around the world, and spawned a remarkably large body of highly original music, with an emphasis on innovative guitar instrumentals that would influence rock axemen for decades to come.


    Much of that vintage surf music was originally released on small regional labels, and many of the acts that created some of the greatest surf music never released more than a handful of singles. Those factors resulted in many original surf classics remaining difficult to obtain in recent years. Sundazed Music, a longstanding champion of vintage surf music, went a long way towards remedying that situation with the release of its CD series Lost Legends of Surf Guitar. The series has been widely recognized for rescuing numerous rare, obscure and/or lesser-known gems from surf music's golden age. Now, the landmark series moves into second gear, progressing into the vinyl format with a pair of double-LP collections, each of which features 28 below-the-radar vintage surf killers.


    Lost Legends of Surf Guitar gathers a rousing, roaring assortment of underground surf classics and underappreciated gems by such notable surf combos as the Challengers, the Pyramids, the Tornadoes, Jerry Cole & His Spacemen, the Catalinas, the Centurions, the Essex, the Jesters, the Rhythm Rockers, the Royal Coachmen, the Tandems and Dave Myers and His Surftones, as well as numbers by both the Surfaris and the Original Surfaris! There's also a rarely-heard track by legendary Minnesota surf-garage kings the Trashmen, the out-there Devil Surfer by Scott Engel (who would soon go on to pop stardom and cult acclaim as Scott Walker) and scarce versions of such surf anthems as Jack the Ripper, Point Panic and Moondawg.


    This essential collection, meticulously mastered from rare vintage tapes and pressed on high-quality vinyl, is the perfect collection for gremmie and ho-dad alike, so grab this wave and jump head-first into the surf!!!

    1. LOOPHOLE: The Royal Coachmen
    2. BIG NOISE FROM WAIMEA: The Ebb Tides
    3. GEAR!: Dave Myers and His Surftones
    4. THE BREEZE AND I: Steve and the Emperors
    5. FAILSAFE: The Original Surfaris
    6. DEVIL SURFER: Scott Engel
    7. SHOCKWAVE: Zorba and the Greeks
    8. THE RISING SURF: The Tandems
    9. CONTACT: The Pyramids
    10. SURFS UP: The Original Surfaris
    11. CEMETERY STOMP: The Essex
    12. THE JESTER: The Jesters
    13. REPEATING: The Royal Coachmen
    14. PRESSURE: The Pyramids
    15. IAN FLEMING THEME: The Menn
    16. PRAY FOR SURF: The Essex
    17. POINT SURF: The Surf Teens
    18. ISHAMATSU: The Centurions
    19. EXOTIC: The Original Surfaris
    20. BEYOND THE SURF: The Tandems
    21. FUGITIVE: Jan Davis
    22. JACK THE RIPPER: The Surfaris
    23. BANZAI WASHOUT: The Catalinas
    24. POINT PANIC: Jerry Cole & His Spacemen
    25. BURNING RUBBER: Gene "The Draggin' King" Moles
    26. WALK, DON'T RUN: The Trashmen
    27. SHOOTIN' BEAVERS: The Tornadoes
    28. MOONDAWG: The Rhythm Rockers
    Various Artists
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Jack-O Is The Flipside Kid Jack-O Is The Flipside Kid Quick View

    $16.99
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    Jack-O Is The Flipside Kid

    Jack Yarber began his professional music career in high school, appearing alongside high school friend and future Squirrel Nut Zippers founder Jimbo Mathus in the Corinth, Mississippi, based Johnny Vomit % the Dry Heaves. Yarber played drums in the outfit, which credited him as Johnny Goopa.


    In the summer of 1987, Yarber moved to Memphis, Tennessee, to play music with his cousin. Yarber and his cousin played together using a number of band names, eventually releasing a new-wave 7 under the name, The End. The tracks You Never Called and People Talk were recorded at Phillips Studio in Memphis, Tennessee. That vinyl single marked Yarber's first appearance on record. By 1989 the two had diverged musically and Yarber's cousin left town, effectively ending their partnership.


    Following the breakup of The End, Yarber's encounter with fellow musician Greg Cartwright led to the formation of the Compulsive Gamblers. Desptie recording two 7 albums and a handful of home recordings, the band was unable to garner record lable interest until after he success of their next band, the Oblivians. The Oblivians formed in 1993 as as side project to the Compulsive Gamblers, and included former Gambler Greg Cartwright, as well as future Goner Records founder, Eric Friedl. The members of the Oblivians all shared writing and recording responsibilities. Each member supplied vocals, guitar work, and percussion on albums and switched between instruments during live shows. The Oblivians lasted from 1993 until 1998, at which time Yarber and Cartwright left the band to reform the Compulsive Gamblers. The second incarnation of the Gamblers lasted form 1998 to 2003, when the bandmembers again went seperate ways.


    After pursuing a brief solo career, Yarber teamed up with Scott Bomar to form the Tearjerkers. As Bomar became more and more involved with film scoring, Yarber began to take a more active role in the band, ultimately taking over as lead songwriter after Bomar's departure. With Yarber in control of the group, the band was rechristened the Tennessee Tearjerkers. At the same time as Yarber was writing songs with the Tearjerkers, he was also contributing in various ways to a number of side projects including, the Knaughty Knights, the Limes, and South Filthy which included collaborations with longtime associates Walter Daniels and Monsieur Jeffrey Evans.

    1. Flip Side Kid
    2. Til the Money Runs Out
    3. Dirty Nails
    4. Golden Age
    5. Knick the Knife
    6. Hong Kong Girl
    7. Chills and Fever
    8. Black Boots
    9. I Live For Today
    10. John Holmes Blues
    11. The Man Who Loved Couch Dancing
    12. I Can't Find My Way Home
    13. Nightowl
    14. I Want you (bonus track)
    Jack Oblivian
    $16.99
    Vinyl LP - Sealed Buy Now
  • Ancestor Ancestor Quick View

    $17.99
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    Ancestor

    simultaneously claustrophobic
    and mesmeric curiously unsettling.
    - PITCHFORK


    like a sedated Lucinda Williams
    swathed in watery echo.
    -ALL MUSIC GUIDE


    Jones lets a little light in, if only
    to show how dark the world can be.
    -PITCHFORK

    Based in Nashville, but raised in a coal miner's company house on the banks of
    Buffalo Creek, WV, Stone Jack Jones is the descendant of four generations of
    coal miners. After being rejected from military service in Vietnam due to
    epilepsy, and discouraged from pursuing the coal mining business, Jack decided
    to start wandering. By the time he landed in Nashville, where he met Roger
    Moutenot, Patty Griffin, and Kurt Wagner, Jack had worked as a carny, an escape
    artist, a ballet dancer, a professional lute player, and even owned a strip club.

    Ancestor was produced in collaboration with Roger Moutenot (known for his
    work with Yo La Tengo, Sleater Kinney, and many others), and features contributions by Patty Griffin, and Lambchop members Ryan Norris, Scott Martin, and
    Kurt Wagner. Intensely meditative, the album patiently explores the hardness of
    the coal mines, the mystery of suicide, the comfort of a dog's acceptance, the
    idea that forgetting all you know can be the first step towards hearing and
    reconnecting with your muse, and one man's gratitude for the love he's been
    given and the life he's had the chance to live.

    1. O Child
    2. Jackson
    3. Black Coal
    4. State I'm In
    5. Joy
    6. Red Red Rose
    7. Way Gone Wrong
    8. Anyone
    9. Good Enough
    10. Marvellous
    11. Petey's Song
    Stone Jack Jones
    $17.99
    Vinyl LP - Sealed Buy Now
  • American Slang/So Low American Slang/So Low Quick View

    $20.99
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    American Slang/So Low

    Depending on whom you ask, Jack 'Oblivian' Yarber is either a rock legend or an obsolute unknown. And no one knows this dichotomy better than Yarber, who may be Memphis' most infuential active rock musician.


    The list of noteworthy bands Yarber has been a member of over the years is massive and includes Johnny Vomit & the Dry Heaves, new-wavers the End, '68 Comeback, Knaughty Knights, and Tav Falco's Panther Burns. Two of Yarber's former bands, the Compulsive Gamblers and the Oblivians, have seen their reputation and following swell in the decade since their demise, especially the Oblivians, whose international fan base borders on rabid. Due largely to his stint in these bands, both partnerships with Greg Cartwrigth, now of Reigning Sound, Yarber has been an acknowledged influence on artists such as the White Stripes, the Hives, and Jay Reatard.


    In the years since, Yarber has toured and released a string of successful solo albums under the Jack O & the Tennessee Tearjerkers moniker. Originally conceived in 2000 as a partnership with former Impala and current Bo-Keys bassist Scott Bomar, the band quickly morphed into Yarber's solo incarnation after Bomar became occupied with film scoring and production work. The band has had a revolving door for side players ever since, at different times including current River City Tanlines John Bonds and Terrence Bishop, Neighborhood Texture Jam guitarist John Wittmore, the Reigning Sound's Greg Roberson, Bluff City Backslider Adam Woodard, and a host of other recognizable local musicians.

    American Slang


    1. American Slang
    2. 2,000 Man
    3. Hustler
    4. Honey, I'm Too Old For You
    5. Robot Lover
    6. Got The Funky Blues (part 1)
    7. Got The Funky Blues (part 2)
    8. Out Of Tune
    9. a.m. slang (reprise)


    So Low


    1. Intro/Midnight Hour Queen
    2. Shake It Off
    3. Trash
    4. So Low
    5. Downtown
    6. Let Me Be Your Chauffeur
    7. Mama Don't Get Off
    8. You Made Me Crazy
    9. Human Being
    10. All Your Lovin'
    11. All The Way Down

    Jack Oblivian
    $20.99
    Vinyl LP 10 - 2 LPs Sealed Buy Now
  • Saturday Night Part 2 Saturday Night Part 2 Quick View

    $16.99
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    Saturday Night Part 2

    Depending on whom you ask, Jack 'Oblivian' Yarber is either a rock legend or an absolute unknown. This dichotomy is well-understood by Memphis musicians, as underground fame for all its rewards, has, with a few exceptions, been the ceiling for local acts for decades. And no one knows this dichotomy better than Yarber, who may be Memphis' most influential active rock musician.


    The list of noteworthy bands Yarber has been a member of over the years is massive and includes Johnny Vomit & the Dry Heaves, new wavers the End, '68 Comeback, Knaughty Knights, and Tav Falco's Panther Burns. Two of Yarber's former bands, the Compulsiver Gamblers and the Oblivians, have seen their reputation and following swell in the decade since their demise, especially the Oblivians, whose international fan base borders on rabid.


    In the years since, Yarber has toured and released a string of successful solo albums under the Jack O & the Tennessee Tearjerkers moniker. Originally conceived in 2000 as a partnership with former Impala and current Bo-Keys bassist Scott Bomar, the band quickly morphed into Yarber's solo incarnation after Bomar became too occupied with film scoring and production work. The band has had a revolving door for side players ever since, at different times including current River City Tanlines John Bonds and Terrance Bishop, Neighborhood Texture Jam guitarist John Whittemore, the Reigning Sound's Greg Roberson, Bluff City Backslider Adam Woodard, and a host of other recognizable local musicians.


    Depending on whom you ask, Jack 'Oblivian' Yarber is either a rock legend or an absolute unknown. This dichotomy is well-understood by Memphis musicians, as underground fame for all its rewards, has, with a few exceptions, been the ceiling for local acts for decades. And no one knows this dichotomy better than Yarber, who may be Memphis' most influential active rock musician.


    The list of noteworthy bands Yarber has been a member of over the years is massive and includes Johnny Vomit & the Dry Heaves, new wavers the End, '68 Comeback, Knaughty Knights, and Tav Falco's Panther Burns. Two of Yarber's former bands, the Compulsiver Gamblers and the Oblivians, have seen their reputation and following swell in the decade since their demise, especially the Oblivians, whose international fan base borders on rabid.


    In the years since, Yarber has toured and released a string of successful solo albums under the Jack O & the Tennessee Tearjerkers moniker. Originally conceived in 2000 as a partnership with former Impala and current Bo-Keys bassist Scott Bomar, the band quickly morphed into Yarber's solo incarnation after Bomar became too occupied with film scoring and production work. The band has had a revolving door for side players ever since, at different times including current River City Tanlines John Bonds and Terrance Bishop, Neighborhood Texture Jam guitarist John Whittemore, the Reigning Sound's Greg Roberson, Bluff City Backslider Adam Woodard, and a host of other recognizable local musicians.

    1. Mad Lover - Part II
    2. Put Your Love On Me
    3. Cigarillo
    4. Milkshake Baby
    5. Make Your Mind Up - Part II
    6. Against The Mall - Part II
    Jack Oblivian
    $16.99
    Vinyl LP - Sealed Buy Now
  • Love & Torture Love & Torture Quick View

    $16.99
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    Love & Torture


    Simultaneously claustrophobic and
    mesmeric curiously unsettling.
    - PITCHFORK


    "...Breathtakingly insightful and poetic..."
    -THE QUIETUS


    "...Undeniably compelling..."
    -SPIN


    Beautifully desolate piece of Americana that
    wouldn't sound out of place on the soundtrack
    for True Detective.
    - THE TIMES (UK)


    A smokey lament that comes off like a
    slightly jazzier Spiritualized.
    - STEREOGUM


    Stone Jack Jones is a survivor. On two separate occasions the rare and mysterious blood
    condition that courses through his steely West Virginian veins almost killed him. Doctors couldn't
    fully explain or treat his malady, but Jack pulled through, even after receiving last rites on one
    occasion. Spending a little time at Death's door gave him unique perspective on life. While
    recovering from one of his near death experiences he deeply pondered the necessity of death,
    the torturous pain that comes with the death of someone you love, and eventually arrived at the
    simultaneously comforting and alarming conclusion that he was both alive and dead at the same
    time.


    In 2014 Jack released Ancestor, an album which The Quietus called " breathtakingly insightful
    and poetic ", and SPIN called undeniably compelling ". As a tribute to his father, Ancestor
    was a remembrance of mountain string bands, with many of the songs worked out as an acoustic
    three-piece sitting together in a bluegrass circle. For his new album Love & Torture he took a
    different approach, working out the foundations for most of the songs in the studio with producer
    Roger Moutenot. Rather than recording everything over of a few days or weeks in the studio, the
    two met up sporadically over the course of many months, giving the songs plenty of time to
    gestate and evolve in stride with Jack's life. When it felt right, they'd invite long-time collaborators
    including Ryan Norris, Scott Martin, and Kyle Hamlett into the studio to improvise and explore
    where each song would go next. Having worked and created with the same guys for several years,
    their trust and intimacy let them extract moments of brilliance from the ether.


    The album opens with the woozy groove of Shine (one of two songs on the album featuring
    vocals by Patty Griffin), which Jack describes as a contemplation of what heaven might be like.
    The following song Thrill Thrill explores the helplessness he felt in the clutches of the blood
    disease that nearly killed him. Lambchop's Kurt Wagner contributes some serious low-end to the
    song Circumstance. As Jack recalls, I asked Kurt if he thought he could sing lower than me and
    he gave me a wily smile with a deep long ooooh yeah, took a sip of whiskey and put it in the
    basement. The mood lightens a bit on the drinking song Russia on which Jack's wife Hollis
    chants verses from Russian poet Alexander Blok, while Ben Smythe contributes a frenetic and
    deranged penny whistle to the party. The album concludes with the joyful acceptance and
    appreciation of Amen, another song about Jack's celebration of life. As dark as his creative
    output can seem at times, it's heavily infused with Jack's undeniable light and his patient will to
    ...knock a hole in the sky. Seek light in the dark. Have secrets and make the air vibrate and
    shake reality so she shows her many faces. Like a collection of swirling and inviting mantras
    Love & Torture is a sonic dialog that pulses with the all of the grace and bliss that has touched
    Jack's incredible life.

    1. Shine
    2. Thrill Thrill
    3. Q and K
    4. Circumstance
    5. Ships
    6. Disappear
    7. Russia
    8. Song
    9. Who
    10. Say Amen
    Stone Jack Jones
    $16.99
    Vinyl LP - Sealed Buy Now
  • Bela Bartok: Concerto for Violin and Orchestra No. 2 (Speakers Corner) Bela Bartok: Concerto for Violin and Orchestra No. 2 (Speakers Corner) Quick View

    $34.99
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    Bela Bartok: Concerto for Violin and Orchestra No. 2 (Speakers Corner)

    Bartók's Second Violin Concerto combines a potent mixture of traditional concerto writing, compositional history and biographical upheavals. It was one of the last works he wrote before emigrating to the USA, and its classical three-movement form unites a mature feeling for form, sparkling musicality and exceptional violinistic sophistication.


    Bartók employs the inexhaustible sources of tonal writing with superb mastery to produce his own distinctive tonal language. In his dissonantly sharpened, expressive, even audacious music one can recognise peasant dance, cantilena, variation movement, rondo form, and twelve-tone themes, which however remain tonal.


    During his career spanning 60 years Isaac Stern recorded this major contemporary work several times and demonstrates once again his superb mastery of his instrument in this particular recording. With bravura he conjures up eruptive snatches of melody out of the rhapsodic depths, allows the slow movement to glow with pastoral sentiment, and tears through the vast variations finale with a perfect command of the score, his instrument and his creative prowess.


    Musicians:



    • Isaac Stern and the New York Philharmonic Orchestra

    • BÉla Bartók (composer)

    • Leonard Bernstein (conductor)




    Recording: January 1958 at Columbia 30th Street Studio, New York, by Jack Ashkinzy

    Production: Howard H. Scott



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Allegro Non Troppo
    2. Andante Tranquillo
    3. Allegro Molto
    Leonard Bernstein & Isaac Stern
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Book Burner (Colored) Book Burner (Colored) Quick View

    $19.99
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    Book Burner (Colored)


    White Colored Vinyl


    Limited To 1000 Copies


    The undisputed kings of grind, Pig Destroyer return with their long awaited fourth proper full length Book Burner. The release is a resounding statement of championship, as every element of Pig Destroyer towers above their closest peers, a 32 minute, 19-song knockout punch of cerebral viciousness. Scott Hull's guitar heroics sound like a mutant double speed hybrid of Slayer and the Melvins jacked up on amphetamines, new skinsman Adam Jarvis is the pinnacle of inhuman drumming, Blake Harrison delivers layer upon layer of suffocating atmosphere and JR Hayes remains the poet laureate of extreme metal. Book Burner is the finest work of extreme music's best band!

    1. Sis
    2. The American's Head
    3. The Underground Man
    4. Eve
    5. The Diplomat
    6. All Seeing Eye
    7. Valley Of The Geysers

    8. Book Burner
    9. Machiavellian
    10. Baltimore Strangler

    11. White Lady
    12. The Bug
    13. Iron Drunk
    14. Burning Palm
    15. Dirty Knife
    16. Totaled
    17. Kamikaze Heart

    18. King Of Clubs

    19. Permanent Funeral
    Pig Destroyer
    $19.99
    Colored Vinyl LP - Sealed Buy Now
  • Dublin Blues Dublin Blues Quick View

    $21.99
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    Dublin Blues

    Available On Vinyl For The First Time


    Dublin Blues is an album by American singer-songwriter Guy Clark, originally released in 1995.


    A mere three years after Boats to Build, Guy Clark offered Dublin Blues, a record filled with sizzle, inspiration, and his
    best batch of songs in years. Teaming with Miles Wilkinson for the third time and using in the studio for the first time
    his road band -- which included Über guitarist and singer Darrell Scott -- Clark delivered a batch of searing portraits,
    intimate observations, first-person narratives, and one dumb throwaway cut ("Baby Took A Limo to Memphis").
    As usual, some old friends return to the fold -- Rodney Crowell, Emmylou Harris, Sam Bush, Verlon Thompson, Kenny
    Malone, and Suzy Ragsdale -- but there were new faces at the time that joined in like Ramblin' Jack Elliott, Nanci
    Griffith, and Kathy Mattea.


    The magic begins with the title track. Haunted Celtic melodies played on the fiddle and a mandolin with an acoustic
    guitar usher in a country song that could be from the countryside of Ireland. With Mattea on the backing vocals,
    the listener is transported between worlds in time and space. "Black Diamond Strings" is a friendly little number
    about what else: guitar strings! Its catchy hook and singalong chorus make it a Clark winner. "Shut Up and Talk to
    Me" features Scott playing the swinging blues as Clark counts off the music like a fierce memory. "Stuff That Works"
    is another of Clark's quiet observation tunes, where his words speak volumes and the instruments underline their
    meanings. It's a workingman's anthem sung seemingly from the workshop bench. But "Hank Williams Said It Best,"
    "Tryin' to Try," "Cape," and "Hangin' Your Life on the Wall" are all tremendous in their scope and intimacy. They are
    full of dimension and depth, and Wilkinson gives them textures.


    The set ends with a re-recording of the spooky yet shattering elegy "The Randall Knife" Clark cut on Better Days. The
    difference here is age. The view Clark sings from is one of distance and age. "The Randall Knife" doesn't feel quite
    so spooky this time out, but it does resonate with empathy and even tenderness. As it winds to a close, the listener
    is left not in bewildered silence but in awe that such a bond exists at all.

    1. Dublin Blues
    2. Black Diamond Strings
    3. Shut Up And Talk To Me
    4. Stuff That Works
    5. Hank Williams Said It Best
    6. The Cape
    7. Baby Took a Limo to Memphis
    8. Tryin' To Try
    9. Hangin' Your Life On The Wall
    10. The Randall Knife
    Guy Clark
    $21.99
    Vinyl LP - Sealed Buy Now
  • Nothin' But Blood (Out of Stock) Nothin' But Blood (Out of Stock) Quick View

    $18.99
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    Nothin' But Blood (Out of Stock)

    Colored Vinyl


    Something heavy is happening to Scott H. Biram.... What in the past has been expressed through
    reeling irreverence and spirit-lifting profanity (which he's still got in spades, don't worry...) is now more penetrating, and chilling with Nothin' But Blood, Biram's 5th album for Bloodshot Records.


    Here we find him self-examining and penitent, yet still as crazy as a jack-eyed preacher. The storytelling here is about wrongdoing and redemption. Biram's music is from the soul, for the soul, and of the soul, and with this album the spiritual buckshot lodges deeper than ever.

    1. Slow & Easy
    2. Gotta Get to Heaven
    3. Alcohol Blues
    4. Never Comin' Home
    5. Only Whiskey
    6. Jack of Diamonds
    7. Nam Weed
    8. Backdoor Man
    9. Church Point Girls
    10. I'm Troubled
    11. Around the Bend
    12. Amazing Grace
    13. When I Die
    14. John the Revelator
    Scott H Biram
    $18.99
    Colored Vinyl LP - Sealed Temporarily out of stock
  • Book Burner (Out Of Stock) Book Burner (Out Of Stock) Quick View

    $19.99
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    Book Burner (Out Of Stock)

    The undisputed kings of grind, Pig Destroyer return with their long awaited fourth proper full length Book Burner. The release is a resounding statement of championship, as every element of Pig Destroyer towers above their closest peers, a 32 minute, 19-song knockout punch of cerebral viciousness. Scott Hull's guitar heroics sound like a mutant double speed hybrid of Slayer and the Melvins jacked up on amphetamines, new skinsman Adam Jarvis is the pinnacle of inhuman drumming, Blake Harrison delivers layer upon layer of suffocating atmosphere and JR Hayes remains the poet laureate of extreme metal. Book Burner is the finest work of extreme music's best band!




    1. Sis
    2. The American's Head
    3. The Underground Man
    4. Eve
    5. The Diplomat
    6. All Seeing Eye
    7. Valley Of The Geysers

    8. Book Burner
    9. Machiavellian
    10. Baltimore Strangler

    11. White Lady
    12. The Bug
    13. Iron Drunk
    14. Burning Palm
    15. Dirty Knife
    16. Totaled
    17. Kamikaze Heart

    18. King Of Clubs

    19. Permanent Funeral
    Pig Destroyer
    $19.99
    Vinyl LP - Sealed Temporarily out of stock
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