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Jack White Lazaretto'
Lazaretto180 Gram Vinyl
2 Vinyl-Only Hidden Tracks Hidden Beneath The Center Labels
1 Hidden Track Plays At 78 RPM And 1 Plays At 45 RPM, Making This A 3-Speed Record
Side A Plays From The Outside In (From Label Out)
Dual-Groove Technology: Plays An Electric Or Acoustic Intro For "Just One Drink" Depending On Where Needle Is Dropped. The Grooves Meet For The Body Of The Song.
Matte Finish On Side B, Giving The Appearance Of An Un-Played 78 Rpm Record
Both Sides End With Locked Grooves
Vinyl Pressed In Seldom-Used Flat-Edged Format
Dead Wax Area On Side A Contains A Hand-Etched Hologram By Tristan Duke Of Infinity Light Science, The First Of Its Kind On A Vinyl Record
Absolutely Zero Compression Used During Recording, Mixing And Mastering
Different Running Order From The CD/Digital Version
Utilizes Some Mixes Different From Those Used On CD/Digital Versions
Jack White presents his new album Lazaretto, released on Third Man Records/Columbia. Lazaretto inhabits an exciting place in White's expansive discography as the follow-up to 2012's gold-certified international #1 Blunderbuss, and was preceded by first single and title track ''Lazaretto.''
The aforementioned Blunderbuss was the first U.S. #1 album of Jack's storied career, also debuting at #1 in the UK, Canada, and, naturally, Switzerland. Blunderbuss was supported by an ambitious world tour featuring two backing bands, the all-male Buzzards and all-female Peacocks, notched up five GRAMMY nominations including Album of the Year, and dominated Best of 2012 lists, including being named MOJO's #1 album of 2012.1. Three Women
3. Temporary Ground
4. Would You Fight For My Love?
5. High Ball Stepper
6. Just One Drink
7. Alone In My Home
8. That Black Bat Licorice
10. I Think I Found The Culprit
11. Want And Able$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Boarding House ReachBOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain -- crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
BOARDING HOUSE REACH was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY, and Capitol Studios in Los Angeles, CA. The album was mixed by Bill Skibbe, Joshua V. Smith, and White at Third Man Studio in Nashville, TN. The album features White on vocals, acoustic and electric guitars and drums, organ, and synthesizers. He's backed by a remarkable new lineup of musicians that includes: drummer Louis Cato (BeyoncÉ, Q-Tip, John Legend, Mariah Carey), bassists Charlotte Kemp Muhl (The Ghost of a Saber Tooth Tiger) and NeonPhoenix (Kanye West, Lil Wayne, Jay-Z), synthesizer players DJ Harrison and Anthony Brew Brewster (Fishbone, The Untouchables), keyboardists Neal Evans (Soulive, Talib Kweli, John Scofield) and Quincy McCrary (Unknown Mortal Orchestra, Pitbull), percussionists Bobby Allende (David Byrne, Marc Anthony) and Justin PorÉe (Ozomatli), and backing vocalists Esther Rose and Ann & Regina McCrary of Nashville's beloved gospel trio, The McCrary Sisters, as well as longtime collaborators like drummers Daru Jones (Nas, Talib Kweli) and Carla Azar (Autolux, Depeche Mode, Doyle Bramhall II). Singer-songwriter C.W. Stoneking also appears, contributing a stirring spoken word performance to the album's Abulia and Akrasia.
Jack White is a 12-time GRAMMY® Award-winner and 35-time nominee. His most recent full-length release, 2016's JACK WHITE ACOUSTIC RECORDINGS: 1998-2016 (Third Man Records/Columbia), collected 26 acoustic-based songs from throughout White's wide-ranging musical career, spanning album tracks, B-sides, remixes, alternate versions, and previously unreleased material from The White Stripes, The Raconteurs, and White's groundbreaking solo career. The collection debuted at #1 on Billboard's Vinyl Albums chart upon its September 2016 release - a position also achieved by 2012's RIAA gold certified solo debut, BLUNDERBUSS, and 2014's chart-topping LAZARETTO, both of which debuted at #1 on the Billboard Top 200 as well.1. Connected By Love
2. Why Walk A Dog?
4. Abulia and Akrasia
6. Ice Station Zebra
7. Over and Over and Over
8. Everything You've Ever Learned
9. Respect Commander
10. Ezmerelda Steals The Show
11. Get In The Mind Shaft
12. What's Done Is Done
13. Humoresque$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Acoustic Recordings 1998-2016JACK WHITE ACOUSTIC RECORDINGS 1998-2016 collects 26 acoustic songs from throughout White's wide-ranging musical career, spanning album tracks, B-sides, remixes, alternate versions, and previously unreleased tracks. The album, arranged in chronological order, includes acoustic songs made famous by The White Stripes, beginning with ''Sugar Never Tasted So Good'' (originally found on The White Stripes' second-ever 7-inch single) and then lighting upon favorites like ''Apple Blossom'' and ''I'm Bound To Pack It Up'' (remixed here from the original recordings on 2000's DE STIJL), ''Hotel Yorba'' and ''We're Going To Be Friends'' (from 2001's WHITE BLOOD CELLS), ''You've Got Her In Your Pocket'' and ''Well It's True That We Love One Another'' (from 2003's GRAMMY® Award-winning ELEPHANT), ''Forever For Her (Is Over For Me),'' ''White Moon'' and ''As Ugly As I Seem'' (from 2005's GET BEHIND ME SATAN) ''Effect & Cause'' (from 2007's ICKY THUMP), and the Beck-produced ''Honey, We Can't Afford To Look This Cheap,'' first found on the B-side to The White Stripes' final single, 2007's ''Conquest.''
''City Lights'' (below) was written for The White Stripes' GET BEHIND ME SATAN but then forgotten until White revisited the 2005 album for Third Man's Record Store Day 2015 vinyl reissue and finished the recording in 2016. The track is the first new, worldwide commercially released White Stripes song since 2008.
Also featured are ''Never Far Away'' (recorded for 2003's COLD MOUNTAIN: MUSIC FROM THE MIRAMAX MOTION PICTURE) and ''Love Is The Truth'' (written and recorded for Coca-Cola's 2006 What Goes Around campaign) as well as the Bluegrass Version of ''Top Yourself'' and an acoustic mix of the epic murder ballad, ''Carolina Drama,'' both written by White and Brendan Benson for The Raconteurs' GRAMMY® Award-winning 2008 album, CONSOLERS OF THE LONELY. White's two chart-topping solo albums, 2012's BLUNDERBUSS and 2014's LAZARETTO, are represented by a remarkably diverse range of material including ''Love Interruption,'' ''On And On And On,'' ''Blunderbuss,'' ''Entitlement,'' ''Want And Able,'' and alternative mixes of ''Hip (Eponymous) Poor Boy,'' ''Just One Drink,'' ''I Guess I Should Go To Sleep,'' and B-side, ''Machine Gun Silhouette.''
''This, like (Son House's) 'Grinnin' In Your Face,' is mirror-music,'' writes renowned music journalist Greil Marcus of ''City Lights'' in the album's exclusive liner notes, ''the singer talking to himself, trying to tell himself the truth, which he's going to need if he's going to step out of his door, walk into the world, and fool himself, for just a second, that he's ready to take it on. As you listen, it's no surprise at all that it took most of White's music-making life to bring the song home.''
The 26 tracks featured on JACK WHITE ACOUSTIC RECORDINGS 1998-2016 were remastered by Andrew Mendelson at Nashville, TN's Georgetown Masters. All songs were written and produced exclusively by Jack White, except ''Never Far Away'' (produced by T Bone Burnett), ''Honey, We Can't Afford To Look This Cheap'' (produced by Beck), ''Top Yourself (Bluegrass Version)'' and ''Carolina Drama'' (written & produced by White & Brendan Benson), and ''Machine Gun Silhouette'' (written by White & Rob Jones).LP 1
1. Sugar Never Tasted So Good
2. Apple Blossom (Remixed)
3. I'm Bound To Pack It Up (Remixed)
4. Hotel Yorba
5. We're Going To Be Friends
6. You've Got Her In Your Pocket
7. Well It's True That We Love One Another
8. Never Far Away
9. Forever For Her (Is Over For Me)
10. White Moon
11. As Ugly As I Seem
12. City Lights (Previously Unreleased White Stripes Track)
13. Honey, We Can't Afford To Look This Cheap
14. Effect & Cause
1. Love Is The Truth (Acoustic Mix)
2. Top Yourself (Bluegrass Version)
3. Carolina Drama (Acoustic Mix)
4. Love Interruption
5. On And On And On
6. Machine Gun Silhouette (Acoustic Mix)
8. Hip (Eponymous) Poor Boy (Alternate Mix)
9. I Guess I Should Go To Sleep (Alternate Mix)
10. Just One Drink (Acoustic Mix)
12. Want And Able$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Shaken (Out of Stock)"...spine-tingling, spectral folk-pop." - NPR MUSIC
Copenhagen, Denmark native Maggie Bjorklund has made a name for herself as an exceptionally gifted pedal steel guitarist/singer/composer, who crafts elements of country, indie rock, film scores, psychedelia, and pop into a stylistically unique blend of roots music. Over the years she has landed coveted touring gigs with Jack White (and performed on his latest album Lazaretto), X's John Doe & Exene Cervenka, Mark Lanegan, Howe Gelb, & Calexico's Joey Burns & John Convertino to name a few. With the release of her second album Shaken, Bjorklund puts together an A-plus band, consisting of drummer Convertino, cellist Barb Hunter, Jim Barr (Portishead) on bass, John Parish
(PJ Harvey, Sparklehorse) on guitars & production and a featured guest vocal appearance by Kurt Wagner (Lambchop). Written during a time of major personal upheaval, the songwriting here has a profound, cathartic, and purposeful inspiration Shaken is filled with potent memories and emotional out-pouring, translated into dark, warm sonic textures that flow like sepia-tinged lucid dreams, held together with Bjorklund's distorted, ghostly swells and breathy waves of pedal steel.1. Dark Side of the Heart
3. Bottom of the Well
4. The Road to Samarkand
5. Fro Fro Heart
6. The Unlucky
7. Name in the Sand
8. Missing At Sea
11. Teach Me How To Say Goodbye$16.99Vinyl LP - Sealed Temporarily out of stock