- Lowest Price
- Highest Price
Jackie Brown - Music From The Miramax Motion PictureJackie Brown: Music from the Miramax Motion Picture is the soundtrack to Quentin Tarantino's motion picture Jackie Brown. It was originally released on December 9, 1997 and will now be available on 180gm vinyl. The soundtrack uses a variety of music genres, including soul. The soundtrack also includes dialogue from the motion picture and a lack of typical film score, similar to the other soundtracks of Tarantino films.1. Across 110th Street - Bobby Womack
2. Beaumont's Lament (dialogue; Samuel L. Jackson and Robert Deniro)
3. Strawberry Letter 23 - The Brothers Johnson
4. Melanie, Simone and Sheronda (dialogue: Samuel L. Jackson and Robert Deniro)
5. Who Is He (And What Is He to You)? - Bill Withers
6. Tennessee Stud - Johnny Cash
7. Natural High - Bloodstone
8. Long Time Woman - Pam Grier
9. Detroit 9000 (dialogue; Council Cargel)
10. (Holy Matrimony) Letter To the Firm - Foxy Brown
11. Street Life - Randy Crawford
12. Didn't I (Blow Your Mind This Time) - The Delfonics
13. Midnight Confessions - The Grass Roots
14. Inside My Love - Minnie Riperton
15. Just Ask Melanie (dialogue: Samuel L. Jackson, Robert Deniro and Bridget Fonda)
16. Lions and the Cucumber - Vampire's Sound Inc.
17. Monte Carlo Nights - Elliot Easton's Tiki Gods$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Big DaddyA pop sensation in the 1980s, singer-songwriter John Mellencamp has evolved into one of rock's most enduring acts, and given voice to the small-town experience.
Big Daddy is the tenth studio album by American singer-songwriter and musician John Mellencamp, originally released in 1989 by Mercury Records. It was his last album to be released under the name John Cougar Mellencamp, a combination of his real name and his original stage name of Johnny Cougar. The album peaked at number seven on the Billboard 200 and contained the singles Pop Singer and Jackie Brown, which peaked at No. 15 and 48, respectively, on the Billboard Hot 100.1. Big Daddy Of Them All
2. To Live
3. Martha Say
4. Theo And Weird Henry
5. Jackie Brown
6. Pop Singer
7. Void In My Heart
8. Mansions In Heaven
9. Sometimes A Great Notion
10. Country Gentleman
11. J.M.'s Question$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Studio One RocksteadyStudio One Rocksteady is the fantastic new installment in Soul Jazz Records' journey through the mighty vaults of Studio One, reggae's number one record company and its legendary pioneering producer Clement Sir Coxsone Dodd. With excellent sleevenotes by Lloyd Bradley (author of the classic book Bass Culture - When Reggae Was King (Penguin)) this album is dedicated to rocksteady at Studio One as well as covering reggae soul and the birth of reggae. Featuring an all-star selection of artists: Ken Boothe, Marcia Griffiths, Jackie Mittoo, The Heptones, John Holt, Alton Ellis, Dennis Brown and more. Soul Jazz Records' Studio One Rocksteady is released as a heavyweight double-vinyl edition in deluxe strong gatefold sleeve (with full sleeve notes).1. The Eternals - Stars
2. John Holt - Fancy Make Up
3. Cecille Campbell - Whisper To Me
4. The Heptones - Party Time
5. The Gaylads - Joy In The Morning
6. Marcia Griffiths - My Ambition
7. The Heptones - Love Won't Come Easy
8. Alton Ellis - Hurting Me
9. The Wailing Souls - Row Fisherman Row
10. Ken Boothe - Home Home Home
11. Jackie Mittoo - Our Thing
12. Ken Boothe - When I Fall In Love
13. Larry & Alvin - Throw Me Corn
14. Duke Morgan - Lick It Back
15. Carlton And The Shoes - Me And You
16. Dennis Brown - Easy Take It Easy
17. The Classics - Pack Up
18. Ken Boothe - Moving Away$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Sides And In BetweenThe Sides And In Between is the new album from Atlanta band Gringo Star, their first for Nevado Records.
If you know a little about brothers Nick and Peter Furgiuele's roots, it all makes sense. Our grandad started out in radio in the 40s and 50s in Columbus, GA., Nick explains. He was a huge promoter of R&B back when it was still super segregated, and he was playing black music and putting on shows with Little Stevie Wonder, James Brown, Sam Cooke & the Soul Stirrers, a lot of Gospel shows. So we grew up hearing all these stories, listening to all this music. Our grandfather was inducted into the Georgia Music Hall of Fame posthumously. And my grandma all her photo albums are like Jackie Wilson shirtless backstage, hanging out. Not to mention how Nick and Peter used to raid their parents record collections, cutting their teeth on the likes of Buddy Holly, The Animals and The Kinks. Our favorite music comes from the 50s, Peter says, and that music influenced all the 60s bands we like.
The band has toured relentlessly across the U.S. and Europe building a diehard underground following while sharing bills with everyone from Cat Power and Feist to The Black Angels and Weezer, and also touring with Wavves, Best Coast, And You Will Know Us By The Trail of Dead and fellow Atlantans The Black Lips.1. Rotten
3. Get Closer
4. Still Alive
5. Going Home
6. Knee Deep
7. Heading South
9. It's You
10. The Last Trace$19.99Vinyl LP - Sealed Buy Now
Vitamin FDuring the gap of nearly 10 years since their last release, Fontanelle has been trying to transport themselves back in time to 1973 into Patrick Gleeson's Different Fur Trading Company studio. With the help of Randall Dunn's expertise (sunn O))), Black Mountain, Wolves in the Throne Room), it sounds like they made it!
Rex Ritter's tour of duty with Sunn O))) during Fontanelle's hiatus seems to have irreparably changed his DNA, as well as the bands. Adding an amazing array of horn players (many heard on sunn O)))s; Monoliths & Dimensions), Fontanelle has conjured a burly fusion jazz sound that has been dubbed, "White Magus."
Gentry Densley (Eagle Twin), Steve Moore (Earth, sunn O)))), Hans Teuber, Eric Walton (Skerik), Jef Brown (Jackie-O MF) and Dave Carter are all featured on Vitamin F. The band, based in Portland OR, is comprised of Andy Brown (Jessamine), Rex Ritter (Jessamine, sunn O)))), Paul Dickow (Strategy), Brian Foote, Nudge, Leech), Mat Morgan and Borg Norum. Vinyl version of this greasy-groovy masterpiece of fuzzed out funk from Southern Lord is limited to a one time pressing of 1,000.1. Watermelon Hands
2. The Adjacent Possible
3. Vitamin F
5. When The Fire Hits The Forest
7. Reassimilated$14.99Vinyl LP - Sealed Buy Now
Funky Was The State Of AffairsFergus and Geronimo's leap between their early R&B-influenced singles and their first wildly diverse record was so daring, many music writers and fans were forced to reconsider the pigeonhole to which they had already damned them. Happily damned them, since, after all, those early tracks went over exceptionally well. But observers and admirers were also left doing something not many get to experience in this dime-a-dozen singles renaissance: scratching their heads concerning what this group would do next. After a first record that was such a departure, not only did they wonder, they actually cared.
Founding member Andrew Savage is very conscious of the risks the band took, the changes that were made in order to avoid being marginalized. Says Savage: "Jason (Kelly) and I had no interests in becoming lost in the indie rock/garage rock milieu. The nature of those early singles was that they were instantaneously gratifying, and we both wanted to make a record that was ultimately gratifying, but not necessarily instantaneous."
Now we have an idea of how far Fergus and Geronimo are continuing to take their gradually conceptual ambitions, in the form of their second full-length record, Funky Was The State of Affairs.
Like some of history's most well-regarded and oft-reissued acts, the group is doing exactly what they are compelled to do: making an album that actually plays like a cohesively complete statement. "I feel like bands aren't really making albums anymore. By that I mean, a start to finish concept meant to be listened to in its entirety. Labels are more interested in singles, which is in a tail-wags-dog sort of way.
And yet the record is entirely unpredictable, even as it tackles reoccurring themes, which Savage says include, "aliens, technology, intergalactic dating/hooking up, the Roman Empire, and the earthling resistance movement." At times the story seems filtered through the earthling point of view; in the next, extraterrestrials listen to phone-tapped conversations by some understandably paranoid humans.
Though at times it sounds like fairly serious subject matter, the group employs a sharp-tongued attack with the same sort of gallows humor cracked wise by the likes of their equally Doubting Thomas inspirational figures, everyone from the Mothers of Invention to Devo. Within the first few minutes, the tone is set; the bright, spiky, opening track over a Krautrock rhythm, "No Parties," contains a line summarizing the restlessness caused by the alienation of modern habits, sung in a mock-English accent: "Collecting devices, you're paying the prices/Of over consumption, with mental destruction."
"Basically, its a dystopian sound-scape of our civilization's collapse," says Savage. Indeed, those feelings of dread are sometimes instrumentally emphasized by passages of synthesizer static and noise, which Savage attributes to being influenced by groups like Chrome. New members Bob Jones (guitar, bass, analog synth) and Jef Brown (Tenor Sax) also add to the playful chaos. Savage says the original duo added members in order to achieve "the tightness that can only come from recording with a live core," as "musicianship is extremely important to Jason and I."
Since Brown and Jones both played in the self-explanatory Evolutionary Jass Band, which evolved out of the equally experimental Jackie-O Motherfucker, there is an expansion in the group's improvisational capabilities that wasn't as obvious on past recordings. Yet nothing sounds forced, each interlude is enjoyable, each hip-hop-inspired skit serves a narrative-pushing purpose. The record bounces from Booker T-styled soul ("Wiretapping Muzak I and II") to early '80s New York dance rock ("Marky Move") with an immodest ease.
"Hi, I'm Heather Strange, and I'm a 23-year-old human earthling female" says a woman between the first and second track. "Really, I'm just looking for a man whose cerebral capabilities haven't been fried by LCD screens yet." Most people reading this might be able to relate to Heather's plight, or worse yet, sink under the weight of being the type of person she's desperately seeking to avoid. But such is the genius of Fergus and Geronimo. They have made all of these variously opposing forces; dark and light, alien and earthling, melody and noise, condemning and being condemned, something that you feel like listening to over and over again. If only to hear what happens next.1. Planet Earth is Pregnant for the 5th Time
2. No Parties
3. The Strange One Speaketh
4. Roman Tick
5. My Phone's Been Tapped, Baby
6. Roman Nvmerals/Wiretapping Muzak I
8. Earthling Men
9. The Uncanny Valley
10. Earthling Women
12. Wiretapping Muzak II
13. Off the Map
14. The Roman Stuff is Where it's At
15. Marky Move
16. Funky Was the State of Affairs$14.99Vinyl LP - Sealed Buy Now
Seeds From The UndergroundOver the course of a stellar career that has spanned more than 30 years, saxophonist Kenny Garrett has become the preeminent alto saxophonist of his generation. From his first gig with the Duke Ellington Orchestra (led by Mercer Ellington) through his time spent with musicians such as Freddie Hubbard, Woody Shaw, Art Blakey & The Jazz Messengers and Miles Davis, Garrett has always brought a vigorous yet melodic, and truly distinctive, alto saxophone sound to each musical situation. As a bandleader for the last two decades, he has also continually grown as a composer. With his latest recording (and second for Mack Avenue Records), Seeds From The Underground, Garrett has given notice that these qualities have not only become more impressive, but have provided him with the platform to expand his horizons and communicate his musical vision clearly. Seeds From The Underground is a powerful return to the straight-ahead, acoustic and propulsive quartet format that showcases Garrett's extraordinary abilities.
For Garrett, Seeds From The Underground is a special recording. It once again consists of all original compositions, and is truly an homage to those who have inspired and influenced him, both personally and musically. "All of these songs are dedicated to someone," says Garrett. "And the 'seeds' have been planted, directly or indirectly, by people who have been instrumental in my development."
With Seeds From The Underground Garrett has crafted a project that offers his appreciation while always making the listener aware of his band's skillful approach to melody, harmony and rhythm. From personal nods such as the opening track "Boogety Boogety," dedicated to his memory of watching western films with his father (the title refers to the sound of a galloping horse); "Wiggins," which references his high school band director Bill Wiggins; and "Detroit," an evocative, reflective composition about his hometown, and a celebration of mentor Marcus Belgrave; to his appreciation of some of his musical heroes on "J Mac" (Jackie McLean); "Haynes Here" (Roy Haynes); and "Do Wo Mo" (Duke Ellington, Woody Shaw and Thelonious Monk).
Melody, as a matter of fact, was a key element for the saxophonist when writing for the recording. "I wanted to focus on the melody," Garrett reflects. "I want people to remember what the melody is before we start improvising and on some songs I heard voices, the singing of the melody." This latter point is in evidence on the selections "Haynes Here," "Detroit" and "Welcome Earth Song."
Another notable component compositionally for Garrett on Seeds From The Underground is his approach to rhythm and meter. Over the past few years, one of the most popular and acclaimed groups that he has been a part of is the GRAMMY® award winning Five Peace Band, joining guitarist John McLaughlin, pianist Chick Corea, bassist Christian McBride, and drummers Vinnie Colaiuta and Brian Blade. His participation in that band led him to experiment with writing in different meters. "Some of these songs are in odd meters; in my experience with John, we played some songs in odd meters, so I thought, this is a different way of writing songs," Garrett states. "So there is some of that approach here."
Garrett's current working band is very much up to the task on Seeds From The Underground. And like all successful bandleaders, Garrett knows what he wants musically and has formed a band that will best communicate his message (with implicit trust among one another). Bassist Nat Reeves is a rhythmic anchor and a long-standing member of Garrett's past aggregations. However, for this recording, Garrett thought a lot about the talents of fellow Detroiter, drummer Ronald Bruner, as well as Venezuelan pianist Benito Gonzalez. "When I decided I wanted to do the album, I had Ronald in mind; I thought that he would work well on these songs. And Benito has been in my band for a while, and we talked conceptually about how I hear the piano in the band. McCoy Tyner is my man, so I wanted to have more of that sound, and there aren't a lot of young guys around who are dealing with that like Benito is." Percussionist Rudy Bird also provides a driving, rhythmic pulse to the recording.
A very important contributor to Seeds From The Underground is the project's co-producer: pianist, composer and educator, Donald Brown. His friendship with Garrett goes back to their days with Art Blakey & The Jazz Messengers. He has been an integral part of past Garrett recordings, and has been a musical inspiration for him. "I feel comfortable in the studio with him and I know he's going to hear what I hear, because we think alike in how we hear music," states Garrett. "I've also always admired his compositions and he was really inspired by these compositions, so he was glad that we were able to hook back up on this project."
Garrett has always expressed interest in music from other parts of the world. Whether it's Africa, Greece, Indonesia, China or Guadeloupe, he immerses himself in the culture and gleans from his experience something that becomes a part of his artistic message. On Seeds From The Underground, the African-influenced "Welcome Earth Song" and "Laviso, I Bon?" (the latter was inspired by a musician friend in Guadeloupe) are prime examples.
The album highlights Garrett's overall approach to music: wide-ranging, receiving ideas from all musical sources and genres. Garrett states, "I love the challenge of trying to stay open about music and about life. If it's music, I just try to check it out. Right now I'm listening to some music from Martinique and I'm lovin' it. If I like it, maybe I can incorporate some of it into what I do." As for composing: "I don't try to control what I write," he says. "Music comes from 'The Creator.' It's a gift that's coming in, and I receive it. I write in all genres, and I'm writing all the time. It's never about what it is I just say thank you."
Seeds From The Underground is the latest stop on what continues to be a fascinating musical journey for Kenny Garrett and his listeners. It's a recording that is not only a significant personal statement from the saxophonist, but a musical declaration of his continued growth as a musician, and in particular, as a composer.1. Boogety Boogety
2. J. Mac
4. Haynes Here
6. Seeds from the Underground
8. Welcome Earth Song
9. Ballad Jarrett
10. Laviso, I Bon?$27.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Across 110th Street (40th Anniversary Edition) (Out of Stock)One of the few surviving links to the pre-Soul/R&B era, Bobby Womack - who was originally discovered as a teenager singing Gospel music by the late Sam Cooke - nowadays enjoys full-blown "Living Legend" status. Blessed with one of the warmest, most readily-identifiable voices in Soul music, he carved out his reputation with a series of classic albums and singles in the early 70s, re-emerging again in the 80s with his career masterpieces, The Poet and The Poet II, the latter achieving platinum status in Europe alone.
This unique package concentrates on the early 70s, and is built around the iconic, award-winning original soundtrack to Across 110th Street (1972), the critically-acclaimed - albeit violent, bloodthirsty and deeply disturbing - Blaxploitation movie which starred Anthony Quinn, Yaphet Kotto and Anthony Franciosa. Perhaps Womack's most celebrated album, this compelling OST remains the most important soundtrack of the genre, the powerful title song later featuring heavily in both Quentin Tarantino's 1997 homage to Blaxploitation, Jackie Brown, and Ridley Scott's 2007 opus, American Gangster.
Womack has enjoyed a long, rich career and still retains a strong cult status in the UK and Europe. He continues to record and tour sporadically and after battling ill-health in recent years, a new album is scheduled for release in June. The album is co-produced by Damon Albarn and Richard Russell, who also produced Gil Scott Heron's acclaimed final album.1. Across 110th Street
2. Harlem Clavinette (instrumental)
3. If You Don't Want My Love
4. Hang On In There (instrumental)
6. Harlem Love Theme (instrumental)
7. Across 110th Street (instrumental)
8. Do It Right
9. Hang On In There
10. If You Don't Want My Love (instrumental)
11. Across 110th Street (part 2)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
Here Comes The Meter Man (Out Of Stock)180g vinyl LP featuring a selection of classic funk tracks by New Orleans' premier session players.
Here Comes The Meter Man includes 'Sophisticated Cissy', 'Look-Ka Py Py' and 'Cissy Strut', a No.4 R&B hit which also featured in the soundtrack to Quentin Tarantino's 1997 blaxploitation homage 'Jackie Brown'.1. Sophisticated Cissy
2. Cissy Strut
3. Ease Back
4. Dry Spell
5. Look-ka Py Py
6. Chicken Strut
7. Hand Clapping Song
8. A Message From The Meters
9. Stretch Your Rubber Band
10. (The World Is A Bit Under The Weather) Doodle-oop
11. Zony Mash
12. Ride Your Pony
13. Here Comes The Meter Man
14. Sehorn`s Farm$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
Everything I Do Is Gohn Be Funky (Out of Stock)180g vinyl LP featuring the New Orleans legend's solo recordings plus several of his biggest hit productions for Ernie K-Doe, Lee Dorsey, The Meters and more.
This collection covers the early part of his remarkable career, beginning with his first appearances on record as a session pianist, his first solo recordings in 1958 under the name Al Tousan and ends in thelate 1960s with his productions for artists like Lee Dorsey and The Meters.
In addition this set includes the original versions of instrumentals later recorded by Al Hirt and Herb Alpert plus the original versions of songs that he wrote and/or produced that later became hits for British groups The Hollies and The Dave Clark Five. blaxploitation homage 'Jackie Brown'.1. Walkin` With Mr. Lee
3. Wham Tousan
4. Beverley Baby
5. Whipped Cream
6. Young Man, Old Man
7. Poor Boy, Got To Move
8. Omar Khayyam
10. Fortune Teller
11. I Like It Like That - Part 1
12. It Will Stand
13. Hot Tamales - Part 1
14. Nearer To You
15. Working In The Coalmine
16. Look-ka Py Py$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock