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  • New Soil New Soil Quick View

    $54.99
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    New Soil

    New Soil wasn't the first session Jackie McLean recorded for Blue Note, but it was the first one released, and as the title suggests, the first glimpses of McLean's desire to push beyond the limits of bop are already apparent. They're subtle, of course, and nowhere near as pronounced, as they would be in just a few years' time, but as with the 1959 material later issued on Jackie's Bag hints of Ornette Coleman's stream-of-consciousness melodic freedom are beginning to find their way into McLean's improvisations. His playing is just a touch more angular than the ear expects, especially given the very bluesy nature of pieces like McLean's 11-minute vamp, Hip Strut, and pianist Walter Davis Jr.'s infectious boogie-woogie Greasy. Coleman's influence is most apparent on McLean's Minor Apprehension, where the freewheeling, Coleman-esque main theme is paralleled by trumpeter Donald Byrd in a definite nod to Don Cherry.


    Jackie McLean, alto sax
    Donald Byrd, trumpet
    Paul Chambers, bass
    Walter Davis Jr., piano
    Pete LaRoca, drums


    This title is not eligible for discount.

    1. Hip Strut
    2. Minor Apprehension
    3. Greasy
    4. Sweet Cakes
    5. Davis Cup
    Jackie McLean
    $54.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Lights Out (Mono) Lights Out (Mono) Quick View

    $39.99
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    Lights Out (Mono)

    1957's Lights Out finds an up and coming Jackie McLean in his second session as a leader with fine accompaniment from Donald Byrd (trumpet), Arthur Taylor (drums) and Doug (Watkins). Primarily hard bop in nature, the 6-song set also features blues undertones and the occasional shared improvisation by McLean and Byrd.


    This title is not eligible for discount.

    1. Lights Out
    2. Up
    3. Lorraine
    4. A Foggy Day
    5. Kerplunk
    6. Inding
    Jackie McLean
    $39.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Capuchin Swing Capuchin Swing Quick View

    $54.99
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    Capuchin Swing

    Analogue Productions' Blue Note and Nat King Cole Reissues WIN A Positive Feedback 2010 Brutus Award!


    One of McLean's more underrated albums from a plethora of Blue Note releases, 1960's Capuchin Swing finds the bebop alto saxophonist in fine form on a mix of covers and originals. While McLean's future fascination with Ornette Coleman's free-form innovations can be sensed in some solos here, the majority of the album is in a classic hard bop vein. Like contemporaries Hank Mobley, Sonny Clark, and Lee Morgan, though, McLean doesn't just churn out pat jam-session fare, but comes up with consistently provocative charts and solos. Eschewing any ballad cuts, McLean focuses on mid- to fast-tempo swingers and blues. Standouts include originals like Francisco and Condition Blue and choice renditions of Just for Now and Don't Blame Me. McLean enlists a sparkling lineup of hard bop stars, including trumpeter Blue Mitchell, pianist Walter Bishop, Jr., bassist Paul Chambers, and drummer Art Taylor. Mitchell particularly impresses, matching many of McLean's own inspired flights with his supple and progressive playing. Along with other fine Blue Note titles like Jackie's Bag and Bluesnik, Capuchin Swing makes for a great introduction to McLean's extensive catalog.-- Stephen Cook


    Musicians:

    Jackie McLean: Alto Saxophone

    Blue Mitchell: Trumpet

    Walter Bishop, Jr.: Piano

    Art Taylor: Drums



    This title is not eligible for discount.

    1. Francisco

    2. Just For Now

    3. Don't Blame Me

    4. Condition Blue

    5. Capuchin Swing

    6. On The Lion
    Jackie McLean
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Lee-Way Lee-Way Quick View

    $54.99
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    Lee-Way

    Blue Note Reissue


    How do these new deluxe re-issues stack up to the alternatives? Not surprisingly, the big difference comes from the 45-RPM cutting. The faster cutting speed creates greater dynamic range and the sense of more air around the instruments, which stand out in better relief and give that you-are-there feel. The tradeoff requires you to flip the record twice as often, a small price to pay for this level of enhanced realism. These new issues maintain that timbral accuracy and at the same time bring out the piano sound like never before, for the first time Blue Note re-issues sound right. Dennis D. Davis, Hi-Fi+, Issue 57


    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands. Back home a month later, I unpack some test pressings Chad Kassem has sent me. I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    ...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 rpm pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 rpm, clean your stylus occassionally, and get ready to be transported to nirvana. - Dan Babineau, Tone Audio, No. 14 2008, www.tonepublications.com


    This album is unique within Lee Morgan's vast and rich Blue Note discography. With then current employer Art Blakey, band mate Bobby Timmons on piano, Paul Chambers on bass and Jackie McLean on alto saxophone, the trumpeter abandons time constraints and stretches out on four, soulful, hard-bop compositions (the first and the last are by Cal Massey). These hard bop masters are constantly inspired by Blakey's explosive grooves.


    This title is not eligible for discount.

    These Are Soulful Days
    The Lion and the Wolf
    Midtown Blues
    Nakatini Suite
    Lee Morgan
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Hard Bop Hard Bop Quick View

    $44.99
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    Hard Bop

    Cut from the Original Analog Mono Master Tapes by Kevin Gray and Robert Pincus & Pressed at RTI


    Numbered Limited Edition of Only 2500 Copies


    Some of the greatest jazz musicians of all time have passed through Art Blakey's Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interpretive capacity. Blakey's ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.


    Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery join the fold here to along with Blakey deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players - especially Blakey and Hardman. Considering the rhythmic demands of Blakey's locomotive playing style, this was an incredible achievement.


    Impex Records has cut this gorgeous, limited edition (2,500 pressings) 180-gram LP with the original analog mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occurred on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. This is music that still resonates over 50 years later. Not to be missed!


    This title is not eligible for discount

    1. Cranky Spanky
    2. Stella By Starlight
    3. My Heart Stood Still
    4. Little Melonae
    5. Stanley's Stiff Chickens
    Art Blakey and the Jazz Messengers
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Cornbread Cornbread Quick View

    $19.99
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    Cornbread


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Recorded in 1965, Cornbread by Lee Morgan features Jackie McLean, Hank Mobley, Herbie Hancock, Larry Ridley and Billy Higgins. Morgan was one of
    hard bop's greatest trumpeters who also performed with Art Blakey and the Jazz Messengers. Cornbread will be reissued as part of an overall Blue Note
    75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Cornbread
    2. Our Man Higgins
    3. Ceora
    4. Ill Wind
    5. Most Like Lee
    Lee Morgan
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • 4, 5, And 6 4, 5, And 6 Quick View

    $21.99
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    4, 5, And 6

    This album is one in a series of special 2014 releases commemorating the 65th anniversary of Prestige Records and the 90th birthday of legendary
    recording engineer Rudy Van Gelder.


    Before Jackie McLean made some of the great jazz albums of the 1960s for Blue Note, he recorded for the Prestige label. 4, 5 and 6 is the best of all his
    pre-Blue Note sessions. Recorded over two dates in July 1956, the album features future Blue Note colleague Donald Byrd joining in on trumpet for the
    album's two originals Abstraction and Contour (penned by Kenny Drew and Mal Waldron respectively). Another Blue Noter, tenor-saxophonist Hank
    Mobley, even makes it a sextet on Charlie Parker's Confirmation. The remaining three selections are quartet pieces (hence the album's title) with Mal
    Waldron on piano, Doug Watkins on bass and Art Taylor on drums. Newly reissued on vinyl, this is a 'MUST HAVE' addition to all great jazz collections.

    1. Sentimental Journey
    2. Why Was I Born
    3. Contour
    4. Confirmation
    5. When I Fall In Love
    6. Abstraction
    Jackie McLean
    $21.99
    Vinyl LP - Sealed Buy Now
  • Settin' The Pace Settin' The Pace Quick View

    $21.99
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    Settin' The Pace

    This is John Coltrane from the period when he was a member of Miles Davis' legendary 1950s quintet, accompanied by fellow quintet members Red Garland and Paul Chambers. This is Coltrane in a relaxed bop mode, making some swinging, relaxed jazz in the vein of Sonny Rollins and Stan Getz (the latter in his more boppish mode). This is not the fire-breathing saxophonist of the mid-'60s, but a player who was beginning to push against the boundaries, all the while playing with thoughtful, imaginative lyricism. It's a set of little-known pop tunes of the era, with the exception of Jackie McLean's Little Melonae. Anyone who likes the mainstream jazz of the '50s, or Miles' music of that time, or Coltrane fans who want to hear their idol in an easygoing context, should pick this up.


    - Rovi Staff (All Music Guide)

    1. I See Your Face Before Me
    2. If There is Someone Lovelier Than You
    3. Little Melonae
    4. Rise 'N' Shine
    John Coltrane
    $21.99
    Vinyl LP - Sealed Buy Now
  • Pithecanthropus Erectus Pithecanthropus Erectus Quick View

    $27.99
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    Pithecanthropus Erectus

    Limited 180gm vinyl LP pressing of this classic 1956 Jazz album. Pithecanthropus Erectus was Mingus' breakthrough as a leader, the album where he established himself as a composer of boundless imagination and a fresh new voice that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition. With this album he began seeking new ways to increase the evocative power of the art form and challenge his musicians (this release includes Jackie McLean on alto sax and Mal Waldron on piano) to break preexisting conventions. Wax Time.
    1. Pithecanthropus Erectus
    2. A Foggy Day
    3. Profile Of Jackie
    4. Love Chant
    5. A Foggy Day (Live version) *


    *Bonus Track

    Charles Mingus
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Jackie's Bag Jackie's Bag Quick View

    $54.99
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    Jackie's Bag

    Blue Note Reissue



    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    ...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 rpm pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 rpm, clean your stylus occassionally, and get ready to be transported to nirvana. - Dan Babineau, Tone Audio, No. 14 2008, www.tonepublications.com


    In terms of composition, leadership and playing, this is probably Jackie McLean's greatest album, culled from two different sessions, separated by 20 months. A sextet session with Tina Brooks and Blue Mitchell.


    This title is not eligible for discount.

    Quadrangle
    Blues Inn
    Fidel
    Appointment in Ghana
    A Ballad for Doll
    Isle of Java
    Street Singer
    Melonae's Dance
    Medina [*]
    Jackie McLean
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Davis Cup Davis Cup Quick View

    $54.99
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    Davis Cup

    Although a Blue Note regular at the time on sessions by Donald Byrd, Art Blakey and others, Walter Davis made only one album for the label. With Byrd, Jackie McLean, Sam Jones and Art Taylor, he explores six of his finest compositions. Davis possessed the ability to write music that was funky and catchy, but still progressive, which explains why he was one of Art Blakey's favorite pianists and composers. Minor Mind, Make It and Millie's Delight are among the album's highlights.


    Walter Davis Jr., piano
    Donald Byrd, trumpet
    Sam Jones, bass
    Jackie McLean, alto saxophone
    Art Taylor, drums


    This title is not eligible for discount.

    1. 'Smake It
    2. Loodle-Lot
    3. Sweetness
    4. Rhumba Nhumba
    5. Minor Mind
    6. Millie's Delight
    Walter Davis Jr.
    $54.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Seeds From The Underground Seeds From The Underground Quick View

    $27.99
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    Seeds From The Underground

    Over the course of a stellar career that has spanned more than 30 years, saxophonist Kenny Garrett has become the preeminent alto saxophonist of his generation. From his first gig with the Duke Ellington Orchestra (led by Mercer Ellington) through his time spent with musicians such as Freddie Hubbard, Woody Shaw, Art Blakey & The Jazz Messengers and Miles Davis, Garrett has always brought a vigorous yet melodic, and truly distinctive, alto saxophone sound to each musical situation. As a bandleader for the last two decades, he has also continually grown as a composer. With his latest recording (and second for Mack Avenue Records), Seeds From The Underground, Garrett has given notice that these qualities have not only become more impressive, but have provided him with the platform to expand his horizons and communicate his musical vision clearly. Seeds From The Underground is a powerful return to the straight-ahead, acoustic and propulsive quartet format that showcases Garrett's extraordinary abilities.


    For Garrett, Seeds From The Underground is a special recording. It once again consists of all original compositions, and is truly an homage to those who have inspired and influenced him, both personally and musically. "All of these songs are dedicated to someone," says Garrett. "And the 'seeds' have been planted, directly or indirectly, by people who have been instrumental in my development."


    With Seeds From The Underground Garrett has crafted a project that offers his appreciation while always making the listener aware of his band's skillful approach to melody, harmony and rhythm. From personal nods such as the opening track "Boogety Boogety," dedicated to his memory of watching western films with his father (the title refers to the sound of a galloping horse); "Wiggins," which references his high school band director Bill Wiggins; and "Detroit," an evocative, reflective composition about his hometown, and a celebration of mentor Marcus Belgrave; to his appreciation of some of his musical heroes on "J Mac" (Jackie McLean); "Haynes Here" (Roy Haynes); and "Do Wo Mo" (Duke Ellington, Woody Shaw and Thelonious Monk).


    Melody, as a matter of fact, was a key element for the saxophonist when writing for the recording. "I wanted to focus on the melody," Garrett reflects. "I want people to remember what the melody is before we start improvising and on some songs I heard voices, the singing of the melody." This latter point is in evidence on the selections "Haynes Here," "Detroit" and "Welcome Earth Song."


    Another notable component compositionally for Garrett on Seeds From The Underground is his approach to rhythm and meter. Over the past few years, one of the most popular and acclaimed groups that he has been a part of is the GRAMMY® award winning Five Peace Band, joining guitarist John McLaughlin, pianist Chick Corea, bassist Christian McBride, and drummers Vinnie Colaiuta and Brian Blade. His participation in that band led him to experiment with writing in different meters. "Some of these songs are in odd meters; in my experience with John, we played some songs in odd meters, so I thought, this is a different way of writing songs," Garrett states. "So there is some of that approach here."


    Garrett's current working band is very much up to the task on Seeds From The Underground. And like all successful bandleaders, Garrett knows what he wants musically and has formed a band that will best communicate his message (with implicit trust among one another). Bassist Nat Reeves is a rhythmic anchor and a long-standing member of Garrett's past aggregations. However, for this recording, Garrett thought a lot about the talents of fellow Detroiter, drummer Ronald Bruner, as well as Venezuelan pianist Benito Gonzalez. "When I decided I wanted to do the album, I had Ronald in mind; I thought that he would work well on these songs. And Benito has been in my band for a while, and we talked conceptually about how I hear the piano in the band. McCoy Tyner is my man, so I wanted to have more of that sound, and there aren't a lot of young guys around who are dealing with that like Benito is." Percussionist Rudy Bird also provides a driving, rhythmic pulse to the recording.


    A very important contributor to Seeds From The Underground is the project's co-producer: pianist, composer and educator, Donald Brown. His friendship with Garrett goes back to their days with Art Blakey & The Jazz Messengers. He has been an integral part of past Garrett recordings, and has been a musical inspiration for him. "I feel comfortable in the studio with him and I know he's going to hear what I hear, because we think alike in how we hear music," states Garrett. "I've also always admired his compositions and he was really inspired by these compositions, so he was glad that we were able to hook back up on this project."


    Garrett has always expressed interest in music from other parts of the world. Whether it's Africa, Greece, Indonesia, China or Guadeloupe, he immerses himself in the culture and gleans from his experience something that becomes a part of his artistic message. On Seeds From The Underground, the African-influenced "Welcome Earth Song" and "Laviso, I Bon?" (the latter was inspired by a musician friend in Guadeloupe) are prime examples.


    The album highlights Garrett's overall approach to music: wide-ranging, receiving ideas from all musical sources and genres. Garrett states, "I love the challenge of trying to stay open about music and about life. If it's music, I just try to check it out. Right now I'm listening to some music from Martinique and I'm lovin' it. If I like it, maybe I can incorporate some of it into what I do." As for composing: "I don't try to control what I write," he says. "Music comes from 'The Creator.' It's a gift that's coming in, and I receive it. I write in all genres, and I'm writing all the time. It's never about what it is I just say thank you."


    Seeds From The Underground is the latest stop on what continues to be a fascinating musical journey for Kenny Garrett and his listeners. It's a recording that is not only a significant personal statement from the saxophonist, but a musical declaration of his continued growth as a musician, and in particular, as a composer.

    1. Boogety Boogety
    2. J. Mac
    3. Wiggins
    4. Haynes Here
    5. Detroit
    6. Seeds from the Underground
    7. Du-Wo-Mo
    8. Welcome Earth Song
    9. Ballad Jarrett
    10. Laviso, I Bon?
    Kenny Garrett
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Jackie's Pal (Mono) Jackie's Pal (Mono) Quick View

    $39.99
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    Jackie's Pal (Mono)

    In the case of this 1956 Prestige release, Jackie's Pal is none other than trumpeter Bill Hardman who McLean champions justifiably here after the pair left the Charles Mingus workshop and before they both joined Art Blakey's Jazz Messengers. The excellent date finds the jazz greats in a quintet rounded out by Mal Walldron (piano), Paul Chambers (bass) and Philly Joe Jones (drums).


    This title is not eligible for discount.

    1. Sweet Doll
    2. Just For Marty
    3. Dee's Dilemma
    4. Sublues
    5. Steeplechase
    6. It Could Happen To You
    Jackie McLean
    $39.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Blues & Roots Blues & Roots Quick View

    $27.99
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    Blues & Roots

    The 1998 reissue of BLUES & ROOTS contains all the original tracks and liner notes, plus additional tracks and rare photos. Personnel: Charles Mingus (bass); Jackie McLean, John Handy (alto saxophone); Booker Ervin (tenor saxophone); Pepper Adams (baritone saxophone); Jimmy Knepper, Willie Dennis (trombone); Horace Parlan, Mal Waldron (piano); Dannie Richmond (drums). Recorded at Atlantic Studios, New York, New York on February 4, 1959. Originally released on Atlantic (1305). Includes liner notes by Charles Mingus. All tracks have been digitally remastered.Mingus goes to church. A thrilling album of blues and spirituals Mingus style. This 1959 Atlantic recording certainly ranks among his very best. Memorable performances of some of the bassist's most soulful tunes such as Wednesday Night Prayer Meeting and E's Flat Ah's Flat Too. Mingus is joined by an exuberant ensemble including a stellar saxophone section of Jackie McLean, John Handy, Booker Ervin, and Pepper Adams.
    1. Wednesday Night Prayer Meeting
    2. Cryin' Blues
    3. Moanin'
    4. Tensions
    5. My Jelly Roll Soul
    6. E's Flat Ah's Flat Too
    7. We Got Blue*


    * Bonus Track

    Charles Mingus
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Cool Struttin' Cool Struttin' Quick View

    $19.99
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    Cool Struttin'


    Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    Cool Struttin' is jazz pianist, Sonny Clark's most soulful and classic, Blue Note album. The recording features Jackie McLean on alto sax, Art Farmer on
    trumpet, Philly Joe Jones on drums and Paul Chambers on bass. Originally released in 1958, Cool Struttin' will be re-released as part of the overall Blue
    Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Cool Struttin'
    2. Blue Minor
    3. Sippin' At Bells
    4. Deep Night
    Sonny Clark
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Page One Page One Quick View

    $19.99
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    Page One

    A Blue Note essential, Page One, jazz tenor saxophonist Joe Henderson's debut release, is part of the Blue Note 75 anniversary vinyl reissue campaign, featuring 100 titles . Includes the jazz favorite and standard 'Recorda Me.' Key to the initiative is high quality audio at affordable prices. Also available this month on LP: Andrew Hill's Point of Departure, Jackie McLean's Capuchin Swing, Miles Davis' Volume 1 and Tina Brooks' True Blue.
    1. Blue Bossa
    2. La Mesha
    3. Homestretch
    4. Recorda-Me
    5. Jinrikisha
    6. Out Of The Night
    Joe Henderson
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • 4, 5, And 6 (Mono) 4, 5, And 6 (Mono) Quick View

    $39.99
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    4, 5, And 6 (Mono)

    Jackie McLean's aptly titled 1956 release 4,5 and 6 features recordings from the innovative alto saxophonist in three different settings including tracks with a quartet, an expanded quintet and even a sextet. Supporting players such as Hank Mobley (tenor sax), Donald Byrd (trumpet), Mal Waldron (piano), Doug Watkins (bass) and Art Taylor (drums) join in on the proceedings in disparate incarnations, all with winning results. The dynamic 6-song set is highlighted by Waldron's own stirring ballad Abstraction and the sextet's sprawling version of Charlie Parkers Confirmation.


    This title is not eligible for discount.

    1. Sentimental Journey
    2. Why Was I Born?
    3. Contour
    4. Confirmation
    5. When I Fall in Love
    6. Abstraction
    Jackie McLean
    $39.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Mobley's Message (Mono) Mobley's Message (Mono) Quick View

    $39.99
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    Mobley's Message (Mono)

    Hank Mobley's 1956 Prestige release Mobley's Message features six recordings from the legendary tenor saxophonist in three different settings including one cut with a quartet, four with a quintet and one with a sextet. Players such as Donald Byrd (trumpet), Jackie McLean (alto sax), Barry Harris (piano), Doug Watkins (bass) and Art Taylor (drums) offer their support here in disparate incarnations. Contains a quintet reading of Charlie Parker's Au Privave and a quartet take on the Rodgers & Hart standard Little Girl Blue with Mobley being the sole horn.


    This title is not eligible for discount.

    1. Bouncing With Bud
    2. 52nd Street Theme
    3. Minor Disturbance
    4. Au Privave
    5. Little Girl Blue
    6. Alternating Current
    Hank Mobley
    $39.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Drum Suite Drum Suite Quick View

    $44.99
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    Drum Suite

    Strictly Limited To 2,500


    All-Analog Mastering By Kevin Gray


    Pressed At RTI


    "Recorded in 1956, Art Blakey's Drum Suite is a wonderful hybrid of African, Latin, and hard bop rhythms that prefigures the concept of Afro-beat by at least a decade, and the sheer energy, not to mention its very special and fresh-sounding intimacy, make it especially astounding. Even more amazing is that the three parts of the suite -- Blakey's The Sacrifice, Ray Bryant's Cubano Chant, and Oscar Pettiford's Oscalypso -- were recorded straight through live, and were only intended to be a pre-take run-through, but as is obvious here, Blakey and company nailed the whole thing right out of the box. The original LP was issued by Columbia with the drum suite on one side, and three tracks recorded by a 1956 version of the Jazz Messengers (Bill Hardman, Jackie McLean, Sam Dockery, and Spanky DeBrest) for Blakey's first Columbia album, Hard Bop, on the other side. Groundbreaking for its time, and still sounding vital, powerful, and visionary, the Drum Suite album is somewhat of a lost masterpiece that deserves a fresh audience.

    - Steve Leggett (All Music Guide)


    This title is not eligible for discount

    1. The Sacrifice

    2. Cubano Chant

    3. Oscalypso

    4. Nica's Tempo

    5. D's Dilemma

    6. Just for Marty
    Art Blakey
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pithecanthropus Erectus (Speakers Corner) (Pre-Order) Pithecanthropus Erectus (Speakers Corner) (Pre-Order) Quick View

    $34.99
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    Pithecanthropus Erectus (Speakers Corner) (Pre-Order)

    It was a fairly ordinary quintet that entered the Audio-Video Studios in New York City on 30 January 1956: one tenor saxophone, one alto saxophone, a pianist, a drummer and ... you guessed: an extraordinary man on the double bass! Not just an instrumentalist, but also an imaginative composer, wayfarer between all kinds of jazz, arranger and enfant terrible.


    The Suite Pithecanthropus Erectus is - among other things - programme music. Having learned to walk upright, having achieved alleged superiority over animals, and having caused devastation, the destruction of mankind's natural resources follows. The composer Mingus gives his fellow mankind/musicians the widest possible freedom, which all exploit to the full both in interplay and in the solos. Bedded down in noise and sound collages, the piece is the result of an experimental workshop. The Gershwin classic A Foggy Day takes on the role of intermediary between the jazz styles of the 1930s and free jazz. And in Profile Of Jackie and Love Chant the arranger calls for his soloists to go to the very limits of their artistic improvisation.


    Charles Mingus was certainly not an easy person to deal with for his family, friends and fellow musicians. But that fades into the background when it comes to such outstanding music. Luckily, we outsiders can once again enjoy the music of this genius 60 years after the studio recording, in its original format.


    Musicians:


    • Jackie McLean (alto saxophone)
    • J.R. Monterose (tenor saxophone)
    • Mal Waldron (piano)
    • Charlie Mingus (bass)
    • Willie Jones (drums)


    Recording: January 1956 at Audio-Video Studios, New York City by Tom Dowd & Hal Lustig in mono

    Production: Nesuhi Ertegun


    About Speakers Corner


    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Pithecanthropus Erectus
    2. A Foggy Day
    3. Profile Of Jackie
    4. Love Chant
    Charles Mingus
    $34.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed PRE-ORDER Buy Now
  • Capuchin Swing Capuchin Swing Quick View

    $19.99
    Buy Now
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    Capuchin Swing

    One of McLean's more underrated albums from a plethora of Blue Note releases, 1960's Capuchin Swing finds the bebop alto saxophonist in fine form on a mix of covers and originals. While McLean's future fascination with Ornette Coleman's free-form innovations can be sensed in some solos here, the majority of the album is in a classic hard bop vein. Like contemporaries Hank Mobley, Sonny Clark, and Lee Morgan, though, McLean doesn't just churn out pat jam-session fare, but comes up with consistently provocative charts and solos. Eschewing any ballad cuts, McLean focuses on mid- to fast-tempo swingers and blues. Standouts include originals like Francisco and Condition Blue and choice renditions of Just for Now and Don't Blame Me. McLean enlists a sparkling lineup of hard bop stars, including trumpeter Blue Mitchell, pianist Walter Bishop, Jr., bassist Paul Chambers, and drummer Art Taylor. Mitchell particularly impresses, matching many of McLean's own inspired flights with his supple and progressive playing. Along with other fine Blue Note titles like Jackie's Bag and Bluesnik, Capuchin Swing makes for a great introduction to McLean's extensive catalog.
    1. Francisco

    2. Just For Now

    3. Don't Blame Me

    4. Condition Blue

    5. Capuchin Swing

    6. On The Lion
    Jackie McLean
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Cool Struttin' (Out Of Stock) Cool Struttin' (Out Of Stock) Quick View

    $54.99
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    Cool Struttin' (Out Of Stock)

    Cut at 33 1/3 RPM by Kevin Gray at Cohearent Audio from the Original Rudy Van Gelder Blue Note Master Tapes


    Pressed 180 Gram Virgin Vinyl LPs by RTI


    Top Quality Gatefold Packaging with Laminated Covers & High Quality Session Photos!


    Considered one of the great young pianists of the mid-to-late 1950s, Sonny Clark was practically the house pianist at Blue Note during 1957-62 before his tragically early death in 1963 when he was just 31. He began his career playing and recording with Teddy Charles and Wardell Gray in the early 1950s. Inspired by Bud Powell, he made a particularly strong impression during his period with clarinetist Buddy DeFranco's group. He also worked with Dinah Washington, Serge Chaloff and Sonny Criss in addition to leading his own trio. But he is most famous for his work for Blue Note In addition to leading seven albums for the label, Clark was on many sessions as a sidemen, uplifting every date with his adventurous and swinging playing. His playing was full of joyful discoveries, constant swing, and an optimistic creativity that was indescribable and quite infectious. Cool Struttin,' the pianist's most famous and rewarding album, features Sonny Clark in a quintet with altoist Jackie McLean, trumpeter Art Farmer, bassist Paul Chambers and drummer Philly Joe Jones. On this 1958 gem, Clark is featured on four lengthy performances, including Miles Davis "Sippin' At Bells" and the exotic "Deep Night." The music is filled with magical moments where the five musicians seem to think and create like one. The greatest jazz performances include moments like those heard on "Cool Struttin'" where the music has a life of its own beyond the individual players. The more one plays this superb album, the more it is obvious that this is one of the truly essential Blue Note recordings.


    Features:

    Limited Edition of Only 3500 Copies!

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!

    Remastered by Kevin Gray at Cohearent Audio

    Pressed 180 gram Virgin Vinyl LPs by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    Musicians:

    Sonny Clark, piano

    Art Farmer, trumpet

    Jackie McLean, alto sax

    Paul Chambers, bass

    Philly Joe Jones, drums


    This title is not eligible for discount.

    1. Cool Struttin'
    2. Blue Minor
    3. Sippin' At Bells
    4. Deep Night
    Sonny Clark
    $54.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Jackie's Bag (Out Of Stock) Jackie's Bag (Out Of Stock) Quick View

    $39.99
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    Jackie's Bag (Out Of Stock)

    This 1959 12 is made up of two distinct sessions, including Jackie McLeans first as a leader for the label. These sides helped establish him as one of the finest young alto voices on the jazz scene. Although a strong album through-and-through, the strongest material lay in the interplay between the altoist and the still under-appreciated tenor Tina Brooks. A great and unique alto/tenor tandem was born and sadly short-lived, due to Brooks demise at a young age. But the handful of selections they were able to create on this and a few other Blue Note releases are superb. Donald Byrd, Blue Mitchell, Art Blakey, Philly Joe Jones, Paul Chambers, Sonny Clark, Kenny Drew and Billy Mitchell collectively make McLeans album debut, memorable. As part of the Classic Blue Note Signature LP Reissue Series this reissue was mastered and cut from the original analog master tapes on Classics ALL TUBE MONO cutting system and featuring authentic tip on jackets with film laminate front covers. This release like all in the Classic Blue Note Signature LP Series is pressed in our proprietary non-groove guard flat profile featuring the deep groove in the center label!
    1. Quadrangle
    2. Blues Inn
    3. Fidel
    4. Appointment in Ghana
    5. A Ballad for Doll
    6. Isle of Java
    7. Street Singer
    8. Melonae's Dance
    9 Medina
    Jackie McLean
    $39.99
    200 Gram Audiophile Virgin Vinyl 45rpm LP - Sealed Temporarily out of stock
  • Capuchin Swing (Mono) (Out Of Stock) Capuchin Swing (Mono) (Out Of Stock) Quick View

    $24.99
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    Capuchin Swing (Mono) (Out Of Stock)

    Considered one of his strongest Blue Note outings, Capuchin Swing basically forced McLean to bring in some heavyweights to help define and deliver his vision. First and foremost was Blue Mitchells forceful trumpet, chosen to counterpoint the leaders alto, that was in a feisty mood of its own throughout the sessions. Having Walter Bishop, Jr. on piano, Paul Chambers bass and Art Taylor banging skins frees the leaders mind of worry rhythm-wise, allowing him and Mitchell to co-explore new heights of interplay. The intensity on McLean originals such as Francisco, Condition Blue and the title tune are both riveting and sometimes draining, while Bishop contributes both Just For Now plus another dedication to the label founder, On The Lion. This Classic Blue Note Signature LP Reissue Series release was mastered and cut on Classics ALL TUBE MONO cutting system allowing the listener to hear the music as Rudy Van Gelder mixed and intended it to be heard in PURE MONO with no faux stereo artifacts from using a stereo cutter head! As always this release features authentic tip on jackets with film laminate front covers. Try and find an original that looks and sounds this good at any price!
    1. Francisco

    2. Just For Now

    3. Don't Blame Me

    4. Condition Blue

    5. Capuchin Swing

    6. On The Lion
    Jackie McLean
    $24.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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