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  • Amos Lee Amos Lee Quick View

    $37.99
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    Amos Lee

    Amos Lee is the self-titled debut album by American singer-songwriter Amos Lee, released by Blue Note Records in 2005. The album is produced by Lee Alexander, the bassist in Norah Jones' band. Norah Jones herself plays the piano on 2 tracks; Keep It Loose, Keep It Tight and Colors.


    The songs on the album incorporate themes of folk, soul, gospel and jazz. His style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.

    1. Keep It Loose, Keep It Tight
    2. Seen It All Before
    3. Arms Of A Woman
    4. Give It Up
    5. Dreamin'
    6. Soul Suckers
    7. Colors
    8. Bottom Of The Barrel
    9. Black River
    10. Lies Of A Lonely Friend
    11. All My Friends
    Amos Lee
    $37.99
    180 Gram Audiophie Virgin Vinyl LP - Sealed Buy Now
  • Quiet Kenny Quiet Kenny Quick View

    $39.99
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    Quiet Kenny

    Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3.


    All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom


    Deep groove label pressings, tip-on jackets on thick cardboard stock


    Quiet Kenny is yet another reminder of what a trumpet giant Kenny Dorham was. Whether limning ballads such as My Ideal, Alone Together, I Had the Craziest Dream, and Old Folks, or investigating the timelessness and intricacies of the blues (his originals in this set with Blue in their titles), the former Charlie Parker cohort and ex-Jazz Messenger exhibits his subtle swing, personal sound, and finely-honed harmonic sense. Along the way these reflections and connections with Bird, Coleman Hawkins, Sonny Rollins, Max Roach, Harry James, and Louis Armstrong make for a rich legacy. With Tommy Flanagan, Paul Chambers and Arthur Taylor


    This title is not eligible for discount.

    1. Lotus Blossom
    2. My Ideal
    3. Blue Friday
    4. Alone Togeather
    5. Blue Spring Shuffle
    6. I Had The Craziest Dream
    7. Old Folks
    8. Mack the Knife
    Kenny Dorham
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Chromatics Chromatics Quick View

    $18.99
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    Chromatics

    When songwriter and producer Sam Genders last donned his Diagrams hat, captive listeners found themselves truly stunned by the Streatham Hill artist's imaginative and inventive arrangements that made up 2012s debut album Black Light. Having now upped sticks from his London lodgings and settled in Sheffield with a new lease of life and wife, fresh pastures and friendships are what form the heart of Diagrams' brand new album Chromatics.


    "Relationships are a constant thread. In all their frustrating, exciting, mundane, beautiful, wonderful, sexy, scary glory," reveals Genders of the album's themes. "And there's lots of hope in the songs. They shouldn't be taken too literally mind you in my head Chromatics is life in Technicolor; with all its ups and downs."


    Equally drawing inspiration from the writing on relationships by David Schnarch, Ester Perel and the book Division Street by Sheffield poet Helen Mort, whilst spending time in his own home studio for the first time, it's without doubt that the Steel city provided the ideal backdrop for Genders to write whenever the inspiration came and, essentially, whittle down the fifty or so tracks he had recorded as part of the album's creation. "There are woods over the road and a little garden out the back with a greenhouse, shed, and flower beds. Being in a new place has brought something special to the process. Sheffield is a very open and direct place and I'd say the songs are more that way too."


    Whilst Black Light fizzed with electronic effects, synth-bass, programmed beats and low-key funk grooves that brought about comparisons to the leftfield pop of Arthur Russell, Metronomy, Steve Mason and Hot Chip, it's without doubt that Genders' next offering falls closer to home comforts and marks the next step in Genders' renaissance. Take lead track 'Phantom Power'; it's the track which truly sums up what it's like to find yourself forever reassessing. "It's about feeling like you're losing a grip on your sanity at one moment, then feeling inspired and up for anything the next. Or frustration with yourself yet believing that it's possible to sort yourself out," explains Genders. Elsewhere 'You Can Talk To Me's delicate rolling melody and 'Serpent' once again showcase the playful, eclectic slant to Genders' songwriting prowess alongside an innate sense of crisp production and programming techniques.


    Never one to shirk away from those around him, Genders would be the first to call Diagrams, and particularly Chromatics, a collaborative process. Once again featuring a rolling cast of inspirational musicians the album includes vocals from, amongst friends and family members, The Smoke Fairies whilst the skilled brass and string arrangements come courtesy of Danyal Dhondy and Sam Ewens. 'London's greatest' drummers Karl Penney, and Cacophony drummer Fletcher Adams provide the beats whilst live band members Emma Black and Ben Malitskie lend their expertise of Baritone Saxophone and Viola. 'Brain' meanwhile, was co-written with long-time friend and collaborator Matt McKenzie and features an in utero recording of his son James' heartbeat.


    Yet it's the partnership with producer Leo Abrahams (Wild Beasts, David Byrne, Brian Eno, Jon Hopkins, Ed Harcourt, Marianne Faithful et al) that has truly brought Diagrams to life. After a long search, Abrahams was picked to piece all parts together and as a result Genders found himself writing songs that worked across a variety of production styles. "Leo's incredibly good at what he does and virtually all the impressive production and soundscaping is down to him. He's also an amazing guitarist and played some of my favourite guitar moments on the album."


    Who knows exactly what kind of relationships will inspire Genders next? Currently finding himself midst China's south central city of Changsha in Hunan as a Musician in Residence on behalf of the British Council and PRS foundation, life for Genders right now is all about new experiences, meeting new faces and learning from new friendships. "It feels like anything could happen from one day to the next. I'd like to record a Chinese version of 'Phantom Power' so that once I'm back in the UK I can reconnect with the music lovers I've met. I've heard lots of very poppy pop songs that incorporate both Chinese and English lyrics so I'd like to try my own twist on that."

    1. Phantom Power
    2. Gentle Morning Song
    3. Desolation
    4. Chromatics
    5. You Can Talk To Me
    6. Shapes
    7. Dirty Broken Bliss
    8. Serpent
    9. The Light & The Noise
    10. Brain
    11. Just A Hair's Breadth
    Diagrams
    $18.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Starry Starry Night (Pure Pleasure) Starry Starry Night (Pure Pleasure) Quick View

    $34.99
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    Starry Starry Night (Pure Pleasure)

    Paul Clarvis is one of the UK's most respected and talented percussionists and has played with everyone from Mick Jagger and Nina Simone to Herbie Hancock and Andy Sheppard. As one of the most requested session musicians, he has played on numerous film soundtracks including Star Wars, Thunderbirds, The Constant Gardener, The Passion, Troy, King Arthur, Kingdom Of Heaven, The Bourne Ultimatum, Lord Of The Rings, Batman, Spy Games, Captain Corellis Mandolin, Shakespeare in Love, James Bond, Billy Elliot, Notting Hill, and many others. He co-leads his own band Orquestra Mahatma which specialises in improvisations on folk tunes from all over the world, and also leads an improvising trio For All the Saints with Stan Sultzmann and Tony Hymas. Starry Starry Night finds him teamed up with pianist Liam Noble, best known for his quirky, individual compositions and improvisations. Liam has also worked with Stan Sultzmann, as well as many other artists including Ingrid Laubrock, Anita Wardell, Harry Beckett, Christine Tobin, Chris Bisco and with cult minimalist composer Moondog, where he and Paul Clarvis first met.



    Musicians:



    • Paul Clarvis (drums)

    • Liam Noble (piano)



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Mood Indigo
    2. Shadow Of Your Smile
    3. Dear Someone
    4. Maple Leaf Rag
    5. Vincent
    6. Poor Butterfly
    7. Whispering
    8. So Long, Frank Lloyd Wright
    9. Embraceable You
    10. Do You Know What It Means To Miss New Orleans
    11. Paris
    Paul Clarvis And Liam Noble
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Sleeping Bag Sessions (Out Of Stock) The Sleeping Bag Sessions (Out Of Stock) Quick View

    $24.99
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    The Sleeping Bag Sessions (Out Of Stock)

    Whether it's Hip Hop, it's face pointed reverentially to the Old School, or House stealing Disco riffs by the truck load,
    people are increasingly intrigued by back-in-the-day. And common to both the aforementioned scenes and much more
    is one person, Arthur Russell, a man some regard as the best songwriter of the 20th century.


    In 1981 Arthur set up Sleeping Bag Records with Will Socolov. The first release was the album "24-24 Music" as
    Dinosaur L. If you're wondering about the name it would appear Arthur would often use the names of extinct or
    near-extinct animals. On one production credit he's "Killer Whale, whilst the logo for Sleeping Bag is a Koala bear! Will
    remembers how they came up with the name for their label.


    "We were joking about names, and James Brown was on with "Papa's Got A Brand New Bag" and I was sleeping in a
    sleeping bag in my apartment and I kind of made a joke about that, and Arthur said that was a great idea for the name
    of the company!"


    The line up was pretty much the same as the Loose Joints sessions, (which boasted the Ingram Brothers rhythm
    section) and a similar stream-of-conscience approach was taken with the recording itself. Russell arranged the beats
    so there'd be a change every 24 bars (hence the title) and the band would have to improvise the songs over the top. He
    also made sure he went into the studio when there was a full moon! The album is again very experimental, and makes
    occasional uneasy listening but the same magic is very much in evidence.


    Arthur would continue to be involved in production and mixing duties for the label, but parted company with Socolov
    in 1985. Arthur sadly died of AIDS in 1992 leaving behind many songs; as one obituary put it, it was though he simply
    vanished into his music.

    1. Bonzo Goes To Washington - 5 Minutes (B-B-B Bombing Mix)
    2. Felix - Tiger Stripes (Extended Version)
    3. Felix - You Can't Hold Me Down (Extended Version)
    4. Clandestine Featuring Ned Sublette - Radio Rhythm (S-I-G-N-A-L S-M-A-R-T) (Extra Cheese Mix)
    5. Sounds Of JHS 126 Brooklyn - Chill Pill (Underwater Mix)
    6. Indian Ocean - School Bell / Tree House (Original 12 Version)
    7. Indian Ocean - Treehouse (Extended Bootleg Edit)
    8. Dinosaur L - Go Bang! (Walter Gibbons Mix)
    9. Bonzo Goes To Washington - 5 Minutes (R-R-R Radio Mix)
    10. Clandestine Featuring Ned Sublette - Radio Rhythm (S-I-G-N-A-L-S-M-A-R-T) (Dub Mix) (Killer Whale)
    Arthur Russell
    $24.99
    Vinyl LP - 2 LPs Sealed Temporarily out of stock
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