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InterludeBlue Note Records recording artist Jamie Cullum - the best-selling jazz artist in U.K. history - will release his new album INTERLUDE. The album includes 3 exclusive tracks that did not appear on the original U.K. edition. The album marks a shift to straight-ahead jazz and a return to interpretation from an artist who has made a habit of bending genres, writing original material and bringing new sounds and new listeners to the music.
Working with producer Benedic Lamdin of Nostalgia 77, Cullum selected a number of jewels from the American songbook, including the title track, which was penned by Dizzy Gillespie and Frank Paparelli, and added a couple of modern surprises - Sufjan Steven's "The Seer's Tower" and Randy Newman's
"Losing You." There are also collaborations with Gregory Porter ("Don't Let Me Be Misunderstood") and Laura Mvula ("Good Morning Heartache").
Interlude is the follow-up to Cullum's 2013 album Momentum, which he recorded with producers Dan the Automator and Jim Abbiss. Cullum has recently appeared on albums by Labrinth, Birdy and alternative hip hop super-group Deltron 3030. Jamie's catalogue dates back to his self-released, Heard It All Before, in 1999, while he was still studying at the University of Reading. Pointless Nostalgic (2002), released by legendary indie jazz label Candid Records, was certified Gold in the U.K. It was followed by Cullum's breakthrough major label debut, Twentysomething, which climbed into the Top 5 in the U.K., where it was subsequently certified triple Platinum. Cullum recorded two songs for the Meet the Robinsons soundtrack and was nominated for a Golden Globe® for "Best Original Song" for "Gran Torino," which he co-wrote for the 2008 Clint Eastwood film of the same name.1. Interlude
2. Don't You Know
3. The Seer's Tower
5. Good Morning Heartache feat. Laura Mvula
6. Sack O' Woe
7. Don't Let Me Be Misunderstood feat. Gregory Porter
8. My One And Only Love
9. Lovesick Blues
10. Losing You
11. Out Of This World
12. Make Someone Happy
13. Come And Get Me
14. Lullaby Of The Leaves
15. Come Rain Or Come Shine$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Love and PovertyStrange Faith is a new collaboration from country soul singer - songwriter Jeb Loy Nichols and producer Benedic
Lamdin, acclaimed for his Nostalgia 77 project alongside work with the likes of Prince Fatty, Valerie June and Jamie Cullum. A rich and vibrant, jazz-inflected twist on the trademark sound that has seen Nichols crowned The High priest of country cool by Rolling Stone.1. Sun Gone West
2. Hard Work In (Good Lovin Out)
3. Fair Weather
4. Just A Man
5. My Old Friend
7. Walking Over
8. Just A Few Feet From The Gutter
9. Tell Me Why
10. Sweetest Sweetheart
11. Say Thank You$19.99Vinyl LP - Sealed Buy Now
Jazz Loves Disney 2 - A Kind Of MagicThe follow-up to last years Jazz Loves Disney, volume two features a collection of jazz and world artists taking on classic Disney songs. Produced by Jay Newland, arranged and directed by Rob Mousey, Jazz loves Disney 2 A Kind of Magic features jazz icons George Benson, Madeleine Peyroux, Laura Mvula, Jamie Cullum and more, performing songs like Be Our Guest, Under The Sea, Beauty & The Beast, and other Disney greats.1. Tale As Old As Time (Bebel Gilberto)
2. Someday My Prince Will Come (Imany)
3. Be Our Guest (Jamie Cullum & Eric Cantona)
4. Under The Sea (Jacob Collier)
5. Try Everything (Angelique Kidjo)
6. Steamboat Willie (The Amazing Keystone Big Band)
7. J'ai vu voler un ÉlÉphant (Thomas Dutronc)
8. So This Is Love (Selah Sue)
9. The Golden Touch (Madeleine Peyroux)
10. You'll Be In My Heart (George Benson)
11. Stay Awake (Laura Mvula)$25.99Vinyl LP - 2 LPs Sealed Buy Now
Pointless Nostalgic (Pure Pleasure) (Out Of Stock)This is the sensational debut album by Jamie Cullum - the brightest young male singer/pianist on the block. Jamie Cullum has quickly become a household name after Candid Records launched Jamie with the original, award winning hit album Pointless Nostalgic. A caustic blend of hip, catchy originals, contemporary covers and standards, Pointless Nostalgic went straight to the top of the charts and demanded attention.
Barely in his twenties, Cullum has a wise old rasp that usually takes decades of chain-smoking to acquire. Cullum's move to mix jazz standards, American songbook classics, and contemporary popular music was a risky one that could easily isolate fans of each genre. However, Cullum managed to find a unifying thread in all of the styles, tying them together in a manner that seemed like the natural culmination of a diverse record collection. Jazz plays heaviest in the mix, but Cullum's version of it is lively and roguish. A rock & roll spirit among erstwhile snobs, he brings blue jeans to the beret set.
Highlights come courtesy of Cullum's diverse and well-chosen array of cover songs. While so many Harry Connick, Jr. wannabes stick to the standards and limply mimic moves lifted from Frank Sinatra's catalog, Cullum hops from Radiohead to Thelonious Monk with equal verve and accomplishment. Closing number I Want To Be A Popstar is a playful rumination on the advantages of being a pop star rather than a jazz key pounder. The mischievous romp exemplifies the lighthearted approach that has become Cullum's calling card, endearing him to jazzophiles and screaming young girls alike.
- Ben Castle, Dave 0' Higgins (tenor saxophone)
- Matt Wates (alto saxophone)
- Martin Shaw (trumpet)
- Martin Gladdish (trombone)
- Jamie Cullum (piano, vocal)
- Geoff Gascoyne (bass)
- Sebastiaan de Krom (drums)
Recording: 2002 at Clowns Pocket Studios by Derek Nash and Livingstone Studios by Mark Chamberlain
Production: Jamie Cullum and Geoff Gascoyne
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
This title is not eligible for discount.1. You And The Night And The Music
2. I Can't Get Started
3. Devil May Care
4. You're Nobody Till Somebody Loves You
5. Pointless Nostalgic
6. In The Wee Small Hours Of The Morning
7. Well You Needn't
8. It Ain't Necessarily So
9. High And Dry
10. Too Close For Comfort
11. A Time For Love
12. Lookin' Good
13. I Want To Be A Popstar
$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock