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Build Me Up From Bones (Discontinued)Sarah's third Sugar Hill Records release finds the acoustic phenom exhibiting an assured and striking musical voice, proving once again the promise of
her early acclaim. "Widely regarded as one of acoustic music's most promising young talents: a singer-songwriter and mandolin and banjo prodigy with the taste and poise to strike that rare balance of commercial and critical success. - The New York Times
Build Me Up From Bones, the third release from acclaimed 22-year-old singer/songwriter/multi-instrumentalist Sarah Jarosz, is released via
Sugar Hill Records. Build Me Up From Bones was recorded in the midst of Jarosz's final semester at the prestigious New England Conservatory (where
she graduated with honors) and a rigorous touring schedule. Following her mid-May graduation, she flew straight to Nashville to put the finishing touches
on the album. Now set to embark on an exciting new chapter of her life, the songs on Sarah Jarosz's newest release are a compelling portrait of an artist coming into her own. Over the past four years Jarosz has covered a remarkable amount of ground for someone so young. She has toured across the US,
UK and Canada, appeared on A Prairie Home Companion, and taped Austin City Limits and the BBC Series The Transatlantic Sessions. Her two previous records received high praise from outlets including Rolling Stone, USA Today, Paste, Mojo and American Songwriter.
The growth in Jarosz's songwriting is prominent on this new release. She penned nine out of the eleven tracks, and while Jarosz previously tended to write and sing in third person narratives, her new material connects in a much more personal way. Love songs such as "Build Me Up From Bones" pair vulnerability with enough mystery to allow listeners to find their own meaning. The covers she has chosen-Joanna Newsom's "The Book Of Right-On"
and Bob Dylan's "Simple Twist of Fate" reflect the breadth of her evolving influences. Build Me Up From Bones was co-produced with Sarah's longtime collaborator - GRAMMY® award-winning engineer and producer Gary Paczosa. The concept was to keep the focus of the album on a trio configuration of
Alex Hargreaves (fiddle) and Nathaniel Smith (cello) that Jarosz has been touring with since 2010. As the recording progressed, other guests were added,
including Dan Dugmore, Darrell Scott and Chris Thile, building a tasteful instrumental backdrop for Jarosz's warm and expressive vocals.
Sarah Jarosz is that rare combination of instrumental virtuosity, emotive vocals and songwriting chops. With a college degree under her belt, a stunning new release completed and a national tour beginning, she continues to chart her own unique artistic path.1. Over the Edge
2. Fuel the Fire
3. Mile On the Moon
4. Build Me Up From Bones
5. Dark Road
6. Simple Twist of Fate
7. 1,000 Things
8. Gone Too Soon
9. Anything Else
10. The Book of Right-On
11. Rearrange the Art$19.99Vinyl LP - Sealed Buy Now
Young In All The Wrong WaysYoung in All the Wrong Ways is Sara Watkins'
most cohesive and fully realized solo album.
The new collection finds her embracing the role
of frontwoman following the collaborations of
Watkins Family Hour (featuring Sean Watkins,
Fiona Apple and Benmont Tench) and Nickel
Creek, the hugely successful group she first
formed with her brother Sean and Chris Thile.
The album is also her most powerful. Personal
and revealing, she wrote or co-wrote each of the
10 songs-a first for her. It was produced in Los
Angeles by Gabe Witcher who arranged a stellar
band including two of his fellow Punch Brothers,
guitarist Chris Eldridge and bass player Paul
Kowert, and additional musicians Jon Brion and
Jay Bellerose. Sarah Jarosz and Aoife O'Donovan,
Watkins' bandmates in I'm With Her, provide
harmonies on the title track while Jim James of
My Morning Jacket guests on "One Last Time."
Benmont Tench is again featured on keys.
Sara calls the record "a breakup album with
myself..." Writing and recording these ten
intensely soul-baring songs was a mechanism
to process and mark the last few transformative
years. The record is about Sara turning the
page and taking the reins of her own life, in
both a career and personal sense.
around and realized that in many ways I wasn't
who or where I wanted to be," Sara says. "It's
been a process of letting go and leaving behind
patterns and relationships and in some cases
how I've considered myself. What these songs
are documenting is the turmoil you feel when
you know something has to change and you're
grappling with what that means. It means you're
losing something and moving forward into
The songs contain some of the
heaviest moments of her career, with eruptions
of thrumming B3 organ and jagged electric guitar.
But it's also quiet, vulnerable, tenderhearted.
Bold in all the right ways.
Young in All the Wrong Ways reveals an artist
who has managed to transform her own turmoil
into music that is beautiful and deeply moving:
"God bless the tenderhearted," she sings, "who let
life overflow."1. Young In All The Wrong Ways
2. The Love That Got Away
3. One Last Time
4. Move Me
5. Like New Year's Day
6. Say So
7. Without A Word
8. The Truth Won't Set Us Free
10. Tenderhearted$19.99Vinyl LP - Sealed Buy Now
In The Magic HourAoife (pronounced EEE-fah) O'Donovan's debut solo album, Fossils, was released to critical acclaim and ended up on many "Best of 2013" lists from outlets like NPR Music, American Songwriter, New York Magazine and No Depression, among others. Aoife appeared on A Prairie Home Companion, NPR's Weekend Edition, SiriusXM The Coffee House and The Village. President Obama even exposed himself as a fan by including the track "Red and White and Blue and Gold" on his first official Spotify playlist in the summer of 2015. Since it's release, Fossils has sold more than 22,000 copies worldwide, and Aoife is poised to break through with her new album, In The Magic Hour.The songwriting process for In The Magic Hour coincided with the death of Aoife's grandfather, at age 93. She remembers him as a "gentle soul" in the small Irish village of Clonakilty where he lived. The lyrics on In the Magic Hour are infused with a sense of loss and mortality's dark certainty.
But the album is just as much an ode to Aoife's joyful childhood visits to Ireland. Aunts, uncles, grandparents and flocks of cousins would gather at the Clonakilty seaside to swim in the chilly ocean and sing together in the lingering Irish summer twilight. Aoife had not yet performed many of the songs live before arranging and recording them over the course of three sessions in Tucker Martine's (The Decemberists, Neko Case), studio in Portland, OR. "The whole recording process was really Tucker [Martine] and me taking these songs and building them from the ground up," Aoife says. The result is deliberate but not over-done, the freshness of the material intact. While In The Magic Hour rekindles the creative partnership with Grammy-nominated producer Martine, the album also highlights the fruits of Aoife's various career collaborations. Composer Gabriel Kahane, New York's string quartet Brooklyn Rider and musician Chris Thile all lend musical and vocal support, as well as I'm With Her band members Sara Watkins and Sarah Jarosz, plus many more.1. Stanley Park
2. Magic Hour
3. Porch Light
6. Donal Óg
7. The King of All Birds
8. Not The Leaving
9. Detour Sign
10. Jupiter$19.99Vinyl LP - Sealed Buy Now
UndercurrentUndercurrent, the fourth album from acclaimed GRAMMY-nominated singer/songwriter/multi-instrumentalist Sarah Jarosz was released on June 17th, 2016 via Sugar Hill Records. Unlike her previous albums, which have intricate arrangements performed on a variety of instruments, Undercurrent features a newfound confidence and a more minimalist production, focused on Jarosz's upfront vocals and most personal songwriting to date.1. Early Morning Light
2. Green Lights
3. House Of Mercy
4. Everything To Hide
5. Back Of My Mind
6. Comin' Undone
7. Take Another Turn
8. Lost Dog
9. Take Me Back
10. Still Life
11. Jacqueline$21.99Vinyl LP - Sealed Buy Now
Thanks For ListeningThanks for Listening is a collection of new studio recordings, produced by Thomas Bartlett, of ten songs originally written as Songs of the Week on A Prairie Home Companion. Thile manned almost all of the stringed instruments on the album and is joined by guest singers Sarah Jarosz, Gaby Moreno, and Aoife O'Donovan. Right now, with how easy it is to be the talker on social media, how hard it is to maintain focus or give something enough attention to appreciate it, we're in a place where listening is a precious commodity, says Thile. Thanks for Listening is a celebration of people who haven't switched off, despite being given every reason to do so.1. I Made This for You
2. Feedback Loop
3. Elephant in the Room
4. Douglas Fir
5. Thank You, New York
6. Stanley Ann
7. Modern Friendship
10. Thanks for Listening$20.99Vinyl LP - Sealed Buy Now
Violence and OrchidsNonesuch Records will release Violence and Orchids, the vinyl edition of Michael Daves's new album, Orchids and Violence. The vinyl edition comprises two versions each of five traditional bluegrass tunes: acoustic takes performed with a band of roots-music innovators-bassist Mike Bub, violinist Brittany Haas, mandolinist Sarah Jarosz, and Punch Brothers banjoist Noam Pikelny-paired with electric rock renditions of the same songs played mostly played by Daves, with his wife Jessi Carter playing bass. It's a roots-music master class, a brilliant example of old modes reinhabited with flair, says the New York Times. To his credit, it can be hard to pick which version of a tune is best. The LP includes a download of the complete Orchids and Violence album.
The straightforward interpretations of the songs were recorded live to tape in a 19th-century church by Daves. The second disc was recorded in Daves's home studio and includes bass, drums, and electric guitar, and takes a raw, experimental rock approach to the same old-time material. The album was mixed by Vance Powell (Jack White, Kings of Leon, Danger Mouse).
One of the things I love about bluegrass music is the tension between innovation and tradition, says Daves of the album. When bluegrass came together, it was a fabrication of a variety of influences in American music yet it quickly became something people assume has been around forever. With this project, I can respect and honor the traditional aspects of that but also reflect on the innovative nature of bluegrass music when it was being created, when it was new.
In the early conceptions of the electric record, I was thinking about it as something of a grunge record, but as it developed it became something pretty different, Daves says. Those sounds that were happening in the early nineties were part of my discovering music, what I was absorbing as I was going out on my own as a guitarist and having my own bands. But when I got into making the record it was much more about the fun of exploring new sounds than reconnecting with some musical past. The album followed a period where I hadn't been playing much electric music, so plugging in felt pretty fresh, like discovering something new.1. June Apple (Bluegrass)
2. June Apple (Electric)
3. Drunken Hiccups (Electric)
4. Drunken Hiccups (Bluegrass)
5. The Dirt That You Throw (Bluegrass)
6. Darling Corey (Electric)
7. Darling Corey (Bluegrass)
8. Elzic's Farewell (Bluegrass)
9. Elzic's Farewell (Electric)
10. The Dirt That You Throw (Electric)$22.99Vinyl LP - Sealed Buy Now