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  • Liquid Spirit Liquid Spirit Quick View

    $24.99
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    Liquid Spirit

    Liquid Spirit is the remarkable major label debut from GRAMMY-nominated jazz and soul singer Gregory Porter. The 14-track album is further justification for Porter's quick ascent into the top ranks of jazz and R&B singers today, and it also features 10 new originals which showcase Porter's innate gift for writing poignant songs based upon personal experiences with a relatable and emotional immediacy. Also included is a stirring rendition of the jazz standard "I Fall In Love Too Easily," as well as covers of Abbey Lincoln's "Lonesome Lover" and Ramsey Lewis' hit "The 'In' Crowd."


    "I firmly consider myself a jazz singer but I enjoy blues, southern soul, and gospel," says Porter. "Those elements make their way inside my music. And I've always heard them in jazz." Indeed, Porter wields one of the most captivating baritone voices in music today. It emits enormous soul that conveys both the emotions and intellect of any given song without relying on vocal histrionics. In The New York Times, Nate Chinen wrote: "Gregory Porter has most of what you want in a male jazz singer, and maybe a thing or two you didn't know you wanted." Jazz singer Dee Dee Bridgewater praised Porter in the pages of JazzTimes by saying, "We haven't had a male singer like him in a long time. He's such a wonderful writer. He's a story teller."


    On Liquid Spirit, Porter retains the same core musicians that accompanied him on his previous two albums - pianist and music director, Chip Crawford, drummer Emanuel Harrold, bassist Aaron James, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. On a few selections, Porter complements that ensemble with trumpeter Curtis Taylor, and organist Glenn Patscha. Producer Brian Bacchus also returns, as well as arranger and associate producer Kamau Kenyatta.


    Porter sees Liquid Spirit as a logical progression in his burgeoning discography as it touches on some of the same themes, particularly the highs and lows of romance, his childhood, and socio-political observations. More pointedly, he views the title-track, a rousing, hand-clapping gospel-jazz romp, dealing with replenishing "thirsty" listeners with more substantial music, as the flipside to last year's "Bling Bling," a blistering song on his previous album Be Good on which the protagonist had so many artistic gifts to give but no one to give them to. Similar sentiments occur on "Musical Genocide," on which Crawford hammers a dark rhythmic figure against James' bluesy bass accompaniment as Porter declares his refusal of accepting the insistent squashing of quality, diverse music and culture by a mainstream in favor of disposable, homogenized pap.


    In part, these songs are based upon Porter's reflections on new fans, worldwide, who come to him saying, "Where have you been?" or "How come I've never heard you before." "Not saying that I am 'what is,' Porter says, "But I think maybe what I'm doing is what people actually want to hear. There are some people who want that liquid spirit - a soulful, thoughtful sound - and they haven't been getting it."

    1. No Love Dying
    2. Liquid Spirit
    3. Lonesome Lover
    4. Water Under Bridges
    5. Hey Laura
    6. Musical Genocide
    7. Wolfcry
    8. Free
    9. Brown Grass
    10. Wind Song
    11. The 'In' Crowd
    12. Movin'
    13. When Love Was King
    14. I Fall in Love Too Easily
    Gregory Porter
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • But Beautiful (Pure Pleasure) But Beautiful (Pure Pleasure) Quick View

    $34.99
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    But Beautiful (Pure Pleasure)

    A highly successful and respected jazz and soul singer, Nancy Wilson bridges the gap between the classic pop vocal era of Peggy Lee, Frank Sinatra and Ella Fitzgerald and the belting R&B divas of today. Though Nancy Wilson has always cited the emotionally naked, androgynous vocal style of Jimmy Scott as her primary influence, her voice carries definite echoes of Dinah Washington and Sarah Vaughan. Yet Wilson also has always had a strong feeling for post-Sam Cooke soul and the tartness of her delivery carries more than an echo of the sometimes-icy Lena Horne. Young and heart-stoppingly beautiful, Wilson was discovered singing in a N.Y.C. jazz club in the late 1950s by Cannonball Adderley, who told his management at Capitol Records that they needed to scoop her up before another label did. Wilson was immediately signed and started recording for Capitol, the premier vocal label of the 1950s and '60s.




    Musicians:



    • Nancy Wilson (vocal)

    • Hank Jones (piano)

    • Gino Bertachini (guitar)

    • Ron Carter (bass)

    • Grady Tate (drums)




    Recording: November 1969 in New York City

    Production: David Cavanaughdeutsch




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Happiness Is A Thing Called Joe
    2. Oh! Look At Me Now
    3. Glad To Be Unhappy
    4. Do It Again
    5. But Beautiful
    6. Easy Living
    7. Prelude To A Kiss
    8. I Thought About You
    9. For Heaven's Sake
    10. Supper Time
    11. I'll Walk Alone
    12. Darn That Dream
    13. In A Sentimental
    Nancy Wilson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Common One Common One Quick View

    $21.99
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    Common One

    Common One is the twelfth studio album by Northern Irish singer/songwriter Van Morrison - Originally released in 1980


    Easily among Van Morrison's least successful albums, Common One is probably also his least understood. Arriving in the wake of the far more concise, focused Into the Music, this 1980 project found Morrison making a sweeping left turn toward the open-ended, jazz-fueled vamps and spiritual questing of his impressionistic classic, Astral Weeks, 12 years earlier. The LP contains only six songs, several woefully uneven, and fans of his tautly constructed, soul-inflected '70s work could only scratch their heads, yet the heightened horn colorations and pre-industrial imagery of the opener, In Haunts of Ancient Peace, are a signpost to Morrison's thematic preoccupations in the decade to follow. Even more seminal is Summertime in England, which sets sail for the Astral plane and stays largely on course thanks to the horn section of Mark Isham and Pee Wee Ellis, and Morrison's own hallucinatory incantation to his bardic precursors. Without these brave journeys, Morrison's soul-searching '80s trips would have sounded far different. --Sam Sutherland

    1. Haunts Of Ancient Peace
    2. Summertime In England
    3. Satisfied
    4. Wild Honey
    5. Spirit
    6. When Heart Is Open
    Van Morrison
    $21.99
    Vinyl LP - Sealed Buy Now
  • Takes To The Hills (Pure Pleasure) Takes To The Hills (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Takes To The Hills (Pure Pleasure)

    The incomparable and profoundly influential pianist/singer-songwriter Mose Allison - who's inspired everyone from Georgie Fame, The Who and The Clash to Van Morrison and Pixies - developed his own unique, idiosyncratic style that melded an ironic sense of wit and humour with country-blues inflections and a bebop-esque vocabulary. Besides cool playing and his uniquely smoky singing, has great taste in material. Hey Good Lookin' fits right in with revisited versions of I Love the Life I Live, I Ain't Got Nobody and Baby Please Don't Go, complete with what the singer himself calls his distinctive 'involuntary groan' during the piano solo. Teo Macero's intimate production makes it feel like you're right there in the studio.



    Musicians:



    • Mose Allison (piano, vocals)

    • Addison Farmer, Henry Grimes, Aaron Bell (bass)

    • Jerry Segal (drums)

    • Paul Motian, Osie Johnson (drums)



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. V-8 Ford Blues
    2. Please Don't Talk About Me When I'm Gone
    3. Baby, Please Don't Go
    4. Hey, Good Lookin'
    5. I Live The Life I Live
    6. I Ain't Got Nobody (And Nobody Cares For Me)
    7. Back On The Corner
    8. Life Is Suicide
    9. 'Deed I Do
    10. Ask Me Nice
    11. You're A Sweetheart
    12. Mad With You
    Mose Allison
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Runt Runt Quick View

    $29.99
    Buy Now
    x

    Runt

    TODD RUNDGREN'S DEBUT MASTERWORK!!!!


    First Time Audiophile Vinyl & Gatefold Cover Presentation


    Mastered impeccably by Joe Reagoso and Kevin Gray from the original Bearsville Records tapes


    As founding member of the premiere late sixties power pop rockers Nazz, multi-instrumentalist, vocalist, songwriter
    and producer Todd Rundgren was barely in his 20's when he began his long solo journey with success as one of the music
    industry's most prolific and celebrated rock artists.
    His first solo album Runt showed a dazzling array of songs, displaying not only his rock and roll side but ventures into
    jazz, R&B, eastern and blues. With help from his friends Hunt and Tony Sales, the power trio nailed one of the finest albums
    of the classic rock era and also catapulted Todd Rundren's marquee as a singer/songwriter with his smash hit single We
    Gotta Get You A Woman.


    Ever the rock journeyman, Todd Rundgren had already produced, mixed or played on albums by legendary recording
    artists like The Band and Paul Butterfield. Always called on to bring his musical genius for others, his initial hit recordings
    that make up the Runt album show how versatile and important the artist is. Check out his burning guitar riffs on album
    opener Broke Down And Busted or the gritty country blues feel of Once Burned, plus the New York funk/jazz of I'm In The
    Clique, three fan favorites that truly have stood the test of time.
    Known to write a hit ballad more than a few times in his career, Todd goes on record early here with one of his finest
    tracks ever with his brilliant Believe In Me. Followed closely by his masterpiece We Gotta Get You A Woman, even more pop
    sounds continue with his classic medley Baby Let's Swing/The Last Thing You Said/Don't Tie My Hands, and the haunting
    Beach Boys/Gregorian Chant feel of There Are No Words.


    This amazing album hasn't been on vinyl for several decades that is until now Friday Music is honored to announce
    for the first time ever on 180 Gram Audiophile Vinyl, the classic Todd Rundgren debut masterwork Runt. As a first installment
    in our career spanning Todd Rundgren Friday Music180 Gram Audiophile Series, this limited edition album will also be presented for a short time in a first time gatefold cover which will feature the original inner sleeve artwork, not seen in decades.
    Mastered from the authorized original Bearsville Records tapes by Joe Reagoso (Todd Rundgren, Cheap Trick, Hall
    & Oates) at Friday Music Studios with Kevin Gray, the Runt album will be one of the most anticipated audiophile albums
    released this year.


    Todd Rundgren Runt A history making rock album from a rock legend, an audiophile dream release first time
    180 Gram Vinyl and Gatefold Cover is now an audiophile vinyl dream come true .From your friends at Friday Music
    Stay tuned for more Todd Rundgren and Utopia original Bearsville Records and Warner Bros. Records audiophile recordings
    from Friday Music.

    1. Broke Down And Busted
    2. Believe In Me
    3. We Gotta Get You A Woman
    4. Who's That Man?
    5. Once Burned
    6. Devil's Bite
    7. I'm In The Clique
    8. There Are No Words
    9. Baby Let's Swing/The Last Thing You Said/Don't Tie My Hands
    10. Birthday Carol
    Todd Rundgren
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Sings / An Evening With Sings / An Evening With Quick View

    $32.99
    Buy Now
    x

    Sings / An Evening With

    Import


    Two Original Albums Together On One 180-Gram LP


    Billie Holiday (born Eleanora Fagan; April 7, 1915 - July 17, 1959) was an American jazz singer and songwriter. Holiday was a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Above all, she was admired for her deeply personal and intimate approach to singing.


    "Billie Holiday Sings" was her first full-length album, released in the United States by Clef Records in 1952 in the 10-inch format. "An Evening with Billie Holiday" was the second 10 inch LP studio album released in 1953.

    Billie Holiday Sings (Side A)
    1. I Only Have Eyes For You
    2. You Turned The Tables On Me
    3. Blue Moon
    4. Solitude
    5. These Foolish Things (Remind Me Of You)
    6. Easy To Love
    7. You Go To My Head
    8. East Of The Sun (And West Of The Moon)
    An Evening With Billie Holiday (Side B)
    1. Stormy Weather
    2. Lover Come Back To Me
    3. My Man
    4. He's Funny That Way
    5. Yesterdays
    6. Tenderly
    7. I Can't Face The Music
    8. Remember
    Billie Holiday
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Now It's My Turn (Pure Pleasure) Now It's My Turn (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Now It's My Turn (Pure Pleasure)

    Arguably the most adventurous female jazz singer of all time, Betty Carter was an idiosyncratic stylist and a restless improviser who pushed the limits of melody and harmony as much as any bebop horn player. The husky-voiced Carter was capable of radical, off-the-cuff re-workings of whatever she sang, abruptly changing tempos and dynamics, or rearranging the lyrics into distinctive, off-the-beat rhythmic patterns. She could solo for 20 minutes, scat at lightning speed, or drive home an emotion with wordless, bluesy moans and sighs. She wasn't quite avant-garde, but she was definitely 'out'. Yet as much as Carter was fascinated by pure, abstract sound, she was also a sensitive lyric interpreter when she chose, a tender and sensual ballad singer sometimes given to suggestive asides. Her wild unpredictability kept her marginalized for much of her career, and she never achieved the renown of peers like Ella Fitzgerald, Sarah Vaughan, or Carmen McRae. What was more, her exacting musical standards and assertive independence limited her recorded output somewhat. But Carter stuck around long enough to receive her proper due; her unwillingness to compromise eventually earned her the respect of the wider jazz audience, and many critics regarded her as perhaps the purest jazz singer active in the '80s and '90s.



    Musicians:



    • Betty Carter (vocal)

    • John Hicks (piano)

    • Walter Booker (bass)

    • Unknown (drums)



    Recording: March and June 1976 at Sound Ideas Studio C by Joe Ferla

    Production: Fred Bailin




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Music Maestro, Please
    2. Swing Brother Swing
    3. I Was Telling Him About You
    4. Wagon Wheels
    5. New Blues (You Purr)
    6. Most Gentlemen Don't Like Love
    7. Making Dreams Come True

    8. Open the Door
    9. Just Friends
    10. Star Eyes
    11. No More Words
    Betty Carter
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Jazz Singer - Original Songs From The Motion Picture The Jazz Singer - Original Songs From The Motion Picture Quick View

    $24.99
    Buy Now
    x

    The Jazz Singer - Original Songs From The Motion Picture

    The mega-selling soundtrack to Neil Diamond's 1980 screen debut, which grossed more at the box office than Raging Bull. includes the hits America; Love on the Rocks and Hello Again .
    1. America
    2. Adon Olom
    3. You Baby
    4. Love On the Rocks
    5. Amazed and Confused
    6. On the Robert E. Lee
    7. Summerlove
    8. Hello Again
    9. Acapulco
    10. Hey Louise
    11. Songs of Life
    12. Jerusalem
    13. Kol Nidre / My Name is Yussel
    14. American (reprise)
    Neil Diamond
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Take Me To The Alley Take Me To The Alley Quick View

    $25.99
    Buy Now
    x

    Take Me To The Alley

    Liquid Spirit - which followed Porter's critically-acclaimed and GRAMMY-nominated albums Water (2010) and Be Good (2012) - was released in the Fall of 2013 and quickly grew into a global phenomenon, selling a million albums worldwide and becoming the most streamed jazz album of all-time with over 20 million streams. The album sold Platinum in the U.K. and Germany, and in the U.S. Porter made his first-ever national TV appearances on The Tonight Show and Jimmy Kimmel Live while ESQUIRE and NPR Music both declared him "America's Next Great Jazz Singer." Liquid Spirit also won Porter his first GRAMMY Award in 2014 for Best Jazz Vocal Album while also earning him a Best Traditional R&B Performance nomination for his affecting ballad "Hey Laura."


    In the Fall of 2015 Porter finally found the time to return to the studio in New York City to record Take Me To The Alley. As he's done on his previous three albums, Porter teamed with producer Kamau Kenyatta to craft a collection of stirring originals that juxtapose the personal and political. His partnership with Kenyatta started in the mid-1990s when he was a student at San Diego State University (Porter began his college years playing football on a full athletic scholarship before a shoulder injury diverted him into a music career). It was through Kenyatta's mentorship that Porter's professional musical career began.


    Reinforcing their well-honed rapport is the return of Porter's core accompanying musicians - pianist and music director Chip Crawford, bassist Aaron James, drummer Emanuel Harrold, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. Singer Alicia Olatuja, trumpeter Keyon Harrold, and organist Ondrej Pivec also make appearances throughout.

    1. Holding On
    2. Don't Lose Your Steam

    3. Take Me To The Alley

    4. Day Dream

    5. Consequence of Love

    6. In Fashion

    7. More Than A Woman

    8. In Heaven

    9. Insanity

    10. Don't Be A Fool

    11. Fan The Flames

    12. French African Queen
    Gregory Porter
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Pizzazz Pizzazz Quick View

    $34.99
    Buy Now
    x

    Pizzazz

    Import

    Pizzazz is the fifth album by American Jazz singer Patrice Rushen. Pizzazz was her second highest charting album, reaching #39 in 1979. It features the hit single Haven't You Heard. The single soared to the top of R&B radio play lists and remains among Rushen's biggest hits.


    When Patrice Rushen was being lambasted by Jazz fans for making the switch from Jazz instrumentalist to R&B/Pop singer, she was also winning over a quite a few people: R&B fans loved her singing. Her profile in the R&B world continued to increase with Pizzazz.


    The whole album is excellent, drawing on influences as Earth, Wind & Fire, Minnie Riperton and Stevie Wonder. Pizzazz might have received some negativity from Jazz critics, but from an R&B/Pop perspective, it's among Rushen's most rewarding and essential albums.

    1. Let The Music Take Me
    2. Keepin' Faith In Love
    3. Settle For My Love
    4. Message In The Music
    5. Haven't You Heard
    6. Givin' It Up Is Givin' Up
    7. Call On Me
    8. Reprise (message In The Music)
    Patrice Rushen
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blue Light 'Til Dawn (Pure Pleasure) Blue Light 'Til Dawn (Pure Pleasure) Quick View

    $49.99
    Buy Now
    x

    Blue Light 'Til Dawn (Pure Pleasure)

    Cassandra Wilson started out as a jazz singer, doing gigs with several innovative bands (including Brooklyn's experimental M-Base collective) and at the same time recording typical jazz-singer let-me-entertain-you stuff - Night and Day and Blue Skies and shooby dooby dooby. Eventually the Mississippi-born New York-based vocalist, who reigned among the elite jazz singers of the 1980s, became restless, and began to look beyond torch songs for inspiration.




    Musicians:



    • Cassandra Wilson (vocal)

    • Don Byron (clarinet)

    • Olu Dara (cornet)

    • Brandon Ross, Chris Whitley (guitar)

    • Charlie Burnham (violin, mandocello)

    • Kenny Davis, Lonnie Plaxico (bass)

    • Tony Cedras (accordion)

    • Lance Carter, Bill McClellan (drums, percussion)



    Format: 2 LPs 33rpm / gatefold sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. You Don't Know What Love Is
    2. Come On In My Kitchen
    3. Tell Me You'll Wait For Me
    4. Children of the Night
    5. Hellhound On My Trail
    6. Black Crow
    7. Sankofa
    8. Estrellas
    9. Redbone
    10. Tupelo Honey
    11. Blue Light 'Til Dawn
    12. I Can't Stand The Rain
    Cassandra Wilson
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • I Remember (Pure Pleasure) I Remember (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    I Remember (Pure Pleasure)

    Jazz singer Dianne Reeves was born into a family rich in musical background. Her uncle, Charles Burrell, a bass player with the Denver Symphony Orchestra, introduced her to the music of jazz singers such as Ella Fitzgerald, Billie Holiday, and, especially impressive to Reeves, Sarah Vaughan.



    Her musical career includes a tour with Eduardo del Barrio's group Caldera; singing with Billy Childs' jazz band Night Flight; touring with Sergio Mendes; from 1983-86 touring with Harry Belafonte as a lead singer. She also sang at the closing ceremony of the 2002 Winter Olympic Games in Salt Lake City.



    Reeves has been awarded four Grammys for Best Jazz Vocal Performances for the albums In the Moment - Live In Concert (2001), The Calling: Celebrating Sarah Vaughan (2002), A Little Moonlight (2003), and Good Night and Good Luck (soundtrack) (2006).


    Recorded at Madhatter Studios, Los Angeles, California on September 10-11, 1990 and The Van Gelder Studio, Englewood Cliffs, New Jersey on April 27-28 and May 9, 1988.


    Features:



    • 180g Vinyl

    • Re-mastered by Ron McMaster at Capitol Studios


    Musicians:



    • Dianne Reeves, vocals

    • Kevin Eubanks, acoustic guitar

    • Bobby Hutcherson, vibraphone

    • Greg Osby, alto saxophone

    • Justo Almario, saxophone

    • Charles Mims, piano

    • Billy Childs, piano

    • Donald Brown, piano

    • Mulgrew Miller, piano

    • Chris Severin, bass

    • Charnett Moffett, bass

    • Billy Kilson, drums

    • Marvin Smitty Smith, drums

    • Terri Lyne Carrington, drums

    • Ron Powell, percussion, wind chimes

    • Bill Summers, percussion

    • Luis Conte, percussion


    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Afro Blue
    2. The Nearness Of You / Misty
    3. I Remember Sky
    4. Love For Sale
    5. Softly As In The Morning Sunrise
    6. Like A Lover
    7. How High The Moon
    8. You Taught My Heart To Sing
    9. For All We Know
    Dianne Reeves
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • A Gasser (Pure Pleasure) A Gasser (Pure Pleasure) Quick View

    $34.99
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    A Gasser (Pure Pleasure)

    Although best known as a member of the vocalese supergroup Lambert, Hendricks & Ross, the great jazz singer Annie Ross's solo albums are gems unto themselves and A Gasser! from 1959 is the finest of them all. Miss Ross is in peak vocal form here and is joined by the great Zoot Sims on saxophone and much of the same band featured on the Lambert, Hendricks & Ross classic The Swingers. Don't expect any of the vocal acrobatics of the Lambert, Hendricks & Ross recordings however. This is straight-ahead jazz singing by one of the great singers in her prime. From the wry wit of Everything I've Got through the sheer perfection and beauty of You're Nearer, this set is a must-have for jazz vocal fans. Highly recommended..




    Musicians:



    • Annie Ross (vocal)

    • Zoot Sims, Bill Perkins (tenor saxophone)

    • Russ Freeman (piano)

    • Jim Hall, Billy Bean (guitar)

    • Monte Budwig (bass)

    • Mel Lewis, Frank Capp (drums)



    Recording: February & March 1959

    Production: Richard Bock




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Everything I've Got Belongs to You
    2. I Was Doin' Alright
    3. You're Nearer
    4. Invitation to the Blues
    5. Nobody's Baby
    6. You Took Advantage of Me
    7. I Don't Want to Cry Anymore
    8. Lucky So and So
    9. I Didn't Know About You
    10. Lucky Day
    Annie Ross
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Under Branch & Thorn & Tree Under Branch & Thorn & Tree Quick View

    $19.99
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    Under Branch & Thorn & Tree

    "I don't write protest songs in the traditional sense," Samantha Crain says, talking about the songs on her new album, Under Branch & Thorn & Tree. "But I'm always listening to the voices of people around me. These stories are told from the perspective of the underdog, the 99% of us that are working people. They might
    not be literal protest songs, but the lives of the people within these songs speak at the same volume if you listen." - Samantha Crain


    Crain's songs are full of expansive melodies that veer off in unpredictable directions, with lyrics that explore conflicting emotions with uncommon insight and compassion. She has a jazz singer's phrasing, often breaking words into rhythmic fragments that land before and after the beat, stretching syllables or adding grace
    notes to uncover hidden nuances in her lyrics.


    Under Branch & Thorn & Tree was recorded at Tiny Telephone Studios in San Francisco, with John Vanderslice (The Mountain Goats, Spoon), who also helmed last year's Kid Face."We recorded straight to two-inch tape on a Studer 24-track machine and mixed down to 1/2-inch tape on an Ampex machine. The
    pre-amps were tube and we never used a computer. Our effects were done manually through tape looping and manipulation.


    Most of the arrangements happened in the moment, as we recorded. My guitar and vocals are all first or second takes." These intimate vignettes are marked by Crain's careful attention to the tiny details that often escape us, supported by the subtle musical settings she crafted with Vanderslice and the backing
    musicians.

    1. Killer
    2. Kathleen
    3. Elk City
    4. Outside the Pale
    5. You Or Mystery
    6. When You Come Back
    7. Big Rock
    8. All In
    9. If I Had A Dollar
    10. Moving Day
    Samantha Crain
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Jazz Age (Awaiting Repress) The Jazz Age (Awaiting Repress) Quick View

    $24.99
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    The Jazz Age (Awaiting Repress)

    If there was ever a musical icon and a decade destined to come together it is Bryan Ferry and the Roaring Twenties. The artist as creative powerhouse with a dazzling career of endless surprise, delight and innovation, and the decade - a time of modernity, decadence and bright young things - all driven on by the thrill of it all.


    So what better way to celebrate and mark the 40th year anniversary of Ferry's incredible career as a singer and songwriter, than by rearranging his own compositions and have them performed in a 1920's style by his very own Jazz Orchestra? It began as an idea, fueled by Ferry's fascination of that time between the wars known as The Jazz Age. He decided the songs were to be all completely instrumental reinterpretations. A lot of the music I listen to nowadays is instrumental, he explains and I wanted to let my songs have a different life, a life without words.


    He put together his very own jazz orchestra comprised of many of the great British jazz players from his past tribute to the 1930's, the album As Time Goes By - including his long-term musical director Colin Good, with whom Ferry worked closely on these new arrangements. The 13 songs have been chosen from 11 albums, from his very first release Roxy Music (1972) to his recent solo record Olympia (2010)

    1. Do The Strand
    2. Love Is The Drug
    3. Don't Stop The Dance
    4. Just Like You
    5. Avalon
    6. The Bogus Man
    7. Slave To Love
    8. This Is Tomorrow
    9. The Only Face
    10. I Thought
    11. Reason Or Rhyme
    12. Virginia Plain
    13. This Island Earth
    The Bryan Ferry Orchestra
    $24.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Lightnin's Boogie - Live at The Rising Sun Celebrity Jazz Club Lightnin's Boogie - Live at The Rising Sun Celebrity Jazz Club Quick View

    $26.99
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    Lightnin's Boogie - Live at The Rising Sun Celebrity Jazz Club

    Gatefold Packaging


    On June 23, 1977, Sam 'Lightnin' Hopkins walked onto a small stage in a smoke & whisky
    filled club in Montreal and proceeded to lay down arguably his last great performance
    before his death 5 years later.


    "Lightnin's Boogie - Live at The Rising Sun Celebrity Jazz Club" - remastered and available
    on vinyl for the first time - reveals a master blues man still in full control of his many
    talents and working the crowd to "Get Up Off O' Yo'".


    Lightnin' Hopkins is considered one of the greatest blues guitarists and singers of all
    time and, according to the New York Times, "perhaps the greatest single influence on
    rock guitar players."

    LP 1
    1. Trouble In Mind
    2. Mercy
    3. Cook My Breakfast
    4. Hard To Love A Woman
    5. Get Up Off O' Yo'
    6. Katie Mae


    LP 2
    1. Goin' To Louisiana
    2. Forgot What To Say
    3. Lightnin's Boogie
    4. I'm Coming Home
    5. Early In The Morning Blues
    6. My Babe
    7. Rock Me Baby

    Lightnin' Hopkins
    $26.99
    180 Gram Audionphile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Turn Up The Quiet Turn Up The Quiet Quick View

    $29.99
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    Turn Up The Quiet

    Diana Krall's latest album, Turn Up the Quiet, celebrates Jazz and the Great American Songbook, reuniting Diana with Grammy Award-winning producer, Tommy LiPuma.


    Diana Krall is the only jazz singer to have eight albums debut at the top of the Billboard Jazz Albums chart. To date, her albums have garnered five Grammy® Awards, eight Juno® Awards and have also earned nine gold, three platinum and seven multi-platinum albums. Krall's unique artistry transcends any single musical style and has made her one of the most acclaimed artists of our time.

    1. Like Someone In Love
    2. Isn't It Romantic
    3. LOVE
    4. Night and Day
    5. I'm Confessin'
    6. Moonglow
    7. Blue Skies
    8. Sway
    9. No Moon At All
    10. Dream
    11. I'll See You In My Dreams
    Diana Krall
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Little Girl Blue Little Girl Blue Quick View

    $34.99
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    Little Girl Blue

    Mastered by Ryan Smith at Sterling Sound


    Stoughton Printing old-style gatefold jacket with beautiful added photos!


    Plated and pressed by Quality Record Pressings


    Eunice Kathleen Waymon recorded more than 40 albums over a long, distinguished career that stretched for five decades. As Nina Simone, her distinctive mellifluous voice honed a career catagorized variously as a jazz singer, soul singer and folk artist; she was all of these - and more.


    Little Girl Blue was Nina Simone's debut release. Bethlehem founder Gus Wildi, taken with the uniquely beautiful quality of her voice, gave her complete control over song selection, backing musicians, arrangements and production of the recording.


    This title is not eligible for discount.

    LP1
    1. Mood Indigo
    2. Don't Smoke In Bed
    3. He Needs Me
    4. Little Girl Blue
    5. Love Me Or Leave Me
    6. My Baby Just Cares For Me


    LP2
    1. Good Bait
    2. Plain Gold Ring
    3. You'll Never Walk Alone
    4. Porgy
    5. Central Park Blues

    Nina Simone
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Colpix Singles (Mono) The Colpix Singles (Mono) Quick View

    $21.99
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    The Colpix Singles (Mono)


    Mono, 2017 Remastered


    Nina Simone started her musical career as a classically trained child virtuoso, whose piano recitals were local events. Strongly rooted in the works of Bach, the musician became a singer almost by accident: the rest is history. With these 27 songs, the Colpix singles trace Nina Simone's musical journey from jazz and folk singer to critically acclaimed songwriter.

    1. Chilly Winds Don't Blow
    2. Children Go Where I Send You
    3. The Other Woman
    4. Summertime
    5. Since My Love Has Gone
    6. Nobody Knows You When You're Down And Out
    7. If Only For Tonight
    8. Trouble In Mind (Single Version)
    9. Work Song
    10. Gin House Blues
    11. Come On Back Jack
    12. In The Evening By The Moonlight
    13. I Got It Bad (And That Ain't Good)
    14. Little Liza Jane
    Nina Simone
    $21.99
    Vinyl LP Mono - Sealed Buy Now
  • Ella Swings Brightly & Gently With Nelson Ella Swings Brightly & Gently With Nelson Quick View

    $37.99
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    Ella Swings Brightly & Gently With Nelson

    Import


    2xLP Compiling Two 1962 Albums: "Ella Swings Brightly with Nelson" & "Ella Swings Gently With Nelson"


    Two great original albums placed on a double vinyl. "Ella Swings Brightly with Nelson" is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle, that won the singer a Grammy for Best Female Vocal Performance. The other is "Ella Swings Gently With Nelson," which Fitzgerald and Riddle also recorded and released in 1962.


    Although the accent is on ballads, several of the songs are taken at medium tempos and she swings throughout. Highlights include "Georgia on My Mind," "The Very Thought of You, "It's a Pity to Say Goodnight," "Darn That Dream" and "Body and Soul."

    LP 1: Ella Swings Brightly With Nelson
    1. When Your Lover Has Gone
    2. Don't Be That Way
    3. Love Me Or Leave Me
    4. I Hear Music
    5. What Am I Here For?

    6. I'm Gonna Go Fishin'
    7. I Won't Dance
    8. I Only Have Eyes For You
    9. The Gentleman Is A Dope
    10. Mean To Me
    11. Alone Together
    12. Pick Yourself Up

    13. Call Me Darling*
    14. For You, For Me, For Evermore*


    LP 2: Ella Swings Gently With Nelson
    1. Sweet And Low
    2. Georgia On My Mind
    3. I Can't Get Started
    4. Street Of Dreams
    5. Imagination
    6. The Very Thought Of You
    7. It's A Blue World
    8. Darn That Dream
    9. He's Funny That Way
    10. I Wished On The Moon
    11. It's A Pity To Say Goodnight

    12. My One And Only Love
    13. Body And Soul
    14. Nice Work If You Can Get It*
    15. Someone To Watch Over Me*


    *Bonus Tracks

    Ella Fitzgerald & Nelson Riddle
    $37.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Lullabies Of Birdland Lullabies Of Birdland Quick View

    $37.99
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    Lullabies Of Birdland

    Import


    Ella Fitzgerald is widely heralded for her clean phrasing, scat-singing and a confident sense of swing. Viewed as one of the world's most popular jazz singers, she performed alongside Louis Armstrong, Dizzy Gillespie, Frank Sinatra and Duke Ellington. Her outstanding performances on record and live yielded both critical and popular success during her lifetime. Lullabies Of Birdland consists of recordings from 1945 to 1955. It offers a wonderful set of swing-era standards, impossible to listen to without imagining yourself sipping cognac in a smoky jazzclub on Broadway.

    1. Lullaby Of Birdland
    2. Rough Ridin'
    3. Angel Eyes
    4. Smooth Sailing
    5. Oh, Lady Be Good!
    6. Later
    7. Ella Hums The Blues

    8. How High The Moon
    9. Basin Street Blues
    10. Air Mail Special
    11. Flying Home
    Ella Fitzgerald
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wallflower Wallflower Quick View

    $25.99
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    Wallflower

    Wallflower is five-time Grammy Award-winning jazz pianist and singer Diana Krall's new studio album released via Verve Records. Wallflower is a collection of songs from the late 60's to present day that inspired Krall in her early years. Produced by 16-time
    Grammy® Award-winning producer David Foster, the album finds Krall breaking new ground with her interpretations of some of the greatest pop songs of
    all time.


    On Wallflower, Diana Krall showcases her considerable gifts as a vocalist in a bold and beautiful way. Krall sings a set of songs that include
    familiar popular classics like The Mamas and the Papas' "California Dreaming" and the Eagles' "Desperado," favorite vintage songs by Krall's musical
    heroes Bob Dylan (he inspired the album's title track "Wallflower") and Elton John ("Sorry Seems To Be The Hardest Word"). The album also features
    more recent gems like Crowded House's "Don't Dream It's Over" and a wonderful new composition from Paul McCartney ("If I Take You Home Tonight").
    Diana Krall's unique artistry transcends any single musical style and has made her one of the most recognizable artists of our time. Krall has sold more
    albums than any other female jazz artist in the last 30 years, establishing herself as one of the best-selling artists of her generation. The new album marks
    Krall's first studio effort since 2012's Glad Rag Doll, produced by T Bone Burnett, which debuted at No. 6 on the Billboard 200 and at No. 1 on the Jazz
    Albums chart.


    Diana Krall is the only jazz singer to have eight albums debut at the top of the Billboard Jazz Albums chart. To date, she has won five
    Grammy® Awards, eight Juno® Awards and has also earned nine gold, three platinum and seven multi-platinum albums.

    1. California Dreamin'
    2. Desperado
    3. Superstar
    4. Alone Again (Naturally) duet with Michael BublÉ
    5. Wallflower featuring Blake Mills
    6. If I Take You Home Tonight
    7. I Can't Tell You Why
    8. Sorry Seems To Be The Hardest Word
    9. Operator (That's Not The Way It Feels)
    10. I'm Not In Love
    11. Feels Like Home duet with Bryan Adams
    12. Don't Dream It's Over
    Diana Krall
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Christmas Songs Christmas Songs Quick View

    $29.99
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    Christmas Songs

    Christmas Songs is the eighth studio album by Canadian singer Diana Krall, performed with the Clayton-Hamilton Jazz Orchestra. It was originally released on October 26, 2005 by Verve Records. This is Krall's first full-length album of Christmas songs (not counting her 1998 EP Have Yourself a Merry Little Christmas), and her first studio album with a big band.
    1. Jingle Bells
    2. Let It Snow
    3. The Christmas Song

    4. Winter Wonderland
    5. I'll Be Home for Christmas
    6. Christmas Time Is Here
    7. Santa Claus Is Coming to Town
    8. Have Yourself a Merry Little Christmas
    9. White Christmas
    10. What Are You Doing New Year's Eve
    11. Sleigh Ride
    12. Count Your Blessings Instead of Sheep
    Diana Krall & The Clayton-Hamilton Jazz Orchestra
    $29.99
    Vinyl LP - Sealed Buy Now
  • I Remember Brother Ray I Remember Brother Ray Quick View

    $18.99
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    I Remember Brother Ray

    David 'Fathead' Newmanï's warm tone, occasionally terse phrasing, and always heartfelt delivery placed him in high demand by artists as diverse as B.B. King, Herbie Mann, Jane Monheit, and Gregg Allman. With over twenty recordings to his name, I Remember Brother Ray stands as an understated highlight, a record that doesn't so much jump out at you as it does gently sidle up beside you and ingratiates itself with its warmth and affability. Newman got his first big break with Ray Charles in the early '50s, playing in his band from '54 through '64 and subsequently making numerous guest appearances over the years. And so Newman entered the studio of another legend, engineer Rudy Van Gelder just two months after Charles' death to record I Remember Brother Ray, a tribute to the jazzier side of a man who regarded himself as a jazz singer anyway.


    The record evokes the ambience of a smoky bar in the early hours of the morning. Newman assembled a quintet as comfortable with the tender balladry of Georgia on My Mind as it is the soul-drenched blues of Drown in My Tears. Charles believed that the ability to play jazz permits the ability to cross over into other genres, and the playing on I Remember Brother Ray clearly supports his conviction.


    While there were quite a few Ray Charles tributes, few equaled I Remember Brother Ray for its grace, integrity, honesty, and pure connection to the true essence of Charles' legacy.

    1. Hit The Road Jack
    2. Georgia On My Mind
    3. Drown In My Tears
    4. When Your Lover Has Gone
    5. Deed I Do
    6. It Had To Be You
    7. Them That Got (I Ain't Got Nothing Yet)
    David Fathead Newman
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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