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  • Shady Grove Shady Grove Quick View

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    Shady Grove


    A Natural, Acoustic Portrait of American Folk, Country, and Bluegrass Standards by Two Virtuosos: Jerry Garcia and David Grisman's Shady Grove Filled with Endearing Joy and Spirited Playing


    Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity 180g 2LP Set Sounds Incredibly Realistic, Features Deluxe Booklet in Gatefold Jacket


    Jerry Garcia began recording with longtime friend David Grisman at the beginning of the last decade of his life, the refreshing excursions marking a full-circle return to the roots fare the white-bearded virtuoso originally performed before co-founding the Grateful Dead. Garcia's dalliances with Grisman also served another equally important purpose given they provided a much-needed outlet from the demanding pressures, schedules, and business affairs associated with his main band. The endearing joy, contagious enthusiasm, and free-spirited playing on Shady Grove attest to the collection serving as not only the finest musical snapshot of Garcia's final years, but among the best of his storied career.


    Mastered from the original master tapes, available on vinyl for the first time, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g 2LP set presents the 1996 collection in exquisite sound. Originally recorded at Dawg Studios between August 1990 and June 1993, Shady Grove bowed as the first release of Grisman-Garcia collaborations in the wake of the iconic guitarist's August 1995 death - and remains, by way of its genre-specific organization, a passionate albeit naturally relaxed portrait of folk, country, and bluegrass standards that provide the foundation of American songbook. To experience it all in such brilliant fidelity is to pull up a chair at the sessions themselves and enjoy a transparent view into lasting tradition and instrumental virtuosity.


    Entirely unplugged, the material emerges in three-dimensional detail on this very special audiophile pressing, the wooden tones and organic textures unfolding with wondrous openness, ease, and realism. Nothing is forced, brittle, or exaggerated. What you hear is on par with the acoustics you'd encounter at a world-class hall. Garcia and Grisman's clean, rustic picking on guitar, banjo, mandola, and mandolin harbors a rare intimacy mirrored by an equally uncommon chemistry evident by the seamless interplay.


    These traits remain in tact even when the soul mates are occasionally joined by pals such as Jim Kerwin (acoustic bass) and Joe Craven (fiddle and percussion). Garcia's singing, replete with the slight, graceful, dignified shakiness that forever defined his deliveries, comes across with utmost purity and transparency. Emotions and eagerness pour over every note. At the end of several tracks, Garcia and company exchange remarks and laughter - all indicative of the camaraderie, looseness, and spirit that carries through each tune here.


    Mobile Fidelity's audiophile edition of Shady Grove also features the kind of deluxe packaging only the best physical media can provide. Sixteen 12-inch x 12-inch pages bound to the gatefold jacket provide extraordinary insight into the songs, atmosphere, and history. Images of artifacts and telling photos serve as a visual guide. New Lost City Ramblers member John Cohen pens extensive liner notes that reveal the lasting importance and timelessness of the tunes herein. Among his observations:


    Jerry and David's performances of these traditional folk songs and ballads reconnect us all - folk singers, Deadheads, university students, hillbillies, country and western musicians - with the America [poet Kenneth] Rexroth wrote about; that [Carl] Sandburg wrote about; that the cynicism of American wars and politics, culture wars and culture politics just couldn't destroy.


    Indeed, the versions of barn-dance tunes (Shady Grove), jug-band standards (Stealin', also performed in the early days of the Grateful Dead), Delta ballads (Louis Collins), Civil War era fare (The Sweet Sunny South), and campfire songs (Down in the Valley) here astound with depth, soulfulness, and warmth. Deadheads will also find Garcia and Grisman putting a spin on two more tracks - Casey Jones and Jackaroo - long part of the iconic group's repertoire. In countless ways, Shady Grove is not to be missed, particularly on this unsurpassed pressing.



    This title is not eligible for discount.

    1. Shady Grove
    2. Stealin'
    3. Off to Sea Once More
    4. The Sweet Sunny South
    5. Louis Collins
    6. Fair Ellender
    7. Jackaroo
    8. The Ballad of Casey Jones
    9. Dreadful Wind and Rain
    10. I Truly Understand
    11. The Handsome Cabin Boy
    12. Whiskey in the Jar
    13. Down in the Valley
    14. Hesitation Blues
    Jerry Garcia And David Grisman
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • American Beauty American Beauty Quick View

    $49.99
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    American Beauty

    The Most American Folk-Rock Ever Made: Indelible Harmonies, Spare Playing, and Gorgeous Textures Surround Masterfully Crafted Songs


    Close Your Eyes As the Dead Serenade You in Your Room: MoFi Edition of American Beauty Epitomizes Realistic Space, Vocals, Instrumentation, and Ambience


    Ranked #261 on Rolling Stone's List of the 500 Greatest Albums of All Time: Includes "Truckin'," "Sugar Magnolia," "Friend of the Devil," "Ripple"


    American Beauty is the most perfectly realized, superbly played, and openly natural folk-rock record ever released. They don't make albums like this anymore, but thankfully, Mobile Fidelity's extraordinary 180g 45RPM 2LP set allows you to experience this 1970 masterpiece with unrivaled intimacy, realism, detail, and perspective. The Dead might as well be sitting on a Persian carpet right in your living room.


    The pinnacle of the Dead's studio output, American Beauty lives up to its name-as well as that of the "American Reality" ambigram on the iconic cover. Airy vocal harmonies blow like fresh breezes. Strummed acoustic guitars amicably intermingle with plaintive percussive beats. Warmth, relaxation, and poignancy envelop the performances and create sensations of bliss, peace, and honesty. Songs flower with majestic melodies and emotionally direct lyrics. It's a rare album that invites and makes you feel, restores one's faith, and renews one's appreciation for all life offers.


    Mastered from the original master tapes and pressed on 180g LP at RTI, this deluxe analog set possesses seemingly limitless dynamics, reference-grade presence, and expansive soundstages. The seamless, effortless integration of the group's vocals has always been a high point of American Beauty, and when you hear it here, you'll want every record you own to sound half as good. Every member's distinctive singing resounds with tube-like clarity; the intended expressionism is as plain as day. Instruments, too, resonate in glorious Technicolor. The supple tension of Phil Lesh's bass lines, charismatic timbres of Jerry Garcia's pedal-steel fills, and interwoven dialogue between the pianos and percussion are rendered with lifelike scale and tone.


    Made just months after its companion release, Workingman's Dead, the San Francisco legends' second 1970 masterpiece furthers the former work's close-knit relationship between country and folk while adding extra rock and bluegrass currents. Understated amplified passages, graceful melodies, layered singing, and old-time string flavors-including mandolin work from masterful guest David Grisman-bestow the material with easygoing, comfortable vibes. Again taking advantage of the best songwriting of Robert Hunter's career, the Dead turns in its most collective studio performance, with every individual contributing equally and focusing on nothing but the songs at hand.


    Indeed, Garcia doesn't even indulge in a single guitar solo on the record. A majority of fare lacks any significant instrumental breaks. The Dead recorded the foundations (drums, bass, acoustic guitars) of nearly every track live, which helps explain why American Beauty sounds so powerfully rich and clear. Coupled with the band's personal reflections of the circumstances surrounding them-Bob Weir's parents had died, Garcia's mother and Lesh's father were in the process of passing, Ron "Pigpen" McKernan's health was in decline-these characteristics combined to yield a purity of heart that exceeds that managed by Dead peers (and roots revivalist leaders) The Band and Bob Dylan.


    From Garcia's breathtaking gospel-laden homage to his mother ("Brokedown Palace") to Lesh's healing salve in the form of the groove-based "Box of Rain," from Weir's jaunty and free-wheeling summer escape "Sugar Magnolia" to McKernan's eloquently simple homespun plea "Operator," all the way to the closing autobiographical anthem "Truckin'," American Beauty feels like the warm, spirit-infusing embrace of a loved one after a long journey away. Welcome home.


    This title is not eligible for discount.

    1. Box of Rain
    2. Friend of the Devil
    3. Sugar Magnolia
    4. Operator
    5. Candyman
    6. Ripple
    7. Brokedown Palace
    8. Till the Morning Comes
    9. Attics of My Life
    10. Truckin'
    Grateful Dead
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Riverman's Daughter Riverman's Daughter Quick View

    $17.99
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    Riverman's Daughter

    The Grahams, the creative union of lifelong romantic partners Alyssa and Doug Graham, combine soulful bluegrass with hints of earthy Americana, adding colors from traditional folk and country blues, into an infectious blend of storytelling that results in songs of love, loss, yearning, and the view from rural American roads less traveled.


    While the duo first met in grade school -- a trait shared by previous musical trail-blazers, from Lennon/McCartney to Jagger/Richards - the Grahams' journey together began when they were teenagers in the shadow of New York City. There, Alyssa, the impassioned troubadour, and Doug, the guitarist extraordinaire, shared a mutual love for the music of the Woodstock era and the adventures of the great outdoors. Over the ensuing years many a campfire lit acoustic jam would include the best of roots renegades like Neil Young, The Band, Gram Parsons, Janis and Emmylou along with more than a few Jerry Garcia and Johnny Cash nuggets. Later, spending much of their time in the secluded Adirondack Mountains at the Graham family fold, Alyssa and Doug learned the time-honored craft of songwriting. Here, their ongoing interests in traditional country, mountain bluegrass and folk legends such as The Carter Family and Mississippi John Hurt would blossom. Hoping to share their stories on a wider stage, the couple eventually settled in New York City, where they performed, collaborated and recorded a variety of acclaimed material before adopting The Grahams moniker.


    While the duo had written music together before, in the summer of 2012 new writing sessions yielded a different approach. Something magical was happening between Alyssa and Doug. A catalyst was born in the new song Riverman's Daughter, a tale of love, loss, and hardship on the river that showcases Alyssa's bountiful voice. Backed by her own rhythm guitar, along with the strong current of Doug's cascading accompaniment on the six string, and traditional vocal harmonies, the track came in a lightning bolt of inspiration. A vision and calling to write more songs of its kind took hold.


    Alyssa and Doug had an idea: What if they put their city lives on hold and, armed with just guitars and backpacks, traveled the 2,500 miles of highways and byways of the Mississippi River from Minnesota to Louisiana. Light out for the territory, so to speak, like Huck and Jim. There, the duo could follow the Great River Road (GRR) that parallels the waterway, meet the people, and hear first-hand where European folk music, brought to these shores generations ago, took root alongside rhythms and chants from Africa, and how these polarizing sounds formed the backbone of our 20th Century American musical heritage. And so The Grahams did just that, and in the process created their debut album, Riverman's Daughter. Along the way The Grahams played gigs at the various gin and juke joints that dotted the GRR, and met a colorful cast of characters and genuine music makers with whom the duo shared and exchanged stories through the common bond of song.


    Eventually Alyssa and Doug ended up intentionally isolated on an old houseboat in rural Louisiana where the Mississippi spills into the Atchafalaya swamp. There, The Grahams prolifically stockpiled songs, enjoyed the simplicity of living off the grid, and for a spell, invited onboard friends and musicians including their longtime collaborator Bryan McCann, a wordsmith who aids with lyrical inspiration. Yet perhaps the biggest inspiration on Riverman's Daughter was Doug's own mother, Gigi, the matriarch of the Graham family clan, and a true fan of the duo who had been diagnosed with cancer earlier that year. As her condition worsened, the Grahams packed up their guitars and newly minted collection of songs to become Gigi's angel band, and played by her side until she passed away.


    As recording of the new album began, The Grahams found a true kindred spirit in Grammy-winning producer Malcolm Burn, who brought a magical touch and inspired ideas into the studio. It was Burn's idea to record both Alyssa and Doug's parts live to tape without the assistance of headphones or isolation -- in the way they were written. This process gives the album a natural aura that harkens back to an era when this practice was commonplace. Along the same lines, The Grahams chose to record the album in Nashville, the longtime epicenter of country music. While the album's foundation is simple and acoustic, The Grahams are backed on a few tracks by stellar accompaniment including the Grammy-nominated North Mississippi Allstars. Along with the title song the album is highlighted by the 70's country rock flavored Carrying The Torch, the spirited traditional vibe of The Piney River, and the riveting upbeat barn dance playfulness of Revival Time.


    Ultimately, the album is a winning culmination of The Grahams' long journey into the heart of America, the inspiration they derived from immersion into classic American music, and the natural and honest talent they have for bringing forth a modern musical idiom steeped in tradition.

    1. Revival Time
    2. Riverman's Daughter
    3. Carrying the Torch
    4. You Made Me Love You
    5. Cathedral Pines
    6. If You're in New York
    7. The Piney River
    8. A Good Man
    9. Marnie Hawkins
    10. Heaven Forbid
    11. Lonesome Child
    12. Jericho
    13. Goodbye Babe (B.C.)
    14. Lay Down Delilah
    The Grahams
    $17.99
    Vinyl LP - Sealed Buy Now
  • Before The Dead (Box Set) (Out Of Stock) Before The Dead (Box Set) (Out Of Stock) Quick View

    $124.99
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    Before The Dead (Box Set) (Out Of Stock)

    Limited Edition Of 2500 Sets


    Five 180-Gram LPs Containing Over 3.5 Hours Of Studio & Live Performances Culled From Previously Uncirculated Masters And Newly Discovered Recordings


    Audio Restoration And Mastering By Fred Kevorkian


    Lacquers Cut By Ron Mcmaster At Capitol Studios And Pressed To Vinyl By Quality Record Pressings.


    Produced By Grateful Dead Publicist And Biographer Dennis Mcnally And Brian Miksis.


    Includes A 32-Page Book With Rare Photos, Memorabilia And In-depth Liner Note Essays By Mcnally, Miksis, Acclaimed Bluegrass Scholar Neil V. Rosenberg, Sara Ruppenthal Katz, And Stu Goldstein.


    Round Records will release its most ambitious project to date with the long-awaited Jerry Garcia boxed set Before The Dead. The project features a meticulously researched and curated compilation of recordings the iconic Grateful Dead founder made prior to forming the legendary band. Before The Dead includes never before heard performances, recordings that have never been commercially released and a small selection that have. From intimate live recordings to live studio recordings to field recordings, Before The Dead serves as a historical document in the spirit of renowned releases by Smithsonian Folkways and influential field recordings by Alan Lomax. The music on Before The Dead was selected and co-produced by longtime Grateful Dead publicist/author Dennis McNally and documentarian Brian Miksis. The audio was restored and mastered by Fred Kevorkian.


    The first release from Before The Dead features the Black Mountain Boys (Garcia, Robert Hunter, David Nelson and Eric Thompson) in a rare 1964 live recording of "Rosa Lee McFall". Written by Charlie Monroe, the song would remain with Garcia throughout his career, reinterpreted later on with The Grateful Dead, Jerry Garcia Acoustic Band and Garcia/Grisman. This is the first time this track has ever been released.


    The 5-LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 pieces and includes a special in-depth 32-page book featuring essays by McNally and Miksis, rare photos and memorabilia along with detailed listening notes and commentary on each track by Dr. Neil V. Rosenberg. Aside from being a renowned musicologist, Rosenberg was part of the Redwood Canyon Ramblers, an influential Bay Area bluegrass ensemble that would inspire a younger generation of players, including Garcia. Each section features a "Tales of the Tape" essay that includes details on how, when and where the music was recorded, how it was found and, in most instances, anecdotes about the particular date, including early interactions with many area musicians before they went on to greater things. Sara Ruppenthal Katz (formerly Sara Garcia, Jerry's first wife) contributes an enlightening essay around the 1963 recording of her duo performance with Garcia at the intimate Pala Alto, CA club Top Of The Tangent (aka The Tangent). Tangent co-founder Stu Goldstein also adds a piece discussing the club's origins and how it became a hot spot for the new folk scene that was developing in the Bay Area.


    Before The Dead sheds light on the earliest period in Jerry Garcia's odyssey going from the young, charismatic, developing multi-instrumentalist coming of age during the early 1960's folk-revival (often sarcastically referred to as The Great Folk Scare) to one of the most influential and groundbreaking artists of the rock 'n roll era. Like many during that time, Garcia's influences were coming from the deep-rooted folk tradition of artists such as Doc Watson, Earl Scruggs, The Carter Family, The New Lost City Ramblers, The Stanley Brothers, The Weavers, a young Joan Baez and the Harry Smith Folkways collections to name a few. These influences would resurface prominently in some of Garcia's most important work with the Dead on the 1970 albums Workingman's Dead and American Beauty - regularly cited as foundational in the creation of what is now referred to as Americana.


    From beginning to end, the listener will journey through the musical evolution of Jerry Garcia and how the impact of the folk forbearers gradually permeates his playing and technique. You can hear the earliest origins of Garcia's signature style budding as he had become a student of the music constantly absorbing and endlessly challenging himself. His instrument rarely left his side from dawn to dust. What shines brightly throughout the set is Garcia's outgoing personality and sense of humor, often described as "magnetic", a clear early indicator.


    Throughout this period from 1961 to 1964 were pivotal first-time meetings, (documented in the book) between Garcia and people who would become life-long collaborators and friends. From his revered writing partner and early bandmate Robert Hunter, to mandolin master David Grisman, to each member of the Grateful Dead, to the many artists who would go on to take their own place in music history, including acclaimed instrumentalist Sandy Rothman, David Nelson (co-founder of New Riders of the Purple Sage) and Clarence White, guitarist of the Byrds.


    Before The Dead showcases Garcia in various ensembles and configurations starting with the rarest piece in the entire collection, the earliest known recording of Garcia captured at his girlfriend's 16th birthday party in 1961 alongside future Grateful Dead lyricist Robert Hunter. Outside of a short clip used in the Grateful Dead documentary Long Strange Trip, this recording has never been released, circulated or heard. Other highlights include the Sleepy Hollow Hog Stompers' 1962 gig in San Carlos, CA, and the Hart Valley Drifters' 1962 recording at Stanford's KZSU Radio Studio A (Garcia's first-known studio recording, released in 2017 for the first time). Arguably Garcia's best and most beloved bluegrass band of that early period, The Black Mountain Boys are prominently featured via three separate occasions in 1963 and 1964, while a 1964 performance by Garcia's Asphalt Jungle Mountain Boys rounds out Before The Dead. See a full list of dates, performances and players below.


    Despite Jerry Garcia's deep love for folk and bluegrass traditions, his time fully immersed in it was coming to a close. Encounters with one of his heroes, Bill Monroe, whose band he almost auditioned for (and Rothman went on to join), might have sent him deeper in that direction, but it was not to be. (Note: Garcia even used to tape Monroe's shows, a possible foreshadowing of allowing fans to tape Grateful Dead shows later). By the end of 1964, The Beatles had become a household name, The Rolling Stones hit hard with their version of the blues and civil rights had become an important part of the social and political landscape. New influences and inspirations would impact Garcia's direction as he went on to form The Warlocks, who would go on to become The Grateful Dead. However, the foundation in tradition was solidified during those early years and would resurface regularly throughout the remainder of his life in a multitude of ways, including the Dead, The Jerry Garcia Acoustic Band, Old and In The Way, Garcia/Grisman and so much more.

    LP 1
    Bob and Jerry
    May 26, 1961
    Brigid Meier's Sixteenth Birthday Party
    Menlo Park, California

    1. Santy Anno
    2. I Got A Home In That Rock
    3. Oh, Mary Don't You Weep
    4. All My Trials
    5. I Was Born Ten Thousand Years Ago
    6. Blow The Candles Out
    7. Rake And A Rambling Boy
    8. Trouble In Mind
    Jerry Garcia, Marshall Leicester, and Robert Hunter
    July 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    1. Brown's Ferry Blues
    2. Jesse James
    Jerry Garcia and Unknown Musician
    Summer or Fall 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    3. Down In The Willow Garden
    4. Long Lonesome Road
    5. Railroad Bill
    6. The Wagoner's Lad
    7. Katie Cruel


    LP 2
    Sleepy Hollow Hog Stompers
    June 11, 1962
    Boar's Head Coffeehouse, Peninsula Jewish Community Center
    San Carlos, California

    1. Cannonball Blues
    2. Little Birdie
    3. Sally Goodin
    4. Hold That Woodpile Down
    5. Legend Of The Johnson Boys
    6. Shady Grove
    7. Sweet Sunny South
    8. Man Of Constant Sorrow
    Hart Valley Drifters
    Fall 1962
    KZSU Radio Studio A, Stanford University
    Stanford, California

    1. Band Introductions
    2. Roving Gambler
    3. Ground Speed
    4. Pig In A Pen
    5. Standing In The Need Of Prayer
    6. Flint Hill Special
    7. Nine Pound Hammer
    8. Handsome Molly
    9. Clinch Mountain Backstep


    LP 3
    1. Think Of What You've Done
    2. Cripple Creek
    3. All The Good Times Have Past And Gone
    4. Billy Grimes, The Rover
    5. Paddy On The Turnpike (Boys, My Money's All Gone)
    6. Run Mountain
    7. Sugar Baby
    8. Sitting On Top Of The World
    The Wildwood Boys
    February 23, 1963
    Top of the Tangent
    Palo Alto, California

    1. Roll In My Sweet Baby's Arms
    2. Jerry's Breakdown
    3. Standing In The Need Of Prayer
    4. Mule Skinner Blues
    5. Saturday Night Shuffle
    6. Pike County Breakdown
    7. The Little Sparrow
    8. We Shall Not Be Moved


    LP 4
    Jerry and Sara
    May 4, 1963
    Top of the Tangent
    Palo Alto, California

    1. Deep Elem Blues
    2. Will The Weaver
    3. I Truly Understand
    4. Long Black Veil
    5. The Man Who Wrote Home Sweet Home Never Was A Married Man
    6. Foggy Mountain Top
    Black Mountain Boys
    Fall 1963
    Top of the Tangent
    Palo Alto, California

    1. Barefoot Nellie
    2. She's More To Be Pitied
    3. Noah's Breakdown
    4. Who Will Sing For Me?
    Black Mountain Boys
    January 10, 1964
    Top of the Tangent
    Palo Alto, California

    5. Salt Creek
    6. Monroe's Hornpipe (Jody's Hornpipe)
    7. Rosa Lee Mcfall
    8. John Hardy/closing Theme
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California
    9. Katie Kline
    10. Walkin' The Dog


    LP 5
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. Paddy On The Turnpike (Boys, My Money's All Gone)
    2. Love And Wealth
    3. Sourwood Mountain
    4. If I Lose
    5. Homestead On The Farm (I Wonder How The Old Folks Are At Home)
    6. Stoney Creek
    7. Salty Dog Blues
    8. Love Please Come Home
    9. Make Me A Pallet On The Floor
    10. Darlin' Allalee
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. In The Pines
    2. Raw Hide
    3. Black Mountain Rag
    4. True Life Blues
    5. Medley: Devil's Dream-Sailor's Hornpipe
    Black Mountain Boys
    Spring 1964
    Top of the Tangent
    Palo Alto, California

    6. Drink Up And Go Home
    Asphalt Jungle Mountain Boys
    Summer 1964
    Top of the Tangent
    Palo Alto, California

    7. These Men Of God
    8. Roll On Buddy
    9. Goodbye Old Pal
    10. Back Up And Push

    Jerry Garcia
    $124.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed Temporarily out of stock
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