Authorized & Certified VPI Dealer

A World of Vinyl

Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
10% Off Vinyl - 20% Off Vinyl Orders 100+
Home > Products for: '

Jimmie Vaughan

'
  • 1
Results per page:
  • Stevie Ray Vaughan: Live At Carnegie Hall Stevie Ray Vaughan: Live At Carnegie Hall Quick View

    $43.99
    Buy Now
    x

    Stevie Ray Vaughan: Live At Carnegie Hall

    Import


    180 Gram Audiophile Vinyl


    Insert


    Featuring Dr. John & Jimmie Vaughan


    Available On Vinyl For The First Time!


    Live at Carnegie Hall is a live Texas blues album by Stevie Ray Vaughan and Double Trouble, released in 1997. The concert was recorded at New York City's Carnegie Hall on October 4, 1984, a day after Vaughan's thirtieth birthday (leading to Vaughan's description of the show as My best birthday ever ... forever).


    Special guests included drummer George Rains, Dr. John on keyboards, the Roomful of Blues horn section, brother Jimmie Vaughan on guitar, and vocalist Angela Strehli. This was the first and only time in the band's history that the trio was expanded.


    The set list was in large part Vaughan's personal, private, tribute to his role models; he played tunes by Guitar Slim, Albert Collins, and Albert King, all musicians who never got to perform in the legendary concert hall. The album charted on the Billboard 200, and was the #1 Blues album for eight weeks.

    LP 1
    1. Intro - Ken Dashow / John Hammond
    2. Scuttle Buttin'
    3. Testifyin'
    4. Love Struck Baby
    5. Honey Bee
    6. Cold Shot
    7. Letter To My Girlfriend
    8. Dirty Pool


    LP 2
    1. Pride And Joy
    2. The Things That I Used To Do
    3. C.O.D.
    4. Iced Over
    5. Lenny
    6. Rude Mood

    Stevie Ray Vaughan
    $43.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • From Dusk Till Dawn From Dusk Till Dawn Quick View

    $36.99
    Buy Now
    x

    From Dusk Till Dawn

    Import

    From Dusk till Dawn: Music from the Motion Picture is the soundtrack album for the 1996 action-comedy-horror film, From Dusk till Dawn, directed by Robert Rodriguez and the screenplay was written by the legendary Quentin Tarantino.


    The album is predominantly Texas blues, featuring such artists as ZZ Top, Stevie Ray Vaughan and his brother Jimmie Vaughan. The film's score was composed by Graeme Revell, and two short excerpts of his work are featured on the album.


    There are also extracts of dialogue from the film. The Chicano rock band Tito & Tarantula, who portrayed the band in the Titty Twister bar, appears on the soundtrack as well.


    This record - never before released on vinyl- contains a 6 panel insert and a secret bonus track.


    • 180 grams audiophile vinyl

    • Gatefold sleeve

    • 6 page panel insert

    • Secret bonus track

    • First time ever on vinyl

    1.  Everybody Be Cool (Dialogue) (0:04)

    2.  Blasters, The - Dark Night (3:48)

    3.  ZZ Top - Mexican Blackbird (3:03)

    4.  Jon Wayne - Texas Funeral (2:32)

    5. Mavericks, The - Foolish Heart (3:31)

    6.  Juliette Lewis & Quentin Tarantino - Would You Do Me A Favor? (Dialogue) (0:11)

    7.  Jimmie Vaughan - Dengue Woman Blues (6:23)

    8.  Leftovers, The - Torquay (2:41)

    9.  ZZ Top - She's Just Killing Me (4:56)


    1.  Chet's Speech (Dialogue) (0:42)

    2.  Tito & Tarantula - Angry Cockroaches (Cucarachas Enojadas) (5:14)

    3.  Stevie Ray Vaughan & Double Trouble - Mary Had A Little Lamb (4:15)

    4.  Tito & Tarantula - After Dark (4:11)

    5.  Stevie Ray Vaughan & Double Trouble - Willie The Wimp (And His Cadillac Coffin) (4:34)

    6.  Kill The Band (Dialogue) (0:05)

    7.  Graeme Revell - Mexican Standoff (0:49)

    8.  Graeme Revell - Sex Machine Attacks (1:22)

    Various Artists
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 4 Nights of 40 Years Live 4 Nights of 40 Years Live Quick View

    $24.99
    Buy Now
    x

    4 Nights of 40 Years Live

    Contemporary blues icon Robert Cray will be celebrating his 40 years of performing with an incredible live release, '4 Nights of 40 Years Live'. This live album was recorded at Venture, Belly Up, Saban Theatre and his rehearsal studio in Dec 2014. Both the DVD and Blu-ray contain 90 minutes of concert footage from multiple camera angles creating an incredible perspective. It also contains personal in-depth interviews with Robert Cray, his band members and testimonials from legends as Eric Clapton, Buddy Guy, Keith Richards, Jimmie Vaughan and Bonnie Raitt.
    LP1
    1. Shiver
    2. I'll Always Remember You
    3. Poor Johnny
    4. Won't Be Coming Home
    5. The Road Down
    6. Sittin' On Top of the World
    7. Wrap It Up


    LP2
    1. Love Gone To Waste
    2. Bad Influence
    3. These Things
    4. Right Next Door (Because Of Me)
    5. The Forecast (Calls For Pain)
    6. Time Takes Two

    Robert Cray
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Havana Moon Havana Moon Quick View

    $34.99
    Buy Now
    x

    Havana Moon

    Import

    The third Carlos Santana solo album marks a surprising turn toward 1950s rock & roll and Tex-Mex, with covers such as Bo Diddley's "Who Do You Love" and Chuck Berry's title song. The album features performances by Booker T & the MGs, Willie Nelson and the Fabulous Thunderbirds, and also Carlos' father Jose singing "Vereda Tropical" - a song Carlos had first heard when his father was serenading his mother following an argument.


    Produced by veteran R&B producers Jerry Wexler and Barry Beckett, the album features an eclectic mix of sidemen, including Booker T. Jones of Booker T & the MG's, Willie Nelson, Jimmie Vaughan, Flaco JimÉnez, Stephen Kupka (of Tower Of Power) and many more.


    Havana Moon is a light effort, but it's one of Santana's most enjoyable albums, which may explain why it was also the best-selling Santana album outside the group releases in ten years.

    1. Watch Your Step
    2. Lightnin'
    3. Who Do You Love
    4. Mudbone
    5. One With You
    6. Ecuador
    7. Tales of Kilimanjaro
    8. Havana Moon
    9. Daughter of the Night
    10. They All Went To Mexico
    11. Verda Tropical
    Santana
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Riding With The King Riding With The King Quick View

    $24.99
    Buy Now
    x

    Riding With The King

    When it comes to the greatest rockin'
    bluesmen in history, at the top of the
    electrified traditional list is B.B. King;
    at the top of the contemporary list is
    Eric Clapton. Riding With The King
    brings the two living legends together
    for an entire album for the first time.
    When it comes to rockin' blues, Riding
    With The King is as great as it will
    ever get.


    GUEST ARTISTS:

    Nathan East, bass

    Steve Gadd, drums

    Andy Fairweather-Low, guitar

    Jimmie Vaughan, guitar

    Doyle Bramhall, guitar, backing vocals

    Tim Carmon, organ

    Susannah Melvoin, backing vocals

    Wendy Melvoin, backing vocals

    Joe Sample, keyboards


    PRODUCERS:

    Eric Clapton

    Simon Climie

    1. Riding With the King
    2. Ten Long Years
    3. Key To the Highway
    4. Marry You
    5. Three O'Clock Blues
    6. Help the Poor
    7. I Wanna Be
    8. Worried Life Blues
    9. Days of Old
    10. When My Heart Beats Like A Hammer
    11. Hold On, I'm Comin'
    12. Come Rain or Come Shine
    Eric Clapton And B.B. King
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Drifter The Drifter Quick View

    $24.99
    Buy Now
    x

    The Drifter

    A new album from Mike Flanigin featuring a who's who of Texas music greats: Billy Gibbons, Jimmie Vaughan, Gary Clark Jr., Alejandro Escovedo, Kat Edmonson, Reverend Gean West & The Relatives.
    1. The Devil Beats His Wife
    2. Fit to be Tied ft. Alejandro Escovedo
    3. The Drifter ft. Billy Gibbons
    4. All Nite Long ft. Jimmie Vaughan
    5. From the Dust
    6. Nina ft. Kat Edmonson
    7. Stop the World ft. Gary Clark Jr.
    8. Tryin' to Make My Way Back Home ft. Reverend Gean West
    9. One Little Heart ft. Kat Edmonson
    10. This Life
    Mike Flanigin
    $24.99
    Vinyl LP - Sealed Buy Now
  • Family Style Family Style Quick View

    $34.99
    Buy Now
    x

    Family Style

    Import

    Family Style is a fantastic Blues Rock album by the Vaughan Brothers, released in 1990. The album features the brethren guitarists and vocalists, Jimmie and Stevie Ray Vaughan, in their only studio collaboration.


    In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with Thanks Mama V. for letting us play.


    With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on White Boots and Good Texan, and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustainy twang, Jimmie moving into Albert King territory.

    1. Hard To Be
    2. White Boots
    3. D/fw
    4. Good Texan
    5. Hillbillies From Outerspace

    6. Long Way From Home
    7. Tick Tock
    8. Telephone Song
    9. Baboom/Mama Said
    10. Brothers
    Vaughan Brothers
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dan Dyer Dan Dyer Quick View

    $19.99
    Buy Now
    x

    Dan Dyer

    It may be generalizing. Hopefully it isn't offensive. But let's face it: Dan Dyer has one hell of a soulful voice for a white guy. It's a soulful voice for anybody. But for a white guy?! Close your eyes and you're likely to picture something more along the lines of Al Green or Stevie Wonder or Sly Stone than some east Texan around 40 years old. But this is Dan Dyer's gift - a voice oozing soul along with deeply introspective, serious songwriting.


    Dyer was born and raised in the small east Texas town of Tool. He was given a guitar at age 5 but didn't learn to play until he was 18 and had moved to Austin, Texas. It was there that he began to study music seriously, attacking the guitar, and exploring his until-then untapped singing and songwriting powers.


    While attending Texas State in San Marcos, Texas, Dyer formed a band, Breedlove, with guitarist Tyrone Vaughan (son of Jimmie Vaughan), drummer Jason White, keyboardist Ezra Reynolds and bassist Josh Dawkins. The group developed a dedicated following and released Reach Out in 1996 before disbanding in 1998.


    From there, Dyer moved to New York City and began writing commercial music jingles, having songs placed in marketing campaigns for Budweiser, Chevrolet, Dr. Pepper and Campbell's Soup. While there, Lenny Kravitz, who had just begun a Warner Bros. imprint called Roxie Records, signed Dyer and produced his What Lies Beneath record in 2004, the first release on the label. Kravitz co-wrote four of the songs with Dyer and also played guitar on the record.


    After touring for a year behind What Lies Beneath, Dyer moved to St. Louis and started a family. In 2007, he returned to Austin where he'd reunited with friend David Boyle, who recorded and produced Dyer in his converted-church studio for the self-titled Dan Dyer. The record was released in 2008 on Fat Caddy Records. From the chain gang-inspired sound of Love Chain to the gospel-tinged I Walk On Gilded Splinters and Stewart Copeland-esque syncopations of Play On Little Children, Dyer and Boyle weave a diverse fabric that extends beyond conventional musical boundaries.


    This title is not eligible for discount.

    1. Prisoner Of Fear
    2. Howling Wind
    3. Come Home
    4. Come Home Pt. 2
    5. Reach Out
    Dan Dyer
    $19.99
    180 Gram Audiophile Virgin Vinyl LP D2D -Sealed Direct to Disc (D2D) Buy Now
  • Parker Millsap Parker Millsap Quick View

    $18.99
    Buy Now
    x

    Parker Millsap

    You can't get much more small-town America than growing up in an Oklahoma burg with a population of less than 6,000. But it's to singer/songwriter Parker Millsap's credit that he doesn't let that, or his upbringing in a Pentecostal household, get in the way of writing detailed, personality-driven story songs; ones that tell larger truths of the human condition without coming off as preachy or disparaging. That, combined with the 20 year old's weathered vocals and knack for combining folk, blues and country into melodies that feel lived in yet not familiar, makes this an early contender for one of the most notable debuts from a new artist this year.


    It's that diversity which lets him appeal to a variety of audiences, opening concerts for acts as varied as Jimmy Lafave, Jimmie Vaughan and the Old Crow Medicine Show. His approach is sometimes brooding yet never sterile. Tales of a twisted religious killer ("Old Time Religion"), the loser looking for his future in a lottery ticket ("Yosemite") and the man ready to take his wife and leave his small town for good ("Disappear") are relatable since the personalities are probably not far removed from ones we have encountered, or at least read about.


    Everything is written in a first person narrative as if we are living their thoughts and providing a window into these protagonist's souls. It's particularly effective with the Okie leaving for a better political and physical environment on the Delta blues slide guitar and harmonica driven "Land of the Red Man." The slow blues of "Forgive Me" inserts us inside the mind of a self-confessed sinner who understands his darkest impulses prevent him from interacting with normal people. Horns provide mournful accompaniment making the song a cousin to Randy Newman's "Guilty," impressive company, especially for someone just in his twenties.


    Like the best of his peers, Millsap lets his music and lyrics do the talking, keeping the production sparse, not stark, and creating a terrific, even audacious first effort. Millsap's subtle style allows the listener to discover the emotional vortex of his often confused characters, helping us identify with their motives without casting judgment.

    - Hal Horowitz (American Songwriter)

    1. Old Time Religion
    2. Truck Stop Gospel
    3. Forgive Me
    4. The Villian
    5. Disappear
    6. Quite Contrary
    7. At The Bar
    8. When I Leave
    9. Yosemite
    10. Land of the Red Man
    Parker Millsap
    $18.99
    Vinyl LP - Sealed Buy Now
  • Couldn't Stand The Weather (Pure Pleasure) Couldn't Stand The Weather (Pure Pleasure) Quick View

    $49.99
    Buy Now
    x

    Couldn't Stand The Weather (Pure Pleasure)

    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80's. Vaughan drew equally from bluesmen like Albert King, Otis Rush, and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late '60s. For the next seven years, Stevie Ray was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll.

    Musicians:



    • Stevie Ray Vaughan (vocal, guitar)

    • Jimmie Vaughan (guitar)

    • Stan Harrison (tenor saxophone)

    • Tommy Shannon (bass)

    • Chris "Whipper" Layton, Fran Christina (drums)



    Format: 2LPs 33rpm / standard sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    Side 1
    1. Scuttlebuttin'
    2. Couldn't Stand The Weather
    3. Things That I Used To Do


    Side 2
    4. Voodoo Chile (Slight Return)
    5. Cold Shot


    Side 3
    6. Tin Pan Alley
    7. Honey Bee
    8. Stang's Swang


    Side 4
    9. SRV Speaks
    10. Hide Away
    11. Look at Little Sister
    12. Give Me Back My Wig
    13. Come On (Pt.3)

    Stevie Ray Vaughan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Long Gone (Discontinued) Long Gone (Discontinued) Quick View

    $24.99
    Buy Now
    x

    Long Gone (Discontinued)

    Analogue Productions is proud to present Long Gone, the debut album by the sensational new rock/ blues, guitarist/ singer-songwriter Jimmy D. Lane. While the listener will hear echoes of Jimi Hendrix and Stevie Ray Vaughan in Jimmy's playing, he is his own man, a fact recognized recently by Eric Clapton when, after playing together with Jimmy on a forthcoming tribute album to Jimmy's father, Jimmy Rogers, Clapton proclaimed Jimmy Lane an incredible guitarist. Indeed, the strongest influence on Jimmy's musical development has been his father.


    Long Gone features Jimmy Lane with bassist Freddie Crawford (also a veteran member of Jimmy Rogers band and Jimmy Lane's regular group) and legendary drummer Jim Keltner, who has performed and/or recorded with everyone from John Lennon and Bob Dylan to the Rolling Stones and Eric Clapton. Jimmy Lane's repertoire on Long Gone is made up of his own originals and covers by blues and rock greats including Bob Dylan, Jimi Hendrix, Jimmy Rogers, John Lee Hooker, Muddy Waters and Albert King.


    If anyone comes by the blues honestly, it's Jimmy D. Lane... his guitar playing is powerful and inspirational; you may find yourself playing air guitar for the first time in years... Lane gives us an electric guitar extravaganza of a type that was abundant 25-30 years ago but is nowadays rare.
    -- Larry Kay, FI Magazine


    Long Gone should move Jimmy D. Lane directly to the front ranks of those who will take the blues into the next century.
    -- Jim DeKoster, Living Blues


    This title is not eligible for discount.

    1. Hear My Train A Comin'
    2. Obsession Babies
    3. Long Gone
    4. I Shall Be Released
    5. Shake, Shiver, Ache
    6. Rollin' Stone
    7. Whiskey
    8. Boom Boom
    9. White Tears
    10. Oh What A Feelin'
    11. California
    12. I'm In Love
    13. Tears Without A Shoulder
    Jimmy D. Lane
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Family Style (200 Gram Vinyl) Family Style (200 Gram Vinyl) Quick View

    $34.99
    Buy Now
    x

    Family Style (200 Gram Vinyl)

    200-Gram Vinyl Pressed At Quality Record Pressings


    All-Analog Mastering By Ryan K. Smith At Sterling Sound From The Original Tapes


    Deluxe Tip-On Gatefold Jacket From Stoughton Printing


    Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play." With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.


    This title is not eligible for discount.

    1. Hard To Be
    2. White Boots
    3. D/FW
    4. Good Texan
    5. Hillbillies from Outerspace
    6. Long Way from Home
    7. Tick Tock
    8. Telephone Song
    9. Baboom / Mama Said
    10. Brothers
    Vaughan Brothers
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Family Style (45 RPM) Family Style (45 RPM) Quick View

    $54.99
    Buy Now
    x

    Family Style (45 RPM)

    200-Gram Vinyl Pressed At Quality Record Pressings


    All-Analog Mastering By Ryan K. Smith At Sterling Sound From The Original Tapes


    Deluxe Tip-On Gatefold Jacket From Stoughton Printing


    Double 1990 Grammy Award Winner: Best Contemporary Blues Album, Best Rock Instrumental Performance - "D/FW"


    Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play." With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots"
    and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.


    As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.


    There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.


    This title is not eligible for discount.

    LP 1
    1. Hard To Be
    2. White Boots
    3. D/FW
    4. Good Texan
    5. Hillbillies from Outerspace


    LP 2
    1. Long Way from Home
    2. Tick Tock
    3. Telephone Song
    4. Baboom / Mama Said
    5. Brothers

    Vaughan Brothers
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Live Alive Live Alive Quick View

    $39.99
    Buy Now
    x

    Live Alive

    Import

    Live Alive, originally released in 1986, is an essential Blues double album compiled from four live performances by Stevie Ray Vaughan and Double Trouble. The performances were recorded in 1985 at the Montreux Jazz Festival (July 16), the Austin Opera House (July 17 + 18) and at Dallas Starfest (July 19). The amazing live record is filled with gems from SRV's first three albums, plus a great rendition of Willie The Wimp featuring his brother Jimmy (who also makes a guest appearance on Love Struck Baby, Look At Little Sister and Change It).


    The track listing for Live Alive displays several of Stevie Ray Vaughan's biggest influences: Jimi Hendrix (Voodoo Child (Slight Return)), Stevie Wonder (Superstition), Howlin' Wolf (Commit A Crime) and Buddy Guy (Mary Had a Little Lamb).

    LP1
    1. Say What !
    2. Ain't Gonna Give Up On Love
    3. Pride And Joy
    4. Mary Had A Little Lamb
    5. Superstition
    6. I'm Leaving You (Commit A Crime)
    7. Cold Shot
    8. Willie The Wimp


    LP2
    1. Look At Little Sister
    2. Texas Flood
    3. Voodoo Chile (Slight Return)

    4. Love Struck Baby
    5. Change It
    6. Life Without You

    Stevie Ray Vaughan
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Sky Is Crying  (Discontinued) The Sky Is Crying (Discontinued) Quick View

    $49.99
    Buy Now
    x

    The Sky Is Crying (Discontinued)

    Comprised of ten previously unreleased studio performances Stevie Ray Vaughan and Double Trouble cut between late 1984 and early 1989, The Sky Is Crying serves as the legendary guitarists unofficial fifth album as well as an homage to extraordinary musicians exceptional abilities as a musician, songwriter and interpreter. It also contains the tremendously moving Life By the Drop, the first-ever recorded take of Vaughan playing acoustic guitar. Few, if any, posthumous collections are more complete, satisfying, and revealing as this 1990 set.



    When Vaughan was killed in a helicopter crash in August 1990, his brother, Jimmie, set to work on finding finished material that his younger sibling left in the vaults. To his surprise, there weren't many completed leftovers, save for the tracks on this set, which lent to the opinion that, in some way, Vaughan intended The Sky Is Crying to be an actual record. Nearly every song here had long found its way into the group's live sets, including the supremely soulful title track, bathed in Reese Wynan's warm organ accompaniment.



    On the rarity Boot Hill, Vaughan plays the slide guitar, the very first time he's captured on record in this style. The song was left off of In Step due to its darker content. Vaughan's formative influences also get channeled here on a slow-burn version of Howlin' Wolf's May I Have a Talk With You, during which the Texan incorporates the lyrics of several blues standards into the narrative.



    This title is not eligible for discount.

    1. Boot Hill
    2. The Sky Is Crying
    3. Empty Arms
    4. Little Wing
    5. Wham
    6. May I Have a Talk With You
    7. Close to You
    8. Chitlins con Carne
    9. So Excited
    10. Life By the Drop
    Stevie Ray Vaughan
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • In The Beginning (200 Gram Vinyl) In The Beginning (200 Gram Vinyl) Quick View

    $34.99
    Buy Now
    x

    In The Beginning (200 Gram Vinyl)


    Mastered From The Original Tapes By Ryan Smith At Sterling Sound


    200-Gram Pressing By Quality Record Pressings


    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.


    Before the Montreaux Jazz Festival, before Bowie's Let's Dance album, before Texas Flood, before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful In Step and Family Style ..... before August 27, 1990..... before the all-star tributes, before The Legendary Stevie Ray Vaughan......


    There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie.


    It wouldn't be long.


    Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that. Young Stevie Vaughan (he had yet to become Stevie Ray) blasted the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing.


    Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's In the Open and the lengthy Tin Pan Alley are the real highlights here.


    As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.


    There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.


    This title is not eligible for discount.

    1. In The Open
    2. Slide Thing
    3. They Call Me Guitar Hurricane
    4. All Your Love (I Miss Loving)
    5. Tin Pan Alley (aka Roughest Place in Town)
    6. Love Struck Baby
    7. Tell Me
    8. Shake for Me
    9. Live Another Day
    Stevie Ray Vaughan
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Divine One (Pure Pleasure) The Divine One (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    The Divine One (Pure Pleasure)

    Recorded just after Sarah Vaughan joined the Roulette label in 1960, The Divine One found her in exactly the right circumstances to suit her excellent talents. Arranged by Jimmy Jones, who also sits in on piano, the setting was a small group that included one strong voice to accentuate hers -- and no less a strong and clear voice than trumpeter Harry Sweets Edison (the perfect accompaniment for Vaughan). The Divine One is mostly a ballads collection, and it includes a few songs that were new to her repertoire -- good choices like Have You Met Miss Jones? (aka Old Jones), When Your Lover Has Gone, Wrap Your Troubles In Dreams, and Jump for Joy. One great left-field choice is Ain't No Use, the R&B song taken as a slow torch song that Big Maybelle had first recorded (Nina Simone didn't record it until several years later). Roulette would soon push Vaughan in many different directions -- releasing over a dozen LPs in just a few short years -- but this small-group date is a gem.




    Recording: October 1960

    Production: Jimmy Jones



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Have You Met Miss Jones?
    2. Ain't No Use
    3. Everytime I See You
    4. You Stepped Out Of A Dream
    5. Gloomy Sunday
    6. What Do You See In Her
    7. Jump For Joy
    8. When Your Lover Has Gone
    9. I'm Gonna Laugh You Out Of My Life
    10. Wrap Your Troubles In Dreams
    11. Somebody Else's Dream
    12. Trouble Is A Man
    Sarah Vaughan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Freddy King Gives You a Bonanza of Instrumentals Freddy King Gives You a Bonanza of Instrumentals Quick View

    $24.99
    Buy Now
    x

    Freddy King Gives You a Bonanza of Instrumentals

    Freddie Kings second all-instrumental album, Freddy King Gives You a Bonanza of Instrumentals, originally released in 1965 on King Records Federal subsidiary, continued the artists winning streak, with such memorable King originals as Manhole, Freeway 75, Low Tide and Funnybone. The 12-song LP demonstrates once again why King was one of his generations most revered electric guitarists.


    Although his career was tragically cut short by his death at the age of 42, Freddie King was one of Americas most distinctive and influential electric blues guitarists, leaving an indelible mark on more than one generation of guitar superstars, including Eric Clapton, Stevie Ray Vaughan and the Rolling Stones Mick Taylor. The Texas-born axeman began playing guitar at the age of six, and in his teens moved with his family to the South Side of Chicago, where he was inspired by witnessing club gigs by such seminal electric bluesmen as Muddy Waters, Jimmy Rogers and Elmore James. Originally billed as Freddy King, he began recording in 1957, revealing a massively influential style that merged his Texas and Chicago influences, and soon achieved commercial success with a series of infectious instrumental hits.


    Sundazed Musics new vinyl edition of this electric blues landmark has been sourced from the original mono master, and pressed on 180-gram vinyl. It features an exact reproduction of the original LP cover art..

    1. Manhole
    2. Freeway 75
    3. Low Tide
    4. The Sad Nite Owl
    5. Funnybone
    6. Nickleplated
    7. King-a-Ling
    8. Surf Monkey
    9. Freddy's Midnite Dream
    10. Fish Fare
    11. Cloud Sailin'
    12. Remington Ride
    Freddy King
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Truth Truth Quick View

    $28.99
    Buy Now
    x

    Truth

    Jeff Becks position in the pantheon of great electric guitarists is indisputable. As visionary a musician as Jimi Hendrix, Beck made his name as the second of three hall of fame stringbenders for the legendary Yardbirds (following in the Slowhand shoes of Eric Clapton and preceding the pre-Zep/session gigging Jimmy Page). Known for his blistering leads and the wild chances he took as one of the first axemen to widely employ feedback during a solo, Beck immediately launched his solo career upon leaving the Yardbirds in 1967. Together with vocalist Rod Stewart and multi-instrumentalist Ron Wood on bass, he cut a pair of albums that expanded on the greatness of his previous work.


    In late 1966, Beck began work on Truth, his solo LP debut. Recording with his core group of Stewart, Wood and drummer Mickey Waller, Beck ventured far beyond the established rock guitar lexicon, forging a unique style which would influence generations of future acolytes. The LPs grand masterstroke, Becks Bolero, is recognized as one of the greatest guitar instrumentals of all time. Notably, the session musicians on this track represented the cream of the British rock scene: Jimmy Page on guitar, John Paul Jones on bass, Nicky Hopkins on piano and a Moon-lighting drummer from a mega-band who could not be listed in the credits for contractual reasons. Rumor had it he could see for miles, though.


    The influence the album inflicted on the current and future rock scene could hardly be overstated. It showed the way forward toward a heavier, blues-based guitar sound (hello, Led Zeppelin) and provided essential instruction to guitarists from Tom Scholz to Stevie Ray Vaughan. The opening track, Shapes of Things, reworked a Yardbirds song and literally built a bridge from Becks immediate past to his present. The albums cover of the Willie Dixon classic, You Shook Me, beat Zeps version to wax by several months. Throughout the disc, Becks razor-sharp fretwork and enormous tonal palette surprises and amazes at every turn.


    This benchmark recording is sourced from the original analog mono masters and is proudly pressed on high-definition vinyl. As another rock legend once said, Just gimme some Truth!

    1. Shapes of Things
    2. Let Me Love You
    3. Morning Dew
    4. You Shook Me
    5. Ol' Man River
    6. Greensleeves
    7. Rock My Plimsoul
    8. Beck's Bolero
    9. Blues De Luxe
    10. I Ain't Superstitious
    Jeff Beck
    $28.99
    Vinyl LP Mono - Sealed Buy Now
  • But Beautiful (Pure Pleasure) But Beautiful (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    But Beautiful (Pure Pleasure)

    A highly successful and respected jazz and soul singer, Nancy Wilson bridges the gap between the classic pop vocal era of Peggy Lee, Frank Sinatra and Ella Fitzgerald and the belting R&B divas of today. Though Nancy Wilson has always cited the emotionally naked, androgynous vocal style of Jimmy Scott as her primary influence, her voice carries definite echoes of Dinah Washington and Sarah Vaughan. Yet Wilson also has always had a strong feeling for post-Sam Cooke soul and the tartness of her delivery carries more than an echo of the sometimes-icy Lena Horne. Young and heart-stoppingly beautiful, Wilson was discovered singing in a N.Y.C. jazz club in the late 1950s by Cannonball Adderley, who told his management at Capitol Records that they needed to scoop her up before another label did. Wilson was immediately signed and started recording for Capitol, the premier vocal label of the 1950s and '60s.




    Musicians:



    • Nancy Wilson (vocal)

    • Hank Jones (piano)

    • Gino Bertachini (guitar)

    • Ron Carter (bass)

    • Grady Tate (drums)




    Recording: November 1969 in New York City

    Production: David Cavanaughdeutsch




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Happiness Is A Thing Called Joe
    2. Oh! Look At Me Now
    3. Glad To Be Unhappy
    4. Do It Again
    5. But Beautiful
    6. Easy Living
    7. Prelude To A Kiss
    8. I Thought About You
    9. For Heaven's Sake
    10. Supper Time
    11. I'll Walk Alone
    12. Darn That Dream
    13. In A Sentimental
    Nancy Wilson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • It's Time (Out Of Stock) It's Time (Out Of Stock) Quick View

    $29.99
    x

    It's Time (Out Of Stock)

    Jimmy D. Lane's guitar playing will knock you over. His control of his guitar, from the most delicate tonal nuances to the flashiest, fastest licks, is almost superhuman. Only the most masterful guitar players can command their instruments this way, and all the practice in the world can't develop it. Jimmy D. Lane is a natural-born guitar monster. - Bob Margolin, guitarist in the Muddy Waters Band for seven years


    It's Time could just as well have been titled It's Overdue. It's long been time for one of today's most powerful and expressive musicians to break the chains of relative commercial obscurity. Time to seize the reins of blues leadership, just as his father, Jimmy Rogers, did in the 1940s. Masters Eddie Kramer (engineer for Hendrix, Zeppelin, Woodstock etc.), Chris Whipper Layton and Tommy Shannon (of Double Trouble) and Mike Finnigan (organ in the bands of Etta James, Taj Mahal and CSN&Y) are all onboard to give Jimmy the nudge he needs to clear the launching pad. It's Time.


    Just wanted to let you know how much Frank and I are enjoying Jimmy D. Lane's new CD - It's Time. It is truly wonderful! We are looking forward to experiencing the Blues Masters concert in Oct. Take care and thanks so much for such a hauntingly awesome CD. Please convey to him that we are hoping not to wear out the CD we enjoy it so much. - Peggy Ulasek, Maryland


    Lane's certainly got the goods. The guitarist and singer - he plays bass and drums, too, on a pair of tracks - wrote all but one of the disc's 12 songs. And he's got a knack for mixing Hendrix- and Vaughan-influenced contemporary blues with old-school roots learned from his father...what makes It's Time a fun listen is its textural variety...Kramer's production offers a bright, modern sound that still has the warm feel of live performance. He and Lane keep the set tightly focused...For Jimmy D. Lane, now's as good a time as any. - Michael Cote, Blues Revue, February/March 2005


    This title is not eligible for discount.

    Side One


    1. What Makes People
    2. 'Til I Loved You
    3. Half Love


    Side Two


    1. Ain't It a Pity
    2. It's Time

    3. Stuck in the Middle


    Side Three


    1. Hand on the Door
    2. Bad Luck
    3. My Nature


    Side Four


    1. 24-7
    2. Bleeding Heart
    3. Salina

    Jimmy D. Lane
    $29.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - Sealed Temporarily out of stock
  • 1
Go to top